|
|
|
- ようた つちた
- 7 years ago
- Views:
Transcription
1 M2TB rev Multichannel Monitoring Tutorial Booklet 2 nd Edition With eference to and the surround monitoring functions of the Yamaha DM2000, DM1000, and 0296 digital consoles May 2005 rev YAMAHA orporation 2005 SONA orporation
2
3
4
5
6 2ch FE (SUB) FE (SUB) 3-1ch S 5.1ch S S 6.1ch S S (BSl) BS (BSr)
7
8
9 Multichannel Monitoring Tutorial Booklet (M2TB) rev
10
11
12
13
14
15
16
17 S t ( total) t ( total) tt S tt (FE) S S t ( total) t ( total) (+FE) (+FE) S S
18 FE S S BS FE St St FE S S BS StSt S S S DVD-VideoDVD-Audio FE FE FE S S S S S S DVD-VideoDVD-AudioSuper Audio D
19 FE S S BS FE S S BS DVD-Video FE S S BS
20
21 Multichannel Monitoring Tutorial Booklet (M2TB) rev
22
23 All-pass level FE : approx. 89dB ===S=S : 85dB S=S=-3dB : 82dB 1/3 octave band level FE : approx. 81dB ===S=S : approx. 71dB S=S=-3dB : approx. 68dB Input Signal Wide-band Pink Noise approx. 0VU (-20dBrms) 90 FE dB SP [db] 70 ==, S=S=BS (5.1ch, 6.1ch) S=S (3-1ch) Hz 50 AP() k 2k 3.15k 5k 8k 12.5k 20k 1/3 octave band center frequency [Hz]
24 90 All-pass level FE : approx. 89dB == : 85dB S=S=-3dB : 82dB 1/3 octave band level FE : approx. 81dB == : approx. 71dB S=S: approx. 68dB Input Signal Wide-band Pink Noise approx. 0VU (-20dBrms) SP [db] FE 20 80Hz : DTS +10dB == S=S Hz : Dolby 50 AP() k 2k 3.15k 5k 8k 12.5k 20k 1/3 octave band center frequency [Hz]
25 db urve X of B-hain : SMPTE 202M k 1.25k 1.6k 2k 2.5k 3.15k 4k 5k 6.3k 8k 10k 12.5k 16k 1/3 octave band center frequency [Hz]
26 Multichannel Monitoring Tutorial Booklet (M2TB) rev All-pass level FE : approx. 79dB (20-120Hz) ===S=S : 85dB 1/3 octave band level ===S=S=FE : approx. 71dB Input Signal Wide-band Pink Noise approx. 0VU (-20dBrms) SP [db] 70 FE (if Hz) ±0dB AP() k 2k 3.15k 5k 8k 12.5k 20k ===S=S (5.1ch / 6ch) Full-range 1/3 octave band center frequency [Hz]
27
28
29 5.1ch Master Att1 FE - S Att2 S Att2 2ch Down-mix o =Att1Att2S oatt1att2s Meta data : Dolby DIGITA Att (-3dB), (-4.5dB), (-6dB) Att (-3dB), (-6dB), (-db) Default Att1Att (-3dB) Fixed : DTS Att1Att (-3dB) 5.1ch Master -3dB FE - (90-degree phase shifted) S -3dB (90-degree phase shifted) S -3dB 2ch Down-mix t = (SS) t (ss)
30 5.1ch Master Att1 FE - S Att2 S Att2 2ch Down-mix Att3 o =Att3(+Att1Att2S) Att3 oatt3(att1att2s) Meta data Att (-3dB) Att (-3dB), (-6dB), (-9.0dB) (-db) Att (-3dB) Default Att1Att2Att (-3dB) 5.1ch Master -3dB FE - S Att S Att 2ch Down-mix -3dB t =0.707 ( Att (S+S)) -3dB t=0.707 ( Att (S+S)) Meta data Att (-3dB), (-6dB), (-9.0dB) (- db)
31 Multichannel Monitoring Tutorial Booklet (M2TB) rev ch Master + / - + / - + / - + / - FE + / - + / - S + / - + / - S + / - + / - Phase Att1 Att7 Att8 Att2 Att3 Att9 Att4 Att10 Att5 Att11 Att6 Att12 2ch Down-mix mix =Att1±Att2±Att3 ±Att4FE±Att5S±Att6S mix ±Att7Att8±Att9 ±Att10FE±Att11S±Att12S Meta data Att1Att (0dB) (-60dB), (-db) 0.2dB-step 0-40dB 0.4dB-step dB Default N/A
32 S S,, 1.2m <15 S,S ±
33 Screen B A B d 60 S S A : 33 ( HDTV) or 48 ( B : 13.5 ( HDTV) or 6 ) d : 3 H ( HDTV) or 2 H ( H ; Height of the screen)
34 Multichannel Monitoring Tutorial Booklet (M2TB) rev
35 Audio Video S S S S
36 ダイレクトサラウンド ディフューズサラウンド SUB SUB S S S S + = S S S S S S ITU ( ) 長 所 短 所
37 Multichannel Monitoring Tutorial Booklet (M2TB) rev ± 110 ± S S ± ±
38 side S rear S
39 S S1 150 S2 S2
40 Dialog for Audio with video images for Audio for Audio with video images for Audio Dialog 7deg. >
41 Multichannel Monitoring Tutorial Booklet (M2TB) rev / vs vs S/S / / S/S S/S
42 85 Frequency responses oom plan 6.7m 6.2m elative SP [db] 80 P2 75 P4 70 P1 65 P /3oct. band frequency [Hz] P2 P4 P3 P1 Sub-woofer Measured position 7.6m 6.4m 1.3m Single source (80Hz) 1.3m Double source (80Hz) 1.3m 1.2m 1.3m D = 7m W = 5m D = 7m W = 5m
43 θ θ θ θ θθ θ θθ θ S θ, 30deg θ S,S 110deg S (-25cm) S θ S,S Monitoring distance; r [m] θ, θ, θ S,S (+25cm) S Off-axis error ; θ = θ - θ [degree] , S, S critical robust Forward 25cm Backward 25cm Monitoring distance; r [m]
44 α α S SP(r) 30deg SP(r) SP(r) SP(r) 110deg SP(r) S SP(r ) (-25cm) S SP(r ) SP(r ) Monitoring distance; r [m] Small room; r = 1.5m arge room; r = 4.0m SP(r ) SP(r ) (+25cm) S eduction of SP; SP(r ) [db] Q= SP=1.8dB Small room r=1.5m, 3.5m W x4.0m D x2.2m H, α ave =0.6 arge room r=4.0m, 10m W x4.0m D x2.2m H, α ave =0.6 SP=0.8dB Distance from the loudspeaker [m]
45 Multichannel Monitoring Tutorial Booklet (M2TB) rev 例 1 例 2 S FE (SUB) S FE (SUB) S S A B 距 離 差 0mm 8mm 30cm 1m 10m 時 間 差 0msec 0.02msec 1msec 3msec 30msec 例 1) A =,, S, S B = 例 2) A =,, B = S, S コムフィルタリング ハース 効 果 サブウーファー 2つの 音 に 分 離 db db A + B f サラウンド パンへの 障 害 偏 ったディフューズサラウンド db f f 1msec=1/1000sec
46 Multichannel Monitoring Tutorial Booklet (M2TB) rev
47 Multichannel Monitoring Tutorial Booklet (M2TB) rev A S B S S S S S,S S S,S,, S,S,,,,
48
49
50 Multichannel Monitoring Tutorial Booklet (M2TB) rev FE S S +10dB HPF HPF HPF PF HPF HPF SUB S S
