Bulletin of Toyohashi Sozo College , No. 5, ) * ) ) * John M. MacKenzie, Orientalism: History, theory and the

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1 Bulletin of Toyohashi Sozo College , No. 5, ) * ) ) * John M. MacKenzie, Orientalism: History, theory and the arts, (Manchester and New York, Manchester UP, 1995), pp , Orientalism in Music 6 1 BBC Grove s Dictionary of Music and Musicians London, both the l966 and 1980 editions Viking Opera Guide, edited by Amanda Holden (London, 1993), the Concise Oxford Dictionary of Opera, edited by Harold Rosenthal and John Warrack 2 Alex Cohen, Elgar: Poetic visions and patriotic vigour, Radio Times, 2 December Robert Stradling and Meirion Hughes, The English Musical Renaissance, (London, 1993).

2 116 4) 5) 6) 7) BBC Edward W. Said, Musical Elaborations (London, 1991), p. xii Stradling and Hughes, English Musical Renaissance, p chujjas Raymond Head, The Indian Style (London, 1986), p

3 117 syncretism

4 118 8) 9) Stradling and Hughes, English Musical Renaissance, p. 176

5 ) 17 11) W. Daniel Wilson, Turks on the eighteenth-century operatic stage and European political, military, and cultural history, Eighteenth-Century Life, 2 (1985), pp Eve R. Meyer, Turquerie and eighteenthcentury music, Eighteenth-Century Studies, 7 ( ), pp Henry George Farmer, Oriental influences on occidental military music, Islamic Culture, 15 (April 1941), pp

6 K ) 12 Wilson, Turks on the eighteenth-century operatic stage, pp

8 ) 14) ) Ian Richard Netton, The mysteries of Islam in G.S. Rousseau and Roy Porter, Exoticism in the Enlightenment (Manchester, 1990), pp Wilson, Turks on the eighteenth-century operatic stage, p Rousseau and Porter, Exoticism, introduction.

9 ) ) 18) 16 Thomas Bauman, Die Entführung aus dem Serail (Cambridge, 1987), p. 94; pp Nicholas John, The Magic Flute (Opera Guide Series, London, 1980). 18 Nicholas John, Così fan tutte (Opera Guide Series, London, 1983).

10 )

11 125 20) Daniel Auber Peter Cornelius Karl Goldmark

12 126 21) ) ) 21 Roger Fiske, Scotland in Music (Cambridge, 1983). 22 Holden (ed.), Viking Opera Guide, p Philip Glass, Opera on the Beach: Philip Glass on his New World of Music Theatre (London, 1988); John Rockwell, The Orient, the visual arts and the evolution of minimalism: Philip Glass in All-American Music: Composition in the Late Twentieth Century (New York, 1983).

13 C Thomas Ambroise

14 ) Said, Musical Elaborations, p. 65.

15 ) 26) Winton Dean, Bizet (London, 1975), Chapters IX, X. 26 Dean, Bizet, p. 172.

16 130 George Clairin 27) ) James Harding, Saint-Saëns and his Circle (London, 1965), pp. 17, Camille Saint-Saëns, Outspoken Essays on Music (Westport, Conn., 1970, first published 1922), p. 171.

17 131 29) Linda Nochlin ) BBC 3

18 132 31) 33) Harding, Saint-Saëns, p John Warrack (ed.), Carl Maria von Weber: Writings on Music, trans. Martin Cooper (Cambridge, 1981), pp ; John Warrack, Carl Maria von Weber (Cambridge, 1976), pp P.J. Marshall, Taming the exotic: the British and India in the seventeenth and eighteenth centuries in Rousseau and Porter (eds), Exoticism, p. 61.

19 ) 4 35) 36) Wirth and Gast 1815 Warrack, Weber, Writings on Music, p

20 ) 38) BBC 3 Musical Elaborations 38 Culture and Imperialism, London, Occidentalism: counterpoint and counter-polemic, Journal of Historical Geography, 19 (1993), pp Nicholas John (series editor) Aida (Opera Guide Series, London, 1980) Julian Budden, Verdi (London, 1985) pp

21 135 39) 39

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