Line 6 POD® HD - DT L6 LINK™ Connectivity Guide (Rev. C, Japan)
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1 POD HD - DT L6 LINK L6 LINK POD HD300 POD HD400 POD HD500 POD HD Pro DT
2 目次 POD HD DT Line 6 Monkey POD HD300 & POD HD POD HD500 & POD HD Pro POD HD300 & POD HD DT DT A B POD HD POD HD500 & POD HD Pro DT DT MIDI DT DT POD HD 500 POD HD Pro DT DT DT MIDI Line 6 POD DT50 DT25 Variax Vetta L6 LINK Line 6 Monkey Line 6 Inc. Line 6 Line 6
3 概要 概要 Line 6 POD HD300 HD400 HD500 HD Pro Line 6 DT50 DT25 L6 LINK URL POD HD DT POD HD DT Reinhold Bogner Line 6 DT HD 2 L6 LINKPOD HD DT50 EL34 50/ DT25 EL84 25/ L6 LINK POD HD DT50
4 概要 1 2 L6 LINK XLR 1 POD HD DT DT POD HD POD HD DT POD HD Line 6 Monkey POD HD DT Line 6 Monkey Line 6 Monkey Line 6 POD HD Edit POD HD Edit Mac Windows POD HD DT POD HD Edit POD HD DT POD HD Edit Line 6 Monkey UpdateURL POD HD300 & POD HD400 POD HD300 POD HD400 LP6 LINK 2 DT 2 DT L/R 2 1 POD HD300 & POD HD400 POD HD500 & POD HD Pro POD HD500 LP6 LINK 4 DT 2 DTPOD HD DT 3 1POD HD500 & POD HD Pro
5 POD HD300 & POD HD400 POD HD300 & POD HD400 POD HD300 POD HD400 L6 LINK 2 DT POD HD300 POD HD400 L6 LINK DT50 DT25 POD HD300 & POD HD400www.line6.jp/support/ manuals 2 1 POD HD300/HD400 DT DT POD HD OUTPUT MODE Live T OUTPUT MODE LIVE STUDIO DUAL L=LIVE / R=STUDIO POD HD300/HD400 3OUTPUT MODE XLR 1POD HD L6 LINK DT L6 LINK IN AES-EBU XLR INPUT MIDI OUT POD HD CONNECT TO L6 USB L6 LINK THRU C DT50/DT25 L6 LINK CONNECT TO L6 LINK ONLY N XLR L6 LINK
6 POD HD300 & POD HD400 POD HD PRESETS AMP Model Preamp Amp Model Preamp AMP Model Preamp 2 2 DTPOD HD A POD HD DT POD HD AMP Tone DT A POD HD DT 2 DT 2 DT50 DT25 XLR 1 1 L6 LINK THRU 2 L6 LINK IN 2 1 DT 2 T OUTPUT MODE LIVE STUDIO BALANCED OUTPUT GND LIFT PHONES CONNECT TO L6 LINK INPUT ONLY USB POWER DT #1 DT #2 MIDI MIDI INPUT OUT INPUT OUT DUAL L=LIVE / R=STUDIO LEFT RIGHT L6 LINK 9VDC 2.5A Min POD HD L6 LINK THRU L6 LINK THRU CONNECT TO L6 LINK ONLY CONNECT TO L6 LINK ONLY
7 POD HD300 & POD HD400 POD HD Amp/Preamp 2 DT POD HD Amp Model POD HD AMP Tone DT A POD HD DT 2 3 POD HD 2 DT L6 LINK POD HD 2 2 DT50/DT25 1 DT50/DT25 2 DT POD HD L6 LINK DT DT
8 POD HD300 & POD HD400 DT A B 2 4 A B DT50A B A B DT25A B DT50 DT25 L6 LINK DT POD HD AMP Model ON/OFF A B DT POD HD300 POD HD400 Amp Model Amp Tone POD HD AMP AMP ON DT A OFF B AMP POD HD DT
9 POD HD300 & POD HD400 POD HD FX Only FX Only DT B DT DT A&B A/B A POD HD AMP 2 DT 2 L6 LINK DT A B 2 5 DT Channel A A POD HD DT POD HD DT DT 2 POD HD Amp/Preamp Model ON DT A A/ AB 3 /5 Amp Presence POD HD DT A POD HD DT POD HD DT CLASS A/CLASS AB PENTODE/TRIODE A DT POD HD 4 1DT DT A A REVERB POD HD REVERB Mix Reverb Mix POD HD Reverb Model POD HD DT DT Master Volume
