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前6世紀後半のアテナイ芸術におけるテセウス表現の変化とその背景

Transcription:

Thematic Exhibition Sketches from Nature in the Early Edo Period Tuesday, September 29 Sunday, October 25, 2015 Room T2, Honkan, Tokyo National Museum From long ago, people have observed and made faithful sketches of the things around them. In Japan, by the middle of the Edo period (1603 1868), the study of natural history flourished and it was considered important to make sketches of plants and animals as records. From around this time, a variety of plants and animals like those seen in natural history catalogues were painted on folding screens and in albums. This was a high point for sketches from nature and the paintings influenced by these sketches. Edo-period sketches from nature can be traced back to the Kanbun era (1661 1673). Pioneering works include Sketches of Flowering Plants by Kano Tan yu (1602 74) and Sketches of Flowering Plants, Fish, Shellfish, and Insects by Kano Tsunenobu (1636 1713). These two artists learned composition and sketching techniques for realistic depiction from Chinese painting as well as traditional Japanese flower and bird painting. Their works appear to have been influenced also by the sketches of plants that had been brought to Japan from the Netherlands in the preceding Manji era (1658 1661). By focusing on the achievement of Tan yu and Tsunenobu, prominent painters who belonged to the Kano school, the official school of painting for the shogunate, this exhibition sheds light on the period during which sketches added a vibrant charm to the culture of the Edo period.

Sketches of Flowering Plants, Fish, Shellfish, and InsectsBy Kano Tsunenobu