野村/野村(11P)

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1 A Study on the Artists in Guise NOMURA Yukihiro R

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8 G. Baglione, Le vite de pittori, scultori et architetti dal pontificato di Gregorio XIII del in fino a tempi di papa Urbano VIII nel,p. ried. in facsimile con postille di G. P. Bellori,, a cura di V. Mariani. G. P. Bellori, Le vite de pittori, scultori e architetti moderni,roma,, ed. E. Borea, Torino,,p.. R. Longhi, Il Caravaggio e la sua cerchia a Milano, in Paragone, n., marzo, pp.. G. Mancini, Considerazioni sulla pittura; ed. A. Marucchi, note critiche di L. Salerno, vols. Roma. A. De Rinaldis, Documenti inediti per la storia della R. Galleria Borghese in Roma, III, Un catalogo della quadreria Borghese nel palazzo a Campo Marzio redatto nel, in Archivi. Archivi d Italia e Rassegna Internazionale degli Archivi, IV, nn., pp.

9 ; P. Della Pergola, La Galleria Borghese, I, I dipinti, I, Roma,p.,n.. A. Czobor, Autoritratti del giovane Caravaggio, in Acta Historiae Artium Academiae Scientiarum Hungaricae, II, pp. ; H. Wagner, Michelangelo da Caravaggio,Bern,. H. Voss, Caravaggios europäische Bedeutung, in Kunstchronik,,, p. ; A. Czobor, loc.cit.; R. Wittkower, Art and Architecture in Italy,, Baltimore, p.. A. Czobor M M. Marangoni, Note sul Caravaggio alla Mostra del Sei e Settecento, in Bollettino d Arte,, pp.. J J. Hess, Modelle e modelli del Caravaggio,in Commentari,V,, pp.. C L C. L. Frommel, Caravaggios Frühwerk und der Kardinal Francesco Maria del Monte,in Storia dell Arte, III, nn., gennaio-giugno, pp. ff. R H H. Hibbard, op.cit., p. M. Marangoni, loc. cit.; M. Marangoni, Quattro Caravaggio smarriti,in Dedalo,II,, pp.. L. Lanzi, Storia pittorica della Italia, Basano. ed. M. Capucci, Firenze,,I,p.. D. Posner, Caravaggio s Homo-Erotic Early Works, in Art Quarterly, XXXIV,, pp.. M M. Kitson, The Complete Paintings of Caravaggio, London. C L C. L.Frommel, op. cit. H H. Röttgen, Il Caravaggio: Ricerche e interpretazioni, Roma. A A. Moir, Caravaggio,NewYork. H H. Hibbard, op. cit. R R. Spear, Review of Nicolson, in The Burlington Magazine, CXXI,, pp., M M. Cinotti, Michelangelo Merisi detto il Caravaggio, in I pittori bergamaschi del XIII al XIX secolo: Il Seicento, Vol. I, Bergamo, pp.. M M. Gregori, The Age of Caravaggio, New York and Milano,p.. C E C. E. Gilbert, Caravaggio and His Two Cardinals, The Pennsylvania State University Press, pp. ff. D L. Bersani, U. Dutoit, Caravaggio s Secrets, London, pp.. P. Askew, The Angelic Consolation of St. Francis of Assisi in Post-Tridentine Italian Painting, in Journal of the Warburg and Courtauld Institutes, XXXII,, pp.. P not unsimilar A H. Hibbard, Caravaggio,NewYork, pp. ff. P. Askew, The Angelic Consolation of St. Francis of Assisi...loc.cit P. Askew, op. cit., p..

10 D D. Mahon, Addenda to Caravaggio, in The Burlington Magazine, LXXXXIV,, p., n.. Traite de l Amour de Dieu P. Askew, op. cit., pp.. C. L. Frommel, op. cit., p.. H. Hibbard, op. cit., p.. MM. Marangoni, Quattro Caravaggio smarriti, op. cit., p.,n.. M. D. Garrard, Artemisia Gentileschi, The Image of the Hero in Italian Baroque Art, Princeton, New Jersey,, pp.. R W R. W. Bissell, Artemisia Gentilesch and the Authority of Art, The Pennsylvania State University,, pp.. M. D. Garrard, op. cit., pp. R. W. Bissell, Artemisia Gentileschi: A New Documented Chronology, in Art Bulletin, L,, pp. ; J. Shearman, Cristofano Allori s Judith, in The Burlington Magazine, CXXI,, p.. M D G G. Pollock, Differencing the Canon: Feminist Desire and the Writing of Art Histories, London, P.. E E. S. Cohen, The Trials of Artemisia Gentileschi: A Rape as History, in Sixteenth Century Journal,,n.I,, pp.. L. Berti, Artemisia da Roma tra i fiorentini, in Artemisia, a cura di R.Contini, G.Papi, Roma,p.. J W Orazio e Artemisia Gentileschi,acuradiK.Christiansen,J.W.Mann, Milano, pp..

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