10 POD HD300 & POD HD400 DT Channel B POD HD Amp/Preamp Model OFF DT B DT POD HD B POD HD DT Preamp 2 6 DT B CLASS A/CLASS AB PENTODE/TRIODE DT POD HD B POD HD Amp/Preamp Model DT B POD HDDT FX1 FX2 FX3 Reverb* POD HD DT L6 LINK POD HD FXDT B * DT A POD HD DT B Reverb FX POD HD Reverb POD HD Preset DT B Reverb POD HD Reverb DT B2 DT 2 DT 1 CLASS A/CLASS AB PENTODE/ TRIODE 2 DT B2 DT 1 2 L6 LINK Master Volume
11 POD HD300 & POD HD400 POD HD DT L6 LINK POD HD300/ GUITAR IN CD/MP3 INPUT MASTER VOLUME UNBALANCED L/MONO OUTPUT LINE AMP RIGHT OUTPUT MODE LIVE STUDIO DUAL UNBAL=LIVE / BAL=STUDIO LEFT BALANCED OUTPUT GND LIFT RIGHT PHONES CD/MP3 Input POD HD300/HD400 CD MP3 PHONES UNBALANCED OUTPUT BALANCED OUTPUT POD HD Master Volume L6 LINK 2 PHONES UNBALANCED OUTPUT BALANCED OUTPUT PHONES UNBALANCED OUTPUT BALANCED OUTPUT L6 LINK POD HD Master Volume L6 LINK DT POD HD DT PA DTDIRECT OUT OUTPUT MODE OUTPUT MODE POD HD DT A POD HD DTOUTPUT MODE
12 POD HD300 & POD HD400 OUTPUT MODE LIVE DUAL LIVE DT A* OUTPUT MODE STUDIO STUDIODT A 2 8 * L6 LINK DT LIVE STUDIO EQ 4 5 FX RETURN LINE STOMP FX SEND CONNECT TO L6 LINK ONLY USB POWER FX LOOP LEVEL L/MONO RIGHT L/MONO RIGHT L6 LINK 9VDC 2.5A Min POD HD400 4 POD HD400 L6 LINK POD HD400 5 USB Audio POD HD300/HD400 L6 LINK USB USB MIDI POD HD Edit USB MIDI In/ Out
13 POD HD500 & POD HD Pro POD HD500 & POD HD Pro POD HD500 POD HD Pro L6 LINK 4 DT POD HD500 POD HD Pro DT50 DT25 POD HD500 POD HD Pro www. line6.jp/support/manuals POD HD500/HD Pro DT POD HD POD Amp Model A Amp Model B Amp A Block Preamp Model Amp Model Amp Model Preamp SETUP OUTPUTS Live DT COMBO PWR AMP DT STACK PWR AMP * 注 :POD HD 500/HD Pro のアウトプットのセッティングは 自動的に最初に L6 LINK 接続をした時の DT アンプの設定になります 手動で変更したい場合は下記の説明のようにしてください
14 POD HD500 & POD HD Pro The SETUP OUTPUTS 3 2 SETUP L6 LINK AUDIO AMP 1 LEFT/RIGHT POD HD DT DT L6 LINK AUDIO AMP 1 LEFT/RIGHT Setup L6 LINK CONTROL AMP 1 AMP A CH1 DT DT POD HD Amp Model A MIDI 1 L6 LINK Control AMP 1 AMP A CH1
15 POD HD500 & POD HD Pro XLR 1POD HD L6 LINK DT L6 LINK IN 接続は標準の XLR マイク ケーブルでも作動しますが デジタル接続であるため AES/EBU ケーブルを使用することをお勧めします INPUT MIDI OUT FX RETURN FX SEND NO RIGHT TRS STEREO VARIAX S/PDIF OUT MIDI INPUT OUT/THRU POD HD USB L6 LINK CONNECT TO L6 LINK ONLY POWER 9VDC 2.5A Min L6 LINK THRU C N DT 3 3 CONNECT TO L6 LINK ONLY XLR ケーブルを使った L6 LINK 接続 DTPOD HD Amp A Preamp Model DT Master Volume POD HD DT POD HD Amp Tone DT A らからも POD HD Amp Model A
