MPC_Essentials_v1.0-ja-2
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- きみのしん いなくら
- 4 years ago
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71 Dry/Wet 0 (dry) 100 (wet) Q13 Pre-Delay Q9 Early Reflection Q5 Density Q1 Diffuse Q14 Decay Q10 Lo-Cut 15 Q6 Hi-Cut 10 Q2 Dry/Wet 0 (dry) 100 (wet) Q13 Pre-Delay Q9 Early Reflection Q5 Density Q1 Diffuse Q14 Decay Q10 Lo-Cut 15 Q6 Hi-Cut 10 Q2
72 Dry/Wet 0 (dry) 100 (wet) Q13 Pre-Delay Q9 Early Reflection Q5 Density Q1 Diffuse Q14 Decay 75 Q10 Lo-Cut 10 Q6 Hi-Cut 10 Q2 Dry/Wet 0 (dry) 100 (wet) Q13 Pre-Delay Q9 Early Reflection Q5 Density Q1 Diffuse Q14 Decay 75 Q10 Lo-Cut 10 Q6 Hi-Cut 10 Q2 Dry/Wet 0 (dry) 100 (wet) Q13 Pre-Delay Q9 Early Reflection Q5 Density Q1 Diffuse Q14 Decay 75 Q10 Lo-Cut 15 Q6 Hi-Cut 10 Q2 Gate In 0 Q15
73 Dry/Wet 0 (dry) 100 (wet) Q13 Pre-Delay Q9 Early Reflection Q5 Density Q1 Diffuse Q14 Decay 75 Q10 Lo-Cut 10 Q6 Hi-Cut 10 Q2 Gate Out 0 Q15 Dry/Wet 0 (dry) 100 (wet) Q13 Time ms 100 Q9 Feedback 25 Q5 Damping 100 Q1 Dry/Wet 0 (dry) 100 (wet) Q13 Time 1 bar 1/16 triplets 1/4 Q9 Feedback 25 Q5 Damping 100 Q1
74 Dry/Wet 0 (dry) 100 (wet) Time ms 100 Q9 Feedback Damping 100 Q1 25 Q13 Q5 Dry/Wet Time Feedback 0 (dry) 100 (wet) 1 bar 1/16 triplets Damping 100 Q1 1/4 25 Q13 Q9 Q5 Dry/Wet 0 (dry) 100 (wet) Time ms 0 Q9 Feedback Cutoff Resonance 20 Q13 Q5 Q1 Q14 Dry/Wet 0 (dry) 100 (wet) Time ms 100 Q9 Feedback Cutoff Resonance Q13 Q5 Q1 Q14
75 Dry/Wet 0 (dry) 100 (wet) Time ms 100 Q9 Feedback 25 Q13 Q5 Dry/Wet 0 (dry) 100 (wet) Q13 Time 1 bar 1/16 triplets 1/4 Q9 Feedback Q5 Ramp Q1 Dry/Wet Time Feedback Ramp 0 (dry) 100 (wet) 1 bar 1/16 triplets 1/4 Q13 Head Q14 Head 2 Head 3 Head 4 Tone Spread Wow & Flutter Q9 Q5 Q1 Q10 Q6 Q2 Q15 Q11 Q7
76 Dry/Wet 0 (dry) 100 (wet) Time, Left ms 100 Q9 Time, Right ms 100 Q5 Feedback Q13 Damping 100 Q14 25 Q1 Dry/Wet 0 (dry) 100 (wet) Time ms 100 Q9 Time ms 100 Q5 Time ms 100 Q1 Feedback Pan 1 Pan 2 Pan 3 25 Q13 Q14 Q10 Damping 100 Q15 Gain 1 Gain 2 Gain Q6 Q2 Q11 Q7 Q3 Dry/Wet 0 (dry) 100 (wet) 100 Q13 Rate 10 Q9 Feedback Q5 Delay 20 Q1 Width 80 Q14
