Drei_Dai_Dry
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- ぜんぺい のあき
- 7 years ago
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1 1runo Ruviaro Drei, Dai, Dry (010) music or viola, violoncello and ercussion
2 1
3 1Percussion Instruments: Claves Wood locks Temle locks ongos 1 Conga Roto-toms Crotales (1 octave) Virahone
4 1NOTATION (1) Glissando eteen seciied notes, ithin seciied rhythm. () The small note given in arentheses denotes the end o the glissando. This note should not e attacked as a ne note (i.e., it shouldn't e articulated). This is not a grace note: its duration and rhythmic value should e resected just as or any regular note ｾ () Glissando rom a doule sto to a single note. While keeing the same hand shae o the initial interval, the layer slides the hand on the to strings until the destination itch is reached. The doule sto is aandoned uon the articulation o the ne note. The actual sounding interval may slightly change as the glissando moves in register. () Comination o revious examles. In this case, the arrival oint o the glissando is a doule sto, ut it should not e articulated ith a ne attack. The itches indicated in arentheses are only aroximate. () Examle o glissando going across several eats (or arts o eats). Only notes ith actual noteheads reresent ne attacks. Stems ithout noteheads simly indicate the duration over hich the glissando is haening i i0 j () Glissando ithout a seciied end note. () Raid, unmeasured alternation eteen to notes. These trills are made to the note given in arentheses, hich can e at any interval aove the main note (not only major or minor seconds). When associated ith a glissando, oth notes should slide in aroximate aralell motion. (8) Grace notes: alays as ast as ossile. Grace notes are alays reresented y small eighth-notes ith a slash (9) Raid, unmeasured reetition o the same note (tremolo) n ｹ00 (10) Quarter-tone notation used in the iece n S.P. S.T 1 (11) Accidentals aly only to the note eore hich they are ritten. The only excetion is hen a note is immediately reeated in the same register. Courtesy natural signs (in arentheses or not) are sometimes used to avoid amiguities. In the examle aove, all the our E's reeated in immediate sequence are lat. 0 n (1) A lack diamond notehead means ｰhal-harmonicｱ: let-hand inger ressure should e eteen normal and harmonic ressure. (1) Sul Ponticello, Ordinario, and Sul Tasto. Arros indicate a gradual transition rom one to another. May also aear ith "molto" or "oco". 1 g g 0 ｾｾ 0 r n (1) On the rim (1) ROTO-TOMS: hen a glissando aears or the roto-toms, the numer aove the sta indicates hich drum is to roduce the glissando (1-, lo to high). In the examle aove, the inital attack haens simultanesouly on roto-toms 1 and, and the glissando should haen on only. The "X" notehead indicates a ne attack on the glissando tom. The actual sta ositioning o a X-notehead note does not have any secial signiicance. ｨ8閨ｧ80 (1) CROTALES: Notes used in the iece. (1) PERCUSSION MALLETS (rom let to right): sot yarn, medium yarn, hard yarn, lastic, snare drum stick.
5 1Drei, Dai, Dry Claves q 10 q 10 / ﾆ ﾆ ﾆ ﾆ runo Ruviaro Feruary 010 Wood locks Temle locks / ﾆ ﾆ 0 / ｧ8A ﾖ ﾖ > > ﾆ 0ｾ meno ﾆ ongos Conga / ﾆ ﾆ ﾆ ﾆ Roto-toms / ﾆ ﾆ ﾆ ﾆ Crotales 0 ﾆ ﾆ ﾆ ﾆ Virahone Viola ﾆ ﾆ ﾆ ﾆ O 0 ﾖ 0 O 0 0 n 0 ﾖ 0 n 0 0 n n n ﾇﾇﾇﾇ n Violoncello? 0 ﾖ ﾖ ｾ ｾｾ 00 n j n j 0 0
6 1 W.. T. l. / ﾆ ﾆ ﾆ / ﾆ 0 / 0 0 i0 j 0 0ｾ ﾆ ﾆ 0 / q 90 q 10 senza dim. su. 0 :q 0 ﾖ ij ﾆ ﾆ ﾆ r ﾖ n0. ﾖ 0 j 0 n 00 j ﾖ 0 j 0ｾ nn ? 0 r ﾖ 0 0 r 00 n n0 0 ﾖ ﾖ 0 0 n0 0 0 ij 0 0. ﾖ j n 00. ﾖ ij 0 0. ﾖ n0. W.. T. l. 8 / ﾆ ﾆ / 0 / 0 0ｾ ﾆ 0 / ﾖ quasi quasi ﾆ senza dim. 0 0 j 0 i j 0 ﾖ j 00ｾ j n ?.. 0 ﾖ 0ｾ 0 j ｹ00 j 0 j j.
