(3)-10 1/4 2
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- しおり こやぎ
- 5 years ago
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16 q w e r t y 01X mlan MUSIC PRODUCTION STUDIO Copyright(c) Yamaha i o!0!2!4!1!3!5 u q w 16
17 e r t!3!4!5 y!2 u!2 o!0!1!2!3!4 t!5 i 17
18 @9 #4 #2 #5 #0 #1 #3 18
19 < > #0 #1 #2 #3 #4 #6 19
20 #7 r #7 #8 #9 $0 $1 $2 $3 $6 $4 $5 $2 f r #8 f #9 $0 > $1 $3 $4 $5 $6 20
21 r e w q!2!1!0 o i u y t q w e r 21
22 t y u o >!0!1!2 i 22
23 MIC/LINE INPUT ~ 8 MIDI IN 01X mlan MUSIC PRODUCTION STUDIO Copyright(c) Yamaha FOOT SWITCH 1 2 MIDI OUT DIGITAL STEREO OUT MIC/LINE INPUT 8 (HI-Z) DIGITAL STEREO IN MONITOR OUT PHONES 23
24 q w e w q e POWER ON!! q w e 24
25 Computer *2 *1 MIDI MIDI AUDIO mlan AUDIO 01X *4 *3 AUDIO AUDIO *3 *3 AUDIO USB AUDIO AUDIO AUDIO Monitor Input AUX 3 STI 2 AUX 4 AUDIO AUDIO STEREO RECBUS AUX 1/2 AUX 3/4 STEREO AUDIO STEREO RECBUS AUX 1/2 AUX 3/4 Direct OUT 1-24 STEREO RECBUS AUX 1/2 AUX 3/4 25
26 Computer 01X *2 MIDI *1 MIDI AUDIO mlan AUDIO *2 *4 AUDIO (WDM) *3 AUDIO AUDIO *3 *3 AUDIO USB AUDIO AUDIO AUDIO STI 1 AUX 3 STI 2 AUX 4 AUDIO AUDIO Monitor Input STEREO RECBUS AUX 1/2 AUX 3/4 STEREO AUDIO STEREO RECBUS AUX 1/2 AUX 3/4 Direct OUT 1-24 STEREO RECBUS AUX 1/2 AUX 3/4 26
27 MIC/LINE INPUT PHANTOM +48V INPUT 1/2 AD AD 1/2 AD INPUT 3-8 LINE MIC AD LINE MIC AD 3-8 INPUT 1(...8) DA SRC Hi-z INPUT 8 ONLY DIGITAL STEREO IN 2 COAXIAL SRC (to BUS CASCADE) (FX) METER EFFECT 1 *3 DIN- L/R INPUT SELECT (INPUT PATCH) ST IN 1(...2) AUX3 INSERT SEND 24*1 AUX4 INSERT SEND 24*1 SELECT SELECT 2 2 EFFECT EFFECT EFFECT (FX) METER *3 FX1 FX2 EFFECT2 is available in 48kHz/44.1kHz mode only. *1 Wordclock 96kHz/88.2kHz : 16 *3 Studio Manager のみ 27
28 INPUT SELECT (INPUT PATCH) INPUT 1(...8) ATT INSERT 4BAND EQ Mono in X 8 DY- NAMICS METER *3 (Gain Reduction) ON LEVEL PAN PRE/POST METER ON AUX DIRECT OUT1(...8) RECBUS (BUS) L RECBUS (BUS) R STEREO (STEREO BUS) L STEREO (STEREO BUS) R AUX 1 AUX 2 AUX 3 (FX1) AUX 4 (FX2) INPUT 9(...24 *1 ) (ml1-ml16 *2 ) METER INSERT mlan IN 1-16 *2 ATT 4BAND EQ DY- NAMICS ON LEVEL PAN METER *3 PRE/POST ON AUX (Gain Reduction) Mono in X 16 (96kHz/88.2kHz: X 8) DIRECT OUT9(...24 *1 ) mlan INPUT IEEE *2 2 mlan IN mlan STEREO IN (MONITOR IN) (to MONITOR CASCADE) *1 Wordclock 96kHz/88.2kHz : 16 *2 Wordclock 96kHz/88.2kHz : 8 *3 Studio Manager のみ 28
29 INPUT SELECT (INPUT PATCH) ST IN 1(...2) ATT ATT 4BAND EQ 4BAND EQ Stereo in X 2 (96kHz/88.2kHz: X 1) ON LEVEL PAN PAN PRE/POST METER METER ON AUX RECBUS (BUS) L RECBUS (BUS) R STEREO (STEREO BUS) L STEREO (STEREO BUS) R AUX 1 AUX 2 AUX 3 (FX1) AUX 4 (FX2) ON LEVEL OSCILLATOR RECBUS (BUS) L RECBUS (BUS) R STEREO (STEREO BUS) L STEREO (STEREO BUS) R AUX 1 AUX 2 AUX 3 (FX1) AUX 4 (FX2) 29
30 STEREO (STEREO BUS) L STEREO (STEREO BUS) R AUX 1 AUX 2 AUX 3 (FX1) AUX 4 (FX2) METER INSERT ON LEVEL BAL STEREO L DY- ATT 4BAND EQ NAMICS METER STEREO R DY- ATT 4BAND EQ NAMICS METER *3 (Gain Reduction) *3 Studio Manager のみ RECBUS (BUS) L RECBUS (BUS) R STEREO (STEREO BUS) L STEREO (STEREO BUS) R AUX 1 AUX 2 AUX 3 (FX1) AUX 4 (FX2) METER AUX 1 AUX 2 AUX 3 (FX1) AUX 4 (FX2) STEREO 2 RECBUS AUX1/2 AUX3/4 DIRECT OUT1-24 * *1 STEREO 2 RECBUS AUX1/2 AUX3/4 STEREO 2 RECBUS AUX1/2 AUX3/ SELECT (OUT PATCH) SELECT (OUT PATCH) SELECT (OUT PATCH) 2 LEVEL DA DA METER AUX1(...4) mlan OUT 24 *1 IEEE 1394 DITHER DIGITAL STEREO OUT COAXIAL STEREO/AUX OUT L R -10dBV DY- NAMICS INSERT LEVEL METER RECBUS L *1 Wordclock 96kHz/88.2kHz : 16 DY- NAMICS RECBUS R METER *3 (Gain Reduction) *3 Studio Manager のみ 30
31 mlan STEREO IN (MONITOR IN) L mlan STEREO IN R (MONITOR IN) (MONITOR CASCADE) STEREO L STEREO R BAL MONITOR A/B (Mix Balance) DA DA Min Max MONITOR/ PHONES Knob PHONES MONITOR OUT L R -10dBV AUX3 INSERT SEND AUX4 INSERT SEND 24 *1 24 *1 SELECT SELECT EFFECT EFFECT 2 EFFECT 2 EFFECT 2 EFFECT2 is available in 48kHz/44.1kHz mode only. *1 Wordclock 96kHz/88.2kHz : 16 *3 Studio Manager のみ (FX) METER *3 (FX) METER *3 FX1 FX2 INPUT SELECT (INPUT PATCH) 31
32 Drums- Drums- SteelG SteelG CleanG CleanG DistGt DistGt PAN PAN PAN PAN PAN PAN PAN PAN 32
33 33
34 Computer 01X Mic HDR (Wave) Gt EQ, Dynamics Synth Audio Mixer Synth Synth/TG Soft EQ Soft Effect Effect Monitor Out 34
35 Computer HDR (Wave) Synth Audio Mixer 01X EQ, Dynamics Effect EQ, Dynamics Mic Synth/Instrument Monitor Out Gt Computer 01X HDR (Wave) EQ, Dynamics Synth Audio Mixer EQ, Dynamics EQ, Dynamics Studio Manager Effect Mic Gt Synth EQ, Dynamics Synth/TG Monitor Out 35
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38 q y q t q w t y w Drums- Drums- SteelG SteelG CleanG CleanG DistGt DistGt L63 R63 R15 R63 L63 R63 L63 R63 Drums- Drums- SteelG SteelG CleanG CleanG DistGt DistGt PAN PAN PAN PAN PAN PAN PAN PAN Drums-0Drums-0SteelG0SteelG0CleanG0CleanG0DistGt0DistGt [REMOTE] MENU SELECT [NAME/VALUE] PAN L63 R63 R15 R63 L63 R63 L63 R63 FADER r u [UTILITY] UTILITY MENU SELECT REMOTE PATCH W.CLK D.I/O OSC. MIDI PREF. MONI. [INTERNAL] [REMOTE] [SCENE] [REMOTE] [UTILITY] w e w r y r u LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL CH1 CH2 CH3 CH4 CH5 CH6 CH7 CH SCENE LIBRARY [INTERNAL] SCENE PATCH LIBRARY ASSIGN [SCENE] [SCENE] SCENE RECALL SAFE ENABLE ENABLE ENABLE !0 [UTILITY] UTILITY REMOTE AUTOMATION SETUP 3/3 UTILITY GENERAL SHIFT+REMOTE LOGIC CUBASE FUNCTION SONAR D.PERF [GNRL RMT ] 2/3 UTILITY REMOTE SELECT [GENERAL] 1/3 GENERAL LOGIC CUBASE SONAR D.PERF!0 o i [PAGE SHIFT] + DISPLAY [ / ] [INTERNAL] [UTILITY] DISPLAY [ / ] [EQ] [PAN] [DYNAMICS] [SEND] [GROUP] [EFFECT] [UTILITY] r y UTILITY INPUT PATCH (IN1-4) 1/8 [AD1 ] IN1 [AD2 ] IN2 [AD3 ] IN3 [AD4 ] IN4!0 i DISPLAY [ / ] [UTILITY] r t UTILITY MONITOR A(LED-ON) B(LED-OFF) 1/1 INT> 0:126<DAW INT>126: 0<DAW y i SCENE LIBRARY SCENE No. [ 01] 02 [Initial Data ] RECALL/STORE CLEAR/PROTECT u SCENE LIBRARY SCENE No. [ 01] 02 [Initial Data ] CHAR INSERT EXIT/OK u 38
39 [REMOTE] e y CH1 CH2 CH3 CH4 CH5 CH6 CH7 CH t y EQ LOW SEL<CH1 > OFF e [INTERNAL] e t CH1 CH2 CH3 CH4 CH5 CH6 CH7 CH8 EQL-G EQL-G EQL-G EQL-G EQL-G EQL-G EQL-G EQL-G t SEL<CH3 > SEL<CH2 > EQ LOW SEL<CH1 > EQ-ON ATT EQL-Q EQL-F EQL-G [SEL] w LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL [SELECTED CHANNEL] w LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL e [SCENE] t y [NAME/VALUE] EQ LOW GAIN t y [NAME/VALUE] EQ-ON ATT EQL-Q EQL-F EQL-G SEL<CH1 > OFF e w LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL [UTILITY] [EQ] [PAN] [DYNAMICS] [SEND] [GROUP] w LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL [EFFECT] DISPLAY [ / ] [REMOTE] [INTERNAL] [SCENE] [UTILITY] EFFECT1 PATCH BYPASS MIX TYPE[REVERB HALL ] AUX % [EFFECT] EFFECT2 PATCH BYPASS MIX TYPE[REVERB HALL ] AUX % t o t o DISPLAY [ / ] DISPLAY [ / ] q w e r t y u i o!0 39
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41 PAN L-L63 L-L63 PAN R-R63 L-L63 q w e SCENE LIBRARY SCENE No. [ 05] 05 [Initial Data ] CHAR INSERT EXIT/OK 41
42 r SCENE LIBRARY SCENE No. [ 05] 05 [Initial Eata ] CHAR INSERT EXIT/OK t y r t u q Do you want to initialize backup data? YES NO w 42
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46 q w e r CH1 CH2 CH3 CH4 CH5 CH6 CH7 CH METER ST-L ST-R ST-L ST-R METER INPUT METER POINT OUTPUT METER POINT PEAK HOLD PRE-EQ PRE-FADER ON 46
47 q r w e t 47
48 q w e EQ-ON ATT EQHM-Q EQHM-F EQHM-G SEL<CH1 > ON k 0.0 EQ HIGH-MID GAIN
49 r EQ-ON ATT EQHM-Q EQHM-F EQHM-G SEL<CH1 > ON k 0.0 r w EQ HIGH-MID GAIN EQ HIGH-MID FREQUENCY 1.00k 4.50k 3.55k EQ HIGH-MID Q EQ ON OFF ON ON EQ HIGH-MID SEL<CH1 > EQ-ON ATT EQHM-Q EQHM-F EQHM-G EQ-ON ATT EQHM-Q EQHM-F EQHM-G SEL<CH1 > ON k
50 50
51 q w e q w e 51
