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1 M2TB rev Multichannel Monitoring Tutorial Booklet 2 nd Edition With eference to and the surround monitoring functions of the Yamaha DM2000, DM1000, and 0296 digital consoles May 2005 rev YAMAHA orporation 2005 SONA orporation
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6 2ch FE (SUB) FE (SUB) 3-1ch S 5.1ch S S 6.1ch S S (BSl) BS (BSr)
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9 Multichannel Monitoring Tutorial Booklet (M2TB) rev
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17 S t ( total) t ( total) tt S tt (FE) S S t ( total) t ( total) (+FE) (+FE) S S
18 FE S S BS FE St St FE S S BS StSt S S S DVD-VideoDVD-Audio FE FE FE S S S S S S DVD-VideoDVD-AudioSuper Audio D
19 FE S S BS FE S S BS DVD-Video FE S S BS
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21 Multichannel Monitoring Tutorial Booklet (M2TB) rev
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23 All-pass level FE : approx. 89dB ===S=S : 85dB S=S=-3dB : 82dB 1/3 octave band level FE : approx. 81dB ===S=S : approx. 71dB S=S=-3dB : approx. 68dB Input Signal Wide-band Pink Noise approx. 0VU (-20dBrms) 90 FE dB SP [db] 70 ==, S=S=BS (5.1ch, 6.1ch) S=S (3-1ch) Hz 50 AP() k 2k 3.15k 5k 8k 12.5k 20k 1/3 octave band center frequency [Hz]
24 90 All-pass level FE : approx. 89dB == : 85dB S=S=-3dB : 82dB 1/3 octave band level FE : approx. 81dB == : approx. 71dB S=S: approx. 68dB Input Signal Wide-band Pink Noise approx. 0VU (-20dBrms) SP [db] FE 20 80Hz : DTS +10dB == S=S Hz : Dolby 50 AP() k 2k 3.15k 5k 8k 12.5k 20k 1/3 octave band center frequency [Hz]
25 db urve X of B-hain : SMPTE 202M k 1.25k 1.6k 2k 2.5k 3.15k 4k 5k 6.3k 8k 10k 12.5k 16k 1/3 octave band center frequency [Hz]
26 Multichannel Monitoring Tutorial Booklet (M2TB) rev All-pass level FE : approx. 79dB (20-120Hz) ===S=S : 85dB 1/3 octave band level ===S=S=FE : approx. 71dB Input Signal Wide-band Pink Noise approx. 0VU (-20dBrms) SP [db] 70 FE (if Hz) ±0dB AP() k 2k 3.15k 5k 8k 12.5k 20k ===S=S (5.1ch / 6ch) Full-range 1/3 octave band center frequency [Hz]
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29 5.1ch Master Att1 FE - S Att2 S Att2 2ch Down-mix o =Att1Att2S oatt1att2s Meta data : Dolby DIGITA Att (-3dB), (-4.5dB), (-6dB) Att (-3dB), (-6dB), (-db) Default Att1Att (-3dB) Fixed : DTS Att1Att (-3dB) 5.1ch Master -3dB FE - (90-degree phase shifted) S -3dB (90-degree phase shifted) S -3dB 2ch Down-mix t = (SS) t (ss)
30 5.1ch Master Att1 FE - S Att2 S Att2 2ch Down-mix Att3 o =Att3(+Att1Att2S) Att3 oatt3(att1att2s) Meta data Att (-3dB) Att (-3dB), (-6dB), (-9.0dB) (-db) Att (-3dB) Default Att1Att2Att (-3dB) 5.1ch Master -3dB FE - S Att S Att 2ch Down-mix -3dB t =0.707 ( Att (S+S)) -3dB t=0.707 ( Att (S+S)) Meta data Att (-3dB), (-6dB), (-9.0dB) (- db)
31 Multichannel Monitoring Tutorial Booklet (M2TB) rev ch Master + / - + / - + / - + / - FE + / - + / - S + / - + / - S + / - + / - Phase Att1 Att7 Att8 Att2 Att3 Att9 Att4 Att10 Att5 Att11 Att6 Att12 2ch Down-mix mix =Att1±Att2±Att3 ±Att4FE±Att5S±Att6S mix ±Att7Att8±Att9 ±Att10FE±Att11S±Att12S Meta data Att1Att (0dB) (-60dB), (-db) 0.2dB-step 0-40dB 0.4dB-step dB Default N/A
32 S S,, 1.2m <15 S,S ±
33 Screen B A B d 60 S S A : 33 ( HDTV) or 48 ( B : 13.5 ( HDTV) or 6 ) d : 3 H ( HDTV) or 2 H ( H ; Height of the screen)
34 Multichannel Monitoring Tutorial Booklet (M2TB) rev
35 Audio Video S S S S
36 ダイレクトサラウンド ディフューズサラウンド SUB SUB S S S S + = S S S S S S ITU ( ) 長 所 短 所