51 +20 elative SP [db] FE +10dB SUBWOOFE,,, S, S, BS MAIN SPEAKE Hz k 2k 3.15k 5k 8k 12.5k 20k 1/3 octave band center frequency [Hz]
52 SP [db] dB? FE k 16k 12.5k 10k 8k 6.3k 5k 4k 3.15k 2.5k 2k 1.6k 1.25k 1K /3oct. band frequency [Hz]
53 SP [db] dB FE k 16k 12.5k 10k 8k 6.3k 5k 4k 3.15k 2.5k 2k 1.6k 1.25k 1K /3oct. band frequency [Hz] SP [db] /3oct. band frequency [Hz] SP [db] /3oct. band frequency [Hz]
54
55 FE S S AMP HPF HPF HPF PF2 PF1 HPF HPF SUB S S
56 +20 elative SP [db] FE +10dB SUBWOOFE +10dB?,,, S, S, BS MAIN SPEAKE Hz k 2k 3.15k 5k 8k 12.5k 20k 1/3 octave band center frequency [Hz]
57 Multichannel Monitoring Tutorial Booklet (M2TB) rev Dolby, DTS, MPEG-2( AA), etc. DVD-Audio, Super Audio D etc. Decode FE S S AMP Att Att HPF HPF HPF PF HPF HPF SUB S S Dolby, DTS, MPEG-2( AA), etc. DVD-Audio, Super Audio D etc. Decode FE S S AMP Att Att PF SUB(FE) S S +10dB: DVD-V +/-0dB: DVD-A / Super Audio D
58 Dolby A-3 etc. Decode FE S S Att Att -10dB HPF HPF HPF PF2 PF1 HPF HPF SUB S S Dolby A-3 etc. Decode FE S S Att Att PF2 SUB S S
59 Main BUS S 5.1 fess 6.1 fess Bs ec. BUS To ecorder Monitor BUS ATT HPF PF +10dB DY ATT EQ SUB S S BS Monitor matrix Bass management controller Monitor alignment Multichannel formats Bass management Playback environment
60 Multichannel Monitoring Tutorial Booklet (M2TB) rev
61 VU 01.5dB Mixing onsole Pinknoise db (-14) Band level [db] TA MAIN FE MAIN FE MAIN FE k 20k 1/3oct. band center frequency [Hz] Pinknoise -20dBrms (-20dB=0VU) MAIN FE +10dB PF 85dB 95dB (89dB) To ecorder SP meter
62
63 10 Gain [db] F A k 2k 3.15k 1/3 octave band center frequency [Hz] 5k 8k 12.5k 20k
64 90 80 All pass level : 85dB 1/3 octave band level : approx.71db SP [db] Wide band All pass level : 85dB 1/3 octave band level : approx.71db Narrow band All pass level : 85dB 1/3 octave band level : approx.72db AP() k AP() 2k k k 8k k k 20k 2k 3.15k 1/3 octave band center frequency [Hz] 5k 8k 12.5k 20k SP [db] 1/3 octave band center frequency [Hz]
65 90 80 Wide band All pass level : 85dB 1/3 octave band level : approx.71db 500Hz-2kHz All pass level : approx. 80dB 1/3 octave band level : approx.71db SP [db] AP() k 2k 3.15k 5k 8k 12.5k 20k 1/3 octave band center frequency [Hz]
66 10 Pink noise generated by DM2000, DM1000, O296 Wide range 500-2k [dbr] k 1.25k 1.6k 2k 2.5k 3.15k 4k 5k 6.3k 8k 10k 12.5k 16k 20k 25k 1/3 octave band center frequency [Hz]
67 Multichannel Monitoring Tutorial Booklet (M2TB) rev Main channels All pass level : 85dB 1/3 octave band level : approx.71db 90 S / S for 3-1 and Movie program All pass level : 82dB 1/3 octave band level : approx.68db FE channel All pass level : approx.89db 1/3 octave band level : approx.81db AP() k 2k 3.15k 5k 8k 12.5k 20k SP [db] 10dB 1/3 octave band center frequency [Hz] 90 Main channels All pass level : 85dB 1/3 octave band level : approx.71db FE channel (20-120Hz) All pass level : approx.79db 1/3 octave band level : approx.71db SP [db] Full range is also available. 40 AP() k 2k 3.15k 5k 8k 12.5k 20k 1/3 octave band center frequency [Hz]
68 Multichannel Monitoring Tutorial Booklet (M2TB) rev
69 90 80 hannel A A+B Difference [mm] hannel B [msec] omb filtering effect SP [db] AP() k 2k 3.15k 5k 8k 12.5k 20k 1/3 octave band center frequency [Hz]
70
71
72 [1] Multichannel stereophonic sound system with and without accompanying pictures, ecommendation ITU- BS ( ) [2] Method for the subjective assessment of small impairments in audio systems including multichannel sound systems, ecommendation ITU- BS ( ) [3] Koichiro Hiyama, Setsu Komiyama, Kimio Hamasaki, The minimum number of loudspeakers and its arrangement for reproducing the special impression of diffuse sound field, AES 113th onvention, os Angels, preprint (2002) [4] Masataka Nakahara, Akira Omoto, oom acoustic design for small multichannel studios, AES 24th International onference on Multichannel Audio, Banff, preprint (2003) [5] Masataka Nakahara, Atsuro Ikeda, Shin-ichi Ueoka, Hisaharu Suzuki, Akira Omoto, On the loudspeaker layouts for multichannel studios, AES 11th egional onvention, Tokyo, preprint (2003) [6] Hisaharu Suauki, Akira Omoto, Kyoji Fujiwara, Diffuseness and the sound pressure distribution in an enclosure, AES 11th egional onvention, Tokyo, preprint (2003) [7] Multichannel surround systems and operations, AES Technical council document, ESTD [8] (2001) [9] (2001, 2004) [10] Vol ( ) [11] DVD-Video (2003) [12] AES [13] AIB [14] Dolby lab. [15] DTS [16] DVD [17] DVD Forum [18] ISO [19] ITU [20] SDDS [21] Super Audio D [22] SMPTE [23] THX [24] Surround Terakoya by Mick Sawaguchi
73
74 Multichannel Monitoring Tutorial Booklet (M2TB) 2 nd Edition May 2005 rev opyright 2005 Yamaha orporation opyright 2005 SONA orporation
2
TECHNICAL DOCUMENT AES TECHNICAL COUNCIL Document ESTD1001.0.01-05 Multichannel surround sound systems and operations AES TC-MBAT Information Document: Multichannel Su rround Sound Systems and Operations.