52 q w e DYN-ON THRESH RATIO ATTACK RELEAS GAIN KNEE OFF :1 60ms 229ms DYNAMICS OFF ON ON OFF OFF OFF OFF OFF r DYN-ON THRESH RATIO ATTACK RELEAS GAIN KNEE OFF :1 60ms 229ms DYNAMICS LIBRARY SEL<CH1 > * 01 [Comp ] RECALL/STORE /CLEAR t 52
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54 q w e r t q w DYN-ON THRESH RATIO ATTACK RELEAS GAIN KNEE CH1 CH2 CH1 CH2 RESET-BOTH CANCEL 54
55 r PAN RECBUS ST-BUS PHASE ON/OFF LEVEL CENTER -- ON NORMAL ON -2.8 q w e PAN RECBUS ST-BUS PHASE ON/OFF LEVEL CENTER -- ON NORMAL ON -2.8 PAN L12 R03 CENTER CENTER L03 L19 R11 R05 55
56 r PAN L12 R03 CENTER RECORDING BUS ASSIGN ON STEREO BUS ASSIGN ON ON ON PHASE NORMAL REVERS NORMAL PAN SEL<CH1 > PAN RECBUS ST-BUS PHASE ON/OFF LEVEL PAN RECBUS ST-BUS PHASE ON/OFF LEVEL CENTER -- ON NORMAL ON
57 q q EFFECT1 PATCH BYPASS MIX TYPE[REVERB HALL ] AUX % w EFFECT1 PATCH BYPASS MIX TYPE[REVERB HALL ] AUX % EFFECT1 LIBRARY TYPE[REVERB HALL ] * 01 [Reverb Hall ] RECALL/STORE /CLEAR w 57
58 e REV TIME INI.DLY HI.RATIO LO.RATIO 1/4 3.2s 36.0ms FX1 q w AUX1 SEND LEVEL LEVEL LEVEL
59 e AUX3 SEND LEVEL -oo -oo r t w e AUX3 SEND LEVEL oo -oo -oo -oo 59
60 q INPUT R L DIGITAL INPUT w e r t INPUT INPUT 60
61 q w e r UTILITY INPUT PATCH (IN1-4) 1/8 [AD1 ] IN1 [AD2 ] IN2 [AD3 ] IN3 [AD4 ] IN4 t UTILITY INPUT PATCH (IN1-4) 1/8 [AD1 ] IN1 [AD2 ] IN2 [DIN-L] IN3 [DIN-R] IN4 61
62 q w e r t UTILITY OUTPUT PATCH (DIGI. ST/AUX OUT PORT) 6/8 [AUX1/2] D.OUT [ST-BUS] ST/AUX OUT UTILITY OUTPUT PATCH (DIGI. ST/AUX OUT PORT) 6/8 [RECBUS] D.OUT [ST-BUS] ST/AUX OUT UTILITY OUTPUT PATCH (DIGI. ST/AUX OUT PORT) 6/8 [ST-BUS] D.OUT [ST-BUS] ST/AUX OUT 62
63 q w e r q w e UTILITY INPUT PATCH LIBRARY 4/8 * 00 [Initial Data ] RECALL/STORE /CLEAR r t y UTILITY OUTPUT PATCH (mlan OUT CHANNEL) 5/8 ST-BUS [1/2 ] RECBUS [3/4 ] AUX1/2 [5/6 ] AUX3/4 [7/8 ] t UTILITY OUTPUT PATCH (mlan OUT CHANNEL) 5/8 ST-BUS [1/2 ] RECBUS [3/4 ] AUX1/2 [9/10] AUX3/4 [7/8 ] 63
64 q GROUP ENABLE FADER(A-D)/MUTE(E-H) A-ENA B-ENA C-ENA D-ENA E-ENA F-ENA G-ENA H-ENA w e FADER GROUP GRP-A GRP-A GRP-B GRP-B GRP-C ---- GRP-C ---- q GROUP ENABLE FADER(A-D)/MUTE(E-H) A-ENA B-ENA C-ENA D-ENA E-ENA F-ENA G-ENA H-ENA w e FADER GROUP GRP-A GRP-A GRP-B GRP-B GRP-C ---- GRP-C ---- r r 64
65 q w SCENE LIBRARY SCENE No. [ 00] * 00 [Initial Data ] _ RECALL/STORE /CLEAR/PROTECT e r t 65
66 q w 66
67 e q w e r t y r 67
68 t y q w e r u 68
69 t y q w 69
70 e r t y u i o 70
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73 q w e r t q REMOTE MODE (CUBASE/NUENDO) Pan Pan Left-Right Page:01/02 FullKi DrumLo Bass Guitar String Bass Percus Cello < > w Pan Pan Left-Right Page:01/02 FullKi DrumLo Bass Guitar String Bass Percus Cello 73
74 r f < > 74
75 q q w w e 75
76 < > q w e r t y 76
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78 q w t y u e r i o 78
79 q w e r Freq1 Gain1 Freq2 Gain2 Freq3 Gain3 Freq4 Gain4 EQ's Full Kit Page:01/02 t Freq1 Gain1 Freq2 Gain2 Freq3 Gain3 Freq4 Gain4 EQ's Full Kit Page:01/02 Enabl1 Q1 Enabl2 Q2 Enabl3 Q3 Enabl4 Q4 EQ's Full Kit Page:02/02 y 79
80 q w 80
81 q < > q w < > w e Level1 Level2 Level3 Level4 Level5 Level6 Level7 Level8 FX Send Full Kit Page:01/04 r e FX#1 Send FX1 On Karlette r Page:01/07 FXOn1 FXOn2 FXOn3 FXOn4 FXOn5 FXOn6 FXOn7 FXOn8 FX Send Full Kit Page:02/04 81
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85 q r z v b n 85
86 m, n, z, m, 86
87 z x c v b n m, z x c v b x c v b 87
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89 q e r q r z v b n m 89
90 w r i 90
91 u i!5 q z v b 91
92 n m z x z z c b m c b 92
93 b!6 y m!7 w r b!9 u!8 z c 93
94 u t y b n m w r, 94
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96 u i z, y q i y q i t q i r 96
97 z, z u w t q i y q i t q i r z, z u w t q i y 97
98 q i t q i r z, z w t q i y q i t u q i r z, z u w t 98
99 q r z v b n m q i q q i q i q i t y u o i!0 99
100 q i w y q i e u q t!4!2!3 q i q i e i q r z v 100
101 b n m q i q q i w q i 101
102 q i r c q v b n 102
103 z v q r z v b n m q r z v n m, 103
104 < > 104
105 r r f f > > 105
106 < > < > r 106
107 f > > 107
108 < > < > 108
109 r r r f f f > > 109
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111 r r f f > > > 111
112 < > < > r r f > > 112
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116 No. Title 01 Bass Drum 1 02 Bass Drum 2 03 Snare Drum 1 04 Snare Drum 2 05 Tom-tom 1 06 Cymbal 07 High Hat Parameter LOW LOW-MID HIGH-MID HIGH PEAKING PEAKING PEAKING H.SHELF G +3.5 db 3.5 db 0.0 db +4.0 db F 100 Hz 265 Hz 1.06 khz 5.30 khz Q PEAKING PEAKING PEAKING LPF G +8.0 db 7.0 db +6.0 db ON F 80 Hz 400 Hz 2.50 khz 12.5 khz Q PEAKING PEAKING PEAKING H.SHELF G 0.5 db 0.0 db +3.0 db +4.5 db F 132 Hz 1.00 khz 3.15 khz 5.00 khz Q L.SHELF PEAKING PEAKING PEAKING G +1.5 db 8.5 db +2.5 db +4.0 db F 180 Hz 335 Hz 2.36 khz 4.00 khz Q PEAKING PEAKING PEAKING PEAKING G +2.0 db 7.5 db +2.0 db +1.0 db F 212 Hz 670 Hz 4.50 khz 6.30 khz Q L.SHELF PEAKING PEAKING H.SHELF G 2.0 db 0.0 db 0.0 db +3.0 db F 106 Hz 425 Hz 1.06 khz 13.2 khz Q L.SHELF PEAKING PEAKING H.SHELF G 4.0 db 2.5 db +1.0 db +0.5 db F 95 Hz 425 Hz 2.80 khz 7.50 khz Q L.SHELF PEAKING PEAKING H.SHELF No. Title 13 Piano 1 14 Piano 2 15 E. G. Clean 16 E. G. Crunch 1 17 E. G. Crunch 2 18 E. G. Dist E. G. Dist. 2 Parameter LOW LOW-MID HIGH-MID HIGH L.SHELF PEAKING PEAKING H.SHELF G 6.0 db 0.0 db +2.0 db +4.0 db F 95 Hz 950 Hz 3.15 khz 7.50 khz Q PEAKING PEAKING PEAKING H.SHELF G +3.5 db 8.5 db +1.5 db +3.0 db F 224 Hz 600 Hz 3.15 khz 5.30 khz Q PEAKING PEAKING PEAKING H.SHELF G +2.0 db 5.5 db +0.5 db +2.5 db F 265 Hz 400 Hz 1.32 khz 4.50 khz Q PEAKING PEAKING PEAKING PEAKING G +4.5 db 0.0 db +4.0 db +2.0 db F 140 Hz 1.00 khz 1.90 khz 5.60 khz Q PEAKING PEAKING PEAKING H.SHELF G +2.5 db +1.5 db +2.5 db 0.0 db F 125 Hz 450 Hz 3.35 khz 19.0 khz Q L.SHELF PEAKING PEAKING H.SHELF G +5.0 db 0.0 db +3.5 db 0.0 db F 355 Hz 950 Hz 3.35 khz 12.5 khz Q 9 10 L.SHELF PEAKING PEAKING H.SHELF G +6.0 db 8.5 db +4.5 db +4.0 db F 315 Hz 1.06 khz 4.25 khz 12.5 khz Q 10 4 PEAKING PEAKING PEAKING H.SHELF 08 Percussion G 4.5 db 0.0 db +2.0 db 0.0 db F 100 Hz 400 Hz 2.80 khz 17.0 khz 20 A. G. Stroke 1 G 2.0 db 0.0 db +1.0 db +4.0 db F 106 Hz 1.00 khz 1.90 khz 5.30 khz Q Q L.SHELF PEAKING PEAKING H.SHELF L.SHELF PEAKING PEAKING H.SHELF 09 E. Bass 1 G 7.5 db +4.5 db +2.5 db 0.0 db F 35.5 Hz 112 Hz 2.00 khz 4.00 khz 21 A. G. Stroke 2 G 3.5 db 2.0 db 0.0 db +2.0 db F 300 Hz 750 Hz 2.00 khz 3.55 khz Q Q PEAKING PEAKING PEAKING H.SHELF L.SHELF PEAKING PEAKING PEAKING 10 E. Bass 2 G +3.0 db 0.0 db +2.5 db +0.5 db F 112 Hz 112 Hz 2.24 khz 4.00 khz 22 A. G. Arpeg. 1 G 0.5 db 0.0 db 0.0 db +2.0 db F 224 Hz 1.00 khz 4.00 khz 6.70 khz Q Q PEAKING PEAKING PEAKING H.SHELF L.SHELF PEAKING PEAKING H.SHELF 11 Syn. Bass 1 G +3.5 db +8.5 db 0.0 db 0.0 db F 85 Hz 950 Hz 4.00 khz 12.5 khz 23 A. G. Arpeg. 2 G 0.0 db 5.5 db 0.0 db +4.0 db F 180 Hz 355 Hz 4.00 khz 4.25 khz Q Q PEAKING PEAKING PEAKING H.SHELF PEAKING PEAKING PEAKING PEAKING 12 Syn. Bass 2 G +2.5 db 0.0 db +1.5 db 0.0 db F 125 Hz 180 Hz 1.12 khz 12.5 khz 24 Brass Sec. G 2.0 db 1.0 db +1.5 db +3.0 db F 90 Hz 850 Hz 2.12 khz 4.50 khz Q Q
