Synesthesia Suit: VR
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1 Powered by TCPDF ( Title Sub Title Author Publisher Synesthesia Suit : VR 体験を拡張する全身触感スーツ Synesthesia suit : full-body immersive haptic suit 小西, 由香理 (Konishi, Yukari) 南澤, 孝太 (Minamizawa, Kota) 慶應義塾大学大学院メディアデザイン研究科 Publication year 2016 Jtitle 修士論文 ( ) Abstract Notes Genre Thesis or Dissertation URL
2 Synesthesia Suit: VR
3 ( )
4 Synesthesia Suit: VR Rez VR PlayStation VR Rez Infinite Enhance Games Rhizomatiks Synesthesia Suit Synesthesia Suit PlayStation Experience 2015,,,, TECHTILE i
5 Abstract of Master s Thesis of Academic Year 2016 Synesthesia Suit: Full-body Immersive Haptic Suit Category: Design Summary With the development of head-mounted displays and audio technology, virtual reality experiences have become widespread, and expectations are increasing especially in entertainment. Currently popular devices are mainly focused on audiovisual awareness. However, in the field of research, there are some attempts to present a haptic sense that deepens virtual reality experience by designing haptic sensations and spatial patterns of haptic sensations. There is a game called Rez that tried to realize immersive entertainment with a consumer game. In this paper, the author describes a project to develop Synesthesia Suit which expands the synesthetic immersion experience to whole body of Playstation VR game Rez Infinite which is the VR version of Rez. This Synesthesia Suit project is a collaboration with Enhance Games, Rhizomatiks and KMD. These include the concept of Synesthesia Suit, the design and implementation of a haptic suit in which Synesthesia Suit was developed by the author, the process of haptic design suitable for Rez, and the demonstration through exhibitions including PlayStation Experience Keywords: Haptic Feedback, Haptic Design, Virtual Reality, Synesthesia, TECHTILE Keio University Graduate School of Media Design Yukari Konishi ii
6 Rez Infinite Synesthesia Suit Concept Synesthesia Suit Rez Infinite BGM: BGM: BGM: iii
7 3.5.5 BGM: Synesthesia Engine Proof of Concept PlayStation Experience 2015 keynote PlayStation Experience Media Ambition Tokyo Countdown & Launch Event Sound City SIGGRAPH 2016 VR-Village ACM UIST Dubai Design Week Global Grad Show Japan VR Summit Asia Haptics Sundance Film Festival iv
8 v
9 Sensorama [1] PlayStation VR [2] Rez 2001 PlayStation Rez Infinite Rez Infinite NINTENDO64 ( ) Tesla Suit ( [3] ) HapticMaster ( [4] ) CyberTouch ( [5] ) CyberGrasp ( [6] ) ( [7] ) TECHTILE toolkit ( [8] ) ( [9] ) Haptography ( [10] ) Tactile Brush Algorithm ( [11] ) ( [12] ) ( [13] ) ( [14] ) ( [15] ) Rez (Rez Infinite ) vi
10 PlayStation Synesthesia Engine OSC Synesthesia Engine Synesthesia Engine PC vii
11 PlayStation Experience 2015 keynote LED PlayStation Experience Media Ambition Tokyo Synesthesia Chair Synesthesia Chair Rez Infinite Countdown & Launch Event Sound City SIGGRAPH 2016 VR-Village ACM UIST Global Grad Show Fuji New Network VR Asia Haptics viii
12 5.16 Rez Infinite Area X Crystal Vibes LED Synesthesia Suit ix
13 x
14 Oculus PlayStation VR HTC Vive 360 HTC Vive VR 1962 Sensorama [1] 1.2 4K 8K 1
![1.1 3D TECHTILE [8] 5 4DX](/docs-images/89/100258158/images/15-0.jpg "MX4D 1.")
