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1 What did Hearn See in Ukiyo-Ye? REIKO TAKANARI
2
3 3
4 1885/ /31/ 68 4
5 power of suggestiveness
6 law of the subordination of individualism to type, of personality to humanity, of detail to feeling We see the typical, never the individual peculiarities individualism type personality humanity detail feeling individual peculiarity type character type character general character general character 6
7 dominant laws of contrast and color(the general character of nature s combinations) (the order of the beautiful as it was and is) 7
8 1885 Japanese artist 1886 (artist) (artisan) Japanese draughtsman 8
9 artisan artisan 14 9
10
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12
13 Harpers Weekly, The New Orleans Exposition: The Japanese Exhibit, January 31,
14 S. Bing (ed), Le Japon artistique The Birth of Landscape Painting in China Of a Dancing Girl, The Atlantic Monthly, March, Of the Eternal Feminine, The Atlantic Monthly, December, Edward F. Strange The Japanese Collections in the National Art Library, South Kensington Museum Transactions and proceedings of the Japan Society, vol.lv, 1895, pp About Faces in Japanese Art, The Atlantic Monthly, August, 1896 Strange, ibid. p Strange, ibid William Anderson, Descriptive and Historical Catalogue of a Collection of Japanese and Chinese Paintings in the British Museum, London, Longman & Co., 1886, p Ernest Francisco Fenollosa, The Masters of Ukiyoye: a Complete Historical description of Japanese Paintings and Color Prints of the Genre School. As Shown in Exhibition, New York, W. H. Ketcham, 1896, p Historie de l art du Japon William Anderson, The Pictorial Art in Japan, The Daily City Item, August 6,
15 The Times Democrat, February 7-14, About Faces in Japanese Art, The Atlantic Monthly, August, Japan An Attempt at Interpretation, Johann Joachim Winckelmann, Geschichte der Kunst des Alterthums, The Times Democrat, August 17, The Times Democrat, February 17, The Stone Buddha, Out of the East, 1895, reprint, Kyoto, Rinsen, 1973, p About Faces in Japanese Art, The Atlantic Monthly, August,
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