16 T0.5AL / 250V SLO-BLO FUSE POD HD500 & POD HD Pro DT 2 DT XLR 1 1 L6 LINK THRU 2 L6 LINK IN 4 DT S/PDIF OUT ESIGNED IN U.S.A. MIDI INPUT OUT/THRU CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN SERIAL NUMBER USB L6 LINK CONNECT TO L6 LINK ONLY POWER MADE IN CHINA 9VDC 2.5A Min DESIGNED IN U.S.A. DT #1 DT #2 DT #3 DT #4 INPUT MIDI OUT SERIAL NUMBER MADE IN CHINA INPUT MIDI OUT LEVEL INPUT MIDI EFFECT LOOP OUT RETURN SEND (POWER AMP IN) (PREAMP OUT) INPUT CABINET-SIMULATED DIRECT OUT MIDI OUT LEVEL (P N222 GND LIFT DT DT TUBE PROTECTION FUSE U.S. PATENT NO. 5,789,689CAUTION: FOR CONTINUED U.S. PATENT NO. 5,789, PROTECTION AGAINST RISK OF FIRE REPLACE ONLY WITH SAME POD HDWARNING/AVIS: L6 LINK L6 LINK WARNING/AVIS: L6 LINK L6 LINK TYPE FUSE. SHOCK HAZARD DO NOT OPEN. RISQUE DE CHOC ÉLECTRIQUE NE PAS OUVRIR. SHOCK HAZARD DO NOT OPEN. RISQUE DE CHOC ÉLECTRIQUE NE PAS OUVRIR. SPEAKER OUTPUTS THRU THRU THRU TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK DO NOT EXPOSE THIS USE CLASS 2 WIRING THRU UTILISER UN FUSIBLE DE TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK DO NOT EXPOSE THIS ONLY RECHANGE DE MEME TYPE ET 3 4 EQUIPMENT TO RAIN OR MOISTURE. TO REDUCE THE RISK OF ELECTRIC SHOCK DO EQUIPMENT TO RAIN OR MOISTURE. TO REDUCE THE RISK OF ELECTRIC SHOCK DO CALIBRE NOT REMOVE COVER. NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO BE AMP DESIGN BY FOOTSWITCH Connect speakers to ONE 4 OHM OUT 8 OHM OUT 16 OHM OUT TUBE AMP DESIGN BY FOOTSWITCH Connect speakers to ONE NOT REMOVE COVER. NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. QUALIFIED SERVICE PERSONNEL. POWER REQUIREMENTS output only A, B or C. output only A, B or C. MAINS FUSE CAUTION: THIS EQUIPMENT HAS BEEN TESTED AND FOUND TO COMPLY WITH THE LIMITS THIS EQUIPMENT HAS BEEN TESTED AND FOUND TO COMPLY WITH THE LIMITS FOR CONTINUED PROTECTION HOT AGAINST TUBES! 100V - 120V = 120V ~ CAUTION: HOT TUBES! FOR A CLASS B DIGITAL DEVICE PURSUANT TO PART 15 OF THE FCC RULES. NEVER OPERATE WITHOUT A B The RISK power OF FIRE tubes REPLACE get ONLY extremely WITH SAME T2.5AL / 250V SLO-BLO FUSE FOR A CLASS B DIGITAL DEVICE PURSUANT TO PART 15 OF THE FCC RULES. NEVER OPERATE WITHOUT hot during OPERATION IS SUBJECT TO THE FOLLOWING TWO CONDITIONS: (1) THIS DEVICE The power tubes get extremely hot during OPERATION IS SUBJECT TO THE FOLLOWING TWO CONDITIONS: (1) THIS DEVICE 50-60Hz TYPE FUSE. normal operation. DO NOT TOUCH! 220V - 240V = MAY NOT CAUSE HARMFUL INTERFERENCE, AND (2) THIS DEVICE MUST ACCEPT SPEAKERS CONNECTED. 