IPSJ SIG Technical Report Vol.2009-MUS-83 No /12/6 From contemporary music to today s music: The liberation from the prejudice and the principl

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1 From contemporary music to today s music: The liberation from the prejudice and the principle Shigenobu Nakamura The music called "the third music" is today s music. It is unrelated to Western art music, unlike contemporary music that is a genre of Western art music (classical music), and it is not as popular as rock and pop music. Through a presentation on the third music, I describe a new trend of computer music. 1. [1] 2. [2][3][4][5] [6] Faculty of Design, Kyushu University 1 c2009 Information Processing Society of Japan

2 [7] [8] [9] 100 Henryk Mikolaj Gorecki(1933-)[a] Arvo Pärt [b] [10] a) b) 1977 (a) (b) (c) (a) (b) (c) 4. 2 c2009 Information Processing Society of Japan

3 (1978- ) particle [11][c] 2 2 Qubie 1 Prticle (1979- ) cubie [12][d] (1983- ) overbug [13][e] 3 c) 2002 Off-ICMC2005(Barcelona/Spain), Japan Yokohama Triennale 2005(Yokohama), CEAIT festival(los Angels/USA), NIME 04(Shizuoka) d) International Festival of Electronic Art 404 5th Edition (Trieste/Italy),BACA-JA 2007, Electro Frenge 2007(Australia) 2007 e) 2008 transmediale 2009 nominated Berlin/Germany, BACA-JA International Festival of Electronic Art 404 5th Edition(Trieste/Italy) 3 c2009 Information Processing Society of Japan

4 情報処理学会研究報告 定することが出来る 速度や音高 音色の設定も自由にできる 音楽構造を視覚化していること 反復をループとしてとらえて円で表していること モニタ画面が円をモチーフにした美的造形であること これらがこの作品の特徴であ り魅力となっている なお この作品はユーモアに満ちあふれている 発音のためのカーソルが虫である のをはじめ その虫を消すためのカーソルは蠅たたきであり 多量の虫を消すための カーソルは殺虫スプレーである 虫を大きくするためのカーソルはステロイド入りの 注射器であり 虫に注射をすると体が大きくなって音量も上がる 択するためにボタンを見る 選択したボタンを押そうとするカーソルの動きを見る等 音を聴くためにこれほどに見ることに神経を集中させる このように集中的に見るこ との結果 音を聴くことに集中するようになる この点にこの作品の特徴と魅力があ る 図 4 古田伸彦 Push Action Buttons 5. 第 三 の 音 楽 は 現 代 の 音 楽 で あ る ま と め に 代 え て 図 3 的場寛 Overbug 実際には以上の他にも様々なタイプの 第三の音楽 がある 本稿では筆者が一番よ く通じている身近な作品例のみを紹介した ただし上記4作品のみの紹介によっても ある程度の理解が得られたと思うが 第三の音楽 としてのコンピュータ音楽は以下 の点で 現代音楽 に代わる現代の音楽である 古田伸彦 push action buttons [14][f]はモニタ上の仮想ボタンを押すことで 音を次々 と発生させる演奏ソフトウェア作品である ただし ボタンは出鱈目に押すのではな い あるボタンを押すと それに反応して新しいボタンが誕生したり すでにあるボ タンが動き出したり震えだしたり それに伴って音が発生する それはあたかも押す ことを誘発するような効果を醸し出す 操作者はその誘発に反応してボタンを押す そしてそれが演奏になる どのボタンを押すかは操作者の反応の仕方に委ねられる この作品では聴覚表象と視覚表象の融合がはかられている 例えば 操作者はモニ タを見る モニタ上のボタンを見る そのボタンの動きを見る 押すべきボタンを選 ① 現代音楽 の遺産を使用しつつも それにまつわるその建前や偏見には縛られて いない すなわち西洋芸術音楽の価値観から解放されている ②コンピュータ プログラミングなどの新たな知的たのしみがある ③マルチメディア アートとしての面白さ つまり目と耳でたのしめる面白さがあ る したがってインスタレーションとしての提示 クラブやギャラリーでの上演 など 従来のコンサート形式に縛られない ネット環境も積極的に取り入れてい る f ) 2008 International Festival of Electronic Art 404 5th Edition(Trieste/Italy) 2008 インターカレッジコンピュータ 音楽コンサート などで上演 Information Processing Society of Japan

5 . 1) 40 p.107(2009) 2) Gieseler,Walter: Komposition im 20.Jahrhundert.Details-Zusammenh nge, Moeck Verlag+Musikinstrumentenwerk(1975). 3) R (1988). 4), 1945 (1987). 5) 20 5 (1982). 6) R : (1965). 7) p.4(2005). 8) 12 pp29-51(1957). 9),Th.W. (1970). 10) pp (2005). 11) Kanta Horio Web 0.1!!!!. 12) sadmb.com. 13) DOMINO FACTORY WORKS. 14) nhaw nobugunov hksk s art works 5 c2009 Information Processing Society of Japan

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