15 1.1 3D TECHTILE [8] 5 4DX MX4D 1.1:
![1.2 Rez Infinite 1.2: Sensorama [1] 1.2. Rez Infinite Enhance Games, inc.](/docs-images/89/100258158/images/16-0.jpg "2016 10 13 PlayStation VR 1.3 Rez Infinite [16] Rez 1.4 2001 PlayStation 2 2001 360 Rez 1.")
16 1.2 Rez Infinite 1.2: Sensorama [1] 1.2. Rez Infinite Enhance Games, inc PlayStation VR 1.3 Rez Infinite [16] Rez PlayStation Rez Xbox 360 3
![3: PlayStation VR [2] 1.4: Rez 2001 PlayStation 2 1.3. Rez](/docs-images/89/100258158/images/17-2.jpg "Infinite Enhance Games Rhizomatiks VR Rez Infinite")
17 1.3 HD 2016 PlayStation VR Rez VR Rez Infinite 1.6 Rez Infinite 3D 3D Rhizomatiks Embodied Media Project 1.3: PlayStation VR [2] 1.4: Rez 2001 PlayStation Rez Infinite Enhance Games Rhizomatiks VR Rez Infinite Synesthesia Suit 4
18 : 1.6: Rez Infinite Rez Infinite Rez Infinite Synesthesia Suit Synesthesia Suit Synesthesia Suit Synesthesia Suit 6 5
19 SONY PlayStation DUALSHOCK NINTENDO Nintendo Switch [17] HD Tesla Suit [3] Thomas the PHANToM haptic interface [18] HapticMaster [4] 6
![CyberTouch [5] 2.](/docs-images/89/100258158/images/20-4.jpg "4 CyberGrasp [6] 2.")
20 : NINTENDO64 ( ) 2.2: Tesla Suit ( [3] ) 2.3 CyberGlove Systems 5 CyberTouch [5] 2.4 CyberGrasp [6] : CyberTouch ( [5] 2.5: CyberGrasp ( [6] 2.3: HapticMaster ( [4] ) ) ) 7
![2.3 2.3. Hi-Fi [19] CollarBeat [7] 2.](/docs-images/89/100258158/images/21-0.jpg "6 [20] TECTILE [8] 2.7) 2.")
![6: ( [7] ) 2.](/docs-images/89/100258158/images/21-2.jpg "7: TECHTILE toolkit ( [8] ) 2.4.")
21 Hi-Fi [19] CollarBeat [7] 2.6 [20] TECTILE [8] 2.7) 2.6: ( [7] ) 2.7: TECHTILE toolkit ( [8] ) 2.4. TECHTILE Tactile Labs Haptuator [21] 8
22 2.5 Stereo Haptics [22] 2 [9] 2.8 Haptography [10] 2.9 Ali Surround Haptics [12] 2 2 Apparent tactile motion 2 1 Phantom tactile sensation Tactile Brush Algorithm [11] Po2 [23] Haptic Interface for Immersive Projection Display [24] 12 Vibrosuit 2.5. /ed [13]
23 : ( [9] ) 2.9: Haptography ( [10] ) 2.10: Tactile Brush Algorithm ( [11] ) 2.11: ( [12] ) 10
![2.5 [14] 2.](/docs-images/89/100258158/images/24-0.jpg "13 Oliver")
![Mango [15] 2.](/docs-images/89/100258158/images/24-1.jpg "14 2.12: (")
![[13] 2.](/docs-images/89/100258158/images/24-2.jpg "13: 3 ( [14] )")
24 2.5 [14] 2.13 Oliver Mango [15] : ( [13] 2.13: 3 ( [14] ) ) 2.14: ( [15] ) 11
25 Rez Infinite 12
26 3 Synesthesia Suit Concept Rez Xbox 360 HD PlayStation VR VR Rez Infinite Rez 360 Rez 3.1 Rez PlayStation VR 13
27 S y n e s t h e s i a S u i t C o n c e p t 3.2 Synesthesia Suit Synesthesia Suit Synesthesia Suit Rez Rez 3.2 Rez Rez Synesthesia Suit LED 3.1: Rez (Rez Infinite ) 3.2: 3.2. Synesthesia Suit Rez Enhance Games Perfume 2016 Rhizomatiks KMD Embodied Media Project
28 S y n e s t h e s i a S u i t C o n c e p t Rhizomatiks LED KMD Embodied Media Project Synesthesia Suit KMD Embodied Media Project Rez Infinite Monstars Synesthesia Suit Rez Infinite buffer Renaiss PlayStation 4 PC SQUNABICONA 3.3. Synesthesia Suit Rez Rez Area 1 Area 4 3 BGM 2 4 BGM BGM BPM Rez Area 4 Rez 15
