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68 66 1995 1 2 2 2012 Markovi c &Radonji c 2008 2 1 1 Markovi c &Radonji c 106 45 24 8 61 10 25 precise imprecise ornate plain oval contours sharp contours color contrast color gradients 7 1
UX 1 69 43 arranged chaotic stable unstable 25 43 2012 2 2 1 2 2 Markovi c &Radonji c 21 25 form color space complexity 4 2 1 4 43 regularity relaxation tone hedonic arousal 4 4 4 2.1 Markovi c &Radonji c 2008 25 1 precise imprecise form 2 neat messy form 3 defined form undefined form form 4 clear blurred form 5 stable composition unstable composition form 6 harmonic proportions disproportions form 7 strong brush strokes soft brush strokes form 8 strong contours weak contours form 9 color contrast color gradients color 10 lightness contrast graduated lightness color 11 vivid colors pastel colors color 12 voluminosity flat surfaces space 13 spatial depth no spatial depth space 14 oval contours sharp contours space 15 multicolored unicolored complexity 16 ornate plain complexity 17 detailed reduced complexity 18 geometrisation no geometrisation 19 symmetric composition asymmetric composition 20 dominant figure dispersed composition 21 straight squiggly 22 light dark 23 warm colors cold colors 24 smooth texture rough texture 25 realistic abstract
70 66 2.2 Markovi c &Radonji c 2008 43 1 arranged chaotic regularity 2 precise imprecise regularity 3 regular irregular regularity 4 stable unstable regularity 5 clear* vague regularity 6 compact dispersed regularity 7 harmonious disharmonious regularity 8 connected disconnected regularity 9 coherent incoherent regularity 10 completed uncompleted regularity 11 calming stressing relaxation tone 12 warm cold relaxation tone 13 serene gloomy relaxation tone 14 cheerful sad relaxation tone 15 attractive repulsive relaxation tone 16 flexible rigid relaxation tone 17 bright pale relaxation tone 18 sharp dull relaxation tone 19 tense relaxed relaxation tone 20 severe mild relaxation tone 21 beautiful ugly hedonic 22 pleasant unpleasant hedonic 23 healthy sick hedonic 24 clean dirty hedonic 25 balanced unbalanced hedonic 26 tender rough hedonic 27 clear* blurred hedonic 28 impressive unimpressive arousal 29 strong weak arousal 30 interesting boring arousal 31 inspirational uninspirational arousal 32 imaginative unimaginative arousal 33 imposing unimposing arousal 34 rich poor 35 ordinary extraordinary 36 various monotonous 37 complex simple 38 real unreal 39 active passive 40 dynamic static 41 heavy light 42 multicolored unicolored 43 sophisticated primitive clear 2 5 27
UX 1 71 Markovi c &Radonji c multicolored unicolored 1 multicolored unicolored 1 UX 4 UX 1 Markovi c &Radonji c 4 4 4 UX UX 1 UX UX UCD User Centered Design UX
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76 66 3 5 5 UX A. R. D. 2008 About Face 3 Cooper, A., Reimann, R., & Cronin, D. 2007 About face 3: The essentials of interaction design. Wiley Publishing, Inc. D. 2004 Dean, D. 1996 Museum exhibition: Theory and practice. London: Routledge. Eisner, E. W. & Dobbs, S. M. 1990 Silent pedagogy: How museums help visitors get in touch with exhibitions. Curator, 33, 217 235. 2012 UX BP K. 2003 McLean, K. 1993 Planning for people in museum exhibitions. Washington, DC: Association of Science-Technology Centers. Markovi c, S. & Radonji c, A. 2008 Implicit and explicit features of paintings. Spatial Vision, 21, 229 259. 2012 DIY 1995 6 135 172. 2012 50, 122 123. 2012 50, 042 051.
UX 1 77 Commentaries on Art Gallery Display Conceived with User-Experience Design. Part 1: Problem and the study plan YOSHIMURA Hirokazu and SEKIGUCHI Hiromi Abstract Though the exhibits of art museum usually have not its display commentary, the necessity of commentary is rapidly increasing, for not a small number of art museums have been introducing sound guide system, and in addition, for web museums have been spreading recently. It is not appropriate for art museums only to follow the commentary method of science museums. They should develop their own commentary method, because visitors to art museums would appreciate the exhibits strongly based on their kansei aesthetic sense. In the present research, we recommend to distinguish the explicit and implicit dimensions of art works, which terms are originated from Markovi c &Radonji c 2008. Based on this classification, we make several types of display commentary and plan an experiment to assess the effectiveness of the commentary. The experiment will be carried in near future using UX userexperience design technique which has been developed in the field of product design.