117 No. Title Parameter LOW LOW-MID HIGH-MID HIGH No. Title Parameter LOW LOW-MID HIGH-MID HIGH 25 Male Vocal 1 PEAKING PEAKING PEAKING PEAKING G 0.5 db 0.0 db +2.0 db +3.5 db F 190 Hz 1.00 khz 2.00 khz 6.70 khz 33 Bass Drum 3 PEAKING PEAKING PEAKING PEAKING G +3.5 db 10.0 db +3.5 db 0.0 db F 118 Hz 315 Hz 4.25 khz 20.0 khz Q Q PEAKING PEAKING PEAKING H.SHELF L.SHELF PEAKING PEAKING PEAKING 26 Male Vocal 2 G +2.0 db 5.0 db 2.5 db +4.0 db F 170 Hz 236 Hz 2.65 khz 6.70 khz 34 Snare Drum 3 G 0.0 db +2.0 db +3.5 db 0.0 db F 224 Hz 560 Hz 4.25 khz 4.00 khz 27 Female Vo. 1 Q PEAKING PEAKING PEAKING PEAKING G 1.0 db +1.0 db +1.5 db +2.0 db F 118 Hz 400 Hz 2.65 khz 6.00 khz 35 Tom-tom 2 Q L.SHELF PEAKING PEAKING H.SHELF G 9.0 db +1.5 db +2.0 db 0.0 db F 90 Hz 212 Hz 5.30 khz 17.0 khz Q Q L.SHELF PEAKING PEAKING H.SHELF PEAKING PEAKING PEAKING H.SHELF 28 Female Vo Chorus & Harmo G 7.0 db +1.5 db +1.5 db +2.5 db F 112 Hz 335 Hz 2.00 khz 6.70 khz Q PEAKING PEAKING PEAKING PEAKING G 2.0 db 1.0 db +1.5 db +3.0 db F 90 Hz 850 Hz 2.12 khz 4.50 khz 36 Piano 3 37 Piano Low G +4.5 db 13.0 db +4.5 db +2.5 db F 100 Hz 475 Hz 2.36 khz 10.0 khz Q PEAKING PEAKING PEAKING H.SHELF G 5.5 db +1.5 db +6.0 db 0.0 db F 190 Hz 400 Hz 6.70 khz 12.5 khz Q Q Total EQ 1 PEAKING PEAKING PEAKING H.SHELF G 0.5 db 0.0 db +3.0 db +6.5 db F 95 Hz 950 Hz 2.12 khz 16.0 khz Q PEAKING PEAKING PEAKING H.SHELF 38 Piano High PEAKING PEAKING PEAKING PEAKING G 5.5 db +1.5 db +5.0 db +3.0 db F 190 Hz 400 Hz 6.70 khz 5.60 khz Q L.SHELF PEAKING PEAKING H.SHELF 31 Total EQ 2 G +4.0 db +1.5 db +2.0 db +6.0 db F 95 Hz 750 Hz 1.80 khz 18.0 khz 39 Fine-EQ Cass G 1.5 db 0.0 db +1.0 db +3.0 db F 75 Hz 1.00 khz 4.00 khz 12.5 khz Q Q Total EQ 3 L.SHELF PEAKING PEAKING H.SHELF G +1.5 db +0.5 db +2.0 db +4.0 db F 67 Hz 850 Hz 1.90 khz 15.0 khz 40 Narrator PEAKING PEAKING PEAKING H.SHELF G 4.0 db 1.0 db +2.0 db 0.0 db F 106 Hz 710 Hz 2.50 khz 10.0 khz Q Q LOW/HPF LOW-MID HIGH-MID HIGH /LPF Q 0.1~10.0 (41 points) low shelving HPF 0.1~10.0 (41 points) 0.1~10.0 (41 points) high shelving LPF F 21.2 Hz~20 khz (1/12 oct step) G ±18 db (0.1 db step) HPF: on/off ±18 db (0.1 db step) ±18 db (0.1 db step) LPF: on/off 117
118 Compander (H) COMPAND-H Compander (S) COMPAND-S COMPAND-H COMPAND-S A. Dr. OverTop COMPAND-S COMPAND-S COMPAND-S COMPAND-H COMPAND-S 118
119 No. Title Type Parameter Value Threshold (db) 8 Ratio ( :1) Comp COMP Attack (ms) 60 Out gain (db) 0.0 Knee 2 Release (ms) 250 Threshold (db) 23 Ratio ( :1) Expand EXPAND Attack (ms) 1 Out gain (db) 3.5 Knee 2 Release (ms) 70 Threshold (db) 10 Ratio ( :1) Compander (H) COMPAND-H Attack (ms) 1 Out gain (db) 0.0 Width (db) 6 Release (ms) 250 Threshold (db) 8 Ratio ( :1) 4 4 Compander (S) COMPAND-S Attack (ms) 25 Out gain (db) 0.0 Width (db) 24 Release (ms) 180 Threshold (db) 24 Ratio ( :1) 3 5 A. Dr. BD COMP Attack (ms) 9 Out gain (db) 5.5 Knee 2 Release (ms) 58 Threshold (db) 11 Ratio ( :1) A. Dr. BD COMPAND-H Attack (ms) 1 Out gain (db) 1.5 Width (db) 7 Release (ms) 192 Threshold (db) 17 Ratio ( :1) A. Dr. SN COMP Attack (ms) 8 Out gain (db) 3.5 Knee 2 Release (ms) 12 Threshold (db) 23 Ratio ( :1) 2 8 A. Dr. SN EXPAND Attack (ms) 0 Out gain (db) 0.5 Knee 2 Release (ms) 151 Threshold (db) 8 Ratio ( :1) A. Dr. SN COMPAND-S Attack (ms) 11 Out gain (db) 0.0 Width (db) 10 Release (ms) 128 Threshold (db) 20 Ratio ( :1) 2 10 A. Dr. Tom EXPAND Attack (ms) 2 Out gain (db) 5.0 Knee 2 Release (ms) 749 No. Title Type Parameter Value Threshold (db) 24 Ratio ( :1) 2 11 A. Dr. OverTop COMPAND-S Attack (ms) 38 Out gain (db) 3.5 Width (db) 54 Release (ms) 842 Threshold (db) 12 Ratio ( :1) 2 12 E. B. Finger COMP Attack (ms) 15 Out gain (db) 4.5 Knee 2 Release (ms) 470 Threshold (db) 12 Ratio ( :1) E. B. Slap COMP Attack (ms) 6 Out gain (db) 4.0 Knee hard Release (ms) 133 Threshold (db) 10 Ratio ( :1) Syn. Bass COMP Attack (ms) 9 Out gain (db) 3.0 Knee hard Release (ms) 250 Threshold (db) 9 Ratio ( :1) Piano1 COMP Attack (ms) 17 Out gain (db) 1.0 Knee hard Release (ms) 238 Threshold (db) 18 Ratio ( :1) Piano2 COMP Attack (ms) 7 Out gain (db) 6.0 Knee 2 Release (ms) 174 Threshold (db) 8 Ratio ( :1) E. Guitar COMP Attack (ms) 7 Out gain (db) 2.5 Knee 4 Release (ms) 261 Threshold (db) 10 Ratio ( :1) A. Guitar COMP Attack (ms) 5 Out gain (db) 1.5 Knee 2 Release (ms) 238 Threshold (db) 11 Ratio ( :1) 2 19 Strings1 COMP Attack (ms) 33 Out gain (db) 1.5 Knee 2 Release (ms) 749 Threshold (db) 12 Ratio ( :1) Strings2 COMP Attack (ms) 93 Out gain (db) 1.5 Knee 4 Release (ms) 1.35 S 119
120 No. Title Type Parameter Value Threshold (db) 17 Ratio ( :1) Strings3 COMP Attack (ms) 76 Out gain (db) 2.5 Knee 2 Release (ms) 186 Threshold (db) 18 Ratio ( :1) BrassSection COMP Attack (ms) 18 Out gain (db) 4.0 Knee 1 Release (ms) 226 Threshold (db) 13 Ratio ( :1) 2 23 Syn. Pad COMP Attack (ms) 58 Out gain (db) 2.0 Knee 1 Release (ms) 238 Threshold (db) 18 Ratio ( :1) SamplingPerc COMPAND-S Attack (ms) 8 Out gain (db) 2.5 Width (db) 18 Release (ms) 238 Threshold (db) 14 Ratio ( :1) 2 25 Sampling BD COMP Attack (ms) 2 Out gain (db) 3.5 Knee 4 Release (ms) 35 Threshold (db) 18 Ratio ( :1) 4 26 Sampling SN COMP Attack (ms) 8 Out gain (db) 8.0 Knee hard Release (ms) 354 Threshold (db) 23 Ratio ( :1) Hip Comp COMPAND-S Attack (ms) 15 Out gain (db) 0.0 Width (db) 15 Release (ms) 163 Threshold (db) 20 Ratio ( :1) Solo Vocal1 COMP Attack (ms) 31 Out gain (db) 2.0 Knee 1 Release (ms) 342 Threshold (db) 8 Ratio ( :1) Solo Vocal2 COMP Attack (ms) 26 Out gain (db) 1.5 Knee 3 Release (ms) 331 Threshold (db) 9 Ratio ( :1) Chorus COMP Attack (ms) 39 Out gain (db) 2.5 Knee 2 Release (ms) 226 No. Title Type Parameter Value Threshold (db) 33 Ratio ( :1) 2 31 Click Erase EXPAND Attack (ms) 1 Out gain (db) 2.0 Knee 2 Release (ms) 284 Threshold (db) 14 Ratio ( :1) Announcer COMPAND-H Attack (ms) 1 Out gain (db) 2.5 Width (db) 18 Release (ms) 180 Threshold (db) 9 Ratio ( :1) 3 33 Limiter1 COMPAND-S Attack (ms) 20 Out gain (db) 3.0 Width (db) 90 Release (ms) 3.91 s Threshold (db) 0 Ratio ( :1) 34 Limiter2 COMP Attack (ms) 0 Out gain (db) 0.0 Knee hard Release (ms) 319 Threshold (db) 18 Ratio ( :1) Total Comp1 COMP Attack (ms) 94 Out gain (db) 2.5 Knee hard Release (ms) 447 Threshold (db) 16 Ratio ( :1) 6 36 Total Comp2 COMP Attack (ms) 11 Out gain (db) 6.0 Knee 1 Release (ms) 180 Threshold (db) 26 Range (db) Gate GATE Attack (ms) 0 Hold (ms) 2.56 Decay (ms) 331 Threshold (db) 19 Range (db) Ducking DUCKING Attack (ms) 93 Hold (ms) 1.20 S Decay (ms) 6.32 S Threshold (db) 11 Range (db) A. Dr. BD GATE Attack (ms) 0 Hold (ms) 1.93 Decay (ms) 400 Threshold (db) 8 Range (db) A. Dr. SN GATE Attack (ms) 1 Hold (ms) 0.63 Decay (ms)
121 Compressor Expander Compander H Compander S Ducking Gate Threshold Ratio (x :1) Out gain Knee Attack Release Threshold Ratio (x :1) Out gain Knee Attack Release Threshold Ratio (x :1) Out gain Width Attack Release Threshold Ratio (x :1) Out gain Width Attack Release Threshold Range Attack Hold Decay Threshold Range Attack Hold Decay 54 db ~ 0 db (0.1 db step) x=1, 1.1, 1.3, 1.5, 1.7, 2, 2.5, 3, 3.5, 4, 5, 6, 8, 10, 20, (16 points) 0 db ~ +18 db (0.1 db step) Hard, 1, 2, 3, 4, 5 (6 points) 0 ms~120 ms (1 ms step) 6 ms~46.1 s ( khz 5 ms~42.3 s ( khz 3 ms~23.0 s ( khz 3 ms~21.2 s ( khz 54 db ~ 0 db (0.1 db step) x=1, 1.1, 1.3, 1.5, 1.7, 2, 2.5, 3, 3.5, 4, 5, 6, 8, 10, 20, (16 points) 0 db ~ +18 db (0.1 db step) Hard, 1, 2, 3, 4, 5 (6 points) 0 ms~120 ms (1 ms step) 6 ms~46.1 s ( khz 5 ms~42.3 s ( khz 3 ms~23.0 s ( khz 3 ms~21.2 s ( khz 54 db ~ 0 db (0.1 db step) x=1, 1.1, 1.3, 1.5, 1.7, 2, 2.5, 3, 3.5, 4, 5, 6, 8, 10, 20 (15 points) 18 db ~ 0 db (0.1 db step) 1 db~90 db (1 db step) 0 ms~120 ms (1 ms step) 6 ms~46.1 s ( khz 5 ms~42.3 s ( khz 3 ms~23.0 s ( khz 3 ms~21.2 s ( khz 54 db ~ 0 db (0.1 db step) x=1, 1.1, 1.3, 1.5, 1.7, 2, 2.5, 3, 3.5, 4, 5, 6, 8, 10, 20 (15 points) 18 db ~ 0 db (0.1 db step) 1 db~90 db (1 db step) 0 ms~120 ms (1 ms step) 6 ms~46.1 s ( khz 5 ms~42.3 s ( khz 3 ms~23.0 s ( khz 3 ms~21.2 s ( khz 54 db ~ 0 db (0.1 db step) 70 db ~ 0 db (1 db step) 0 ms~120 ms (1 ms step) 0.02 ms~2.13 s ( khz 0.02 ms~1.96 s ( khz 0.01 ms~1.07 s ( khz 0.01 ms~980 ms ( khz 6 ms~46.1 s ( khz 5 ms~42.3 s ( khz 3 ms~23.0 s ( khz 3 ms~21.2 s ( khz 54 db ~ 0 db (0.1 db step) 70 db ~ 0 db (1 db step) 0 ms~120 ms (1 ms step) 0.02 ms~2.13 s ( khz 0.02 ms~1.96 s ( khz 0.01 ms~1.07 s ( khz 0.01 ms~980 ms ( khz 6 ms~46.1 s ( khz 5 ms~42.3 s ( khz 3 ms~23.0 s ( khz 3 ms~21.2 s ( khz 121
