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1 Symposia Symposia ()21() ( 101-2) 1 (43431) : : : : : : : : 45 ( ) A Wonder Book 3. American Lyceum () ( ) Negotiating Black Identity in Ralph Ellison s Invisible Man and Percival Everett s Erasure 3. Men at War Tsushima The Old Man and the Sea Tours of the Black Clock ( ) 1. English Conundrums John B. Keane ( ) Raphaël Lambert

2 SYMPOSIA(13 : : 25) ( ) ( ) ( ) 19 ( ) 1 10 : : : : : : : : 00 ( ) 1. Troilus and Cressida Yond gull Malvolio Twelfth Night Gull 4. Rome itself hath tried Marston Antonio 3. Anna Barbauld s To a Little Invisible Being... : Maternity in Poetry and Medicine ( ) 2. Donne G. Herbert T. S. Eliot Via Media ( ) 1. Beware of being misled by his Paradise Lost : Blake, Europe, On the Morning of Christ s Nativity 2. Tristanne J. Connolly ( ) 3. Dylan Thomas, Portrait of the Artist as a Young Dog 4. Heaney Dante ( ) JST ( ) Disenchanting the Fairy Tale: A Reading of Jane Eyre A Laodicean ( ) 1. dramatic monologue 2. Mina Harker

3 3. A Passage to India 4. The Longest Journey Maurice ( ) 1. Fashion/Modernism: Virginia Woolf and the Question of the Literary Marketplace in Orlando A. S. The Virgin in the Garden 4. T. S. Eliot The Man Who Was King Kipling The Man Who Would Be King ( ) Vera Brittain The Dark Tide (1923) 3. ( ) 1. Gregory Burke Muriel Spark The Finishing School 4. Kazuo Ishiguro ( ) 1. On the Nature of Focus Feature Organization: Toward a Unified Account of the Additive Mo Also 2. On the Category and Interpretation of Partial Control Infinitives have NP V-ing SYMPOSIA(10 : : 00) ( ) ( ) ( ) ( ) ( ) 5 21 () ( ) S u s a n N a p i e r Karina van Dalen-Oskam ( ) New Speech Acts for Old, or How to Make a Drama out of a Speech Act: The Speech Act of Apology in the Film A Fish Called Wanda M i c k S h o r t

4 5 20 () SYMPOSIA The Wings of the Dove (1902), The Ambassadors (1903), The Golden Bowl (1904) 19 A Wonder Book Hawthorne A Wonder-Book for Girls and Boys (1852) Tanglewood Tales for Girls and Boys (1853) 1838 Longfellow Hawthorne 19 Hawthorne Hawthorne 19 (Greek Revival) Hawthorne A Wonder BookTanglewood Tales Hawthorne Hawthorne 1

5 Susan Warner The Wide, Wide World (1850) Ellen Montgomery museum movement lyceum movement 19 American Lyceum In a Far Country In a Far Country Although written half a century apart, Ralph Ellison s Invisible Man (1952) and Percival Everett s Erasure (2001) address the same issues of black identity and invisibility. Both Ellison s nameless narrator and Everett s protagonist, Thelonious Monk Ellison, feel alienated by a society that will not see beyond the color of their skin. Reduced to their racial selves, they are in effect invisible or erased. The first part of this reflection focuses on the psychological impact of racial labeling in both postwar and early Twenty-first Century America. The second part analyzes the strategies each character devises to confront racism and alter his fate. Ultimately, this reflection sheds light not only on the evolution of racial discrimination but also African Americans self-perception over the past five decades in the United States. Negotiating Black Identity in Ralph Ellison s Invisible Man and Percival Everett's Erasure Raphaël Lambert Men at War Tsushima The Old Man and the Sea 1941 Pearl Harbor Men at War (1942) Frank Thiess Tsushima 2 3

6 Tsushima The Old Man and the Sea 20 Tours of the Black Clock Steve Erickson Tours of the Black Clock (1989) ( ) English Conundrums 3 () (Conversion) (Modifier) John B. Keane ( ) (Hiberno-English) John B. Keane Keane () (a) (b) tis~it is (c) do be (d) be after V-ing/NP(e) tis~it is do be the way / 2003 Keane Listowel Crystal (1998:1) Ludic language has traditionally been a badly neglected subject of linguistic enquiry at best treated as a topic of marginal interest, at worst never mentioned at all. 1 1 English Conundrums () Fauconnier & Turner (1994, 1998, 2002) 1 4 5