7 1 W.. T. l. 10 q 10 q 80 / ﾆ ﾆ ﾆ ﾆ / ﾖ ｾ ﾆ ﾆ ﾆ ｾ / j 0 ﾆ ﾆ ﾆ 0 0 / ﾆ ﾆ m? ﾖ ｾ > ｾ ﾆ :q m 00 ｾ 0 0 j 0ｾｾｾ 0 00 III 0 ﾆ 0 n 00 m n n W.. 1 q 10 q 80 accel. / ﾆ ﾆ 0A m / ﾆ ﾆ ﾆ T. l. 0 / 0 /... ﾆ 00ｾ ﾆ ﾆ ﾆ n IV III j j S.T. n n00 nn n 0? 0 S.T.... ｾ 0ｹ00ｹ nn ｾ
8 1 W.. T. l. 1 / ﾆ 9 8 ﾆ 8 0ｾ 0 0 ﾆ / > > 9 8 ﾆ 8 ﾆ > 0ｾ 0ｾｾ ｾ 0 0 q 10 0 / ﾆ 9 8 ﾆ 8 ﾆ ﾆ 0 / ﾆ 9.> ﾆ ﾆ W oco S.P. 0 j 0 ｾｾ ｾｾ ﾖ su ｾ n0 0 n ｾ n? oco S.P ｾｾ ｾｾ ﾖ su. q 0 / ﾆ ﾆ ﾆ / ﾆ ﾆ ﾆ :q ｾ 0 0ｾ n j T. l. 0 / ﾆ ﾆ ﾆ 0 / j 0 0 0ｾ 00r ｾ 0ｾ m static senza cresc. oco S.P. n 00 su. oco S.P.? 0 0 nn su. 00 j 0 0 9:8e n0 0 0 j ﾆ 0 0 n 0 n0 cello strings: I II III IV (slo glissando) :q oco cresc. 0 :q oco cresc. n0 0
9 1 W.. T. l. q 90 / ﾆ ﾆ / ﾆ ﾆ 0 / ﾆ ﾆ 0 / n0 0 0 > ｾ ﾖ semre 0.> n ﾖ0 0 ｾ? n 00 j S.T. j S.T. 00 n W.. T. l. / ﾆ / > 0 > 0 0 ﾆ 0 / ﾆ ﾆ 0 / q 10 ﾆ 0 -> > - 0 ｾ 0 0 j ｾｾ 0 > su. s -> ->.-? > 0 0 0ｾ ｾ 0 n R su. quasi q ｾ ﾆ ﾆ 0
10 1 W.. T. l. 8 / ﾆ / ﾆ 0 / 0 / q R ｾ ﾖ j 0 0ｾ ﾆ > 0 > 0 > 0 n > 0 0 ﾖ ﾖ ﾖ m su. 0 0ｹ >? > > > ﾖ n ﾖ ﾖ m su. n0 n0 0 0 W.. T. l. 9 / ﾆ ﾆ 0 / 0 / / ﾆ ﾆ 0 0 (cresc.) S.T... > > > > > > >.. >.. ﾖ ﾖ ﾖ n00ｹ su.? S.T... > > > > > > 0 ﾖ ﾖ ﾖ 0 n su. 0 0 ﾖ 0 0 > ﾖ 0 0 ｾ 0 R ﾆ 0 0 ｾ R 0 ﾆ ﾆ (senza crescendo) 0. 0 ij n0.> ｾ 0
11 1 W.. T. l. W.. 1 / ﾆ ﾆ / ﾆ ﾆ 0 / 0 /? ij > 0 j 0 0 ﾆ () 0 0.> m > 0 () m q 0 (senza crescendo) oco S.P. oco sz / ﾆ ﾆ ﾆ / ﾆ ﾆ ﾆ q 10.. n0 0 ﾖ 0 0ｾ 0 ｾ 0 oco S.P :q ｾ oco sz ﾆ ﾆ > ﾖ 0 oco rit. S.P. m 0 T. l. 0 / ﾆ ﾆ ﾆ 0 /? 0 semre II slo glissando S.T. >> :q :x ﾆ r ｾ j ﾖ 0 0ｾ ｾ n n n cello strings: IV III II S.T. II 00 ｾ n 0 I () :q ﾖ 0 ｾ nn (S.T.) senza dim. 0 n00