122 Output Level db Compression ratio = 2: Threshold = -20dB Knee = hard db Input Level db db Expansion ratio = 2: Expansion ratio = 2:1 Output Level Knee = hard Threshold = -10dB Output Level Knee = knee5 Threshold = -20dB db -70 db Input Level Input Level 122
123 Output Level db Width Input Level Threshold db 123
124 Output Level db Threshold = -10dB Range = -30dB Range = -70dB db Input Level Output Level db Threshold = -20dB Range = -30dB Input Level db 124
125 125
126 REVERB HALL, REVERB ROOM, REVERB STAGE, REVERB PLATE Parameter Range Description REV TIME s INI. DLY ms HI. RATIO LO. RATIO DIFF DENSITY 0 100% E/R DLY ms E/R BAL % HPF THRU, 21.2 Hz 8.00 khz LPF 50.0 Hz 16.0 khz, THRU GATE LVL OFF, 60 to 0 db ATTACK ms HOLD *1 DECAY *2 * ms 2.13s (fs=44.1khz), 0.02 ms 1.96s (fs=48khz), 0.01ms 1.06s (fs=88.2khz), 0.01ms 981ms (fs=96khz) *2. 6ms 46.0s (fs=44.1khz), 5ms 42.3s (fs=48khz), 3ms 23.0s (fs=88.2khz), 3ms 21.1s (fs=96khz) EARLY REF. Parameter Range Description TYPE S-Hall, L-Hall, Random, Revers, Plate, Spring ROOMSIZE LIVENESS 0 10 INI. DLY ms DIFF DENSITY 0 100% ER NUM FB.GAIN 99 to +99% HI. RATIO HPF THRU, 21.2 Hz 8.00 khz LPF 50.0 Hz 16.0 khz, THRU GATE REVERB, REVERSE GATE Parameter Range Description TYPE Type-A, Type-B ROOMSIZE LIVENESS 0 10 INI. DLY ms DIFF DENSITY 0 100% ER NUM FB.GAIN 99 to +99% HI. RATIO HPF THRU, 21.2 Hz 8.00 khz LPF 50.0 Hz 16.0 khz, THRU 126
127 MONO DELAY Parameter Range Description DELAY ms FB. GAIN 99 to +99% HI. RATIO HPF THRU, 21.2 Hz 8.00 khz LPF 50.0 Hz 16.0 khz, THRU STEREO DELAY Parameter Range Description DELAY L ms DELAY R ms FB. G L 99 to +99% FB. G R 99 to +99% HI. RATIO HPF THRU, 21.2 Hz 8.00 khz LPF 50.0 Hz 16.0 khz, THRU MOD. DELAY Parameter Range Description DELAY ms FB. GAIN 99 to +99% HI. RATIO FREQ Hz DEPTH 0 100% WAVE Sine, Tri HPF THRU, 21.2 Hz 8.00 khz LPF 50.0 Hz 16.0 khz, THRU DELAY LCR Parameter Range Description DELAY L ms DELAY C ms DELAY R ms FB. DLY ms LEVEL L 100 to +100% LEVEL C 100 to +100% LEVEL R 100 to +100% FB. GAIN 99 to +99% HI. RATIO HPF THRU, 21.2 Hz 8.00 khz LPF 50.0 Hz 16.0 khz, THRU 127
128 ECHO Parameter Range Description DELAY L ms DELAY R ms FB.DLY L ms FB.DLY R ms FB. G L 99 to +99% FB. G R 99 to +99% L->R FBG 99 to +99% R->L FBG 99 to +99% HI. RATIO HPF THRU, 21.2 Hz 8.00 khz LPF 50.0 Hz 16.0 khz, THRU CHORUS Parameter Range Description FREQ Hz AM DEPTH 0 100% PM DEPTH 0 100% MOD. DLY ms WAVE Sine, Tri LSH F 21.2 Hz 8.00 khz LSH G 12.0 to db EQ F 100 Hz 8.00 khz EQ G 12.0 to db EQ Q HSH F 50.0 Hz 16.0 khz HSH G 12.0 to db FLANGE Parameter Range Description FREQ Hz DEPTH 0 100% MOD. DLY ms FB. GAIN 99 to +99% WAVE Sine, Tri LSH F 21.2 Hz 8.00 khz LSH G 12.0 to db EQ F 100 Hz 8.00 khz EQ G 12.0 to db EQ Q HSH F 50.0 Hz 16.0 khz HSH G 12.0 to db 128
129 SYMPHONIC Parameter Range Description FREQ Hz DEPTH 0 100% MOD. DLY ms WAVE Sine, Tri LSH F 21.2 Hz 8.00 khz LSH G 12.0 to db EQ F 100 Hz 8.00 khz EQ G 12.0 to db EQ Q HSH F 50.0 Hz 16.0 khz HSH G 12.0 to db PHASER Parameter Range Description FREQ Hz DEPTH 0 100% FB. GAIN 99 to +99% OFFSET PHASE degrees STAGE 2, 4, 6, 8, 10, 12, 14, 16 LSH F 21.2 Hz 8.00 khz LSH G 12.0 to db HSH F 50.0 Hz 16.0 khz HSH G 12.0 to db AUTO PAN Parameter Range Description FREQ Hz DEPTH 0 100% DIR. *1 WAVE Sine, Tri, Square LSH F 21.2 Hz 8.00 khz LSH G 12.0 to db EQ F 100 Hz 8.00 khz EQ G 12.0 to db EQ Q HSH F 50.0 Hz 16.0 khz HSH G 12.0 to db *1. L<->R, L >R, L< R, Turn L, Turn R TREMOLO Parameter Range Description FREQ Hz DEPTH 0 100% WAVE Sine, Tri, Square LSH F 21.2 Hz 8.00 khz LSH G 12.0 to db EQ F 100 Hz 8.00 khz EQ G 12.0 to db EQ Q HSH F 50.0 Hz 16.0 khz HSH G 12.0 to db 129
130 HQ. PITCH Parameter Range Description PITCH 12 to +12 semitones FINE 50 to +50 cents DELAY ms FB. GAIN 99 to +99% MODE 1 10 DUAL PITCH Parameter Range Description PITCH 1 24 to +24 semitones FINE 1 50 to +50 cents PITCH 2 24 to +24 semitones FINE 2 50 to +50 cents LEVEL to +100% PAN 1 L63 to R63 LEVEL to +100% PAN 2 L63 to R63 DELAY ms FB. G 1 99 to +99% DELAY ms FB. G 2 99 to +99% MODE 1 10 ROTARY Parameter Range Description ROTATE STOP, START SPEED SLOW, FAST SLOW Hz FAST Hz DRIVE ACCEL 0 10 LOW HIGH RING MOD. Parameter Range Description SOURCE OSC, SELF OSC FREQ Hz FM FREQ Hz FM DEPTH 0 100% 130
131 MOD. FILTER Parameter Range Description FREQ Hz DEPTH 0 100% PHASE degrees TYPE LPF, HPF, BPF OFFSET RESO LEVEL DISTORTION Parameter Range Description DST TYPE DST1, DST2, OVD1, OVD2, CRUNCH DRIVE MASTER TONE 10 to +10 N. GATE 0 20 AMP SIMULATE Parameter Range Description AMP TYPE *1 DST TYPE DST1, DST2, OVD1, OVD2, CRUNCH DRIVE MASTER BASS MIDDLE TREBLE CAB DEP 0 100% EQ F khz EQ G 12.0 to db EQ Q N. GATE 0 20 *1. STK-M1, STK-M2, THRASH, MIDBST, CMB-PG, CMB-VR, CMB-DX, CMB-TW, MINI, FLAT DYNA. FILTER Parameter Range Description SENSE DIR. UP, DOWN DECAY *1 TYPE LPF, HPF, BPF OFFSET RESO LEVEL *1. 6ms 46.0s (fs=44.1khz), 5ms 42.3s (fs=48khz), 3ms 23.0s (fs=88.2khz), 3ms 21.1s (fs=96khz) 131
132 DYNA. FLANGE Parameter Range Description SENSE DIR. UP, DOWN DECAY *1 OFFSET FB.GAIN 99 to +99% LSH F 21.2 Hz 8.00 khz LSH G 12.0 to db EQ F 100 Hz 8.00 khz EQ G 12.0 to db EQ Q HSH F 50.0 Hz 16.0 khz HSH G 12.0 to db *1. 6ms 46.0s (fs=44.1khz), 5ms 42.3s (fs=48khz), 3ms 23.0s (fs=88.2khz), 3ms 21.1s (fs=96khz) DYNA. PHASER Parameter Range Description SENSE DIR. UP, DOWN DECAY *1 OFFSET FB.GAIN 99 to +99% STAGE 2, 4, 6, 8, 10, 12, 14, 16 LSH F 21.2 Hz 8.00 khz LSH G 12.0 to db HSH F 50.0 Hz 16.0 khz HSH G 12.0 to db *1. 6ms 46.0s (fs=44.1khz), 5ms 42.3s (fs=48khz), 3ms 23.0s (fs=88.2khz), 3ms 21.1s (fs=96khz) REV+CHORUS Parameter Range Description REV TIME s INI. DLY ms HI. RATIO DIFF DENSITY 0 100% HPF THRU, 21.2 Hz 8.00 khz LPF 50.0 Hz 16.0 khz, THRU REV/CHO 0 100% FREQ Hz AM DEPTH 0 100% PM DEPTH 0 100% MOD. DLY ms WAVE Sine, Tri 132
133 REV->CHORUS Parameter Range Description REV TIME s INI. DLY ms HI. RATIO DIFF DENSITY 0 100% HPF THRU, 21.2 Hz 8.00 khz LPF 50.0 Hz 16.0 khz, THRU REV.BAL 0 100% FREQ Hz AM DEPTH 0 100% PM DEPTH 0 100% MOD. DLY ms WAVE Sine, Tri REV+FLANGE Parameter Range Description REV TIME s INI. DLY ms HI. RATIO DIFF DENSITY 0 100% HPF THRU, 21.2 Hz 8.00 khz LPF 50.0 Hz 16.0 khz, THRU REV/FLG 0 100% FREQ Hz DEPTH 0 100% MOD. DLY ms FB. GAIN 99 to +99% WAVE Sine, Tri REV->FLANGE Parameter Range Description REV TIME s INI. DLY ms HI. RATIO DIFF DENSITY 0 100% HPF THRU, 21.2 Hz 8.00 khz LPF 50.0 Hz 16.0 khz, THRU REV.BAL 0 100% FREQ Hz DEPTH 0 100% MOD. DLY ms FB. GAIN 99 to +99% WAVE Sine, Tri 133
134 REV+SYMPHO. Parameter Range Description REV TIME s INI. DLY ms HI. RATIO DIFF DENSITY 0 100% HPF THRU, 21.2 Hz 8.00 khz LPF 50.0 Hz 16.0 khz, THRU REV/SYM 0 100% FREQ Hz DEPTH 0 100% MOD. DLY ms WAVE Sine, Tri REV->SYMPHO. Parameter Range Description REV TIME s INI. DLY ms HI. RATIO DIFF DENSITY 0 100% HPF THRU, 21.2 Hz 8.00 khz LPF 50.0 Hz 16.0 khz, THRU REV.BAL 0 100% FREQ Hz DEPTH 0 100% MOD. DLY ms WAVE Sine, Tri REV->PAN Parameter Range Description REV TIME s INI. DLY ms HI. RATIO DIFF DENSITY 0 100% HPF THRU, 21.2 Hz 8.00 khz LPF 50.0 Hz 16.0 khz, THRU REV.BAL 0 100% FREQ Hz DEPTH 0 100% DIR. *1 WAVE Sine, Tri, Square *1. L<->R, L >R, L< R, Turn L, Turn R 134