300W Max UTILISER UN FUSIBLE DE RECHANGE DE normal operation. DO NOT TOUCH! MAY NOT CAUSE HARMFUL INTERFERENCE, AND (2) THIS DEVICE MUST ACCEPT SPEAKERS CONNECTED. T1.25AL / 250V SLO-BLO ANY FUSE INTERFERENCE RECEIVED, INCLUDING INTERFERENCE THAT MAY CAUSE ANY INTERFERENCE RECEIVED, INCLUDING MEME TYPE ET CALIBRE CONNECT TO L6 LINK ONLY CONNECT TO L6 LINK ONLY (Use STANDBY INTERFERENCE to THAT silence MAY CONNECT speakers.) CAUSE TO L6 LINK ONLY CONNECT TO L6 LINK ONLY (Use STANDBY to silence speakers.) UNDESIRABLE OPERATION. UNDESIRABLE OPERATION. Use 8 OHM pair OR 4 OHM single Use 16 OHM pair OR 8 OHM single C Us POD HD500 HD Pro 4 DT50 DT25 L6 LINK POD HD500/HD Pro 2 DT L6 LINK POD HD Amp Model DT 2 台以上の DT シリーズのアンプを POD HD を使わずに L6 LINK 接続する場合も 全ての DT シリーズのアンプ同士がシンクします 詳しくは 全ての DT シリーズのアンプのガイドをご覧ください
17 POD HD500 & POD HD Pro DT 4 DT POD HD500/HD Pro SETUP L6 LINK SETUP L6 LINK AUDIO POD HD POD HD DT POD HD AMP 1 DT AMP 2 2 DT L R Left/Right は それぞれ 左チャンネルのみ 右チャンネルのみ 左チャンネル / 右チャンネル ( モノにミックス ) の意味です この信号は POD HD のシグナル パスの一番最後から取られていますので 有効なエフェクトやアンプ モデルが全て反映しています (POD HD のミキサー ブロックを使って 出力の際のパン設定も可能です ) Amp Model A Amp Model B Amp A/B は シグナル フロー内の場所に関わらず 各 Amp Model からダイレクトに出力します このオーディオ信号には Amp Model の前に置かれた FX Model も含まれていますが Amp Model の後ろに置かれた FX Model は含まれません プリセット中で 1 つの Amp Block しか使っていない場合 Amp B は存在しません この場合は 上記の Setup 画面で AMP 1 から AMP 4 のオプションで Amp Model B に設定されたものから Path B の最後からの信号が 対応する DT シリーズのアンプへ出力されます
18 POD HD500 & POD HD Pro MIDI POD HD500/HD Pro L6 LINK CONTROL L6 LINK MIDI POD HD SETUP MIDI/TEMPO MIDI CHANNEL 3 6 The SETUP MIDI/TEMPO MIDI CHANNEL POD HD500/HD Pro DT L6 LINK MIDI L6 LINK CONTROL DT MIDI L6 LINK CONTROL MIDI POD HD Amp Model A MIDI SETUP MIDI/TEMPO MIDI 1 POD HD Amp Model B MIDI 1 SETUP MIDI/TEMPO MIDI 2 MIDI DT SETUP ページの MIDI/TEMPO 画面で MIDI チャンネルを変更すると L6 LINK:CONTROL にも反映されますので L6 LINK:CONTROL の設定をする前に まずはシステム MIDI チャンネルを設定しておくとよいでしょう
19 POD HD500 & POD HD Pro DT SETUP L6 LINK CONTROLPOD HD500/HD Pro DT L6 LINK Audio 4 DT MIDI POD HD 3 7 POD HD500/HD Pro SETUP L6 LINK CONTROL DT POD HD Amp Model MIDI AMP A CH 1 DT Amp Model A POD HD Amp Model A DT Channel A & B 3 9DT A B DT アンプは POD HD のプリセットの Amp Model A にマッチするよう 真空管パワー アンプのトポロジー (Class A/Class AB ボイシング Pentode/Triode) を自動的に設定します DT アンプのチャンネル A と POD HD の Amp Model A のノブの値 (Drive, Bass, Mid, Treble, Presence & Volume) はシンクします POD HD は 画面表示の ( ) の中に表示されている MIDI チャンネルを使います (CH1) と表記されている場合には システム MIDI チャンネル 1 を使います 詳しくは [ 3 6] ページの システム MIDI チャンネル をご覧ください
20 POD HD500 & POD HD Pro AMP B CH 2 DT A POD HD Amp Model B DT アンプのチャンネル A は POD HD プリセットの Amp Model B にマッチするよう 真空管パワー アンプのトポロジーを自動設定します DT アンプのチャンネル A と POD HD の Amp Model B のノブはシンクします POD HD のシステム MIDI チャンネルが MIDI チャンネル 1 の場合 MIDI 2(POD HD のシステム MIDI チャンネル +1) が使用されます 3 8 MIDI CH XX DT L6 LINK MIDI Channel Amp Model A Amp Model B MIDI DT MIDI 注意 : 他社製の MIDI コントローラー デバイスで DT アンプをコントロールすることもできます MIDI コントローラーの MIDI チャンネルを設定し DT アンプの 5 ピン MIDI IN にコントローラーを直接接続するだけです L6 LINK Control SETUP L6 LINK CONTROL AMP A AMP B POD HD DT A DT CLASS A/CLASS AB PENTODE/TRIODE A POD HD 4 1DT DT REVERB DTReverb POD HD Reverb DT Reverb POD HD Reverb MASTER VOLUME POD HD Master Volume DT DT Master Volume