AX-V8000[DOM]
![AX-V8000[DOM]](/thumbs/91/106835731.jpg "AX-V8000[DOM]")
5 3 7 8 SPEAKERS SPEAKERS 2 INPUT MODE INPUT ATT SURROUND ON/OFF HTX ON / OFF DSP MODE LINE DIRECT SOUND SELECTOR REC SELECTOR ADJUST MENU SETUP MENU AUDIO/VIDEO CONTROL AMPLIFIER DOWN LEFT UP RIGHT SET
DSP-A1
NATURAL SOUND AV AMPLIFIER NATURAL SOUND AV AMPLIFIER DSP A1 CINEMA DSP 7ch DOLBY DIGITAL POWER INPUT SELECTOR VOLUME 16 20 12 28 8 STANDBY/ON DIGITAL DSP DIGITAL SOURCE AC-3 TV/DBS VCR 1 VCR 2 DVD/VCR
AX-D701[DOM]
![AX-D701[DOM]](/thumbs/102/154024140.jpg "AX-D701[DOM]")
AX-D701 4 7 LVT1438-001A 1 2 47 8 8 9 12 12 14 14 16 18 20 22 22 23 23 24 26 2728 2930 29 29 29 30 30 3133 31 31 344 343 36 37 37 37 38 38 40 40 41 41 42 42 43 44 44 4 4 462 4647 48 49 49 0 0 0 0 1 1 1
JAPRS2015_本文.indd
JAN 2015 No 1 20 Frequency response for A/DConversion Rel.Level 0.6 Pulse response for A/D Conversion db 0-20 192k DSD 384/352.8(DXD) 0.5 0.4 Pulse-6dB DSD DXD=352.8-40 -60
01/DSP-R995 (01-33)
REMOTE CONTROL NATURAL SOUND AV AMPLIFIER DSP-R995 NATURAL SOUND AV AMPLIFIER DSP-R995 CINEMA DSP DOLBY DIGITAL POWER INPUT SELECTOR VOLUME 16 2 12 28 8 STANDBY/ON EXT. DECODER 6 2 A/B/C/D/E 1 2 3 4 5
OPA134/2134/4134('98.03)
OPA OPA OPA OPA OPA OPA OPA OPA OPA TM µ Ω ± ± ± ± + OPA OPA OPA Offset Trim Offset Trim Out A V+ Out A Out D In +In V+ Output In A +In A A B Out B In B In A +In A A D In D +In D V NC V +In B V+ V +In
VSX-819H
VSX-819H 01 4 STANDBY/ON PUT SEECTO BAND PHONES TUNE TUNE + TUNE EDIT PESET PESET + ENTE AUTO SUOUND/ STEEO/ ADVANCED STANDAD MUTI-ZONE SPEAKES STEAM DIECT A..C. SUOUND SUOUND CONTO ON/OFF AUDIO/ VIDEO
Greetings from the Home of Tone PAGE 1 / LOW MID HIGH MID GAIN SEND HI-PASS FILTER BASS GAIN FREQ GAIN FREQ TREBLE REVERB+CHORUS ROOM REVERB LIMIT PROTECT CLIP OUT HALL REVERB CH 1 PHANTOM INPUT INPUT
!9 MIDI IN TO HOST TG Ins.Effect Sys.Effect EQ OUTPUT INPUT OUTPUT TO TG A/D Ins.Effect DigiOutGain DIGITA OUTPUT DIGITA IN USB (Audio) A/D INPUT UW50
!9 MIDI IN TO HOST TG Ins.Effect Sys.Effect EQ OUTPUT INPUT OUTPUT TO TG A/D Ins.Effect DigiOutGain DIGITA OUTPUT DIGITA IN USB (Audio) A/D INPUT UW500 MIDI IN TO HOST TG Ins.Effect Sys.Effect EQ OUTPUT
Microsoft Word - A&H_Qu_Mixer_Manual_jp_rev1.doc
Qu16 Mic Line SIGNAL FLOW Mic/Line Inputs Line Inputs 1 16 ST1 ST2 QuDrive Playback L/M L/M ST3 LR, 18 trk L/R USB B PREAMP GAIN 48V R R dsnake Record LR, 18 trk Stream Stream 22 ch 24 ch Cat5 Digital
KRF-V4060D
KRF-V4060D KENWOOD CORPORATION B60-5203-00 00 ID ( J ) 0109 II II II II 2 JA 3 JA 4 JA 5 JA 6 JA 7 JA 8 JA 9 JA VOLUME CONTROL STANDBY ON STANDBY SPEAKERS ON OFF POWER DIMMER LISTEN MODE DSP DTS DOLBY
POWER NATURAL SOUND DVD PLAYER DVD-S795 STANDBY/ON f OPEN/CLOSE DVD / VIDEO CD / CD PHONES LEVEL : SKIP ; C SEARCH D D I G I T A L 0 10 POWER */ I OPE
POWER NATURAL SOUND DVD PLAYER DVD-S795 STANDBY/ON f OPEN/CLOSE DVD / VIDEO CD / CD PHONES LEVEL : SKIP ; C SEARCH D D I G I T A L 0 10 POWER */ I OPEN/CLOSE @STOP gstill/pause DPLAY SLOW/ H SKIP I F SEARCH
MDR-DS7100
... 2 4-159-913-04(1) MDR-DS7100 2009 Sony Corporation... 7... 8... 9...9... 10... 11...12... 12... 13...14... 14... 16... 17... 17...18...25...26...27...28...31...32...33 1 AC AC AC AC AC 100 V AC AC
RHT-G15
4-170-058-03(1) RHT-G15 2010 Sony Corporation m 4 8 9 1 1, 1 2 3 2 ... 2... 4... 9... 10... 11... 13... 15... 16... 17... 17... 31... 36... 38... 39... 42... 18... 21... 21... 23... 25... 25... 27... 27...
