Nara Women's University Digital I Title Author(s) Citation 中国新疆 ウイグル人の民間芸能をめぐる多様性と変化に関する民族音楽学的研究 鷲尾, 惟子 奈良女子大学博士論文, 博士 ( 学術 ), 甲第 484 号, 平成 23 年 3 位授与 Issue Date 2011-03-24 Description URL http://hdl.handle.net/10935/3557 TextversionETD This document is downloaded http://nwudir.lib.nara-w.ac.jp/dspace
アプローチ ~: 帯谷知可 (2003) マハッラのくらし J, 宇山智彦 ( 編 ) 中央アジアを知るための 60 章 ~'
新彊錐吾示自治区銃廿局 ( 2009) 新彊統計年鑑 2009~, 中国統計出版社. ぐる -~, 世界思想社 : 39 58.
間野英二 (1977) 中央アジアの歴史 - 草原とオアシスの世界新書東洋史 8~, 講談現代新書.
Abdulla,T.(2003)"Hkotan Wilayatlik Mamuriy Mahlima Madaniyat-Tantarbiya Idarisi TU.zdi", Hkotan Hkalq Nakhsha-kiiyliri, Shinjang Hkalq Nashriyati : 14-15. Adler, G.(I885)Umfang, Methode und Ziel der Musikwissenschaft. Vierteljahrschrift fur Musikwissenschaft, 1 : 5-20. Appadurai,A.(1990)"Disjuncture and Difference in the Global Cultural Economy", Public Culture,2(2) : 1-23. Batur,A.(1986) Tarikhi Hamidi, Molla Musa Sayrami, Millatlar Nashriyati. During, J. et Trebinjac, S.(199l)"Introduction au muqam ourgour", Papers on Inner Asia, 17, Research Institute for Inner Asian Studies, Indiana University : 1-58. Grenard, F. (1898) "Le Turkestan et le tibet. Etude ethnographipue et sociologique", Dutreuil, J. F. (1890-1895) de Rhins, Missions scientifique dans la Haute Asie 2 : 308-315. Harris, R.(2008) The Making of a Musical Canon in Chinese Central Asia : The Uyghur Twelve Muqam, Ashgate. --(2005) "Reggae on the Silk Road : The Globalization of Uyghur Pop," The China Quarterly, 183(1) : 627-643. --(1998) Music, Identity and Persuasion: Ethnic Minority Music in Xinjiang, China, Unpublished Ph. D. Dissertation, University of London. Hkotan Wilayatlik Mamuriy Mahlima Madaniyat-Tantarbiya Idarisi Tiizdi eds. (2003)Hkotan Hkalq Nakhsha-kiiyliri, Shinjang Hkalq Nashriyati. Light,N.(2008) Intimate Heritage: Creating Uyghur Muqam Song in Xinjiang, Lit Verlag. --(1998) : Slippery Paths.The Performance and Canonization of Turkic Literature and Uyghur Mukam Song in Islam and Modernity,lndiana University. Molla, I & Molla, N. M. (1982)"Tewarrikhi Musiqiyun",Milletler Nashiryati. Rakhman, A.; Hamdulla, R. & Khushur, R. (1996) Uyghur Orp-Adatliri, Shinjang Yashlar-Osmurlar Nashriyarti. Rudelson, J.. J. (1997)0asis ldentity-uyghur Nationalism along China's Silkroad, Columbia University Press. Saypidin, A. ( 1987) "Sultan Bughra Han", Milletler Nashiryati. Svanberg, I. (1996) "Ethnic Categorizations and Cultural Diversity in Xinjiang: The Dolans along Yarkand River", Central Asiatic Journal, 40(2) : 260-282. von Hombostel, E. M. (1975) : The Problems of Comparative Musicology, (Translated by Campbell,R.) in Wachsmann, Chris Tensen, Reinecke eds., : 247-270. Wang, J. (2004) Uyghur education and social order: the role of Islamic leadership in the Turpan Basin, Unpublished Ph. D., Tokyo University. - 196 -
ABSTRACT The Ethnomusicological Study on Diversity and Change of Uyghurs' Folk Entertainments in Xingjinag, China In this article, I take each essences of music and dance of Uyghurs' forkrore in the Xinjiang Uyghur Autonomous Region, m order to illustrate the global flows of sounds, preservation or restructuring of tradition and culturemeanings, which influence Uyghur folk musics. My approach to this ethinomusicological study was influenced by "The invention of Tradition" writen by Hobsbowm & Ranger. In one side, I have the desire of yearning for the old memory for not being cultural ditionally preserved, against the change and the re-creation of it. The disseminatory power of media (Cassets and VCDs) facilitates the global movement of both musical sounds and political ideas. I argue, using examples of Uyghur folk songs and Uyghur folk dances and othe pafore mances, that these sounds and meanings are radically adapted and re-signified in the construction of Uyghur identity and cultural politics, in a complex interplay between the global, national and local, and between tradition and modernity. I discuss the gendered expression of Uyghur nationalism in popular song through the iconic figure of the weeping mother, demonstrating the ability of expressive culture (here music) to reveal underlying or underpinning political trends. In this article, It aims how to change for the culture of a certain community, in the society and nation,while developing diversity in a modern globalization society, and how to clarify whether to reflect it in the recognition of local peoples. Especialy, I attention newly two local oasis' music, songs and dances, which had recently, to attention different directionality, in Uyghur cultures. More there, I think it be remained the essence of musical element, even if it select either preservation or the restructuring, of the tradition. Uyghur music embraces several distinct regional styles. So I will find direction essence, and the relation between music and peoples of Uyghur society. - 199 -