7 Anna Bryson From Courtesy to Civility (1998) civility ( 1939 ) civility civility civility SYMPOSIA Robin Hood beggars commonwealth William ShakespeareThomas DekkerRichard Brome (nabob) civility Samuel Foote The Nabob (1772) John Crown Sir Courtly Nice (1685) Nicholas Rowe The Biter (1705) Thomas Sheridan, The Brave Irishman (1743) British Education (1756) R. B. Sheridan 18 Paul Langford A Polite and Commercial People 18 J. G. A. Pocock virtue manners Ignatius Sancho Olaudah Equiano 18 civility 6 7

8 Christopher Ricks Allusion to the Poets (2002) Ricks Milton Jonson Milton Jonson Jonson Milton Horace Plato Jonson Paradise Lost Milton Jonson Milton Jonson Henry Lawes Tom Lockwood Jonson Egotistical Vocative (1) Wordsworth, (2) Shelley, (3) Keats, (4) Byron () (1) There was a boy, (2) Ode to the West Wind, (3) Ode on a Grecian Urn, (4) The Colosseum episode from the Canto IV of Childe Harold s Pilgrimage. Egotistical Vocative ( ) (allusions) Wordsworth, Coleridge, Southey 8 9

9 19 _ British and Foreign Temperance Society Janet s Repentance Eliot Household Words Death in the Teapot Death in the Bread-Basket Lancet Punch Household Words Charles Reade Wilkie Collins 1848 H.G.Wells The Time Machine (1895) The Island of Dr Moreau (1896) Vegetarian Messenger 19 Scenes of Clerical Life George Eliot Scenes of Clerical Life (1858)

10 20 () () Klein (1920) Freud ( ) Melanie Klein Klein M. Keynes L. Woolf R. Fry () Klein Klein( ) Klein Weeklies trilogy Boys Weeklies iconologist Orwell Inside the Whale Wyndham Lewis BUF W. Lewis Hitler (1931) () race-sympathy vorticism Lewis 30 Lewis O. Mosley BUF _ hard / soft 1930 (T. S. Eliot, F. R. & Q. D. Leavis, J. C. Powys...) Jed Esty A Shrinking Island (2004) () Englishness 30 Esty Inside the Whale (1940) 1939 George Orwell Inside the Whale Henry Miller (Joyce, Eliot )1920 (Auden ) 30 Charles Dickens, Boys 12 13

11 scribal editing Sir Cleges Sir Orfeo Ashmole Ashmole ( ) () () () 19 (Paul Zumthor) (11 13 ) 7 () scribal editingms Ashmole 61 Bodleian Library, Oxford MS Ashmole 61 Sir Cleges Sir Orfeo Ashmole Rate A.J. Bliss Lynne S. Blanchfield an idiosyncratic scribe exemplars () JST 10 3 () () 14 15

12 () 4 () () () () (fmri) (ERP) fmri( ) fmr 1599 Andreas Laurentius A Discourse of The Preservation of The Sight Shakespeare Shakespeare Troilus and Cressida Shakespeare Troilus and Cressida () 10 Troilus and Cressida 16 17

13 Shakespeare Twelfth Night Malvolio Peg-a-Ramsey Jezebel Malvolio gull gull Malvolio gull Malvolio gull Twelfth Night Yond gull Malvolio Twelfth Night Gull Rome itself hath tried Marston Antonio Marston Antonio (Antonio and Mellida, Antonio s Revenge) Shakespeare The Merchant of Venice OthelloJonson Volpone (myth of Venice) Antonio Marston Antonio Beware of being misled by his Paradise Lost : Blake, Europe, On the Morning of Christ s Nativity Satan Blake Milton Milton being misled by his Paradise Lost Blake Europe (1794) Milton On the Morning of Christ s Nativity (1629) Blake Milton Blake Nativity (1809, 1815) Blake ( A Poison Tree ) () 18 () Anna Barbauld s To a Little Invisible Being who is Expected Soon to Become Visible is perhaps the most anthologized British Romantic poem on maternity, and the least representative. Critics have tended to read the poem metaphysically, as an exploration of the mother s subjectivity, overlooking its unusual attention to the physical experience of pregnancy. When Barbauld s contemporary women poets write about infants, and, very rarely, unborn children, they emphasize fragility and innocence, and thus the child s need for guidance and protection in a threatening world. Barbauld s poem is surprisingly free of moral advice, and anxiety. It has more in common with medical texts of the long eighteenth century: anatomical art, with its impulse to expose the child to sight, and midwifery writing, with its insistence on nature as a unified, powerful, benevolent force to be followed or enabled, rather than interfered with or resisted. Anna Barbauld s To a Little Invisible Being... : Maternity in Poetry and Medicine Tristanne J. Connolly Blake Milton Paradise Lost Satan Milton Milton 18 19