135 DELAY+ER. Parameter Range Description DELAY L ms DELAY R ms FB. DLY ms FB. GAIN 99 to +99% HI. RATIO HPF THRU, 21.2 Hz 8.00 khz LPF 50.0 Hz 16.0 khz, THRU DLY/ER 0 100% TYPE S-Hall, L-Hall, Random, Revers, Plate, Spring ROOMSIZE LIVENESS 0 10 INI. DLY ms DIFF DENSITY 0 100% ER NUM DELAY->ER. Parameter Range Description DELAY L ms DELAY R ms FB. DLY ms FB. GAIN 99 to +99% HI. RATIO HPF THRU, 21.2 Hz 8.00 khz LPF 50.0 Hz 16.0 khz, THRU DLY.BAL 0 100% TYPE S-Hall, L-Hall, Random, Revers, Plate, Spring ROOMSIZE LIVENESS 0 10 INI. DLY ms DIFF DENSITY 0 100% ER NUM DELAY+REV Parameter Range Description DELAY L ms DELAY R ms FB. DLY ms FB. GAIN 99 to +99% DELAY HI HPF THRU, 21.2 Hz 8.00 khz LPF 50.0 Hz 16.0 khz, THRU DLY/REV 0 100% REV TIME s INI. DLY ms REV HI DIFF DENSITY 0 100% 135
136 DELAY->REV Parameter Range Description DELAY L ms DELAY R ms FB. DLY ms FB. GAIN 99 to +99% DELAY HI HPF THRU, 21.2 Hz 8.00 khz LPF 50.0 Hz 16.0 khz, THRU DLY.BAL 0 100% REV TIME s INI. DLY ms REV HI DIFF DENSITY 0 100% DIST->DELAY Parameter Range Description DST TYPE DST1, DST2, OVD1, OVD2, CRUNCH DRIVE MASTER TONE 10 to +10 N. GATE 0 20 DELAY ms FB. GAIN 99 to +99% HI. RATIO FREQ Hz DEPTH 0 100% DLY.BAL 0 100% MULTI FILTER Parameter Range Description TYPE 1 HPF, LPF, BPF TYPE 2 HPF, LPF, BPF TYPE 3 HPF, LPF, BPF FREQ Hz 16.0 khz FREQ Hz 16.0 khz FREQ Hz 16.0 khz LEVEL LEVEL LEVEL RESO RESO RESO
137 ST REVERB Parameter Range Description REV TIME s REV TYPE Hall, Room, Stage, Plate INI. DLY ms HI. RATIO LO. RATIO DIFF DENSITY 0 100% E/R BAL % HPF THRU, 21.2 Hz 8.00 khz LPF 50.0 Hz 16.0 khz, THRU M.BAND DYNA. Parameter Range Description LOW GAIN 96.0 to db MID GAIN 96.0 to db HI. GAIN 96.0 to db PRESENCE 10 to +10 CMP. THRE 24.0 to 0.0 db CMP. RAT 1:1 to 20:1 CMP. ATK ms CMP. REL *1 CMP. KNEE 0 5 LOOKUP ms CMP. BYP OFF, ON L-M XOVR 21.2 Hz 8.00 khz M-H XOVR 21.2 Hz 8.00 khz SLOPE 6 to 12 db CEILING 6.0 to 0.0 db, OFF EXP. THRE 54.0 to 24.0 db EXP. RAT 1:1 to :1 EXP. REL *1 EXP. BYP OFF, ON LIM. THRE 12.0 to 0.0 db LIM. ATK ms LIM. REL *1 LIM. BYP OFF, ON LIM. KNEE 0 5 SOLO LOW OFF, ON SOLO MID OFF, ON SOLO HIGH OFF, ON *1. 6ms 46.0s (fs=44.1khz), 5ms 42.3s (fs=48khz), 3ms 23.0s (fs=88.2khz), 3ms 21.1s (fs=96khz) 137
138 Program Change No. Initial Scene No User Scene No. Program Change No. Initial Scene No User Scene No. Program Change No. Initial Scene No User Scene No
139 139
140 140
141 STATUS 1100nnnn Cn Program change DATA 0nnnnnnn nn Program number (0-127) STATUS FE Active sensing STATUS FF System reset 141
142 YAMAHA [DIGITAL MIXING STUDIO] Date : May/28,2003 Model:01X MIDI Implementation Chart Version : 1.0 Function... Transmitted Recognized Remarks Basic Default Memorized Channel Changed Memorized Default x OMNI off/omni on Memorized Mode Messages x x Altered ************** x Note x x Number : True voice ************** x Velocity Note ON x x Note OFF x x After Key's x x Touch Ch's x x Pitch Bend x x Control 0-95, x x Change Prog o o Assignable Change : True # ************** 0-99 System Exclusive x x : Song Pos. x x Common : Song Sel. x x : Tune x x System : Clock x x Real Time : Commands x x Aux : Local ON/OFF x x Mes- : All Notes OFF x x sages : Active Sense x o : Reset x o Notes mlan-midi-5 Port & NO ASSIGN(SCENE CTL) Mode Only Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON,MONO o : Yes Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF,MONO x : No 142
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146 146
147 コンピューター 01X コンピューター : IEEE 1394-equipped device 01X 147
148 148
149 149
150 150
151 < > 151
152 152
153 153
154 f > r 154
155 ATT 4BAND EQ DY- ATT 4BAND EQ NAMICS DY- NAMICS METER *3 (Gain Reduction) DY- NAMICS DY- NAMICS METER *3 (Gain Reduction) STEREO 2 RECBUS AUX1/2 AUX3/4 DIRECT OUT1-24 * *1 STEREO 2 RECBUS AUX1/2 AUX3/ STEREO 2 MONITOR A/B (Mix Balance) METER INSERT ON LEVEL BAL STEREO L METER METER!0 INSERT LEVEL RECBUS L METER METER!0 LEVEL AUX1(...4) mlan OUT 24 *1 IEEE DITHER DIGITAL STEREO OUT COAXIAL STEREO/AUX OUT DA L -10dBV DA R PHONES MONITOR OUT DA L -10dBV DA R Min Max MONITOR/ PHONES Knob AUX 1 AUX 2 AUX 3 (FX1) AUX 4 (FX2) SELECT (OUT PATCH) RECBUS AUX1/2 AUX3/ BAL STEREO R RECBUS R SELECT (OUT PATCH) SELECT (OUT t u @5 mlan STEREO IN (MONITOR IN) L mlan STEREO IN R (MONITOR IN) (MONITOR CASCADE) STEREO L STEREO o!0 Block STEREO (STEREO BUS) L STEREO (STEREO BUS) R RECBUS (BUS) L RECBUS (BUS) R PHANTOM MIC/LINE INPUT +48V INPUT 1(...8) METER AD 1/2 Page 46 INSERT o!0 t y u i ON PAN DYe ATT 4BAND EQ NAMICS!2!3 PRE/POST ON AUX AD METER *3!4 3-8 (Gain Reduction) INPUT AD 1/2 LINE MIC INPUT AD 3-8 Mono in X 8 LINE MIC DIRECT OUT1(...8)!5 INPUT SELECT (INPUT PATCH) Hi-z INPUT 8 ONLY ST IN 1(...2) DIGITAL STEREO IN METER DIN- L/R 2 COAXIAL SRC Page t y u o!0!1 w PAN 4BAND EQ ATT (to BUS CASCADE) ON LEVEL METER (FX) EFFECT 1 METER *3 Page 46 PAN ATT 4BAND EQ q!2!3!4 2 2 EFFECT FX1 SELECT AUX3 INSERT SEND 24*1 Stereo in X 2 (96kHz/88.2kHz: X 1) (FX) AUX ON PRE/POST METER *3 EFFECT 2 q AUX4 2 2 EFFECT FX2 SELECT INSERT SEND 24*1 EFFECT2 is available in 48kHz/44.1kHz mode only. METER INPUT 9(...24 *1 ) (ml1-ml16 *2 ) Page ON LEVEL DY- PAN NAMICS!1 t y u i o!0!2!3 INSERT mlan IN ATT 4BAND EQ 1-16 *2 AUX PRE/POST ON METER *3 (Gain Reduction)!5 Mono in X 16 (96kHz/88.2kHz: X 8) mlan INPUT DIRECT OUT9(...24 *1 ) 16 *2!6!7 2 IEEE 1394 ATT ENABLE mlan IN mlan STEREO IN (MONITOR IN) (to MONITOR CASCADE) DIGITAL STEREO IN L DIGITAL STEREO IN R (BUS q LEVEL ON!8 OSCILLATOR *1 Wordclock 96kHz/88.2kHz : 16 *2 Wordclock 96kHz/88.2kHz : 8 *3 Studio Manager
156 U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation 2003 Yamaha Corporation WB POCP5.2-02B0 Printed in Japan
LS9-16/32 取扱説明書
JA CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
ProR3_J
DIGITAL REVERBERATOR L R CLIP -3-6 -9-12 -18-24 -36 INPUT PROGRAM STEREO L R MONO PRESET USER MIDI DIGITAL REVERBERATOR PRE EFFECT EQ DATA/CURSOR INC DEC PARAMETER MAIN FINE EQ EQ ON GATE GATE ON 7 8 9
TF Editor V3.5 ユーザーガイド
DIGITAL MIXING CONSOLE JA - 2 - TF Editor - 3 - TF Editor NOTE - 4 - TF Editor 1. 2. 3. 1. 2. 3. 4. - 5 - TF Editor NOTE NOTE - 6 - TF Editor NOTE - 7 - TF Editor 1 2 3 4 5 6 7 8 9 0 1 2-8 - TF Editor
TF Editor V4.0 ユーザーガイド
DIGITAL MIXING CONSOLE JA - 2 - - 3 - NOTE - 4 - 1. 2. 3. 1. 2. 3. 4. - 5 - NOTE NOTE - 6 - NOTE - 7 - 1 2 3 4 5 6 7 8 9 0 1 2-8 - 1 NOTE 1-2 - 3 4 1 2 NOTE - 9 - - 10 - 1 2 3 4 5 6 1 2-11 - 1 2 3 4 5-12
+1 3 JKL F7 F6 +1 3 JKL SIMUL VIEW INST 9-16 DRUM 3 / 11 TRIG LIST 4 / 12 SAMPLE 5 / 13 OTHERS 6 / 14 7 / 15 PERFORM 1 / 9 VOICE 2 / 10 STEREO 8 / 16 OTHERS 6 / 14 DISK F1 DISK F1 SHIFT F5 DISK F1
!9 MIDI IN TO HOST TG Ins.Effect Sys.Effect EQ OUTPUT INPUT OUTPUT TO TG A/D Ins.Effect DigiOutGain DIGITA OUTPUT DIGITA IN USB (Audio) A/D INPUT UW50
!9 MIDI IN TO HOST TG Ins.Effect Sys.Effect EQ OUTPUT INPUT OUTPUT TO TG A/D Ins.Effect DigiOutGain DIGITA OUTPUT DIGITA IN USB (Audio) A/D INPUT UW500 MIDI IN TO HOST TG Ins.Effect Sys.Effect EQ OUTPUT
CL5/CL3/CL Reference Manual
JA 2 3 Main SELECTED CHANNEL 6 OVERVIEW 12 FUNCTION ACCESS AREA (20) CHANNEL PARAMETER PATCH/NAME 16, 29, 48 GAIN/PATCH 31 1ch 31 8ch 32 CH1-48 32 CH49-72/ST IN 32 OUTPUT INPUT DELAY 44 8ch 44 CH1-48 45
01V96V2 取扱説明書
JA ()-4 1/3 ()-4 2/3 ()-4 3/3 6 7 8 9 11 1 12 13 2 1 2 3 4 6 7 8 9 11 12 CH1-4 13 1 CH-8 CH9-12 PHANTOM +48V L (AL) INSERT OUT IN (UNAL) A A A A A A A A A A A A INPUT INSERT I/O INSERT I/O INSERT I/O
EMX5016CF 取扱説明書
POWERED MIXER JA ?ofl tx z?wyhw UKb { (5)-7 2 (5)-7 3 4 5 1 2 3 NOTE 6 1 NOTE 7 2 3 4 5 8 6 NOTE 7 NOTE 8 9 10 NOTE 11 9 1 1 HALL 1 5 SMALL STAGE 1 9 CHORUS C TREMOLO 2 ROOM 1 6 VOCAL ECHO 0 EARLY REF.
