第1部門_03_北川純子.indd
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17 43 Rokyoku, which arose in Meiji era, is a subgenre of Japanese katarimono a narrative music, performed by a pair of a rokyokushi a vocalist and a kyokushi a shamisen player. There are no notation systems in teaching and learning of rokyoku and rokyoku shamisen, and the rokyoku performances constantly include some sort of improvisation. The purpose of this paper is to examine some aspects of improvisation in rokyoku shamisen. Through analyzing the "hikidashi", i.e. the instrumental prelude part in rokyoku, the author tries to clarify some aspects of "invisible musical theory" about rokyoku shamisen. The results show that there are guiding motifs at the end of hikidashi which guide rokyokushi to his/her vocal pitch and that there are some formulaic figures which have been used in rokyoku shamisen. These motifs and formulaic figures are thought to serve as the models of improvisation in rokyoku shamisen. rokyoku, shamisen, improvisation, invisible music theory
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