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1

2

3

4 勔 勔 つ と

5

6

7 姮 姮 姮 蠩 姮 姮 蠩

8

9

10 擿 誶 誶

11 嬴 瓘 斝

12 𩇯 崐 茢

13

14 MAEHARA Ayano Zhang Heng was a Chinese astronomer who lived during the Eastern Han Dynasty of China. Zhang was promoted to grand historian (), and his job was to record heavenly observations. Zhang believed that any observable phenomenon could be explained by scientific means and he tried to seek a rational explanation for such phenomena. Zhang submitted a report entitled to the emperor about his controversial ideas, and criticized the prognosticatory character of fortune-telling called Tuchen (; prediction, prophecy). On the other hand, Zhang accepted (divination), which he specifically official. In fact, some kinds of divination, for example, Boshi (; scapulimancy and divination), and oneirocritics () were used and described in the books entitled and written by Zhang.The fact that Zhang criticized Tuchen() is widely known, but no specific study has been done regarding Zhang s criteria of judgment as to what s accepted and what s denied in divination.this article discusses the divination that appeared in books written by Zhang and reviews his critique on Tuchen (), which clarify his thoughts on a close relationship between heavenly bodies and divination. The author provides an account of Zhang s philosophy and evaluates Zhang s philosophy both from the point of view as a literary man and as a scientist against the background of the history of thought in the Eastern Han Dynasty.

2 56

2 56 30 2006 pp. 55 67 1 Received October 31, 2006 Xu Weiwas an artist who was famous as a painter and a calligrapher and a drama writer in late Ming dynasty. But it is not known that he leaves poetry as a

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