EMX5014C 取扱説明書
POWERED MIXER JA (5)-7 2 (5)-7 3 4 5 1 2 3 NOTE 6 1 1 1 NOTE 7 4 7 8 7 2,10 2 3 25 2 9,11 8,10 6 2 3 4 5 8 6 NOTE 7 NOTE 8 9 10 NOTE 11 9 4 1 2 3,5 1 1 REVERB HALL 1 5 REVERB STAGE 1 9 KARAOKE ECHO C FLANGER
DTXTREME III取扱説明書
JA (3)-15 1/4 2 (3)-15 2/4 3 (3)-15 3/4 4 (3)-15 4/4 5 6 7 8 9 w 888 e u q r i t o y!0!1!2!3!4 @6!6!7!8!9 @0 @1 @2 @3 @4 @5 @7 @8!5 @9 #0 #1 q w e r t y u i o!0 10 !1!2!3!4!5 p r f > @4 @5 @6 @7 @8 @9
RIVAGE PMシリーズ データリスト
JA 2 LEGACY COMP THRESHOLD 60.0 to 0.0 (db) RATIO 1:1 to :1 ATTACK 0 to 120 (msec) RELEASE 3.34m to 42.7 (sec) OUT GAIN 20.0 to +40.0 (db) KNEE Hard, Soft-1, Soft-2, Soft-3, Soft-4, Soft-5 COMP260 THRESHOLD
KORG Module 取扱説明書
取扱説明書 J 2 * Apple ipad iphone ipod touch itunes Apple Inc. * 2 ... 6... 7... 8... 10... 11... 13... 17... 17... 18... 19 MIDI... 21 ipad MIDI... 21 MIDI... 22 3 ... 24... 27... 28... 31... 36... 38...
EMX /EMX
J J P.14 X P.15 X K P.18 3 1+ 1 Neutrik NL4FC 2 2+ CHANNEL A STEREO/PARALLEL 1+ A+ 1 A 2+ B+ 2 B CHANNEL B 1+ B+ 1 B BRIDGE 1+ + 1 2+ 2 Y ^ 0 ` P.32 PA SPEAKERS OUT MAXIMUM OUTPUT [500W/4Ω] NOMINAL OUTPUT
HOW TO MUSIC PRODUCTION SYNTHESIZER
HOW TO MUSIC PRODUCTION SYNTHESIZER Chapter 1 4 4 6 6 Chapter 2 8 9 11 11 12 12 19 19 24 28 32 33 35 8 Chapter 4 42 42 50 52 55 57 59 Chapter 5 60 61 64 Chapter 3 36 38 40 MOTIF ES / SECOND STEP GUIDE
QL5/QL1 Reference Manual
JA 2 3 Main SELECTED CHANNEL 6 OVERVIEW 11 FUNCTION ACCESS AREA (17) CHANNEL PARAMETER PATCH/NAME 15, 24, 41 GAIN/PATCH 26 1ch 26 8ch 27 CH1-32 29 CH33-64/ST IN 29 OUTPUT INPUT DELAY 37 8ch 38 CH1-32 38
2 dbx ProVocal ProVocal 3 EQ dbx / MIDI 24bit S/PDIF 44.1/48kHz Mic/Line 20dB 48V XLR XLR ProVocal 1U ProVocal Provocal 45 3 Section 1 1.1 ProVocal S/PDIF ProVocal S/PDIF RCA MIDI MIDI ProVocal XLR( )
ElevenRack-MIDIControls
第 11 章 : MIDI を使って Eleven Rack を制御する Eleven Rack のパラメータの多くは MIDI を使って制御できます これにより 外部の MIDI 機器 ( フット コントローラーなど ) と Pro Tools の MIDI 機能の両方使って リアルタイムで Eleven Rack のトーンを変化させることができます このセクションでは Eleven Rack で使える
(Version 3)
(Version 3) 1 2 DIGITAL MIXER model D-901 1 7 PEAK 1 2 8 +12dB 2 +6dB UTILITY 3 4 9 10 0dB -6dB 3 4 PRESET LOCK 5 11 6 12 SEL SIG 0N 0N SIG SEL SEL -12dB -20dB -40dB 5 6 7 POWER OFF 1 ENTRY SECTI
mpctouch_userguide_v1.0-1
[ WEB ] 7 7 7 7 8 9 10 11 5 4 6 1 4 4 2 12 13 14 15 16 17 4 3 23 21 22 2018 19 17 x2 2 1 3 4 6 7 8 5 9 10 11 Parameter
CS2X 取扱説明書 第2版
99,800 C O N T E N T S 3 (3)-4 Ò Ó (3)-4 7 PHONES VOLUME 2 MW FC 1 SCENE HPF L/MONO OUTPUT STANDBY R DC IN FOOT VOLUME ON ATTACK DECAY RELEASE ASSIGN 1 DATA LPF RESONANCE ASSIGN 2 FOOT CONTROLLER PRESET
カードファイラーマニュアル
999 Yamaha Corporatio. All rights reserved. GAIN GAIN LINE MIC/LINE 2 A/D INPUT LINE MIC/LINE 2 A/D INPUT VOLUME DOWN DOWN OCTAVE VOLUME OCTAVE PHONES UP PHONES UP L/MONO R OUTPUT FILTER EG SCENE L/MONO
YDP-S34 MIDI リファレンス
YDP-S34 JA 2 3 MSB (0-127) LSB (0-127) Program Change # (1-128) 108 0 1 108 1 1 108 1 2 108 0 5 108 0 6 108 0 7 108 0 12 108 1 20 108 0 17 108 0 49 4 MIDI CHANNEL MESSAGE (1) MIDI Events Status byte 1st
oxygen49-61_userguide
[ WEB ] 8 9 10 1 2 3 4 6 7 11 5 1 2 3 4 Key Parameter Value Control Assign (example) MIDI CC number 10 (Pan) Data 2 (example) Release 0 (minimum) Data 3 (example) Press 127 (maximum) Key Parameter
DM1000_J
このたびはヤマハデジタルプロダクションコンソールDM をお買い求めいただきまして まことにありがとうございます DMの優れた機能を十分に発揮させるとともに 末永 くご愛用いただくために この取扱説明書をご使用の前に必 ずお読みください お読みになったあとは 保証書とともに 保管してください J ! ! 4 6 7 8 9...316 11 1 12 / 13 2 1 2 3 4 6 7 8 9
入門編
MUSIC SYNTHESIZER 2 * Aural Exciter "Factory Set & Demonstration" 3 4 G P b g 5 6 7 8 9 MODE VOLUME CS SONG VOICE MUSIC SYNTHESIZER EDIT UTILITY JOB DISK SEQUENCER RECORDRUN STOP/TOP STORE VOICE EDIT TRACK
microSTATION Operation guide
J 2 - ii iii iv 1 1 2 4 7 8 9 10 11 1 5 6 3 2 10 15 9 11 12 13 14 3 7 6 5 4 3 2 1 4 5 PROGRAM OSC 1 MS1 (Multisample) Drum Kit MS2 (Multisample) MS3 (Multisample) Insert / Master / Total Effect IFX 1 MFX
code49-61_userguide
[ WEB ] MIDI PATCH PERFORM RHYTHM GM PIANO ORGAN GUITAR/BASS BRASS/ORCH SYNTH/PAD RHYTHM SPECIAL FX 2 3 5 15 16 17 18 19 20 14 6 21 4 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 24 7 8 12 12 12 12 24 11 12 12 12 12
MD4_J
MUTITACK MD ECODE STEEO SUB IN STEEO OUT MONITO OUT TACK DIECT OUT INPUT ETUN SEND MUTITACK MD ECODE MASTE ETUN STEEO SUB IN GOUP ASSIGN GOUP ASSIGN EVE EVE OW OW OW OW MONITO SEECT CUE EVE GOUP STEEO
MG206C/MG166CX/MG166C 取扱説明書
JA 2 (5)-8 1/2 (5)-8 2/2 3 4 1 2 q w w q 3 5 基礎編 クイックガイド 基礎編 スピーカーから音を出す お手持ちのスピーカーを MGに接続して 音を出してみましょう 接続する機器によって手順や操作が異なり ますが ここでは 2台のスピーカーを使ってステレオ出力してみます 2 マイク 楽器 スピーカー 2 パワーアンプ 1, 4 ヘッドフォン GAINコントロール
JamVOX Effect guide
3 ii 1. VOX AC15... 3 2. VOX AC15TB... 3 3. VOX AC30... 4 4. VOX AC30TB... 4 5. UK BLUES... 4 6. UK 68P... 4 7. UK '80S... 5 8. UK '90S... 5 9. UK MODERN... 5 10. BLACK 2X12... 5 11. TWEED 1X12... 6 12.