OPA277/2277/4277 (2000.1)
R OPA OPA OPA OPA OPA OPA OPA OPA OPA µ µ ± ± µ OPA ±± ±± ± µ Offset Trim Offset Trim In OPA +In -Pin DIP, SO- Output NC OPA Out A In A +In A A D Out D In D +In D Out A In A +In A A B Out B In B +In B
TF Editor V3.5 ユーザーガイド
DIGITAL MIXING CONSOLE JA - 2 - TF Editor - 3 - TF Editor NOTE - 4 - TF Editor 1. 2. 3. 1. 2. 3. 4. - 5 - TF Editor NOTE NOTE - 6 - TF Editor NOTE - 7 - TF Editor 1 2 3 4 5 6 7 8 9 0 1 2-8 - TF Editor
HT-CT150
4-174-097-03(1) HT-CT150 2010 Sony Corporation m 3 5 6 1 1, 1 2 3 2 ,,, 100V 3 4, AV 5,,,,, * 1 II MPEG-2 AAC LC DTS* 2 * 1 Dolby Pro LogicAAC D * 2 5,451,942; 5,956,674; 5,974,380; 5,978,762; 6,487,535
DIGITAL DIGITAL SURROUND nglish NATURAL SOUND AV AMPLIFIER DSP-AX10 INPUT MODE INPUT VOLUME 6CH INPUT STANDBY /ON SPEAKERS A B BASS EXTENSION PROCESSO
DIGITAL DIGITAL SURROUND nglish NATURAL SOUND AV AMPLIFIER DSP-AX10 INPUT MODE INPUT 6CH INPUT STANDBY /ON SPEAKERS A B BASS EXTENSION PROCESSOR DIRECT ON OFF DVD SOURCE A/B/C/D/E MD/TAPE D-TV/LD CD-R
LZ919
LZ919 Monitor Control Function Setup Function Appendices 3 5 6 12 17 38 Monitor Control Function 6 Setup Function Appendices 2 3 4 6.5-inch WIDE COLOR LCD TELEVISION MULMEDIA EXTENON DATA BUS SYSTEM FULL
XL42 width.3 1.1 +/- 2 line/pad phase 2 4 lo-cut freq bell eq bell 1 2k freq 4 8k freq 1k 2k freq 2 4 1 2k 4 8k 1k 2k level pan line/pad phase lo-cut freq bell freq eq freq freq bell level pan PAD +48
01Ł\”ƒDV700D
PWR RET RETURN TITLE SUBTITLE AUDIO ANGLE OSD STOP MENU PAUSE REPEAT TRACK GRP TITLE / CHAPTER PLAY T E X T DVD-VIDEO/VIDEO CD/CD PLAYBACK DIGITAL OUTPUT 96 khz 24 bit D/A CONVERTER 1 2 3 4 5 6 7 8 9 CX-DV700
TF Editor V4.0 ユーザーガイド
DIGITAL MIXING CONSOLE JA - 2 - - 3 - NOTE - 4 - 1. 2. 3. 1. 2. 3. 4. - 5 - NOTE NOTE - 6 - NOTE - 7 - 1 2 3 4 5 6 7 8 9 0 1 2-8 - 1 NOTE 1-2 - 3 4 1 2 NOTE - 9 - - 10 - 1 2 3 4 5 6 1 2-11 - 1 2 3 4 5-12
2
8 23 26A800032A8000 31 37 42 51 2 3 23 37 10 11 51 4 26 7 28 7 8 7 9 8 5 6 7 9 8 17 7 7 7 37 10 13 12 23 21 21 8 53 8 8 8 8 1 2 3 17 11 51 51 18 23 29 69 30 39 22 22 22 22 21 56 8 9 12 53 12 56 43 35 27
2
8 22 19A800022A8000 30 37 42 49 2 3 22 37 10 11 49 4 24 27 7 49 7 8 7 9 8 5 6 7 9 8 16 7 7 7 37 10 11 20 22 20 20 8 51 8 8 9 17 1 2 3 16 11 49 49 17 22 28 48 29 33 21 21 21 21 20 8 10 9 28 9 53 37 36 25
HT-K215R
4-237-544-03(3) HT-K215R HT-K215M 2001 Sony Corporation z * DTS** * DolbyPro LogicD **Digital Theater Systems,Inc DTSDTS Digital Surround Digital Theater Systems,Inc 2 ...4... 4... 5... 6... 7...9... 9...
MDR-DS7500
... 2 4-295-914-02(1) MDR-DS7500 2011 Sony Corporation... 8...8...9... 10...11... 12 HDMI...13 1.CTRL HDMI... 13 2.... 14 HDMI... 20 HDMI...21... 23...25...26 HDMI... 31... 32 DECODE MODE... 32...33 EFFECT...
MT400_J
MUTITACK CASSETTE ECODE INSET I/O / INPUT INSET I/O STEEO INPUT SEND EVE EVE + + + + POWE OW OW OW OW MUTITACK CASSETTE ECODE EC SPEED CTO EC SEECT METE SEECT PITCH T STEEO + ZEO STOP./. MIX MIX MIX MIX
PANARAY System Digital Controller STANDBY INPUT METER TPM L -db 40 24 18 12 6 0 O R Stereo Bank 802 PRESET UTILITY LIMITER DELAY PANARAY SYSTEM DIGITAL CONTROLLER CH1/MONO INPUTS CH2 OUTPUTS CH1 CH2
U-PHORIA UMC404HD/UMC204HD/UMC202HD/UMC22/UM2
U-PHORIA UMC404HD Audiophile 4x4, 24-Bit/192 khz USB Audio/MIDI Interface with MIDAS Mic Preamplifiers UMC204HD Audiophile 2x4, 24-Bit/192 khz USB Audio/MIDI Interface with MIDAS Mic Preamplifiers UMC202HD
HT-CT260
4-431-775-04(1) Bluetooth HT-CT260 m 3 5 6 7 1 1, 1 2 3 2 ,, 100V, 3 4, AV SA-CT260 ,,,,, 5 6 2.4 GHz 1. 2. 3. 2.4 GHz DS-SS 40 m 2.4 GHz FH-SS 10 m 15 30 *1 MPEG-2 AAC LC DTS* 2 *1 Dolby Pro LogicAAC
01DVR7000D
RET RETURN TITLE SUBTITLE AUDIO ANGLE P-MODE OSD STOP SCAN S - MODE PAUSE REPEAT GRP TITLE / CHAPTER REMOTE CH C OPEN 7 8 9 CAR DVD ER/RECEIVER P SET TUNE DISC CQ-DVR7 DVD RECEIVER WITH ACTIVE DIS P MODE
TH-42PAS10 TH-37PAS10 TQBA0286