14 T. S Donne G. Herbert T. S. Eliot Via Media Via Media Via Media Via Media The Waste Land The Hollow Men Ash-Wednesday Via Media Via Media Dylan Thomas, Portrait of the Artist as a Young Dog Dylan Thomas Seamus Heaney Joyce North (1975) Joyce Dante Heaney Dante Heaney Dante 18 Fanny Burney Evelina (1778) (reformed heroine) (coquetry) 1790 Amelia Opie Dangers of Coquetry (1790 )Elizabeth Inchbald A Simple Story (1791 )Mary Hays Memoirs of Emma Courtney (1796 )

15 The purpose of this paper is to reveal the implicit feminist subtext that lies beneath the surface of Jane Eyre (1847) by clarifying the correlation between Jane s self-narration and the interpolating fairy-tale narrative of Edward Fairfax Rochester that finally overwrites her autobiography. Despite the fact that the novel has induced abundant criticism since its publication, Rochester s embedded fairy tale has hitherto been critically neglected. However, my contention is that by closely examining the narrative text of the novel, the radically subversive aspect of Rochester s patriarchal fairy-tale narrative and the ways in which not only Jane Eyre but also Bertha Mason revolt against its confining narrative frame may be revealed. Furthermore, by examining the contrasting fates of these two women who respectively revolt against Rochester s patriarchal narrative, this paper seeks to shed a new light upon the underlying feminist theme of Brontë s novel. ( A Pure Woman ) Disenchanting the Fairy Tale: A Reading of Jane Eyre Thomas Hardy A Laodicean A Laodicean The Defence of Guenevere (1858) The Defence of Guenevere Bram Stoker Dracula (1897) 19 Mina Harker Mina Harker anima (Mina ) dramatic monologue Mina Harker A A Passage to India E. M. Forster A Passage to India (1924) () ( 22 23

16 ) Sharp A Passage to India (Sharp 76) 2 Adela Mrs Moore The Longest Journey Maurice E. M. Forster The Longest Journey (1907)Maurice (1970) 2 The Longest Journey Forster Howards End (1910) A Passage to India (1924) Fashion/Modernism: Virginia Woolf and the Question of the Literary Marketplace in Orlando culture; a turning point where Woolf reshapes her modernist project against the literary marketplace of the early twentieth century. (1931) Merry Pawlowski Virginia Woolf and Fascism (2001) Jessica Berman Berman 20 () (Pageantitis).M A. S. The Virgin in the Garden Once dismissed as a minor novel among Virginia Woolf s entire oeuvres, Orlando (1928) has been reappraised from the 1980s as a work which envisions a radical potential of gender performativity by means of its hero-heroine s practices of cross-dressing. More recently, however, critics have started to qualify this evaluation by investigating the connection between Woolf s fantasies in Orlando and Orientalist fashion in the popular culture of the 1920s. My contention in this paper is that the connection between the two in fact goes deeper than this, sharing their roots in the early Bloomsbury milieu of the Hogarth Press, the Omega Workshops, and Paul Poiret s Paris fashion studio. From this viewpoint, I consider Orlando, especially its latter half, as Woolf s point of reflection over the ambiguous relation between her literary venture and commercial aspects of modern mass T. S. Eliot The Man Who Was King Kipling The Man Who Would Be King The Man Who Was King (1905) cultural Others 24 25

17 Igorot Village The Man Who Would Be King (1888) Transoceanic Herbert G. de Lisser The White Witch of Rosehall(1929) 1940 Erna Brodber ()Jamaica Kincaid () 2 1 Joyce Finnegans Wake 2 1 HCE Glugg Izod ( ) VAD ( ) VAD The Dark Tide (1923) Vera Brittain The Dark Tide (1923) Traverse Gagarin Way Gregory Burke The Straits (2003)On Tour (2005) Gregory Burke

18 2 7 Muriel Spark The Finishing School Muriel Spark 22 The Finishing School (2004) Jean Baudrillard The Illusion of the End (1992) Taking Kayne s (1998, 2000) derivational analysis of focus-related elements such as only, also/too, and even in English as a point of departure, this paper explores the nature of focus feature organization, aiming at a unified account of the additive use of a K-particle (= kakari-zyosi) mo also in Japanese. It is proposed that in principle an interpretable focus feature [focus] and an uninterpretable focus feature [ufoc] in the domain of the Foc head occupied by mo can be separated under some locality condition. The analysis also naturally captures various relevant properties without recourse to LF movement: particle orders, the upper-boundedness of wide focus, argument/adjunct asymmetry in wide focus, the absence of sideway focus shift, and the absence of wide focus readings in dislocated DP+mo (cf. Aoyagi 1998, 1999). To the extent that the advanced purely derivational approach is correct, it provides another empirical support for the single-cycle computational system in Chomsky (2001a,b). On the Nature of Focus Feature Organization: Toward a Unified Account of the Additive Mo 'Also On the Category and Interpretation of Partial Control Infinitives Never Let Me Go The Remains of the Day Never Let Me Go When We Were Orphans Never The Unconsoled 3 Kazuo Ishiguro Partial Control (PC) Partial Control collective predicates PRO (1) John 1 preferred [PRO 1+ to gather at 6.] (EC) 2 EC IP PC CP CP phase PRO spell-out VP 2 Kayne (1994) Rizzi (1997) VP 28 29