ST-224
POWER DC IN MIDI IN DATA CARD L/MONO R PHONES TIME STRETCH SCRATCH DELAY REVER FLANGER STEP CRY CHORUS PHASER EDIT 2 VOLUME/ASS EXCITER TREMOLO AUTO PAN LO-FI COMPRESSOR EXTREME EQ RESONANCE PITCH SHIFTER
TF5 TF3 TF1 TF-RACK V3.1 リファレンスマニュアル
DIGITAL MIXING CONSOLE JA - 2 - TF series - 3 - TF series - 4 - TF series 1 2 3 1 2 3 4 5 6 7 8 9-5 - TF series 1 2 3 4 5 6 7 1 2 3 4 5 6 1 2 3 4 5 6 7 1 2 3 4 5 6-6 - TF series 1 2 3 4 5 6 1 2 3 4 5 1
Microsoft Word - A&H_Qu_Mixer_Manual_jp_rev1.doc
Qu16 Mic Line SIGNAL FLOW Mic/Line Inputs Line Inputs 1 16 ST1 ST2 QuDrive Playback L/M L/M ST3 LR, 18 trk L/R USB B PREAMP GAIN 48V R R dsnake Record LR, 18 trk Stream Stream 22 ch 24 ch Cat5 Digital
CVP-709, CVP-705, CVP-701 MIDIリファレンス
CVP-0 CVP-0 CVP-01 Manual Development Group 20 Yamaha Corporation 201 4 MW-B0 JA CVP-0/CVP-0 Type Name MSB LSB Parameter List (pages 20) Real Large Hall 1 32 REAL REVERB Real Medium Hall 1 33 REAL REVERB
AW4416 Reference Guide_J
PROFESSIONAL AUDIO WORKSTATION J iii iv v vi vii 1 2 3 4 5 1 2 3 4 5 5 6 7 1 2 3 4 6 6 1 7 7 8 8 F1 F2 F5 viii 1 2 3 4 5 6 1 2 3 4 5 6 1 1 2 3 4 5 6 7 8 9 1 2 3 4 5 6 7 8 2 00:00:00:00.00 00:00:05:00.00
MPC_Essentials_v1.0-ja-2
[ WEB ] 2 3 1 16 13 14 10 11 15 12 4 8 9 7 5 6 17 18 18 19 20 Dry/Wet 0 (dry) 100 (wet) Q13 Pre-Delay 1 100 Q9 Early Reflection Q5 Density
1010
ADVANCED GUITAR EFFECT PROCESSOR ZOOM PLAYER INPUT OUTPUT AMP SIM ON COMP WAH DISTORTION EQ VOL CHO/FLG 1 RHYTHM 9 2 Classic OD 10 SENS DIST COLOR 1-16 PRESENCE 1:CHO 3:DBL 2:FLG 3 Valve OD 4 Vintage DRIVE
DV-RA1000HD_Jpn(b)
» D00927901A DV-RA1000HD High Definition Audio Master Recorder á á á è ì í ì ì í í ó è í è í í 2 TASCAM DV-RA1000HD ì ó ó ó ó á í ó ì ì í í ì ó í TASCAM DV-RA1000HD 3 4 TASCAM DV-RA1000HD TASCAM DV-RA1000HD
()B-9 /4
ELS-0/0C/0X v.7 JA ()B-9 /4 ()B-9 /4 3 4 ()B-9 3/4 ()B-9 4/4 5 6 7 "Mobile Wnn" OMRON SOFTWARE Co., Ltd. 999 All Rights Reserved. 8 CONTENTS 3 4 5 6 7 8 9 0 3 4 REVERB UPPER KEYBOARD VOICE BRILLIANCE VOLUME
QX1202USB/QX1002USB
CLIP SIG XENYX QX1202USB/QX1002USB Premium 12/10-Input 2-Bus Mixer with XENYX Mic Preamps & Compressors, British EQs, KLARK TEKNIK Multi-FX Processor and USB/Audio Interface 2 XENYX QX1202USB/QX1002USB
iM1 for iPad 取扱説明書
2 3 COMBI (Combination) TIMBRE 1 Program TIMBRE 2 TIMBRE 3 TIMBRE 4 TIMBRE 5 TIMBRE 6 TIMBRE 7 TIMBRE 8 Program Program Program Program Program Program Program Master FX MFX 1 MFX 2 4 MULTI Track 1 Program
MU5
86 1 2 G P b g 3 z x c v 4 b 5 q w e r t # PART PGM VOICE NAME TONE GENERATOR GENERAL 1 2 3 4 5 6 7 8 9 10 111213 14 15 16 VOICE LIST 001 008 PIANO 009 016 TUNED PERC. 017 024 ORGAN 025 032 GUITAR 033
ELS-01/01C/01X typeU 取扱説明書
ELS-0/0C/0X typeu v.8 JA ()B-9 /4 ()B-9 /4 3 4 ()B-9 3/4 ()B-9 4/4 5 6 7 "Mobile Wnn" OMRON SOFTWARE Co., Ltd. 999 All Rights Reserved. 8 CONTENTS 3 4 5 6 7 8 9 0 3 4 REVERB UPPER KEYBOARD VOICE BRILLIANCE
JamVOX Effect guide
2 ii 1. VOX AC15... 3 2. VOX AC15TB... 3 3. VOX AC30... 4 4. VOX AC30TB... 4 5. UK BLUES... 4 6. UK 68P... 4 7. UK '80S... 5 8. UK '90S... 5 9. UK MODERN... 5 10. BLACK 2X12... 5 11. TWEED 1X12... 6 12.
SP-303_j
If you should require an English Owner s Manual (at a modest fee), please contact an authorized Roland distributor. 2 3 4 5 6 2 3 4 6 8 9 2 5 0 3 4 7 5 6 7 8 9 20 2 22 23 25 24 26 7 8 36 32 33 34 35 27
Microsoft Internet Explorer 内の Word 文書
promega3 2 Contents Section 1...5 PEDAL...6 POWER and STANDBY...6 MASTER CONTROL...7 Section 2...7 EXAMPLE1...8 EXAMPLE2...8 EXAMPLE3...9 EXAMPLE4...10 EXAMPLE5...11 EXAMPLE6...11 EXAMPLE7...12 Section
2 (4)-7
2 (4)-7 (4)-7 3 4 p r f > 5 6 7 8 9 10 11 r q!1 o!0!2!3!4!5 w e t y u i!6!7 q w e r t y 12 u i o!0!1!7!2!3!4!5 p r f >!6!7 13 !8!8!9!9 @0 @0 14 @1 @2 @3 @4 @5 @6 @7 @8 @9 @1 @2 @3 @5 @6 @7 @8 @9 @4 15
MIXING CONSOLE
MIXING CONSOLE 1 q w q w w e e r r t t +20 y +15 +10 u Response [db] +5 0 5 10 i i 15 20 20 100 1k 10k 20k Frequency [Hz] o r t? > 2 y u i > o GROUP1 GROUP2 GROUP3 GROUP4 EREO L EREO R CH INPUT MX12/6:1~4ch
ARP ODYSSEi 取扱説明書
J2 2 3 NOISE GENERATOR VOLTAGE CONTROLLED OSCILLATORS AUDIO MIXER VOLTAGE CONTROLLED FILTER HIGH PASS FILTER VOLTAGE CONTROLLED AMPLIFIER RING MOD SAMPLE AND HOLD MIXER SAMPLE AND HOLD LOW FREQUENCY OSCILLATOR
DSP-A1
NATURAL SOUND AV AMPLIFIER NATURAL SOUND AV AMPLIFIER DSP A1 CINEMA DSP 7ch DOLBY DIGITAL POWER INPUT SELECTOR VOLUME 16 20 12 28 8 STANDBY/ON DIGITAL DSP DIGITAL SOURCE AC-3 TV/DBS VCR 1 VCR 2 DVD/VCR
A-300PRO_500PRO_800PRO_R_g_je
English Control Map Guide When shipped from the factory, the A-300PRO/500PRO/800PRO (referred to simply as the A-PRO in the following) contains 19 control maps. By making use of these control maps, you
ezbus2.PDF
Cool Edit Pro Cubase VST/Nuendo Wavelab Sonar Sound Forge 5.0 I. Cool Edit Pro EZbus Cool Edit Pro Edit Waveform View USB /MIDI Windows Millenium Windows XP EZbus USB MIDI Win 98 SE Win 2000 Cool Edit
Fantom-S_List_j
/ 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 4-Band Isolator Low Boost 4-Band Isolator Low Boost Spectrum Spectrum Low Boost Low Boost 20 Super Filter Super Filter SAW1 SAW2 Step Filter Step Filter
DATA-MANSHRT_LX1_LX1PRO_LX112_JPN_Rev_D.pdf
V-AMPIRE//V-AMP V-AMPIRE V-AMP V-AMPIRE//V-AMP 1. V-AMPIRE / / V-AMP V-AMPIRE//V-AMP.1 POWER (V-AMPIRE V-AMPIRE BEHRINGER V-AMP POWER V-AMP V-AMP PRO GAIN VOLUME V-AMP V-AMP EQ MID BASS TREBLE 1.1 V-AMPIRE
VS-1680_a_j
3 4 VS-1680 Disk Drive1 (Zip Drive, etc) Disk Drive2 (Zip Drive, etc) Disk Drive7 (CD-R Drive, etc) 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 Val Level Val Level Val Level Val Level Val Level
QL5
デジタルミキシングコンソール /QL1 ブロックダイアグラム [DANTE] +48V DANTE 64{3} +48V SLOT1 3 AD GAIN/TRIM 8 DA To CASCADE IN DANTE IN HA 3{} To MITOR To MITOR PLAYBACK OUT Compensation Gain PRE GC SLOTIN SLOTIN DECODER GAIN RECORDER
FEEL Prod Grap PH_Artwork_P0A0J QSG JP A4_ _Rev.1.indd
XENYX X2442USB/X2222USB/X1622USB Premium 24/22/16-Input 4/2 and 2/2-Bus Mixer with XENYX Mic Preamps & Compressors, British EQs, 24-Bit Multi-FX Processor and USB/Audio Interface 2 XENYX X2442USB/X2222USB/X1622USB
QL1
QL1 デジタルミキシングコンソール QL5/QL1 ブロックダイアグラム [DANTE] +48V DANTE 64{3} +48V SLOT1 3 AD GAIN/TRIM HA 8 DA To CASCADE IN DANTE IN 3{} To MITOR To MITOR PLAYBACK OUT Compensation Gain PRE GC SLOTIN SLOTIN DECODER
promega2.PDF
Promega2 2 Contents Section 1...5 PEDAL...6 POWER and STANDBY...6 MASTER CONTROL...7 Section 2...8 EXAMPLE1...9 EXAMPLE2...9 EXAMPLE3...11 EXAMPLE4...12 EXAMPLE5...13 EXAMPLE6...14 EXAMPLE7...16 Section
is Programmability Network I/O Processing Power Sound Quality Scalability Economy DIGITAL MIXING ENGINE DME-N Series DME24N DIGITAL MIXING ENGIN
DIGITAL MIXING ENGINE DME-N Series DME24N DME Satellite Series DME8i-C DME8o-C DME8i-ES DME8o-ES DME4io-C DME4io-ES TEL:0357917678 FAX:0354886663 ONLINE Support:http://proaudio.yamaha.co.jp is Programmability
CS1x 取扱説明書
C O N T E N T S 1 2 4 6 8 1 11 12 14 17 18 19 22 25 3 32 34 38 54 58 62 64 65 71 75 76 78 1 (3) 2 (3) DATA 3 5 VOLUME 2 MW/FC 1 SCENE AMP EG FILTER PHONES L/MONO OUTPUT ATTACK R DC IN POWER FOOT VOLUME
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Siena Telex Communications (UK) Ltd, Klark Teknik Building, Walter Nash Road, Kidderminster. Worcestershire. DY11 7HJ. England. Tel:+44 1562 741515 Fax:+44 1562 745371 Website: www.midasconsoles.com MIDAS
P-200.O/M.J.Ascii
VOLUME CS CONTRAST STORE PERF. A MAX PS PS SPLIT TRANSPOSE MIDI EDIT PERF. B VOICE MIN DATA ENTRY -/NO +/YES BALANCE DETUNE PAGE C ()- ()- DATA 4 6 7 4 6 8 7 9 VOLUME MAX CS CONTRAST POWER PS PS SPLIT
2 3
2 3 4 INPUT BANK 9 BANK 9 BANK 9 BANK 9 PATCH 1 PATCH 1 BANK PATCH 0 BANK 0 PATCH 1 1 BANK BANK 2 10 BANK PATCH PATCH 1 PATCH PATCH 0 BANK 2 0 0 PATCH 1 BANK PATCH 1 2 BANK 3 1 BANK PATCH 2 PATCH 0 1 PATCH
EMX66M_J
EEEngine 3 4 5 DIGITAL VOCAL ECHO + + + +3-5 - ON OFF PHANTOM VOCAL ECHO VOCAL REVERB 5 5 5 k k 4k 8k GEQ POWER AMP VOCAL REVERB HALL RTN TR IN MASTER LIMITER MON +5 +5 +5 +5 +5 +5 HALL ROOM PLATE + +
ToneLab LE 取扱説明書
J 2 ii iii iv v HINT HINT 1. NOTE 2. 3. 4. 5. NOTE 6 Quick Start 6. HINT HINT 7. NOTE 8. HINT 9. NOTE HINT 10. 11. 7 Quick Start 12. 13. HINT HINT 14. HINT 8 9 VOX VALVE REACTOR PREAMP FEEDBACK CIRCUIT
DOU-10 II/10
o f r 1 2 RIGHT LEFT RHYTHM RHYTHM 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 PLAY RECORD POWER PHONES CONTRAST 1 2 3 4 5 6 7 1 2 3 4 5 6 7 8 PART/ TRACK BEAT DISPLAY / / PAUSE STOP PLAY REW FWD REC DC IN
P-125, P-121 MIDIリファレンス
DIGITAL PIANO P - 125 P - 121 JA NOTE # P-125 C0 C1 C2 C3 C4 C5 C6 C7 P-121 C1 C2 C3 C4 C5 C6 C4 C#4 D#4 F#4 G#4 C4 D4 F4 G4 A4 C0 C1 C2 C3 C4 C5 C6 C7 P-125 C5 C1 C2 C3 C4 C5 C6 P-121 2 ## P-125 C0 C1
Greetings from the Home of Tone PAGE 1 / LOW MID HIGH MID GAIN SEND HI-PASS FILTER BASS GAIN FREQ GAIN FREQ TREBLE REVERB+CHORUS ROOM REVERB LIMIT PROTECT CLIP OUT HALL REVERB CH 1 PHANTOM INPUT INPUT
XL42 width.3 1.1 +/- 2 line/pad phase 2 4 lo-cut freq bell eq bell 1 2k freq 4 8k freq 1k 2k freq 2 4 1 2k 4 8k 1k 2k level pan line/pad phase lo-cut freq bell freq eq freq freq bell level pan PAD +48
UA-700_j
2 3 4 5 6 7 8 9 10 11 ON OFF 12 13 1 2 1. 2. 3. 3 4 5 14 6 7 8 9 10 11 1. 2. 3. 15 12 ON 13 14 15 16 16 1. 2. 1. 2. 3. 17 18 17 1. 2. 19 20 18 1. 2. 3. 4. 5. 6. 7. 19 1 2 3 4 5 6 20 7 8 9 10 11 12 1. 2.