29 S y n e s t h e s i a S u i t C o n c e3.4 p t Rhizomatiks BGM Rez wav DAW Logic Adobe Audition TECHTILE toolkit PC Logic Roland Juno-Di
30 S y n e s t h e s i a S u i t C o n c e3.4 p t 3.3: 1 17
31 S y n e s t h e s i a S u i t C o n c e3.4 p t 3.4: 2 18
32 S y n e s t h e s i a S u i t C o n c e3.4 p t 3.5: 3 19
33 S y n e s t h e s i a S u i t C o n c e3.4 p t Rez Infinite Logic Pro X Rez BGM Logic Pro X Adobe Audition SE 1000Hz 3 20
34 S y n e s t h e s i a S u i t C o n c e p t 3.5 Rez Infinite 3.6: Rez Infinite Synesthesia Suit Rez Rez 21
35 S y n e s t h e s i a S u i t C o n c e p t 3.5 BGM BGM BGM BGM wav PC BGM: Logic 3.7 Rez BGM Rez 22
36 S y n e s t h e s i a S u i t C o n c e p t : BGM: Logic 3.8 BGM 23
37 S y n e s t h e s i a S u i t C o n c e p t : BGM: Logic 3.9 BGM BPM BGM: Rez 24
38 S y n e s t h e s i a S u i t C o n c e p t : 3.10 BGM 10msec Rez BGM 25
39 S y n e s t h e s i a S u i t C o n c e p t : 26
40 S y n e s t h e s i a S u i t C o n c e p t Logic 3.11 Rez : Logic
41 S y n e s t h e s i a S u i t C o n c e p t Rez : Logic
42 S y n e s t h e s i a S u i t C o n c e p t : 3.14: Logic
43 S y n e s t h e s i a S u i t C o n c e p t : Logic msec 30
44 S y n e s t h e s i a S u i t C o n c e p t : 31
45 S y n e s t h e s i a S u i t C o n c e p t Rez Infinite Synesthesia Suit Synesthesia Suit Rez Synesthesia Suit 32
46 PlayStation 4 PlayStation 4 PlayStation 4 LAN UDP PC PC MIDI OSC wav OSC PC 4.1 Synesthesia Engine 33
47 4.2 Synesthesia Engine 4.1: 4.2. Synesthesia Engine PlayStation 4 PlayStation 4 LAN PlayStation 4 PC UDP 4.2 PC node.js PlayStation 4 PlayStation 4 MIDI 3 OSC /kick /lock 1 /lock 2 node.js buffer Renaiss 24 wav Cycling 74 34
48 4.3 Max Synesthesia Engine 4.3 Synesthesia Engine OSC OSC 4.4 r route route OSC 4.5 /cube oneshot 4.6 /cube rotate blue text Max delay Synesthesia Engine 4.7 PC 4.8 Synesthesia Engine PC
49 : PlayStation 4 4.3: Synesthesia Engine 36
50 : OSC 4.5: Synesthesia Engine behringer EPQ KMD Embodied Media Project 37
51 : Synesthesia Engine 38
52 : 4.8: PC 39
53 W 20W MOTU 828x MOTU 828x DA behringer ADA PC Thunderbolt : 12W Vp2/ W 21Hz-23KHz 40
54 : 4.10: 41
55 : 42
56 : 43
57 : 4.14: 4.15: 44
58 : Rez Rez 3 Rez Rez 4.17 Rez Rez 45
59 4.4 FPS Rez vp (a) ALPS tough 4.19 (b) 2 vp SQUNABICONA
60 : 4.5. Synesthesia Suit Synes- 47
61 : 4.19: 48
62 : 4.21: 49
63 4.5 thesia Engine Synesthesia Suit 24 PlayStation 4 Synesthesia Engine 4.22 PlayStation 4 PC PC Synesthesia Suit 4.22: 50
64 5 Proof of Concept 5.1. PlayStation Experience 2015 keynote Synesthesia Suit PlayStation Experience 2015 Keynote PlayStation VR PlayStation VR Synesthesia Suit Synesthesia Suit Synesthesia Suit LED LED 5.2 Rhizomatiks Rez Synesthesia Suit Rez 5.2. PlayStation Experience