12 18 W.. T. l. / ﾆ 1 1 ﾆ ﾆ / ﾆ ｾ ｾ ﾆ 00 ｾ / ﾆ 1 ﾆ 0 / q 0 rall. q? 0 ﾆ ﾆ 1 1 ﾆ ﾆ 0ﾝ ｾ izz. ﾆ 1 ﾜ ｾ 0ｾ ｾ ﾖ m m > izz. 0 0ｾ ﾖ 0 n ｾ ｾ 0 ﾖ 0 m W.. T. l. / ﾆ ﾆ 9 8 ﾆ / ﾆ ﾆ 9 8 ﾆ 9 0 / ﾆ ﾆ 8 ﾆ ﾆ 9 0 / ﾆ i 0 0ｾ arco (izz.) n0 0 (m) (m) ｾ 0 0ｾ0 oco accel. 0 0 n0 oco S.P q 0 arco n n ｾ ｾ. arco 0 0 ﾖｾ 0 0 0ｾ 0ｾ ｾ ﾖ ﾖ n0
13 1 W.. T. l. / ﾆ j 0 m / ﾆ ﾆ 0 / ir ﾖ 0 00 j ﾆ 0 / m ﾆ ﾆ 9 0 0ｾ 0 0ｾ s oco sz molto n n s oco sz molto 0 oco S.P. > > 0 ｾ m oco S.P. > 0 > 0 0 ｾ m W.. T. l. rall. q 8 / ﾆ / ﾆ ﾆ ﾆ 0 / ﾆ ﾆ ﾆ 0 / ﾆ ﾆ ﾆ > izz. arco 0 ﾖ n0 n m izz. n> 0 m 0 0 (oco) n0 (oco) 0 arco n
14 110 W.. T. l. W.. T. l. / ﾆ ﾆ / ﾆ ﾆ 0 / ﾆ ﾆ 0 / 9 / ﾆ ﾆ ﾆ ﾆ / ﾆ ﾆ ﾆ ﾆ 0 / ﾆ ﾆ ﾆ 0 / 0 0 n ﾆ q ﾖ 0 ﾖ ｾ i ﾖ m accel. su. >.-.- >.-.- > ｾ n 0 ﾖ ﾖ molto S.P. n n 0 0 su. 0 0ｾ ｾ n0 oco S.P. >.-.- >.-.- > ﾖ ﾖ 0 oco S.P. oco S.P. 0ｹ0 0 0.> molto S.P. - oco S.P ｹ0 s s q 0 molto S.P. molto S.P. m 00 n 0 0 n0 ｾ 0.> 0ｾ 0 0ｾ ｾ ｾ
15 1 W.. T. l. q 8 / 1 8 ﾆ ﾆ ﾆ 1 8.> / ﾆ ﾆ 0 i j / 8 ﾆ ﾆ 0ｾｾ ﾆ 1 0 / 8 ﾆ ﾆ ﾆ 11 ｾ 0ｾ 1 nｾｾ 8 1 ｾ 0ｾ ｾｾ m S.P. m n W.. T. l. / ﾆ rall. > ｾ 0 / ﾆ ﾆ ﾆ ﾆ ﾆ ﾆ 0 / ﾆ ﾆ ﾆ ﾆ q 100 (suito) ﾆ ﾆ ﾆ ﾆ / ﾆ ﾆ ﾆ ﾆ ﾆ ﾆ 0 s 0 n 0 n s 0 n
16 11 T. l. q 0 0 / ﾆ ﾆ ﾆ 0ｾ 0 00 ﾆ ﾆ / ﾆ ﾆ ﾆ j 0 0 j T. l. Roto-t / ﾆ ﾆ 1 ﾆ 0 / ﾆ ﾆ sul tasto ｾ col legno attuto ﾆ ｾ nn 0 q 0 0ｾ ｾ R r n0 0ｾ ｾ ﾖ 0 n0 ﾖ 0 ﾖ 0 arco ｾ R 0 / 0 q 0.> 0 m 0 ﾆ ﾆ ﾆ ﾆ ｾ 0 0 0ｾ m ｾ ｾ 0ｾ ｾ