77 Dry/Wet 0 (dry) 100 (wet) 100 Q13 Rate 8 bars 1/16 triplets 1/4 Q9 Feedback Q5 Delay 20 Q1 Width 80 Q14 Dry/Wet 0 (dry) 100 (wet) 100 Q13 Delay 20 Q9 Amount 80 Q5 Width 80 Q1 Feedback Q14 Rate 10 Q10 Dry/Wet 0 (dry) 100 (wet) 100 Q13 Delay 20 Q9 Amount 80 Q5 Width 80 Q1 Feedback Q14 Rate 10 Q10
78 Dry/Wet 0 (dry) 100 (wet) 100 Q13 Rate 10 Q9 Dry/Wet 0 (dry) 100 (wet) 100 Q13 Rate 8 bars 1/32 1/4 Q9 Dry/Wet 0 (dry) 100 (wet) 100 Q13 Rate 10 Q9 Sine to Square 0 (sine) 100 (square) 0 Q5 Dry/Wet 0 (dry) 100 (wet) 100 Q13 Rate 1 bar 1/16 triplets 1/4 Q9 Sine to Square 0 (sine) 100 (square) 0 Q5 Dry/Wet 0 (dry) 100 (wet) 100 Q13 Rate 10 Q9
79 Dry/Wet 0 (dry) 100 (wet) 100 Q13 Rate 10 Q9 Dry/Wet 0 (dry) 100 (wet) 100 Q13 Rate 1 bar 1/16 triplets 1/4 Q9 Frequency Hz 10 Q13 Resonance 0 Q9 Dry/Wet Low Frequency 0 (dry) 100 (wet) High Frequency 100 Q5 Resonance Rate Q13 Q9 Q1 Q14 Dry/Wet 0 (dry) 100 (wet) 100 Q13 Low Frequency High Frequency 100 Q5 Resonance Rate 8 bars 1/32 0 1/4 Q9 Q1 Q14
80 Frequency Hz 10 Q13 Resonance 0 Q9 Gain db 0.0 Q5 Frequency Hz 10 Q13 Resonance 0 Q9 Dry/Wet Low Frequency 0 (dry) 100 (wet) High Frequency 100 Q5 Resonance Rate Q13 Q9 Q1 Q14 Dry/Wet 0 (dry) 100 (wet) 100 Q13 Low Frequency High Frequency 100 Q5 Resonance Rate 8 bars 1/32 0 1/4 Q9 Q1 Q14
81 Frequency Hz 10 Q13 Resonance 0 Q9 Gain db 0.0 Q5 Low Frequency Hz 220 Q13 Frequency Hz 820 Q9 Frequency Hz 2200 Q5 High Frequency Hz 5600 Q1 Q1 Q2 0 0 Q14 Q10 Low Gain db 0.0 Q15 Gain db 0.0 Q11 Gain db 0.0 Q7 High Gain db 0.0 Q3 Low Frequency Hz 220 Q13 Frequency Hz 820 Q9 Frequency Hz 2200 Q5 High Frequency Hz 5600 Q1 Q1 Q2 Q3 Q Q14 Q10 Gain db 0.0 Q15 Gain db Gain db 0.0 Q7 Gain db 0.0 Q3 0.0 Q6 Q2 Q11
82 Dry/Wet 0 (dry) 100 (wet) 100 Q13 Drive Q9 Tone Q5 Dynamics Q1 Output Q14 Dry/Wet 0 (dry) 100 (wet) 100 Q13 Drive Q9 Output Q5 Low Q14 Low-Mid Q10 High-Mid Q6 High Q2 Dry/Wet 0 (dry) 100 (wet) 100 Q13 Drive Q9 Grime Q5 Center Q1 Width Q14 Resonance Q10 Output Q6
83 Dry/Wet 0 (dry) 100 (wet) 100 Q13 Drive Q9 Tone Q5 Output Q1 Dry/Wet 0 (dry) 100 (wet) 100 Q13 Drive +Soft +Clip -Soft -Clip Q9 Q14 Q10 Low db 0.0 Q15 Mid db 0.0 Q11 High db 0.0 Q7 Output db 2 25 Q6 Q2 Q3 Dry/Wet 0 (dry) 100 (wet) 100 Q13 Attack Q9 Release Q5 Threshold - 0 db 0 Q1 Ratio Q14 Oldskool Off, On Off Q10 Output db 0 Q6
