144 立 教 アメリカン スタディーズ 1996 2001 9 11 9 11 2003 75 8 The Hours 2002 2000 6 2001 9 11 9 11

永 遠 の 時 間 永 遠 の 愛 Always the hours, always the love アメリカの ダロウェイ 夫 人 Mrs. Dalloway in U.S.A. 真 鍋 孝 子 MANABE Takako 1 1996 12 8 1993 The Yellow Wallpaper 1892 1998 Rikkyo American Studies 27 (March 2005) Copyright 2005 The Institute for American Studies, Rikkyo University

144 立 教 アメリカン スタディーズ 1996 2001 9 11 9 11 2003 75 8 The Hours 2002 2000 6 2001 9 11 9 11

永 遠 の 時 間 永 遠 の 愛 145 The Hours Mrs. Dalloway 1925 Mrs. Dalloway 1951 2000 Billy Elliot 2000 Mrs. Dalloway

146 立 教 アメリカン スタディーズ 32 Mrs. Dalloway Mrs. Dalloway The Hours The Hours twice told tale three times told tale 1. Mrs. Dalloway Mrs. Dalloway said she would buy the flowers herself. Mrs. Dalloway 50

永 遠 の 時 間 永 遠 の 愛 147 18 18 5

148 立 教 アメリカン スタディーズ Mrs. Dalloway The Hours 2. The Hours There are still the flowers to buy. The Hours 1941 3 2000 6 1923 2000 1951 6 30 The Hours 80

永 遠 の 時 間 永 遠 の 愛 149 Mrs. Dalloway tabula rasa Mrs. Dalloway 13 To the Lighthouse 1927 4 1950

150 立 教 アメリカン スタディーズ 3. The Hours Sally! I think I'll buy the flowers myself. VIRGINIA If I were thinking clearly? If I were thinking clearly, Leonard, I would tell you that I wrestle alone in the dark, in the deep dark, and that only I can know, only I can understand my own condition. You live with the threat, you tell me. You live with the threat of my extinction.

永 遠 の 時 間 永 遠 の 愛 151 (There is a silence. She is trembling, white.) VIRGINIA Leonard, I live with it too. (Now it is Leonard who cannot answer.) VIRGINIA This is my right. This is the right of every human being. I choose not the suffocating anesthetic of the suburbs, but the violent jolt of the capital. That is my choice. The meanist patient, yes even the very lowest, is allowed some say in the matter of her own prescription. Thereby she defines her humanity. (Virginia is calm now, certain.) VIRGINIA I wish for your sake, Leonard, that I could be happy in this quietness. But if it is a choice between Richmond and death, I choose death. (There are tears now in Leonard's eyes.) LEONARD Very well. London, then. We shall go back to London. 240 241

152 立 教 アメリカン スタディーズ 4. The Hours INT. RICHARD'S APARTMENT - EVE. (Beside Richard, a photograph of his mother, Laura, on her wedding day, eyes down. Richard looks at it, the extreme sweat of illness running down his face.) 250 251

永 遠 の 時 間 永 遠 の 愛 153 2 3 4 1951 3 1951 1923 2000

154 立 教 アメリカン スタディーズ 21 5. 30 2

永 遠 の 時 間 永 遠 の 愛 155 2004 7 A Home at the End of the World 1990 1980 20

156 立 教 アメリカン スタディーズ 1952 32 Mrs. Dalloway 558

永 遠 の 時 間 永 遠 の 愛 157 RICHARD I wanted to write about it all. Everything that's happening in a moment. 94 95 EXT. RIVER OUSE - DAY (1941. Virginia Woolf walks calmly once more into the river.) 1941 VIRGINIA (v.o.) Leonard, always the years between us, always the years, always the love. Always the hours. (Virginia stands a moment, up to her neck in the water, about to plunge herself under. The sun plays on the water. Fade.) 294 295

158 立 教 アメリカン スタディーズ 1. 1924 5 18 The Old Wives' Tale 1908 Clayhanger 1910 1951 2. Penguin CLASSICS Mrs. Dalloway introduction Introduction, xx-xxi 2003 Cunningham, Michael, The Hours, New York: Picador, 1998. Hare, David, The Hours, (screenplay) DHC DHC 2003 2004 1992 7 1989 2002 Woolf, Virginia, Mrs. Dalloway, Penguin Classics, Clay's Ltd, 2000., A Room of One's Own, New York: Harcourt Javanovich, Publishers, 1957., The Common Reader Second Series, London: The Hogarth Press, 1932. 2003