65 P r o o f o f C o n c 5.2 e p tplaystation Experience : PlayStation Experience 2015 keynote 5.2: LED 52
66 P r o o f o f C o n c 5.2 e p tplaystation Experience PlayStation Experience Rez Infinite PlayStation VR 5.3 PlayStation Experience 2015 Rez Infinite VR Synesthesia Suit Rez Synesthesia Suit Things start off subtle at first, but soon, the many, many actuators and rumblers on the suit are hitting me on my chest, arms, and legs with each beat of the music. It s remarkably synchronized. Every Rez player knows that little pattern of quick beats that you hear when you fire all of your rhythmic shots at a single object. Now I feel each individual one of those rapid-fire beats, bapbapbapbapbap on my body. It really is the Trance Vibrator s ultimate evolution, but Mizuguchi doesn t want to stop here. WIRED The Real Way to Play Rez Infinite: In a VR Vibrating Suit It s absolutely exquisite: the total sensory immersion completes the experience in a way that wasn t possible before without resorting to narcotics. Eurogamer.net Rez Infinite is PlayStation VR s best game yet When I targeted four enemies, I felt a buzzing, tingling sensation ripple across 53
67 P r o o f o f C o n c 5.2 e p tplaystation Experience 2015 my arms and torso. In more frantic moments, bass was pulsing in my legs while my shots sent melody and rhythm through my arms. It felt like being on a buzzing dance floor, except the feeling was surgically targeted and my eardrums weren t exploding. Taking on a boss was especially interesting, given that it really enjoyed going behind me. On a few occasions, I turned to face it. Then it started stomping on me. The whole encounter was so frantic that I nearly forgot I was even wearing the suit. KOTAKU What It s Like To Play Rez In A Full-Body VR Suit BGM PSVR 3 Rez.com VR Rez! Rez Infinite PSX Rez Synesthesia Suit Rez Infinite the Trance Vibrator s ultimate evolution Rez 54
68 P r o o f o f C o n c e p t 5.3 Media Ambition Tokyo 2016 Welcome back Oh my god Game Informer 12/05/rez-infinite-brings-the-lights-and-sounds-of-rez-to-playstation-vr.aspx Giantbomb Ars Technica arstechnica.com/gaming/2015/12/playstation-vr-expo-round-up-impressive-rez-infiniteleads-killer-line-up/ Rez Infinite Synesthesia Suit Synesthesia Suit 5.3: PlayStation Experience Media Ambition Tokyo
69 P r o o f o f C o n c e p t 5.3 Media Ambition Tokyo Media Ambition Tokyo 2016 Rez Infinite - Synesthesia Suit Synesthesia Suit PlayStation VR Synesthesia Suit Rez Infinite 1 LED Synesthesia Chair LED 5.4 Synesthesia Chair 5.5 [25] 5.6 Clark Synthesis TST239 Silver Tactile Transducer Bass Shaker 1 BGM Synesthesia Suit LED Rhizomatiks Synesthesia Suit Synesthesia Suit 56
70 P r o o f o f C o n c e p t 5.3 Media Ambition Tokyo 2016 VR Rez Infinite PlayStation VR Rez Infinite with SE Twitter Rez PlayStation VR Rez Infinite Synesthesia Suit 57