37 Multichannel Monitoring Tutorial Booklet (M2TB) rev ± 110 ± S S ± ±
38 side S rear S
39 S S1 150 S2 S2
40 Dialog for Audio with video images for Audio for Audio with video images for Audio Dialog 7deg. >
41 Multichannel Monitoring Tutorial Booklet (M2TB) rev / vs vs S/S / / S/S S/S
42 85 Frequency responses oom plan 6.7m 6.2m elative SP [db] 80 P2 75 P4 70 P1 65 P /3oct. band frequency [Hz] P2 P4 P3 P1 Sub-woofer Measured position 7.6m 6.4m 1.3m Single source (80Hz) 1.3m Double source (80Hz) 1.3m 1.2m 1.3m D = 7m W = 5m D = 7m W = 5m
43 θ θ θ θ θθ θ θθ θ S θ, 30deg θ S,S 110deg S (-25cm) S θ S,S Monitoring distance; r [m] θ, θ, θ S,S (+25cm) S Off-axis error ; θ = θ - θ [degree] , S, S critical robust Forward 25cm Backward 25cm Monitoring distance; r [m]
44 α α S SP(r) 30deg SP(r) SP(r) SP(r) 110deg SP(r) S SP(r ) (-25cm) S SP(r ) SP(r ) Monitoring distance; r [m] Small room; r = 1.5m arge room; r = 4.0m SP(r ) SP(r ) (+25cm) S eduction of SP; SP(r ) [db] Q= SP=1.8dB Small room r=1.5m, 3.5m W x4.0m D x2.2m H, α ave =0.6 arge room r=4.0m, 10m W x4.0m D x2.2m H, α ave =0.6 SP=0.8dB Distance from the loudspeaker [m]
45 Multichannel Monitoring Tutorial Booklet (M2TB) rev 例 1 例 2 S FE (SUB) S FE (SUB) S S A B 距 離 差 0mm 8mm 30cm 1m 10m 時 間 差 0msec 0.02msec 1msec 3msec 30msec 例 1) A =,, S, S B = 例 2) A =,, B = S, S コムフィルタリング ハース 効 果 サブウーファー 2つの 音 に 分 離 db db A + B f サラウンド パンへの 障 害 偏 ったディフューズサラウンド db f f 1msec=1/1000sec
46 Multichannel Monitoring Tutorial Booklet (M2TB) rev
47 Multichannel Monitoring Tutorial Booklet (M2TB) rev A S B S S S S S,S S S,S,, S,S,,,,
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50 Multichannel Monitoring Tutorial Booklet (M2TB) rev FE S S +10dB HPF HPF HPF PF HPF HPF SUB S S
51 +20 elative SP [db] FE +10dB SUBWOOFE,,, S, S, BS MAIN SPEAKE Hz k 2k 3.15k 5k 8k 12.5k 20k 1/3 octave band center frequency [Hz]
52 SP [db] dB? FE k 16k 12.5k 10k 8k 6.3k 5k 4k 3.15k 2.5k 2k 1.6k 1.25k 1K /3oct. band frequency [Hz]
53 SP [db] dB FE k 16k 12.5k 10k 8k 6.3k 5k 4k 3.15k 2.5k 2k 1.6k 1.25k 1K /3oct. band frequency [Hz] SP [db] /3oct. band frequency [Hz] SP [db] /3oct. band frequency [Hz]
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55 FE S S AMP HPF HPF HPF PF2 PF1 HPF HPF SUB S S
56 +20 elative SP [db] FE +10dB SUBWOOFE +10dB?,,, S, S, BS MAIN SPEAKE Hz k 2k 3.15k 5k 8k 12.5k 20k 1/3 octave band center frequency [Hz]
57 Multichannel Monitoring Tutorial Booklet (M2TB) rev Dolby, DTS, MPEG-2( AA), etc. DVD-Audio, Super Audio D etc. Decode FE S S AMP Att Att HPF HPF HPF PF HPF HPF SUB S S Dolby, DTS, MPEG-2( AA), etc. DVD-Audio, Super Audio D etc. Decode FE S S AMP Att Att PF SUB(FE) S S +10dB: DVD-V +/-0dB: DVD-A / Super Audio D
58 Dolby A-3 etc. Decode FE S S Att Att -10dB HPF HPF HPF PF2 PF1 HPF HPF SUB S S Dolby A-3 etc. Decode FE S S Att Att PF2 SUB S S
59 Main BUS S 5.1 fess 6.1 fess Bs ec. BUS To ecorder Monitor BUS ATT HPF PF +10dB DY ATT EQ SUB S S BS Monitor matrix Bass management controller Monitor alignment Multichannel formats Bass management Playback environment
60 Multichannel Monitoring Tutorial Booklet (M2TB) rev
61 VU 01.5dB Mixing onsole Pinknoise db (-14) Band level [db] TA MAIN FE MAIN FE MAIN FE k 20k 1/3oct. band center frequency [Hz] Pinknoise -20dBrms (-20dB=0VU) MAIN FE +10dB PF 85dB 95dB (89dB) To ecorder SP meter
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63 10 Gain [db] F A k 2k 3.15k 1/3 octave band center frequency [Hz] 5k 8k 12.5k 20k
