2016 : M SF
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- ひでたつ やぶき
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1 2016 M
2 2016 : M SF
3 [scene-by-scene] A Appendix 29 I
4 A A A A A A.6 Final A.7 D A A A A A A A A A.16 Final A.17 D A A A II
5 A.21 Final [scene-by-scene] A.22 [scene-by-scene] A.23 [scene-by-scene] A.24 [scene-by-scene] A.25 2 [scene-by-scene] A.26 [scene-by-scene] A.27 3D [scene-by-scene] A.28 [scene-by-scene] A.29 [scene-by-scene] A.30 [scene-by-scene] A A III
6 TERROR HORROR TERROR HORROR TERROR HORROR TERROR HORROR TERROR HORROR TERROR HORROR A.1 TERROR HORROR A.2 REPULSION RECOVERY IV
7 A.3 BACK GRAND V
8 SF [1] 1
9 re-birth [2] [2][3][4] [2] [5] [4][6][7] [8] [9][10] [11][12][13] 2
10 3
11 [14] Final [15] 2 [16] [17] 3D [18] [19] [20] [21] [22] [23]
12 Final D
13
14 Final D Final 2 D 7
15 2.4 3 Final 2 D Final 2 D 8
16 2.6 5 Final 2 D 8 ( ) = 100 (2.1) Final Final D
17 Final D D Final D
18 Final D Final D Final Final D D 6 11
19 2.3 [scene-by-scene] [24] [scene-by-scene] [scene-by-scene] TRROR HORROR RECOVERY REPULSION BACK GRAND 5 TRROR HORROR RECOVERY REPULSION BACK GRAND 12
20 TERROR HORROR TERROR HORROR 1 TERROR HORROR TERROR HORROR 2 TERROR HORROR TERROR HORROR 3 TERROR HORROR D TERROR HORROR 4 TERROR HORROR Final TERROR HORROR 5 TERROR HORROR Final D
21 TERROR HORROR 6 TERROR HORROR Final Final D D 6 TERROR [scene-by-scene]
22
23
24 2.1 [25]
25
26 D 3D
27 3D Final 2 Final 2 3D
28
29 G 2 3D F 3 C 4 C 5 A 6 A 7 B 8 C 9 B G 2 F 3 C 4 C 5 A 6 A 7 final B 8 C 9 B
30
31 4 24
32 25
33 [1] Thescriptlab. horror genre. : [2]. YOMIYURI ONLINE. endan/index7.html. : [3],,. : ( ( ), 2014)., Vol. 38, No. 16, pp , [4] cinereflet.. html. : [5] Elizabeth Barrette. Elements of aversion, what makes horror horrifying? horror.fictionfactor.com/articles/aversion.html. : [6],.. (MUS), Vol. 2014, No. 3, pp. 1 13, [7],. Q A, pp , [8] Tom Garner and Mark Grimshaw. A climate of fear: considerations for designing a 26
34 virtual acoustic ecology of fear. In Proceedings of the 6th Audio Mostly Conference: A Conference on Interaction with Sound, pp ACM, [9] Mark Grimshaw Angela Tinwell. Survival horror games-an uncanny modali. PhD thesis, University of Bolton, [10]. :., Vol. 48, pp , [11]..,, Vol. 5,, [12],,,,..,, [13]..,, [14].. [15]. Final [16]. 2 TOKYO NIGHT. co.jp/archive/paranormal2/, [17] [18]. 3D [19]. FORBIDDEN SIREN. PTA RS, [20].. titleid= , [21] [22]
35 2002. [23] [24]. A content-based classication of horror movie scenes using fear stages.,, [25] Albert.. technology/mining/cluster2.html. :
36 A Appendix [scene-by-scene] TRROR HORROR RECOVERY REPULSION BACK GRAND 0 RECOVERY REPULSION A.1 A.10 TRROR HORROR RECOVERY REPULSION BACK GRAND A.1 A.2 29
37 A.3 2 A.4 A.5 A.6 Final A.7 D A.8 A.9 A.10 A.11 A.20 A.1 A.10 BACK GRAND 30
38 A.11 A.12 A.13 2 A.14 A.15 A.16 Final 31
39 A.17 D A.18 A.19 A.20 A.1 TERROR HORROR TERROR HORROR Final D
40 A.2 REPULSION RECOVERY REPULSION RECOVERY Final D A.3 BACK GRAND BACK GRAND 58.5 Final D A.21 A.31 [scene-by-scene] 33
41 A.21 Final [scene-by-scene] 34
42 A.22 [scene-by-scene] 35
43 A.23 [scene-by-scene] 36
44 A.24 [scene-by-scene] 37
45 A.25 2 [scene-by-scene] 38
46 A.26 [scene-by-scene] 39
47 A.27 3D [scene-by-scene] 40
48 A.28 [scene-by-scene] 41
49 A.29 [scene-by-scene] 42
50 A.30 [scene-by-scene] 43
51 A.31 44
52 A.32 A.32 45
44 4 I (1) ( ) (10 15 ) ( 17 ) ( 3 1 ) (2)
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