21 POD HD500 & POD HD Pro DT A B SETUP L6 LINK CONTROL AMP 1 AMP 4 AMP A AMP B POD HD Amp Model A/B / DT A/ B POD HD Amp Model ON DT A POD HD Amp Model OFF NONE DT B POD HD DT B B DT HD DT アンプでチャンネル B を選択し 複数の DT アンプがデイジーチェーン接続されているとき すべての DT アンプの CLASS A/CLASS AB PENTODE/TRIODE は 先頭の DT アンプの設定にリンクします 台の DT アンプが接続されているとき チャンネル B のノブとボイシング スイッチは両方のアンプで連動しますが Master Volume ノブの動作は独立しています DT アンプの A/B DT アンプ A/B POD HD Amp Model A/B A B DT50
22 POD HD500 & POD HD Pro A B DT SETUP L6 LINK CONTROL Amp Model DT DT SETUP L6 LINK CONTROL MIDI AMP A/AMP B POD HD Amp Model A B ON/OFF DT SETUP L6 LINK CONTROL MIDI DT DT DT 下記の例では POD HD500 と DT50 のアンプを使用していますが POD HD Pro と DT25 のアンプでそれぞれ代替することもできます POD HD Amp FX Model 2 DT
23 POD HD500 & POD HD Pro DT 3 DT 3 DT / /
24 POD HD500 & POD HD Pro 4 DT DT POD HD 500 POD HD Pro POD HD500 POD HD Pro POD HD500 HD Pro CD/MP3 UNBALANCED OUTPUT BALANCED OUTPUT FX RETURN FX SEND GUITAR IN INPUT L/MONO R/MONO LEFT RIGHT PHONES AUX IN MIC L/MONO RIGHT TRS STEREO PEDAL 2 LINE STOMP VARIAX S/PDIF OUT INPUT MIDI OUT/THRU USB L6 LINK CONNECT TO L6 LINK ONLY POWER MIC LEVEL 9VDC 2.5A Min POD HD500 POD HD Pro
25 POD HD500 & POD HD Pro VARIAX POD HD500 LINE HD Pro POD HD SETUP INPUTS POD HD L6 LINK POD HD Pro SPDIF AES/EBU BALANCED UNBALANCED PHONES L6 LINK POD HD Master Volume L6 LINK DT 3 13 L6 LINK DRY OUT HD Pro 注 :POD HD + DT アンプをお使いの際 PA やレコーディング システムに直接アナログのライン信号を出力したい場合は DT アンプ背面 DIRECT OUT を使用することをお勧めします ([4 5] ページをご覧ください ) SPDIF AES/EBU HD Pro POD HD SETUP DIGITAL OUTPUT AES/EBU L6 LINK AES/EBU L6 LINK L6 LINK DT HD Pro SETUP DIGITAL OUTPUT USB L6 LINK USB POD HD Pro Edit
26 POD HD500 & POD HD Pro L6 LINK FBV POD HD Pro 3 14 Line 6 FBV POD HD Pro L6 LINK FBV MIDI MIDI POD HD500 HD Pro MIDI DIN MIDI L6 LINK MIDI POD HD 注 :DT シリーズのアンプを L6 LINK と使用する際 上記の MIDI 接続をする必要はありませんが MIDI 経由で DT アンプをコントロールすることも可能です [ 4 6] ページの MIDI インプリメンテーション をご覧ください
27 DT DT POD HD300/400/500 HD Pro L6 LINK Line 6 DT DT MIDI DT DT50 DT25 L6 LINK POD HD Preamp Model DT50 DT25 DT POD HD L6 LINK POD HD POD HD 1 4 POD HD Preamp Model
28 DT Class AB A DT DT Up... 50W Class AB Down... 25W Class A DT25 Up... 25W Class AB Down... 10W Class A 3 Pentode/Triode 5 /3 Up... PENTODE 5 Down... TRIODE 3 PENTODE
29 DT 4 DT 5 DT DT Tips DT POD HD Amp Model s 4 3 POD HD POD HD DT POD HD Preamp Model DT POD HD Preamp Model Preamp Model s Class AB Class A Class AB 1 1 Class AB Class A 2 Class A