71 P r o o f o f C o n c e p t Countdown & Launch Event Synesthesia Suit PSVR Rez DJ Twitter kure zo Media Ambition Tokyo 2016 Rez Infinite LED Twitter Rez Countdown & Launch Event Rez Infinite Countdown & Launch Event
72 P r o o f o f C o n c e p t Countdown & Launch Event 5.4: Media Ambition Tokyo : Synesthesia Chair 5.6: Synesthesia Chair 59
73 P r o o f o f C o n c e p t Countdown & Launch Event Rez Infinite Countdown & Launch Event 5.8 PlayStation VR Rez Infinite 2016 KMD Embodied Media Project Rez Infinite Synesthesia Suit Rez Infinite Countdown & Launch Event PlayStation VR Rez Infinite 2 PlayStation VR Rez Infinite Rez Infinite 5 Rez Infinite Synesthesia Suit 1 Rez Infinite Rez PS VR DUALSHOCK 4 PS VR Rez Infinite Rez Infinite Rez Infinite GAME Watch Rez Infinite!! Synesthesia Suit 60
74 P r o o f o f C o n c e p t Countdown & Launch Event Rez infinite ( ) VR ue4 Rez Rez... Rez Infinite VR Rez PSVR& Rez Rez infinite 10 Rez Rez... 61
75 P r o o f o f C o n c e p t Countdown & Launch Event Rez Infinite Synesthesia Suit ( ) PSVR 1 s1 PS VR Rez Infinite 2013 Rez infinite VR Slfgvm Rez Rez Synesthesia Suit Rez Rez 62
76 P r o o f o f C o n c e p t Countdown & Launch Event Rez Rez Infinite VR 05 Synesthesia Suit 5.7: : Rez Infinite Countdown & Launch Event 63
77 P r o o f o f C o n c e p t Sound City WIRED Lab. 70 Sound City PlayStation PlayStation VR Rez Infinite Synesthesia Suit : Sound City 5.10:
78 P r o o f o f C o n c e p t SIGGRAPH 2016 VR-Village Anaheim Convention Centre 350 SIGGRAPH 2016 VR-Village Rez Infinite Synesthesia Suit Unity HTC Vive 5.11 Rez Infinite ACM UIST Dubai Design Week Global Grad Show Dubai Design District 65
79 P r o o f o f C o n c e p t : SIGGRAPH 2016 VR-Village 5.12: ACM UIST Global Grad Show Rez Infinit SIGGRAPH 2016 VR Village Haptic Design Synesthesia Suit 66
80 P r o o f o f C o n c e p t : Global Grad Show Japan VR Summit Japan VR Summit 2 Rez Infinite - Synesthesia Suit Asia Haptics
81 P r o o f o f C o n c e p t : Fuji New Network VR : Asia Haptics Sundance Film Festival
82 P r o o f o f C o n c e p t 5.6 VR AR New Frontier Rez Infinite Area X 5.16 Crystal Vibes?? Synesthesia Suit LED LED Synesthesia Suit LED Rhizomatiks 5.16: Rez Infinite Area X 5.17: Crystal Vibes 5.6. Synesthesia Suit PlayStation Experience 2015 Media Ambition Tokyo Rez Infinite Countdown & Launch Event PlayStation Experience 2015 Synesthesia Suit Rez Infinite Media Ambition Tokyo 2016 Synesthesia Suit 1 69
83 P r o o f o f C o n c e p t : LED Synesthesia Suit 2.0 PlayStation VR Rez Infinite 2016 Rez Infinite Countdown & Launch Event Synesthesia Suit Synesthesia Suit Rez Synesthesia Suit Rez 70
84 Enhance Games Rhizomatiks Synesthesia Suit VR Rez Infinite Synesthesia Suit Synesthesia Suit LED
