Angus Wilson, Dickens and Dostoevsky (1970), Diversity and Depth in Fiction (ed. Kerry McSweeney), The Viking Press, 1983,

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2 Angus Wilson, Dickens and Dostoevsky (1970), Diversity and Depth in Fiction (ed. Kerry McSweeney), The Viking Press, 1983, pp N. M. Lary, Dostoevsky and Dickens: A Study of Literary Influence, Routledge and Kegan Paul, 1973 Loralee MacPike, Dostoevsky s

3 Dickens: A Study of Literary Influence, Barns & Noble Books,

4

5 14 15 an elderly man of remarkably hard features and forbidding aspect, and so low in stature as to be quite a dwarf, though his head and face were large enough for the body of a giant. But what added most to the grotesque expression of his face, was a ghastly smile, which, appearing to be the mere result of habit and to have no connexion with any mirthful or complacent feeling, constantly revealed the few discoloured fangs that were yet scattered in his mouth, and gave him the aspect of a panting dog. 16 grotesque grotta The Old Curiosity Shop (1840-1), Penguin Classics, Nell s evil genius Nell s good OCS, p in writing the book, I had it always in my fancy to surround the lonely figure of the child with grotesque and wild, but not impossible companions(ocs, p. 42).

6 Switch

7 fantastic I have my own special view of reality (in art), and what the majority call almost fantastic and exceptional is for me sometimes the very essence of the real. Lary 158 the romantic side of familiar things Bleak House (1853), Everyman, 1994, p. xlii. Donald Fanger, Dostoevsky and romantic realism: a study of Dostoevsky in relation to Balzac, Dickens, and Gogol (1965), Northwestern University Press,

8

9 hemmed in by a legion of Quilps, OCS, p

10

11 39 objectify

12 I

13 the comedy of the child s life MacPike Part One: The Old Curiosity Shop OCS, p

14 the child the tragedy of the adult s life

15 author narrator hero I he A B

16 C A 62 B

17

C. The Old Curiosity Shop MOOK

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