84 Dry/Wet 0 (dry) 100 (wet) 100 Q13 Input db 0 Q9 Attack Q5 Release Q1 Threshold - 0 db 0 Q14 Ratio Q10 Knee Q6 Output db 0 Q2 Dry/Wet 0 (dry) 100 (wet) 100 Q13 Input db 0 Q9 Attack Q5 Release Q1 Threshold - 0 db 0 Q14 Ratio Q10 Knee Q6 Output db 0 Q2 Dry/Wet 0 (dry) 100 (wet) 100 Q13 Input db 0 Q9 Attack Q5 Release Q1 Threshold - 0 db 0 Q14 Ratio Q10 Knee Q6 Output db 0 Q2
85 Dry/Wet 0 (dry) 100 (wet) 100 Q13 Decimate 0 Q9 Bit Reducer Q5 Dry/Wet 0 (dry) 100 (wet) 100 Q13 Rate 0 Q9 Decimate 0 Q5 Dry/Wet 0 (dry) 100 (wet) 100 Q13 Resonance 75 Q9 Attack 30 Q5 Release 30 Q1 Center Q14 Sensitivity Q10
86 Dry/Wet 0 (dry) 100 (wet) 100 Q13 Frequency Asynchrony A Pan Q9 Q5 Q14 B Pan 100 Q10 A Gain B Gain Q6 Q2 Dry/Wet 0 (dry) 100 (wet) 100 Q13 Attack Q9 Release Q5 Output Q14
87 Dry/Wet 0 (dry) 100 (wet) 100 Q13 Decimate 0 Q9 Bit Reducer Q5 Dry/Wet 0 (dry) 100 (wet) 100 Q13 Rate 0 Q9 Decimate 0 Q5 Dry/Wet 0 (dry) 100 (wet) 100 Q13 Resonance 75 Q9 Attack 30 Q5 Release 30 Q1 Center Q14 Sensitivity Q10
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RS 175 Digital Wireless Headphone System ... 2 RS 175... 4... 5... 6 HDR 175... 6 TR 175... 7... 8 RS 175... 11...11...12 AC...16...17...18...19 RS 175... 20...20...21...21 /...21 /...22 Dynamic Bass
MG206C/MG166CX/MG166C 取扱説明書
JA 2 (5)-8 1/2 (5)-8 2/2 3 4 1 2 q w w q 3 5 基礎編 クイックガイド 基礎編 スピーカーから音を出す お手持ちのスピーカーを MGに接続して 音を出してみましょう 接続する機器によって手順や操作が異なり ますが ここでは 2台のスピーカーを使ってステレオ出力してみます 2 マイク 楽器 スピーカー 2 パワーアンプ 1, 4 ヘッドフォン GAINコントロール
GT-3_r_j
2 3 4 5 6 7 8 9 INPUT OUTPUT R OUTPUT L(MONO) INPUT INPUT PHONES OUTPUT R OUTPUT L(MONO) OUTPUT R OUTPUT L(MONO) MTR 10 SEND INPUT OUTPUT INPUT PHONES RETURN SUB EXP PEDAL /SUB CTL 1,2 AC IN 14V 800mA
EMX5014C 取扱説明書
POWERED MIXER JA (5)-7 2 (5)-7 3 4 5 1 2 3 NOTE 6 1 1 1 NOTE 7 4 7 8 7 2,10 2 3 25 2 9,11 8,10 6 2 3 4 5 8 6 NOTE 7 NOTE 8 9 10 NOTE 11 9 4 1 2 3,5 1 1 REVERB HALL 1 5 REVERB STAGE 1 9 KARAOKE ECHO C FLANGER
ADC121S Bit, ksps, Diff Input, Micro Pwr Sampling ADC (jp)