30 DT DT50 DT50 2DT50 Tips * DT25 DT25 Class A 4 4 The Super O Tweed B-man Class A-15 Brit Plexi J-45 B POD HD Amp Model Amp Model POD Amp Model B+ 5 DT50 5 DT DT A BPOD HD DT50 DT25 B C D MIDI INPUT OUT LEVEL EFFECT LOOP RETURN SEND (POWER AMP IN) (PREAMP OUT) CABINET-SIMULATED DIRECT OUT GND LIFT A FOOTSWITCH L6 LINK THRU CONNECT TO L6 LINK ONLY SPEAKER OUTPUTS USE CLASS 2 WIRING ONLY Connect speakers to ONE 4 OHM OUT 8 OHM OUT 16 OHM OUT output only A, B or C. NEVER OPERATE WITHOUT SPEAKERS CONNECTED. (Use STANDBY to silence speakers.) A B C Use 8 OHM pair OR 4 OHM single Use 16 OHM pair OR 8 OHM single DT50
31 DT B A C D DT25 A Footswitch DT A/B DT POD HD B MIDI / DT MIDI IN MIDI OUT DT MIDI POD HD L6 LINK * 4 5 *POD HD L6 LINK DT MIDI L6 LINK DT MIDI 4 6MIDI C DT SEND RETURN DT D DT DIRECT OUT L6 LINK POD HD DT XLR L6 LINK DT DT
32 DT DT POD HD L6 LINK POD HD DT L6 LINK DT DT *DT25 DT50 MIDI 4 6 DT L6 LINK MIDI IN MIDI MIDI MIDI MIDI CCMIDI DT MIDI OUT MIDI CC DT 1 MIDI OUT 2 MIDI IN Amp Channel A DT Series Amplifiers - MIDI Control Reference MIDI CC # Value Function Amp Channel B = Voicing I, 1 = Voicing II, 2 = Voicing III, 3 = Voicing IV Negative Feedback Loop Topology (I, II, III, IV) = Class A, = Class AB Operation Class Configuration (Class A / Class AB) = Triode, = Pentode Power Tube Configuration (Pentode/Triode) = Adjust range 0% to 100% Drive Knob
33 DT Amp Channel A DT Series Amplifiers - MIDI Control Reference MIDI CC # Value Function Amp Channel B = Adjust range 0% to 100% Bass Knob = Adjust range 0% to 100% Mid Knob = Adjust range 0% to 100% Treble Knob = Adjust range 0% to 100% Presence Knob = Adjust range 0% to 100% Volume Knob = Adjust range 0% to 100% Reverb Knob = Reverb Off, = Reverb On Global Controls = Channel A, = Channel B = LVM Off, = LVM On Reverb On/Off Channel A/B Toggle Low Volume Mode On/Off = Adjust range 0% to 100% Master Volume 4 7
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XENYX X2442USB/X2222USB/X1622USB Premium 24/22/16-Input 4/2 and 2/2-Bus Mixer with XENYX Mic Preamps & Compressors, British EQs, 24-Bit Multi-FX Processor and USB/Audio Interface 2 XENYX X2442USB/X2222USB/X1622USB
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TX-SA600
TX-SA600 2 3 4 5 6 7 8 RC-480M Speaker Cable RC-480M Front Front SP-B / Zone 2 SP-B / Zone 2 Front Front SP-B / Zone 2 SP-B / Zone 2 Surround Surround Surround Surround Center Center Surround Back Surround
POD.PDF
Line6 TubeTone Digital Guitar Amplifire System 2 ... 4 QUICK START GUIDE... 5 CONTROLS & CONNECTIONS... 6 GETTING SET UP... 11 ALL PURPOSE BASICS...11 SCENARIO ONE...11 SCENARIO TWO...16 POD EFFECTS...