17 1 8 0 / > ﾆ ﾆ ﾆ ﾆ 1 Roto-t. Roto-t. 0 8 / izz. 0 0 / ﾆ ﾆ n0 n0 0 m izz. > m 0 q (semre izz.) ﾆ ﾆ ﾆ ﾆ ﾆ ﾆ (semre ) (semre izz.) ｾ 0.> ﾆ ﾆ ﾆ (semre ) q 8 q q 8 88 / 1 8 ﾆ ﾆ ﾆ 0 00 j 0ｾ 1 0 / 8 0ｾ 0ｾ ﾆ ｾ 00ｾ 0 g g g 0 ｾ ﾆ 0 0 > i ｾ ｾ ｾ 0 0 0ｾ ｾ ﾆ 0 0ｾ 0ｾ 0ｾ ｾ ｾ 0ｾ 0ｾ 0ｾ ﾆ ｾ
18 11 Roto-t. Roto-t. Roto-t. q 10 q 0 9 / ﾆ ﾆ ﾆ ﾆ ﾖ / ﾆ ﾆ i ﾆ ﾆ ﾆ ﾆ ﾆ ﾆ ﾆ / 0 / > > > > 0 0 ﾖ / 0 / () () loud enough to artially mask the izzicato on the strings 1 n0 1 n0? meno meno 0 meno meno n0 m 0 m n0 n0 0 q q 0 q 0 ﾆ ﾆ ﾆ n0 n ij ﾖ ｾ ij ij i > 00ｾ? > j 00ｾ ﾆ ﾆ ﾆ ﾖ ｾ 0 0 ｾ 0 0 ｾ q ｾ 0 0 0ｾ ﾆ 0 8:y q 0 0 n0 0 n0 n ｾ 0 0 ij
19 1 Roto-t. 10 / 0 / 0 quasi n0? 0 0 ﾖ 0 i j quasi m quasi > ﾖ 0 0 n0 m ﾆ ﾆ. >>>> i r r ﾖ00 0ｾｾ 0 r n0 0 n q 90 0 j 0 n0 0 ﾖ 0 n0 0 n ｾ 0 1 Roto-t. Roto-t. 10 / 0 /? 0 n0 0 n0 0 80ｾ 0 0 ﾆ n / q 0 q 10 ﾆ 8 ﾆ ﾆ ﾆ ﾆ 0ｾ > 0ｾ 8 > 0ｾ ｾ ? n0 0 0 ﾆ rall. s oco s m m q 80 m ﾆ 0 oco rit..> ﾆ ﾖ 0 ij 0 0g0 0 0 ﾖ ｾ 0 0 j 0 R 0 hit ith shoulder o drumstick 0 00 ﾆ q 10 (suito) n ｾ ﾆ 0 0 ﾆ 0 0 0ｾ
20 11 Roto-t / ? 0 n0 q 0 q 90 q 10 r 0 00 i0 j i0 R j ﾖ m crescendo oco a oco quasi 0 0 n0 quasi 0 0 Roto-t / > ﾆ ﾆ ﾆ n ﾆ 0 0 ﾆ? ﾆ ﾆ Roto-t. 1 0 / ﾆ ﾆ ﾆ ﾆ ﾆ ﾆ ﾌ ﾆ 0 0 ﾆ ﾆ? 0 0 ﾆ ﾆ ﾆ ut on ractice mute ("hotel" mute) 0 ﾆ ut on ractice mute ("hotel" mute) ﾆ ﾌ arco ﾆ ﾌ arco ﾆ