64 90 80 All pass level : 85dB 1/3 octave band level : approx.71db SP [db] Wide band All pass level : 85dB 1/3 octave band level : approx.71db Narrow band All pass level : 85dB 1/3 octave band level : approx.72db AP() k AP() 2k k k 8k k k 20k 2k 3.15k 1/3 octave band center frequency [Hz] 5k 8k 12.5k 20k SP [db] 1/3 octave band center frequency [Hz]
65 90 80 Wide band All pass level : 85dB 1/3 octave band level : approx.71db 500Hz-2kHz All pass level : approx. 80dB 1/3 octave band level : approx.71db SP [db] AP() k 2k 3.15k 5k 8k 12.5k 20k 1/3 octave band center frequency [Hz]
66 10 Pink noise generated by DM2000, DM1000, O296 Wide range 500-2k [dbr] k 1.25k 1.6k 2k 2.5k 3.15k 4k 5k 6.3k 8k 10k 12.5k 16k 20k 25k 1/3 octave band center frequency [Hz]
67 Multichannel Monitoring Tutorial Booklet (M2TB) rev Main channels All pass level : 85dB 1/3 octave band level : approx.71db 90 S / S for 3-1 and Movie program All pass level : 82dB 1/3 octave band level : approx.68db FE channel All pass level : approx.89db 1/3 octave band level : approx.81db AP() k 2k 3.15k 5k 8k 12.5k 20k SP [db] 10dB 1/3 octave band center frequency [Hz] 90 Main channels All pass level : 85dB 1/3 octave band level : approx.71db FE channel (20-120Hz) All pass level : approx.79db 1/3 octave band level : approx.71db SP [db] Full range is also available. 40 AP() k 2k 3.15k 5k 8k 12.5k 20k 1/3 octave band center frequency [Hz]
68 Multichannel Monitoring Tutorial Booklet (M2TB) rev
69 90 80 hannel A A+B Difference [mm] hannel B [msec] omb filtering effect SP [db] AP() k 2k 3.15k 5k 8k 12.5k 20k 1/3 octave band center frequency [Hz]
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72 [1] Multichannel stereophonic sound system with and without accompanying pictures, ecommendation ITU- BS ( ) [2] Method for the subjective assessment of small impairments in audio systems including multichannel sound systems, ecommendation ITU- BS ( ) [3] Koichiro Hiyama, Setsu Komiyama, Kimio Hamasaki, The minimum number of loudspeakers and its arrangement for reproducing the special impression of diffuse sound field, AES 113th onvention, os Angels, preprint (2002) [4] Masataka Nakahara, Akira Omoto, oom acoustic design for small multichannel studios, AES 24th International onference on Multichannel Audio, Banff, preprint (2003) [5] Masataka Nakahara, Atsuro Ikeda, Shin-ichi Ueoka, Hisaharu Suzuki, Akira Omoto, On the loudspeaker layouts for multichannel studios, AES 11th egional onvention, Tokyo, preprint (2003) [6] Hisaharu Suauki, Akira Omoto, Kyoji Fujiwara, Diffuseness and the sound pressure distribution in an enclosure, AES 11th egional onvention, Tokyo, preprint (2003) [7] Multichannel surround systems and operations, AES Technical council document, ESTD [8] (2001) [9] (2001, 2004) [10] Vol ( ) [11] DVD-Video (2003) [12] AES [13] AIB [14] Dolby lab. [15] DTS [16] DVD [17] DVD Forum [18] ISO [19] ITU [20] SDDS [21] Super Audio D [22] SMPTE [23] THX [24] Surround Terakoya by Mick Sawaguchi
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74 Multichannel Monitoring Tutorial Booklet (M2TB) 2 nd Edition May 2005 rev opyright 2005 Yamaha orporation opyright 2005 SONA orporation
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TECHNICAL DOCUMENT AES TECHNICAL COUNCIL Document ESTD1001.0.01-05 Multichannel surround sound systems and operations AES TC-MBAT Information Document: Multichannel Su rround Sound Systems and Operations.
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