ADC121S625 ADC121S625 12-Bit, 50 ksps to 200 ksps, Differential Input, Micro Power Sampling A/D Converter Literature Number: JAJSAB8 ADC121S625 12 50kSPS 200kSPS A/D ADC121S625 50kSPS 200kSPS 12 A/D 500mV
ToneLab LE 取扱説明書
J 2 ii iii iv v HINT HINT 1. NOTE 2. 3. 4. 5. NOTE 6 Quick Start 6. HINT HINT 7. NOTE 8. HINT 9. NOTE HINT 10. 11. 7 Quick Start 12. 13. HINT HINT 14. HINT 8 9 VOX VALVE REACTOR PREAMP FEEDBACK CIRCUIT
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DTXTREME III取扱説明書
JA (3)-15 1/4 2 (3)-15 2/4 3 (3)-15 3/4 4 (3)-15 4/4 5 6 7 8 9 w 888 e u q r i t o y!0!1!2!3!4 @6!6!7!8!9 @0 @1 @2 @3 @4 @5 @7 @8!5 @9 #0 #1 q w e r t y u i o!0 10 !1!2!3!4!5 p r f > @4 @5 @6 @7 @8 @9
REV. A MUSTANG GT40 MUSTANG GT100 MUSTANG GT200
REV. A MUSTANG GT40 MUSTANG GT100 MUSTANG GT200 1 AUX INPUT GAIN VOLUME TREBLE MIDDLE BASS MASTER A. B. C. D. E. F. G. H. I. J. K. L. 2 M. GAIN VOLUME TREBLE MIDDLE BASS MASTER N. O. P. Q. R. S. 3 ENCODER
P-125, P-121 MIDIリファレンス
DIGITAL PIANO P - 125 P - 121 JA NOTE # P-125 C0 C1 C2 C3 C4 C5 C6 C7 P-121 C1 C2 C3 C4 C5 C6 C4 C#4 D#4 F#4 G#4 C4 D4 F4 G4 A4 C0 C1 C2 C3 C4 C5 C6 C7 P-125 C5 C1 C2 C3 C4 C5 C6 P-121 2 ## P-125 C0 C1
Unidirectional Measurement Current-Shunt Monitor with Dual Comparators (Rev. B
www.tij.co.jp INA206 INA207 INA208 INA206-INA208 INA206-INA208 V S 1 14 V IN+ V S 1 10 V IN+ OUT CMP1 IN /0.6V REF 2 3 1.2V REF 13 12 V IN 1.2V REF OUT OUT CMP1 IN+ 2 3 9 8 V IN CMP1 OUT CMP1 IN+ 4 11
PS-M3024
PS-M0 PS-M0 PS-M0A Victor Original Sound System SS-00 PS-M0 PS-M0 PS-M0A SS-00 (0) - (0) - (0) - (0) - 00 VICTOR COMPANY OF JAPAN, LIMITED PS-M0/PS-M0/PS-M0A 0 PS-M0 Ω Ω Ω Ω Ω Ω Ω 0 Ω Ω 0 PS-M0 0 0 0 0
U.R.G., Digital Musical Instruments Division, Yamaha Corporation
CLP- 0 JA Reverb Block Effect Name MSB LSB Hall1 1 0 Hall2 1 1 Room 2 1 Stage 3 1 Plate XG Effect Name MSB LSB BASIC HALL 1 21 LIGHT HALL 1 22 BALLAD HALL 1 1 PIANO HALL 1 20 HALL1 1 0 HALL2 1 HALL3 1
Greetings from the Home of Tone
Greetings from the Home of Tone EQ IN MUTE 1 3 2 4 5 EQ 0 EQ FS SIL. REC. NORMAL INPUT POWER STANDBY GAIN BASS MID TREBLE VOICE MASTER FULL PWR HALF LOW PWR 33Hz 80 150 300 600 900 2K 5K 8K D.I. PRE
EMX /EMX