21 1 Crot l.v. ｨ8A or 錢 n0 0ｾｾ ｾｾ ﾆ ﾆ ﾆ ﾆ ﾆ 0 ｾ 0ｾｾ ｾｾn0 ｾ Practice mute? 0 q 0 static, ithout virato throughout Practice mute [as i loating aove the strings] >10:8y 0 nn0 0n 00 ｾ ｾ 0 00 ｾ ｾ n0 nn nn0 0 > n 0 00 n ｾ nn 0 ｾ n n ｾ nn j? j n00 10 n r n ? 0 08 transition to D as sutle as ossile
22 118 1 q ｾ 0 j 0ｾ 0 n 00 ｾ 00 0 j j n0 j n ｾ ｾ? 0 ｾｾ n 10? ｾ ｾ ｾｾ 0 j j 0 () ｾ ｾ ｾ nｾ () ｾｾ ｾｾ S.T. S.T. 0 o o 0 Crot. 1 0 ﾆ 0 0 n l.v. q n 0 ｾｾ 00 n ｾ m ｾ 0 n00 n00 ｾ ｾ ｾ ｾ 0 00 n00 0 n 0? n oco cresc. oco cresc. j 00 ｾﾖ 0 n 0 ｾ n 00 jﾖ ｾ 0 n n ｾ ｾ ｾ
23 1 10 q q 8 q j n 0 n 00 j n r n nｾ m? 0 n 0 n ｾ m () S.T. m () S.T. m 1 q 0 q n 00 ｾ r 00 n 0 n ｾ 0 0 j 00 0 ｾ > 0 0? 0 n 0 n 0 1 oco accel n 0 0 j n 00 q 00 0 m ｾ ｾ 0 ()? () S.T S.T j 0-0 oco S.P. 0ｾ 0 0 j n - ｾ 0ｾ suito oco S.P ｾ n ｾ 0ｾ suito
24 ｾ n 0 n ｾ q ｾ ｾ 0 0R n 000 R ｾ n ｾ 0? 0 m ｾ 0 q nn0 0 ｾ ｾ 0ｾ 0 n 0 ｾ > ｾ ｾ ｾ ｾ ｾ 08 ｾ n m 0 n n m ? n n n n articulate ell the change to C natural s s n oco S.P. 0 n oco S.P. 0 0 Crot n l.v. ｾ 000 0n00 0ｾ ｾ ? 0 n 0 n ｾ n
25 n 000 ｾ ｾ : n00 0ｾ :q 1? 0 o II m n m n0 n n n 189 ｾｾ? 0 oco rall. n ｾ n oco rall. quasi o ｾ q n () () quasi o ｾ n S.T. 0 S.T ｾｾ? 0 0 (S.T.) q 80 lautando n n ｾ 0 (echo) 8 n ｾｾ n ｾｾ 8 ｾ ｾ 0 ﾆ 8 ｾｾ 0 ﾆ ｾｾ 0
26 1 00 (S.T.) n ｾ ｾ ｾ ｾ 0 ｾ ｾ ｾ m m (S.T.) ｾ m ｾ ｾ q 10 ｾｾ 0 0 ｾ ｾ 0 0 q 80 oco accel. q 90 n ﾆ n 0 0 n n0 0 n0 ﾆ 0 () S.P. ﾆ ﾆ 0 ﾆ n ﾆ () n 0 S.P. ﾆ ﾆ n n0 0 0 ﾆ ﾆ ﾆ ﾆ
27 1Crot. 1 0 l.v ﾆ ﾆ ﾆ ﾆ n ﾆ ﾆ ﾆ ﾆ S.P ﾆ ﾆ 0 S.P. n0 0 n0 0 ﾆ ﾆ Crot ｾ 00 ｾ ﾖ ﾖ ﾆ ﾆ U ﾆ n0ｾ n0ｾ 0 ﾖ ﾖ 0 0 ﾆ U ﾆ l.v. U rev
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