TH-42PAS10 TH-37PAS10 TQBA0286 2 4 8 10 11 17 18 20 21 22 23 24 25 26 27 28 29 30 31 32 33 38 42 44 46 50 51 52 53 54 3 4 5 6 7 8 3 4 1 2 9 5 6 1 4 2 3 5 6 10 11 1 2 3 4 12 13 14 TH-42PAS10 TH-42PAS10
IPSJ SIG Technical Report Vol.2013-GN-87 No /3/ Research of a surround-sound field adjustmen system based on loudspeakers arrangement Ak
1 1 3 Research of a surround-sound field adjustmen system based on loudspeakers arrangement Akiyama Daichi 1 Kanai Hideaki 1 Abstract: In this paper, we propose a presentation method that does not depend
2
TX-SA800 2 C-510M Speaker Cable Front eft Front eft SP-B / Zone 2 eft SP-B / Zone 2 eft Front ight Front ight SP-B / Zone 2 ight SP-B / Zone 2 ight Surround eft Surround eft Surround ight Surround ight
EMX /EMX
J J P.14 X P.15 X K P.18 3 1+ 1 Neutrik NL4FC 2 2+ CHANNEL A STEREO/PARALLEL 1+ A+ 1 A 2+ B+ 2 B CHANNEL B 1+ B+ 1 B BRIDGE 1+ + 1 2+ 2 Y ^ 0 ` P.32 PA SPEAKERS OUT MAXIMUM OUTPUT [500W/4Ω] NOMINAL OUTPUT
映画音響
1 2 High Level Stages Mid Level Stages Low Level Stages MC#8 MC4-7 MC#4-7 MC#1-3 MC1-3 HFHL HFML HFLL LFHL MC8 LFML Skewing + + + + Input + + Output 3 7.2.2 1987 Optical Radiation Corp 88 1990 6 15 70
tx_sa805.pdf
TX-SA805 2 Speaker Cable Front Front SP-B / Zone 2 SP-B / Zone 2 eft eft eft eft Front ight Front ight SP-B / Zone 2 ight SP-B / Zone 2 ight Surround Surround eft eft Surround ight Surround ight Center
TX-SA600
TX-SA600 2 3 4 5 6 7 8 RC-480M Speaker Cable RC-480M Front Front SP-B / Zone 2 SP-B / Zone 2 Front Front SP-B / Zone 2 SP-B / Zone 2 Surround Surround Surround Surround Center Center Surround Back Surround
2
TX-NA900 2 C-480M Speaker Cable Front Front eft eft Front Front eft eft SP-B / Zone 2 SP-B / Zone 2 eft eft SP-B / Zone 2 SP-B / Zone 2 eft eft Front Front ight ight Front Front ight ight SP-B / Zone 2
MLA8取扱説明書
(5)-2 2 (5)-2 3 (5)-2 4 5 2 3 4 5 6 7 1 2 3 4 5 6 7 8 POWER ON / OFF 1 1 n 2 3 4 5 6 7 n 6 AC IN 8 MODEL MAL8 MADE IN INDONESIA 7 6 5 4 OUTPUT +4dBu ANALOG OUTPUT +4dBu G G 3 2 1 8 7 6 5 INPUT 4 3 2 1
6 4 45 7ZS 5 59 7 8 94 05 4 5 6 4 5 5 6 8 8 40 45 48 56 60 64 66 66 68 7 78 80 8 7 8 0 0 0 90 0 57 64 69 66 66 69 0 4 4 4 4 4 0 7 48 5 4 4 5 4 4 4 7 46 46 6 46 8 46 48 46 46 4 46 46 4 4 5 4 6 4 9 9 0
MIXER 1 2 3 e r t y q w r > t q t w > e +20 u i y u i +15 +10 Response [db] +5 0 5 10 15 20 20 100 1k 10k 20k Frequency [Hz] 4 y o!0!1!3!4!5 q w e r t u i!2!6 q?> w r e r t u y u 5 i o!0!1!2 >!3!4?>!5!6
(1) BLUETOOTH HT-CT660
4-452-002-04(1) BLUETOOTH HT-CT660 3 5 6 8 1 1 2 100V 3 4 AV SA-CT660 22 cm 5 2.4 GHz 1. 2. 3. 6 2.4 GHz 10 m 2.4 GHz FH-SS 10 m AAC D *2 5,956,674 5,974,380 6,226,616 6,487,535 7,212,872 7,333,929 7,392,195
6 4 4 9RERE6RE 5 5 6 7 8 9 4 5 6 4 4 5 6 8 4 46 5 7 54 58 60 6 69 7 8 0 9 9 79 0 4 0 0 4 4 60 6 9 4 6 46 5 4 4 5 4 4 7 44 44 6 44 8 44 46 44 44 4 44 0 4 4 5 4 8 6 0 4 0 4 4 5 45 4 5 50 4 58 60 57 54
6 4 45 ZS7ZS4ZS 5 59 7 8 94 05 4 5 6 4 5 5 6 8 8 40 45 48 56 60 64 66 66 68 7 78 80 8 7 8 0 0 0 90 0 0 4 4 4 4 6 57 64 69 66 66 66 69 4 0 7 48 5 4 4 5 4 4 4 7 46 46 6 46 8 46 48 46 46 4 46 46 4 4 5 4
TX-DS797
TX-DS797 2 3 4 5 6 7 8 RC-460M RC-460M 1 2 3 30 30 9 DISPLAY DIMMER REC OUT ZONE 2 OFF MASTER VOLUME STANDBY/ON TUNI NG SETUP ENTER STANDBY POWER RE TURN PRESET ON OFF DIRECT STEREO SURROUND THX DSP FM
: 1/ dB 1/ Hz 210mm 1/6 1/ Hz 1/3 500Hz 4 315Hz 500Hz?? Hz Hz Hz 315Hz Hz 500Hz
93 5 [19] 3 4 5.1 3 1/15 3 2kHz 1/2 85mm 500Hz 2/3 94 5 5.1: 1/3 3 3.5 20dB 1/3 0.315 500Hz 210mm 1/6 1/2 5.1 5.1.1 1 200Hz 1/3 500Hz 4 315Hz 500Hz?? 5.3 200Hz 170 250Hz 215 280Hz 315Hz 275 395Hz 500Hz
RHT-G900
3-291-730-04(1) RHT-G900 2008 Sony Corporation m 4 8 9 1 1, 1 2 3 2 ... 2... 4... 9... 10... 11... 12 HDMI... 14 HDMI... 16... 17... 18... 33... 38... 40... 41... 43... 45... 19... 22... 22... 24... 26...
RHT-G800/G1200
3-093-227-08(1) 2 BRAVIA Link BRAVIA Link RHT-G800 RHT-G1200 2007 Sony Corporation RHT-G1200 m 4 8 9 1 1, 1 2 3 2 ... 2... 4... 9... 10... 11... 12 DVD HDMI... 14... 16 DVD... 17... 19 2 *... 20... 22...
