2 3 The Great Gatsby Fitzgerald New York 36

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1 The Great Gatsby The Great Gatsby F. Scott Fitzgerald 1925 The Great Gatsby Gatsby Jay Gatsby can't repeat the past? (110) Gatsby Space was treated as the dead, the fixed, the undialectical, the immobile. Time, on the contrary was richness, fecundity, life, dialectic Michel Foucault Edward W. Soja

past? (110) Gatsby Space was treated as the dead, the fixed, the

2 2 3 The Great Gatsby Fitzgerald New York 36

3 The Great Gatsby Nick Nick East West Nick West West Daisy East Gatsby Nick New York New York Manhattan Old Money the Queensboro Bridge Nick Over the great bridge, with the sunlight through the girders making a constant flicker upon the moving cars, with the city rising up across the river in white heaps and sugar lumps all built with a wish out of non-olfactory money. The city seen from the Queensboro Bridge is always the city seen for the first time, in its first wild promise of all the mystery and the beauty in the world. (68) Manhattan the East River across non-olfactory money first wild promise of all the mystery and the beauty in the world New York 37

all built with a wish out of non-olfactory money.

4 New York 1920 Nick the Middle West New York 1920 L Only Yesterday - Gatsby social mobility Fifth Avenue Nick I began to like New York, the racy, adventurous feel of it at night, and the satisfaction that the constant flicker of men and women and machines gives to the restless eye. I liked to walk up Fifth Avenue and pick out romantic women from the crowd and imagine that in a few minutes I was going to enter into their lives, and no one would ever know or disapprove. (56) Nick New York Gatsby 38

5 The Great Gatsby New York New York George Wilson Myrtle a valley of ashes This is a valley of ashes a fantastic farm where ashes grow like wheat into ridges and hills and grotesque gardens; where ashes take the forms of houses and chimneys and rising smoke and, finally, with a transcendent effort, of men who move dimly and already crumbling through the powdery air. Occasionally a line of gray cars crawls along an invisible track, gives out a ghastly creak, and comes to rest, and immediately the ash-gray men swarm up with leaden spades and stir up and impenetrable cloud, which screens their obscure operations from your sight. (23) ethnic minority George ethnic minority Myrtle Michalis ethnicity 4 ash gray ethnicity 1920 nativism Walter Benn Michaels 1920 nativism gray Nordics Tom The 39

Occasionally a line of gray cars crawls along an invisible track, gives out a ghastly creak, and comes to rest, and immediately the ash-gray men swarm up with leaden spades and stir up and

6 Rise of the Coloured Empires (12) ethnic nativism Foucault Panopticon 5 George Myrtle Gatsby Hotel de Ville in Normandy Tom Georgian Colonial mansion 158th Street Tom Myrtle Hotel de Ville in Normandy Gatsby millionaire Gatsby Nick The lights grow brighter as the earth lurches away from the sun, and now the orchestra is playing yellow cocktail music, and the opera of voices pitches a key higher. Laughter is easier minute by minute, spilled with prodigality, tipped out at a cheerful word. The groups change more swiftly, swell with new arrivals, dissolve and form in the same breath.... (40 41) Gatsby 40

now the orchestra is playing yellow cocktail music, and the opera of voices pitches a key higher.

7 The Great Gatsby Gatsby Daisy Gatsby Marie Antoinette music-rooms Restoration salons ( ) Merton College Library (Oxford ) Nick Gatsby 6 Gatsby Gatsby Tom Myrtle 158th Street Nick small too large over-enlarged Myrtle Gatsby Myrtle Georgian Colonial mansion Tom Tom Daisy Jordan Baker Buchanan Gatsby 41

Gatsby Gatsby Tom Myrtle 158th Street Nick small too large over-enlarged

8 Tom Buchanan Turning me around by one arm, he moved a broad flat hand along the front vista, including in its sweep a sunken Italian garden, a half acre of deep, pungent roses, and a snub-nosed motor-boat that bumped the tide offshore. [...] We walked through a high hallway into a bright rosy-colored space, fragilely bound into the house by French windows at either end. The windows were ajar and gleaming white against the fresh grass outside that seemed to grow a little way into the house. (7 8 ) Italian garden French windows Tom 7 Tom George Tom Tom Gatsby Tom 42

..] We walked through a high hallway into a bright rosy-colored space, fragilely bound into the house by French windows at either end.

9 The Great Gatsby Gatsby Tom / Eggs Long Island Manhasset Neck (East Egg) Great Neck (West Egg) 8 Tom Gatsby / / Nick Leslie Fiedler Manifest Destiny California Gold Rush 9 / Orientalism (1978) Oriental ( ) Occidental ( ) 43

10 / / Egg Columbus Columbus Gatsby 10 Gatsby Marie Antoinette Restoration Merton College Library Nick this has been a story of the West, after all (176) West Nick thrilling a little solemn with the feel of those winters a little complacency Nick Daisy East Egg a single green light Gatsby Nick Gatsby Gatsby Old Money 44

Nick thrilling a little solemn with the feel of those winters a little

11 The Great Gatsby Nick Nick Nick The Great Gatsby Nick 1 Michel Foucault, Questions on Geography, ,, 7. 3 Ibid., George ethnicity Myrtle 5 Michel Foucault, Discipline & Punish, ,, 28. 7,, Matthew J. Bruccoli, F Scott Fitzgerald's The Great Gatsby: A Literary Reference, ,,, F. Scott Fitzgerald, The Great Gatsby, 5. Works Cited Brruccoli, Matthew J. F. Scott Fitzgerald s The Great Gatsby: A Literary Reference. NY: Carroll & Graf Publishers,

Bruccoli, F Scott Fitzgerald's The Great Gatsby: A Literary Reference, 36 39. 9,,, 32. 10 F.

12 Fiedler, Leslie A. The Return of the Vanishing American. NY: Stein and Day, Fitzgerald, F. Scott. The Great Gatsby NY:Scribner, Foucault, Michel. Questions on Geography. translated and Ed. by Colin Gordon From Power/Knowledge: Selected Interviews and Other Writings, NY: Pantheon, Discipline & Punish translated by Alan Sheridon. NY: Vintage Books, Mallios, Peter. Undiscovering the Country: Conrad Fitzgerald, and Meta-National Form. MFS Modern Fiction Studies, Volume 47, number 2, Summer (2001): Michaels, Walter Benn. Our America: Nativism, Modernism, and Pluralism. Durham and London: Duke UP, Soja, W. Edward. Postmodern Geographies The Reassertion of Space in Critical Social Theory. NY: Verso, Stoddard, Lothrop. The Rising Tide of Color against White World-Supremacy Hawaii: UP of the Pacific, , 1996., , 1993., W ,., 1993., ,., 2008.,, , 1994., , 2002., , ,., 2009., ,

NY: Vintage Books, 1977. Mallios, Peter. Undiscovering the Country: Conrad Fitzgerald, and Meta-National Form. MFS Modern Fiction Studies, Volume 47, number 2, Summer (2001): 356 390.

アメリカ太平洋研究Vol.9.indb

アメリカ太平洋研究Vol.9.indb The Great Gatsby Summary The purpose of this paper is to clarify the relationship between love and money in the context of the American Dream in F. Scott. Fitzgeraldʼs The Great Gatsby. In general, those