19 VP Radford (2004) VP Top EPP VP TopP TP 2 George had us all laughing. have NP V-ing ( HNING) () family have HNING Goldberg and Jackendoff (2004) Kajita (1997) keep NP V-ing( ) HNING HNING HNING have it coming to NP () encoding idiom have NP V-ing Although speech act theory has been applied to the analysis of fictional texts, the accounts tend to use early Austinian/Searlian versions of speech act theory and do not make as much use as they could of the more recent work of sociolinguists commenting on how speech acts are instantiated in real conversational data. Nor do they relate speech act patterns in fiction to foregrounding theory in any detail. This paper discusses the ways in which both earlier and later forms of speech act analysis can be used in the stylistic analysis of fictional texts and also relates speech act theory to the stylistic theory of foregrounding. In particular, it explores in detail some of the apology sequences in A Fish Called Wanda and explores how they contribute (a) to the film s humour, (b) to the development of contrasting characterisations for two of the film s main characters, and (c) provide the film with a thematic speech act organisational structure which complements its plot structure. New Speech Acts for Old, or How to Make a Drama out of a Speech Act: The Speech Act of Apology in the Film A Fish Called Wanda Mick Short 30 SYMPOSIA Catastrophilia Mark Twain 1905 The War Prayer Spiritual Warfare Prayer Warrior Mark Svenvold Catastrophilia Susan Napier 30 31

20 7 2 AKIRA J. M. () () Marianne Moore T. S. Eliot Moore Moore exercises in composition observations, hybrid method of composition Poetry Moore Moore composition Moore Moore Gary Snyder 40 Mountains and Rivers Without End (1996) 39 Ezra Pound The Cantos William Carlos Williams Paterson, Charles Olson The Maximus Poems Endless Streams and Mountains Poetry Reading Gerhard Richter 32 33

21 () isle () ex-isle( exile) La Malinche Cort La Malinche Gloria Anzald Ana Castillo La Malinche La Malinche La Malinche () ex-isle

22 it takes prime interest in unconscious style markers because it is thought that conscious stylistic decisions are open to imitation, deliberate or otherwise. Authorship attribution has reached a high level of reliability and repeatability. Literary research shall benefit from this when the measures and techniques of authorship studies will be explained in stylistic terms. Authorship studies statistically proofs that texts/authors differ; stylistics will help to describe how they differ. I will illustrate this with examples from Dutch and English literature. Karina van Dalen-Oskam The Cely Letters The National Archives 15 The Cely Letters 41 EETS Hanham The National Archives graphemic allographic variation graphetic Aitchison & Agnihotri (1985) 10 Rickford, et al. (1995) 10 Helsinki Corpus 15 () Julian of Norwich Short Text Julian of Norwih Revelations of Divine Love Short Text B. L. Additional MS Beer (1978) Colledge and Walsh (1978) Beer (1978: 20-22) B. L. Additional MS Colledge and Walsh (1978) Textual Relationships and Author Differentiation Karina van Dalen-Oskam I will present an overview of the ways in which new computer-assisted methods and techniques for authorship attribution and stylistics can be refined, tested and calibrated for use in literary and historical research. Computer-assisted authorship studies depart from the assumption that every author is unique and that an extensive quantitative analysis of his/her text(s) provides a means to distinguish authors from each other. In this, 36 37

23 (subject of consciousness) self () tough VP (1) (Locative Inversion) (1) a.*around the corner smoked a woman. b. Around the corner smoked a freight train. (i) (Coopmans 1989)(ii) (Bresnan 1994)(iii) (Birner 1992, Levin and Rappaport Hovav 1995) (1978, 1986, 1987) (1986) Langacker (1984, 1993, 1995) Taylor (1989) () () (1) (2)() (construal) (3) (usage-based) Kehler (2002) 3 Resemblance relations Cause-effect relations 2 VP Kehler stripping, pseudo-gapping, conjunction reduction, right node raising () (logophoricity)(viewpoint, empathy)(contrast) 38 39

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