FEEL Prod Grap PH_Artwork_P0A2Q QSG JP A4_ _Rev.1.indd
INTERFACE PRO MIXER SERIES VMX1000/VMX300/ VMX200/VMX100 Professional 2/3/7-Channel DJ Mixer with /Audio Interface, BPM Counter and VCA Control 2 PRO MIXER SERIES VMX1000/VMX300/VMX200/VMX100 3 ¼" TS 1.
2
8 24 32C800037C800042C8000 32 40 45 54 2 3 24 40 10 11 54 4 7 54 30 26 7 9 8 5 6 7 9 8 18 7 7 7 40 10 13 12 24 22 22 8 55 8 8 8 8 1 2 3 18 11 54 54 19 24 30 69 31 40 57 23 23 22 23 22 57 8 9 30 12 12 56
2
8 23 32A950S 30 38 43 52 2 3 23 40 10 33 33 11 52 4 52 7 28 26 7 8 8 18 5 6 7 9 8 17 7 7 7 38 10 12 9 23 22 22 8 53 8 8 8 8 1 2 3 17 11 52 52 19 23 29 71 29 41 55 22 22 22 22 22 55 8 18 31 9 9 54 71 44
使用説明書
PUB. DIJ-222 HD VIDEO CAMERA RECORDER Mini Digital Video Cassette SD 2 3 TAPE CARD 1 2 3 34 2 4 5 D 6 7 8 9 10 c e 11 12 m r t m m m m 13 a 3 ` e 1 2 14 15 rt -+ e q w q w e r t y q q w w 16 q q q r w
1
1 2 3 4 5 RESISTOR TUNABLE FILTER 6 LR-SERIES 1 1 2 3 4 5 6 7.1.1 1 1 1 RF1 CF1 RF2 CF2 INPUT 14 15 16 17 18 19 2 21 22 23 24 25 26 27 28 29 3 9 8 7 6 5 4 3 2 1 84 83 82 81 8 79 78 77 R R CF CF 56k R R
Plastic Package (Note 12) Note 1: ( ) Top View Order Number T or TF See NS Package Number TA11B for Staggered Lead Non-Isolated Package or TF11B for S
Overture 68W ( ) 0.1 (THD N) 20Hz 20kHz 4 68W 8 38W SPiKe (Self Peak Instantaneous Temperature ( Ke)) SOA (Safe Operating Area) SPiKe 2.0 V ( ) 92dB (min) SN 0.03 THD N IMD (SMTPE) 0.004 V CC 28V 4 68W
NATURAL SOUND DVD PLAYER STANDBY/ON 2 3 12 13 6 7
2 8 17 42ZH700046ZH700052ZH7000 28 43 54 63 74 89 2 3 12 13 6 7 3 4 11 21 34 63 65 8 17 4 11 4 55 12 12 10 77 56 12 43 43 13 30 43 43 43 43 10 45 14 25 9 23 74 23 19 24 43 8 26 8 9 9 4 8 30 42 82 18 43
DSP-AX2_j
DIGITAL SURROUND NATURAL AV AMPLIFIER DSP-AX2 INPUT MODE INPUT VOLUME STANDBY /ON NATURAL AV AMPLIFIER DSP-AX2 DIGITAL SILENT SPEAKERS A B EFFECT DVD MD/TAPE D-TV/LD CD-R CABLE TUNER BASS EXTENSION PROCESSOR
JPPAデジタルオーディオセミナー第8回（2003年11月28日）
第 8 回 JPPA デジタルオーディオスクール 5.1ch モニタ スピーカのセッティングと 試 聴 - マルチチャンネル モニタリング 環 境 について - 日 時 2003 年 11 月 28 日 10 時 ~17 時 10 分 会 場 日 東 紡 音 響 エンジニアリング 株 式 会 社 講 師 日 東 紡 音 響 エンジニアリング 株 式 会 社 工 事 部 崎 山 安 洋 氏 主 催 (
LMC6022 Low Power CMOS Dual Operational Amplifier (jp)
Low Power CMOS Dual Operational Amplifier Literature Number: JAJS754 CMOS CMOS (100k 5k ) 0.5mW CMOS CMOS LMC6024 100k 5k 120dB 2.5 V/ 40fA Low Power CMOS Dual Operational Amplifier 19910530 33020 23900
2
TX-DS898 2 3 4 5 6 7 8 RC-460M RC-460M 1 2 3 30 30 9 MASTER VOLUME STANDBY/ON STANDBY POWER ON OFF PURE AUDIO UPSAMPLING ZONE 2 ( GRN ) REC ( RED) AUDIO SELECTOR DVD VIDEO 1 VIDEO 2 VIDEO 3 VIDEO 4 VIDEO
*1 * *2 *3 *3 *4 *5 *6 *4 *4 *4 *7 *8 *9 *10
TX-SA608 *1 * *2 *3 *3 *4 *5 *6 *4 *4 *4 *7 *8 *9 *10 *1 *2 *3 *4 * * *5 *6 *7 *8 *9 *10 - - * * *2 *2 *1 *1 *2 *1*2 *2 *2 *2 *1 *2 LINE INPUT LINE INPUT LINE INPUT LINE INPUT FRONT L CENTER PRE
SA-BX500 (RQT9222-S).indd
SA-BX500 RQT9222-1MS NEO : 6 MUSIC MUSIC http://www.sense.panasonic.co.jp _ + 2CH MIX TUNED MONO ST M BI-WIRE A B SLEEP PCM m khz MHz DTS 96/24DTS-ES AAC DIGITAL EX EX _ + FRONT A FRONT B CENTER SURROUND
FreeSpace.book
IZA 190-HZ IZA 250-LZ ZA 190-HZ ZA 250-LZ FreeSpace Integrated Zone Amplifier/Zone Amplifier * 1. 2. 3. 4. 5. 6. 7. 8. 9. 2 2 10. 11. 12. 13. 14. 15. 16. 17. 40 C This product conforms to all EU Directive
oo oo - oo - oo - oo - oo - oo - oo +4-6 INPUT - oo - oo - oo +4-6 - oo - - oo oo - oo - oo - oo - - 8 4 3 36 4 48 6 oo oo - oo - oo - oo - oo - oo - oo - - WR-D4 SIGNA/PEAK +4-6 INPUT SIGNA/PEAK INPUT
is Programmability Network I/O Processing Power Sound Quality Scalability Economy DIGITAL MIXING ENGINE DME-N Series DME24N DIGITAL MIXING ENGIN
DIGITAL MIXING ENGINE DME-N Series DME24N DME Satellite Series DME8i-C DME8o-C DME8i-ES DME8o-ES DME4io-C DME4io-ES TEL:0357917678 FAX:0354886663 ONLINE Support:http://proaudio.yamaha.co.jp is Programmability
DJM-800
