Extremely Loud and Incredibly Close KEY WORDS Multimodality Transduction Linguistic Text Image Relationship Analogy Cohesion Coherence 2001:73 2011 2002 pp.62 78 drawn frame air frame bleed 1980 doublespread * - 1 -
8 11 pp.68 69 4 9 8 3 3 transduction Kress and van Leeuwen 2001: 50 Kress 2010: 124f cohesion 11 6 2 8 8 11 1 1 9 1/2-2 -
p.68 10 11 2011 10 2001 120ff 1 10 9 11 p.70f 1 scene 1 2 2007: 4 1 19 16 2 a, b c 1/2 1/2 d 2002 17 16-3 -
a. b. c. d. e. f. g. h. i. j. 2/5 1/2 d, e 2/5 f, g 4 1 1/2 1/3 h, i, j2 1962 p.24f p.46f p.68f p.86f p.116f p.27f p.14f p.36f p.44f p.58 p.62 p.78f p.106f pp.43 45 p.43 p.44 p.44 p.45 p.45-4 -
pp.43 45 p.43 p.44 pp.44 45 p.45 1/5 2010 p.32f p.84f p.91 p.114f p.143 p.135 p.60 2 2 p.11 3 4 3 4 3 p.89 4-5 -
p.144f 2 4 5 p.120 13 5 2 1974 6 p.184f 6 p.185 p.186f p.188f cf. 2007-6 -
1980 141 53 2/3 3/4 30 p.51 p.85 p.101 p.80 p.83 1980 7 7 U p.49 2 1 p.46f p.48f 1/2 p.45 7 8 p.71-7 -
p.70 8 10 1981 9 p.65 9 p.97 p.98f 9 2 30 Ende, M. 1979 Die unendliche Geschichte Die unendliche Geschichte Die unendliche Geschichte 2003 S.183 p.258 S.5 p.9 S.187f p.264f S.188 p.265 S.7 p.11f S.189 p.266 hörte S.189 p.266 2003 2007 2009 beide Welten - 8 -
2003 10 einen leisen Schreckenslaut ein Schreckensschrei mein Schrei S.70 p.98 10 10 11»Sollte es am Ende mein Schrei gewesen sein, den sie gehört hat?«dachte Bastian zutiefst beunruhigt.»aber das ist doch überhaupt nicht möglich.«die unendliche Geschichte Foer, J. S. (2005) Extremely Loud and Incredibly Close Black Black Nørgaard 2010a, b Extremely Loud and Incredibly Close Nørgaard 2010a p.45ff p.203ff - 9 -
1967 1975 1982 Extremely Loud and Incredibly Close Corbis Black p.59 p.89 p.92 p.246 p.29 p.115 p.134 p.212 p.265 p.53 p.303 p.175 coherence p.95 12 13 14 12 Abby Black The only thing in the whole kitchen was a photograph of an elephant on the wall next to the phone. Extremely Loud and Incredibly Close. p.94 13 It looks like the elephant in that photograph is crying. Extremely Loud and Incredibly Close. p.96 14 10 Come here, she said, and she led me to a display of ten pens. Look at this. She showed me a pad of paper that was next to the display. Extremely Loud and Incredibly Close. p.44 p.53 p.67 Stuff That Happened to Me 15 Nørgaard 2010a flip book 15 p.325 Hamlet 1948 Olivier, L. p.55 Stuff That Happened to Me p.1 p.37 p.87 p.37 p.99 15 p.55 15 Opening night was pretty great. We had a fog machine, so the cemetery was just like a cemetery in a movie. Alas, poor Yorick! Jimmy Snyder said, holding my face, I knew him, Horatio. I didn't have a plasma screen, because the costumes budget wasn't big enough, but from underneath the skull I could look around without anyone noticing. Extremely Loud and Incredibly Close. p.142f - 10 -
15 15 Extremely Loud and Incredibly Close p.36 p.259p.315ff a b c d e f g h 1 7 p.28f 2 p.62-11 -
1932 1980 1998 2002 1962 1979 1974 1975 1980 2003 KANENDO WATANABE Ende, M. 1979 Die unendliche Geschichte. Piper Verlag. 1982 Foer, J. S. (2005) Extremely Loud and Incredibly Close. Penguin Books. 2011 NHK Doonan, J. 1993 Looking at Pictures in Picture Books. Thimble Press. 2007 2004 1, 21-22. 1967 1975 1982 1981 24-3, 143-149. 2003 54:1, 185-262. 2007 M. 56:4, 124-139. Kress, G. and van Leeuwen, T. 2001 Multimodal Discourse. Hodder Education. Kress, G. and van Leeuwen, T. 2006 Reading Images: The Grammar of Visual Design (2nd ed.). Routledge. Kress, G. 2010 Multimodality: A social semiotic approach to contemporary communication. Routledge. 2004 70, 93-111., 2006 49, 331-334. Nikolajeva, M. and Scott, C. 2001 How Picturebooks Work. Garland Publishing. 2000 2010 29, 219-230. 2011 30, 177-190. Nørgaard, N. 2010a Multimodality and the Literal Text : Making Sense of Safran Foer's Extremely Loud and Incredibly Close. in Page ed. 2010 New Perspectives on Narrative and Multimodality. Routledge. Nørgaard, N. 2010b Modality. Commitment, Truth Value and Reality Claims Across Modes in Multimodal Novels. Journal of Literary Theory. 4:1, 63-80. 2001,,, 71-154. 2007, 185-210. - 12 -