VF-1_j
2 3 4 5 6 7 8 9 10 11 (1) (3) (4) (5) (6) (9) (2) (7) (8) 12 (17) (10) (11) (12) (13) (14) (15) (16) 13 14 OUTPUT R OUTPUT L INPUT RETURN SEND INPUT R INPUT L 1. 2. 3. 15 Roland RETURN SEND 16 1. 2. 3.
01/DSP-R995 (01-33)
REMOTE CONTROL NATURAL SOUND AV AMPLIFIER DSP-R995 NATURAL SOUND AV AMPLIFIER DSP-R995 CINEMA DSP DOLBY DIGITAL POWER INPUT SELECTOR VOLUME 16 2 12 28 8 STANDBY/ON EXT. DECODER 6 2 A/B/C/D/E 1 2 3 4 5
PS-02
2 3 1 4 2 A F#m D 5 6 A B C D E A+B+C F G A+B+C+D+E A B C D A+B+C(L) A+B+C(R) E A+B+C+D(L) A+B+C+D(R) 3 4 PAN LEVEL 7 8 9 10 11 12 13 14 15 16 PATTERN CHORD RECORD MIXDOWN 17 PATTERN CHORD RECORD MIXDOWN
U400 U300 U300R MP3/WMA/WAV CD My-Kenwood My-Kenwood JVC KENWOOD Corporation B5A (JN)
U400 U300 U300R MP3/WMA/WAV CD My-Kenwood My-Kenwood https://jp.my-kenwood.com 2014 JVC KENWOOD Corporation B5A-0141-00 (JN) [ 2 3 [ 4 5 15 8 8 6 XX S T MODE ON 7 SRC SRC ATT SRC 8 1 1 FUNCTION 2 CLOCK
GT-3_r_j
2 3 4 5 6 7 8 9 INPUT OUTPUT R OUTPUT L(MONO) INPUT INPUT PHONES OUTPUT R OUTPUT L(MONO) OUTPUT R OUTPUT L(MONO) MTR 10 SEND INPUT OUTPUT INPUT PHONES RETURN SUB EXP PEDAL /SUB CTL 1,2 AC IN 14V 800mA
GUITAR EFFECTS PROCESSOR 1
GUITAR EFFECTS PROCESSOR 1 Distortion Digital Distortion Amp Simulator Chorus Symphonic Flange Vintage Flange Phaser Mono Vintage Phaser Stereo Vintage Phaser Tremolo Auto Pan Rotary Ring Mod. Mod. Filter
oo oo - oo - oo - oo - oo - oo - oo +4-6 INPUT - oo - oo - oo +4-6 - oo - - oo oo - oo - oo - oo - - 8 4 3 36 4 48 6 oo oo - oo - oo - oo - oo - oo - oo - - WR-D4 SIGNA/PEAK +4-6 INPUT SIGNA/PEAK INPUT
XENYX QX2222USB/QX1622USB
XENYX QX2222USB/QX1622USB Premium 22/16-Input 2/2-Bus Mixer with XENYX Mic Preamps & Compressors, KLARK TEKNIK Multi-FX Processor, Wireless Option and USB/Audio Interface 2 XENYX QX2222USB/QX1622USB 3
AX-V8000[DOM]
![AX-V8000[DOM]](/thumbs/91/106835731.jpg "AX-V8000[DOM]")
5 3 7 8 SPEAKERS SPEAKERS 2 INPUT MODE INPUT ATT SURROUND ON/OFF HTX ON / OFF DSP MODE LINE DIRECT SOUND SELECTOR REC SELECTOR ADJUST MENU SETUP MENU AUDIO/VIDEO CONTROL AMPLIFIER DOWN LEFT UP RIGHT SET
DIGITAL DIGITAL SURROUND nglish NATURAL SOUND AV AMPLIFIER DSP-AX10 INPUT MODE INPUT VOLUME 6CH INPUT STANDBY /ON SPEAKERS A B BASS EXTENSION PROCESSO
DIGITAL DIGITAL SURROUND nglish NATURAL SOUND AV AMPLIFIER DSP-AX10 INPUT MODE INPUT 6CH INPUT STANDBY /ON SPEAKERS A B BASS EXTENSION PROCESSOR DIRECT ON OFF DVD SOURCE A/B/C/D/E MD/TAPE D-TV/LD CD-R
280PA2629AA-00.0
2 3 4 5 6 7 8 9 10 11 12 13 14 AM1 594 FM1 79.5 AUTO STORE PRESET SCN T 01 00:15 PAUSE EJECT LOADING NO DISC T-SCAN T-REPEAT T-RANDOM D 01 T 01 PAUSE NO MAG T-SCAN T-REPEAT T-RANDOM D-SCAN D-REPEAT D-RANDOM
TONE GENERATOR TONE GENERATOR PLAY EDIT MUTE/ SOLO ALL PART PART 1 A/D INPUT UTIL EFFECT MODE EQ XG TG300B PERFORM ENTER EXIT SELECT SELECT VALUE VALU
TONE GENERATOR TONE GENERATOR PLAY EDIT MUTE/ SOLO ALL PART PART 1 A/D INPUT UTIL EFFECT MODE EQ XG TG300B PERFORM ENTER EXIT SELECT SELECT VALUE VALUE 2 VOLUME PART BANK/PGM VOL EXP PAN REV CHO VAR KEY
AUDIOGRAM6 取扱説明書
USB AUDIO INTERFACE Owner s Manual Bedienungsanleitung Mode d emploi Manual de instrucciones Руководство пользователя Русский Español Français Deutsch English EN DE FR ES RU JA (5)-10 1/3 83 84 (5)-10
NL-22／NL-32取扱説明書_操作編
MIC / Preamp ATT NL-32 A C ATT AMP 1 AMP 2 AMP 3 FLAT FLAT CAL.SIG. OVER LOAD DET. AMP 4 AMP 5 A/D D/A CONV. AMP 6 AMP 7 A/D CONV. Vref. AMP 8 AMP 10 DC OUT AMP 9 FILTER OUT AC DC OUT AC OUT KEY SW Start
REV. A MUSTANG GT40 MUSTANG GT100 MUSTANG GT200
REV. A MUSTANG GT40 MUSTANG GT100 MUSTANG GT200 1 AUX INPUT GAIN VOLUME TREBLE MIDDLE BASS MASTER A. B. C. D. E. F. G. H. I. J. K. L. 2 M. GAIN VOLUME TREBLE MIDDLE BASS MASTER N. O. P. Q. R. S. 3 ENCODER
PANARAY System Digital Controller STANDBY INPUT METER TPM L -db 40 24 18 12 6 0 O R Stereo Bank 802 PRESET UTILITY LIMITER DELAY PANARAY SYSTEM DIGITAL CONTROLLER CH1/MONO INPUTS CH2 OUTPUTS CH1 CH2
DJM-800
DJM-8 3 4 5 6 7 8 SIGNA GND SIGNA GND DIGITA IN MASTE EC INE INE INE POWE OFF ON CONTO CONTO CONTO CONTO MIDI OUT AC IN GND HOT 3COD DIGITA INE MASTE ATT db -db -6dB-3dB DIGITA INE DIGITA DIGITA DIGITA
FEEL Prod Grap PH_Artwork_P0CAH QSG JP A6_ _Rev.4.indd
M100 Stereo Multi-Effects Processor with Legendary TC Reverbs and Effects 2 M100 3 ¼" TS 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. MUSIC Group MIDAS KLARK TEKNIK LAB GRUPPEN
midicontrolsurfaces60_J.book
Pro Tools Version 6.x for TDM or LE Systems on Windows or Macintosh 932911839-01 REV A MNL,MIDI CTRL SURF 6.1,JPN .............................. 1...........................................................
Microsoft Word - Seventy-Two_user_guide_jp修復.docx
2 Seventy-Two Rane DJ Seventy-Two Serato NoiseMap2 Serato NoiseMap CD2 Serato Pitch 'n Time USB 2 Rane / rane-dj.jp/seventytwo/ rane-dj.jp/support/ 3 1. dj.rane.com Rane Seventy-Two Rane Control Panel
NL-20取扱説明書_操作編
MIC / Preamp A C AMP 1 AMP 2 AMP 3 FLAT FLAT CAL.SIG. OVER LOAD DET. AMP 4 AMP 5 A/D D/A CONV. V ref. AMP 8 AMP 10 DC OUT AC OUT AC DC OUT DATA BUS CPU ADDRESS BUS DSP Start Pause Stop Store Mode Cont
TRAKTOR_JPN
TRAKTOR 使用ガイド 2 Traktor LE 2 Mapping BUTT: TURN: HI EQ ENCODER: RING: KILL /RESET FILTER GAIN [CUE LEVEL] TURN: SCROLL LIST /SCROLL TREE TOGGLE BROWSER /EXPAND TREE LOAD A PAGE UP SHIFT PAGE DOWN LOAD
AX-D701[DOM]
![AX-D701[DOM]](/thumbs/102/154024140.jpg "AX-D701[DOM]")
AX-D701 4 7 LVT1438-001A 1 2 47 8 8 9 12 12 14 14 16 18 20 22 22 23 23 24 26 2728 2930 29 29 29 30 30 3133 31 31 344 343 36 37 37 37 38 38 40 40 41 41 42 42 43 44 44 4 4 462 4647 48 49 49 0 0 0 0 1 1 1
PowerCore 01 Manual
PowerCore 01 Manual Japanese for PowerCore 01 TC Support Interactive TC Support Interactive www.tcsupport.tc TC Support Interactive TC My Stuff TC TC TC TC ELECTRONIC A/S Customer Support Sindalsvej 34
FEEL Prod Grap PH_Artwork_P0AJW QSG JP A4_ _Rev.5.indd
EUROPOWER PMP560M 500-Watt 6-Channel Powered Mixer with KLARK TEKNIK Multi-FX Processor, Compressors, FBQ Feedback Detection System and Wireless Option 2 EUROPOWER PMP560M 3 ¼" TS 1. 2. 3. 4. 5. 6. 7.
BR-532_j
If you should require an English Owner s Manual (at a modest fee), please contact an authorized Roland distributor. 2 3 4 5 6 7 8 9 10 V-Track 2 V-Track 1 V-Track 3 V-Track 4 V-Track 5 V-Track 6 V-Track
01DVR7000D
RET RETURN TITLE SUBTITLE AUDIO ANGLE P-MODE OSD STOP SCAN S - MODE PAUSE REPEAT GRP TITLE / CHAPTER REMOTE CH C OPEN 7 8 9 CAR DVD ER/RECEIVER P SET TUNE DISC CQ-DVR7 DVD RECEIVER WITH ACTIVE DIS P MODE
MT4X_J
.. SYNC STAT IN OUT MEMO + + EPEAT - - EC MUTITACK CASSETTE ECODE MIC/INE MIC/INE MIC/INE MIC/INE MASTE GAIN GAIN GAIN GAIN AUX ETUN INE HIGH MIC INE HIGH MIC INE HIGH MIC INE HIGH MIC ASSIGN ASSIGN EVE