DJM-8 3 4 5 6 7 8 SIGNA GND SIGNA GND DIGITA IN MASTE EC INE INE INE POWE OFF ON CONTO CONTO CONTO CONTO MIDI OUT AC IN GND HOT 3COD DIGITA INE MASTE ATT db -db -6dB-3dB DIGITA INE DIGITA DIGITA DIGITA
5 7 3AS40AS 33 38 45 54 3 4 5 4 9 9 34 5 5 38 6 8 5 8 39 8 78 0 9 0 4 3 6 4 8 3 4 5 9 5 6 44 5 38 55 4 4 4 4 5 33 3 3 43 6 6 5 6 7 3 6 0 8 3 34 37 /78903 4 0 0 4 04 6 06 8 08 /7 AM 9:3 5 05 7 07 AM 9
LMC6082 Precision CMOS Dual Operational Amplifier (jp)
Precision CMOS Dual Operational Amplifier Literature Number: JAJS760 CMOS & CMOS LMC6062 CMOS 19911126 33020 23900 11800 ds011297 Converted to nat2000 DTD Edited for 2001 Databook SGMLFIX:PR1.doc Fixed
AD8212: 高電圧の電流シャント・モニタ
7 V typ 7 0 V MSOP : 40 V+ V SENSE DC/DC BIAS CIRCUIT CURRENT COMPENSATION I OUT COM BIAS ALPHA 094-00 V PNP 0 7 V typ PNP PNP REV. A REVISION 007 Analog Devices, Inc. All rights reserved. 0-9 -- 0 40
FEEL Prod Grap PH_Artwork_P0A0J QSG JP A4_ _Rev.1.indd
XENYX X2442USB/X2222USB/X1622USB Premium 24/22/16-Input 4/2 and 2/2-Bus Mixer with XENYX Mic Preamps & Compressors, British EQs, 24-Bit Multi-FX Processor and USB/Audio Interface 2 XENYX X2442USB/X2222USB/X1622USB
MDR-DS7000
3-279-564-03(1) MDR-DS7000... 2... 7... 8... 9... 9... 10... 11... 12... 12... 13.. 14... 14... 16... 17... 17... 18.. 24... 25... 26... 27... 30... 31... 32 2007 Sony Corporation 2 1 2 AC 3 b v 1AC AC
2 3 12 13 6 7
02 08 22AV55026AV550 17 25 32 22AV550 26AV550 39 50 2 3 12 13 6 7 3 4 11 8 8 9 9 8 9 23 8 9 17 4 11 4 33 12 12 11 24 18 12 10 21 39 21 4 18 18 45 45 11 5 6 7 76 39 32 12 14 18 8 1 2 32 55 1 2 32 12 54
TX-NA1007_Ja.book
TX-NA1007 2 3 4 5 6 7 1 2 3 FRONT HIGH LEFT FRONT HIGH LEFT FRONT HIGH RIGHT FRONT HIGH RIGHT FRONT WIDE LEFT FRONT WIDE LEFT FRONT WIDE RIGHT FRONT WIDE RIGHT Speaker Cable FRONT HIGH LEFT FRONT HIGH
02 08 32C700037C700042C7000 17 25 32 39 50 2 3 12 13 6 7 3 4 11 8 8 9 9 8 9 23 8 9 17 4 11 4 33 12 12 11 24 18 12 10 21 39 21 4 11 18 45 5 6 7 76 39 32 12 14 18 8 1 2 31 55 1 2 31 12 54 54 9 1 2 1 2 10
FEEL Prod Grap PH_Artwork_P0AVS QSG JP A4_ _Rev.11.indd
EUROPORT MPA40BT-PRO/MPA40BT All-in-One Portable 40-Watt PA System with Bluetooth Connectivity, Battery Operation and Transport Handle 2 EUROPORT MPA40BT-PRO/MPA40BT 3 ¼" TS 1. 2. 3. 4. 5. 6. 7. 8. 9.
PRECISION COMPACT DISC PLAYER DP-75V
PRECISION COMPACT DISC PLAYER DP-75V Accuphase warranty is valid only in Japan. 7 6 8 9 10 1 2 3 5 4 11 13 14 15 12 16 = CD/PROC PLAY PROGRAM REPEAT ALLONE A B LEVEL khz INDEX TRACK EXT M S db PROCESSOR
5 30 B36B3 4 5 56 6 7 3 4 39 4 69 5 56 56 60 5 8 3 33 38 45 45 7 8 4 33 5 6 8 8 8 57 60 8 3 3 45 45 8 9 4 4 43 43 43 43 4 3 43 8 3 3 7 6 8 33 43 7 8 43 40 3 4 5 9 6 4 5 56 34 6 6 6 6 7 3 3 3 55 40 55
KAF-S500
KAF-S500 CORPORATION B60-5391-18 01 CH ( J ) 0304 2 JA II II II II 3 JA 4 JA 5 JA 6 JA 7 JA 8 JA 9 JA 10 JA MUTE DIGITAL DOLBY DEX NEO:6 DSP TS MUTE DIGITAL RDS PTY ST. TUNED DOLBY PLII AUTO DTS -ES AAC
DV-RA1000HD_Jpn(b)
» D00927901A DV-RA1000HD High Definition Audio Master Recorder á á á è ì í ì ì í í ó è í è í í 2 TASCAM DV-RA1000HD ì ó ó ó ó á í ó ì ì í í ì ó í TASCAM DV-RA1000HD 3 4 TASCAM DV-RA1000HD TASCAM DV-RA1000HD
Audiophile USB
Audiophile USB User's Guide Version 4.0 Avid Technology K.K. M-Audio Macintosh Support : mac-support@m-audio.co.jp Windows Support : win-support@m-audio.co.jp www.m-audio.co.jp Audiophile USB Audiophile
H(ω) = ( G H (ω)g(ω) ) 1 G H (ω) (6) 2 H 11 (ω) H 1N (ω) H(ω)= (2) H M1 (ω) H MN (ω) [ X(ω)= X 1 (ω) X 2 (ω) X N (ω) ] T (3)
![H(ω) = ( G H (ω)g(ω) ) 1 G H (ω) (6) 2 H 11 (ω) H 1N (ω) H(ω)= (2) H M1 (ω) H MN (ω) [ X(ω)= X 1 (ω) X 2 (ω) X N (ω) ] T (3)](/thumbs/92/108069141.jpg "H(ω) = ( G H (ω)g(ω) ) 1 G H (ω) (6) 2 H 11 (ω) H 1N (ω) H(ω)= (2) H M1 (ω) H MN (ω) [ X(ω)= X 1 (ω) X 2 (ω) X N (ω) ] T (3)")
72 12 2016 pp. 777 782 777 * 43.60.Pt; 43.38.Md; 43.60.Sx 1. 1 2 [1 8] Flexible acoustic interface based on 3D sound reproduction. Yosuke Tatekura (Shizuoka University, Hamamatsu, 432 8561) 2. 2.1 3 M
H8000操作編