J J P.14 X P.15 X K P.18 3 1+ 1 Neutrik NL4FC 2 2+ CHANNEL A STEREO/PARALLEL 1+ A+ 1 A 2+ B+ 2 B CHANNEL B 1+ B+ 1 B BRIDGE 1+ + 1 2+ 2 Y ^ 0 ` P.32 PA SPEAKERS OUT MAXIMUM OUTPUT [500W/4Ω] NOMINAL OUTPUT
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VSamp Version:3.2.6 http://www.kagi.com/smaug/vsamp Hiroaki Koyama 1 3 4 VSamp 4 VSampVST 4 5 5 MIDI 5 MacOS X 5 MacOS 7 8 9 5 6 6 7 7 7 MIDI 7 VST 8 8 8 MIDI 8 VSamp 9 9 9 Amplitude 11 Filter 12 Tuning
FEEL Prod Grap PH_Artwork_P0A0J QSG JP A4_ _Rev.1.indd
XENYX X2442USB/X2222USB/X1622USB Premium 24/22/16-Input 4/2 and 2/2-Bus Mixer with XENYX Mic Preamps & Compressors, British EQs, 24-Bit Multi-FX Processor and USB/Audio Interface 2 XENYX X2442USB/X2222USB/X1622USB
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Analog Heat MKII FCC FCC 15 2 (1) (2) : B FCC 15 / / BICES-003 Cet appareil nume rique de la classe B est conforme a la norme NMB-003 EU 2014/35/EU EMC 2014/30/EU RoHS 2 2011/65/EU Elektron Elektron Elektron
EMX5016CF 取扱説明書
POWERED MIXER JA ?ofl tx z?wyhw UKb { (5)-7 2 (5)-7 3 4 5 1 2 3 NOTE 6 1 NOTE 7 2 3 4 5 8 6 NOTE 7 NOTE 8 9 10 NOTE 11 9 1 1 HALL 1 5 SMALL STAGE 1 9 CHORUS C TREMOLO 2 ROOM 1 6 VOCAL ECHO 0 EARLY REF.
LMC6022 Low Power CMOS Dual Operational Amplifier (jp)
Low Power CMOS Dual Operational Amplifier Literature Number: JAJS754 CMOS CMOS (100k 5k ) 0.5mW CMOS CMOS LMC6024 100k 5k 120dB 2.5 V/ 40fA Low Power CMOS Dual Operational Amplifier 19910530 33020 23900
EMX66M_J
EEEngine 3 4 5 DIGITAL VOCAL ECHO + + + +3-5 - ON OFF PHANTOM VOCAL ECHO VOCAL REVERB 5 5 5 k k 4k 8k GEQ POWER AMP VOCAL REVERB HALL RTN TR IN MASTER LIMITER MON +5 +5 +5 +5 +5 +5 HALL ROOM PLATE + +
LM7171 高速、高出力電流、電圧帰還型オペアンプ
Very High Speed, High Output Current, Voltage Feedback Amplifier Literature Number: JAJS842 2 1 6.5mA 4100V/ s 200MHz HDSL 100mA 15V S/N ADC/DAC SFDR THD 5V VIP III (Vertically integrated PNP) 19850223
宿泊産業活性化のための実証実験
121 32 10 12 12 19 2 15 59 40 33 34 35 36 37 38 3637 20 39 12 19 OFF 2008/12/19 2008/12/25 3 1 1 72,000 2008/12/19 2008/12/26 2 1 1 36,000 2008/12/28 2009/1/5 2 1 1 24,000 2009/1/6 2009/1/16 3 1 1 25,200
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