8 26 35 32H800037H800042H8000 49 55 60 72 2 3 4 48 7 72 32 28 7 8 9 5 7 9 22 43 20 8 8 8 8 73 8 13 7 7 7 55 10 49 49 13 37 49 49 49 49 49 49 12 50 11 76 8 24 26 24 24 6 1 2 3 18 42 72 72 20 26 32 80 34
FEEL Prod Grap PH_Artwork_P0CAH QSG JP A6_ _Rev.4.indd
M100 Stereo Multi-Effects Processor with Legendary TC Reverbs and Effects 2 M100 3 ¼" TS 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. MUSIC Group MIDAS KLARK TEKNIK LAB GRUPPEN
19_22_26R9000操作編ブック.indb
8 19R900022R900026R9000 25 34 44 57 67 2 3 4 10 37 45 45 18 11 67 25 34 39 26 32 43 7 67 7 8 7 9 8 5 7 9 21 18 19 8 8 70 8 19 7 7 7 45 10 47 47 12 47 11 47 36 47 47 36 47 47 24 35 8 8 23 12 25 23 OPEN
クイックスタート & フィールド レファレンス ガイド Lake LM 26 Digital Audio Loudspeaker Processor Rev 1.2.3J Item: QSG-LM26
クイックスタート & フィールド レファレンス ガイド Lake LM 26 Digital Audio Loudspeaker Processor Rev 1.2.3J Item: QSG-LM26 - 1. - 1.1-1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. US National
LT 低コスト、シャットダウン機能付き デュアルおよびトリプル300MHz 電流帰還アンプ
µ µ LT1398/LT1399 V IN A R G 00Ω CHANNEL A SELECT EN A R F 3Ω B C 97.6Ω CABLE V IN B R G 00Ω EN B R F 3Ω 97.6Ω V OUT OUTPUT (00mV/DIV) EN C V IN C 97.6Ω R G 00Ω R F 3Ω 1399 TA01 R F = R G = 30Ω f = 30MHz
Z7000操作編_本文.indb
2 8 17 37Z700042Z7000 46Z7000 28 42 52 61 72 87 2 3 12 13 6 7 3 4 11 21 34 61 8 17 4 11 4 53 12 12 10 75 18 12 42 42 13 30 42 42 42 42 10 62 66 44 55 14 25 9 62 65 23 72 23 19 24 42 8 26 8 9 9 4 11 18
LM35 高精度・摂氏直読温度センサIC
Precision Centigrade Temperature Sensors Literature Number: JAJSB56 IC A IC D IC IC ( ) IC ( K) 1/4 55 150 3/4 60 A 0.1 55 150 C 40 110 ( 10 ) TO-46 C CA D TO-92 C IC CA IC 19831026 24120 11800 ds005516
MG206C/MG166CX/MG166C 取扱説明書
JA 2 (5)-8 1/2 (5)-8 2/2 3 4 1 2 q w w q 3 5 基礎編 クイックガイド 基礎編 スピーカーから音を出す お手持ちのスピーカーを MGに接続して 音を出してみましょう 接続する機器によって手順や操作が異なり ますが ここでは 2台のスピーカーを使ってステレオ出力してみます 2 マイク 楽器 スピーカー 2 パワーアンプ 1, 4 ヘッドフォン GAINコントロール
Triple 2:1 High-Speed Video Multiplexer (Rev. C
www.tij.co.jp OPA3875 µ ± +5V µ RGB Channel OPA3875 OPA3875 (Patented) RGB Out SELECT ENABLE RED OUT GREEN OUT BLUE OUT 1 R G B RGB Channel 1 R1 G1 B1 X 1 Off Off Off 5V Channel Select EN OPA875 OPA4872
EMX66M_J
EEEngine 3 4 5 DIGITAL VOCAL ECHO + + + +3-5 - ON OFF PHANTOM VOCAL ECHO VOCAL REVERB 5 5 5 k k 4k 8k GEQ POWER AMP VOCAL REVERB HALL RTN TR IN MASTER LIMITER MON +5 +5 +5 +5 +5 +5 HALL ROOM PLATE + +
LM3876
Overture 56W ( ) 8 0.1 (THD N) 20Hz 20kHz 56W SPiKe (Self Peak Instantaneous Temperature ( Ke)) SOA(Safe Operating Area) SPiKe 2.0 V( ) 95dB(Min) SN 0.06 THD N IMD (SMTPE) 0.004 8 56W 100W SN 95dB(min)
QL5
デジタルミキシングコンソール /QL1 ブロックダイアグラム [DANTE] +48V DANTE 64{3} +48V SLOT1 3 AD GAIN/TRIM 8 DA To CASCADE IN DANTE IN HA 3{} To MITOR To MITOR PLAYBACK OUT Compensation Gain PRE GC SLOTIN SLOTIN DECODER GAIN RECORDER
2
SLIM DESIGN AV SURROUND RECEIVER NR1608 2 AV 105mm AV NR1608 3D Dolby Atmos DTS:X 4K HDR UHD 8 HDMI 2 3 DVD CD Wi-Fi Bluetooth AirPlay USB Marantz Sound Slim Design Control Center 3 DAC AV NR1608 SLIM
論文9.indd
Recent topics in surround sound audio Masaki Sawaguchi Summary This paper will describe the recent trends in surround sound system based on the results of various investigations on this topic. According
75 unit: mm Fig. Structure of model three-phase stacked transformer cores (a) Alternate-lap joint (b) Step-lap joint 3 4)
3 * 35 (3), 7 Analysis of Local Magnetic Properties and Acoustic Noise in Three-Phase Stacked Transformer Core Model Masayoshi Ishida Kenichi Sadahiro Seiji Okabe 3.7 T 5 Hz..4 3 Synopsis: Methods of local
2 dbx ProVocal ProVocal 3 EQ dbx / MIDI 24bit S/PDIF 44.1/48kHz Mic/Line 20dB 48V XLR XLR ProVocal 1U ProVocal Provocal 45 3 Section 1 1.1 ProVocal S/PDIF ProVocal S/PDIF RCA MIDI MIDI ProVocal XLR( )
STAGEPAS 1K
1.5 インチ x10 基のラインアレイスピーカー 12 インチのサブウーファー 1000W アンプ 5 チャンネルデジタルミキサーを搭載した Bluetooth 接続 SPX デジタルリバーブ 1-Knob を搭載 一般仕様 システムタイプ パワードサブウーファー +ラインアレイスピーカー 再生周波数帯域 ( -1 0 d B) 37Hz 20kHz 公称指向角度 ( 水平 垂直 ) 170 30