85 6.1 3 Synesthesia Suit Synesthesia Suit Rez Infinite Rez Rez Synesthesia Suit PlayStation Rez Infinite 5 PlayStation Experience 2015 keynote Rez Infinite Synesthesia Suit Media Ambition Tokyo 2016 Synesthesia Suit 1 LED Synesthesia Chair PlayStation VR Rez Infinite 2016 Rez Infinite Countdown & Launch Event Rez Infinite Synesthesia Suit Rez 72
86 6.2 Rez Synesthesia Suit Rez Infinite Synesthesia Suit Rez Infinite 6.2. Synesthesia Suit Synesthesia Suit Rez Infinite Rez Infinite Synesthesia Suit Rez Infinite 1 Synesthesia Suit 73
87 2 Rez Infinite - Synesthesia Suit Rhizomatiks Synesthesia Suit Rhizomatiks buffer Renaiss SQUNABICONA Synesthesia Suit 74
88 Monstars Synesthesia Suit Synesthesia Suit Rez Infinite KMD Embodied Media Project Embodied Media Geist 1 Synesthesia Suit 75
89 REZ INFINITE SYNESTHESIA SUIT PROJECT CREDITS Creative Directors: Tetsuya Mizuguchi, Seiichi Saito (Rhizomatiks) Rhizomatiks Producer, Planner: Ayahiko Sato Technical Director (LED & Haptic Suit), LED Suit Designer & Developer: Tomoaki Yanagisawa LED Suit Circuit & Firmware Designer & Developer: Hideaki Tai LED Suit Device Development Supporter: Toshitaka Mochizuki Audio System: Shintaro Kamijo Suit Development Supporter: Takahito Hosono SQUNABICONA LED Suit Designer & Developer, Haptic Suit Designer: Toshihiko Sakurai buffer Renaiss LED Suit System & Lighting Pattern Developer: 2bit Keio Media Design Haptic Suit & Haptic Motion Supervisor: Kouta Minamizawa Haptic Suit & Haptic Motion Developer: Nobuhisa Hanamitsu, Yukari Konishi Haptic Circuit Designer & Developer: Youichi Kamiyama 76
90 [1] Morton L. Heilig. Sensorama, [2] PlayStation VR, Sony Interactive Entertainment, [3] Teslasuit, [4].. 1, 1996, pp , [5] Cyber touch, [6] Cybergrasp, [7] Ryuta Okazaki Hiroyuki Kajimoto. Rei Sakuragi, Sakiko Ikeno. Collarbeat: Whole body vibrotactile presentation via the collarbone to enrich music listening experience. In International Conference on Artificial Reality and Telexistence, [8] Kouta Minamizawa, Yasuaki Kakehi, Masashi Nakatani, Soichiro Mihara, and Susumu Tachi. Techtile toolkit: A prototyping tool for designing haptic media. In Proc. SIGGRAPH 2012 Emerging Technologies, p. 22:1. ACM,
91 [9].., pp , [10] Katherine J. Kuchenbecker. Haptography: Capturing the feel of real objects to enable authentic haptic rendering (invited paper). In Proceedings of the 2008 Ambi-Sys Workshop on Haptic User Interfaces in Ambient Media Systems, HAS 08, pp ICST (Institute for Computer Sciences, Social-Informatics and Telecommunications Engineering), 3:1 3:3. [11] Ivan Poupyrev Ali Israr. Tactile brush: Drawing on skin with tactile grid display. In ACM Conference on Human Factors in Computing Systems (CHI) 2011, [12] Ali Israr, Seung-Chan Kim, Jan Stec, and Ivan Poupyrev. Surround haptics: Tactile feedback for immersive gaming experiences. In Proc. CHI 12 Extended Abstracts on Human Factors in Computing Systems, pp ACM, [13] Yasushi FUKUZAWA Yuki HASHIMOTO Hideyuki ANDO Junji WATAN- ABE Hiroyuki KAJIMOTO Sayaka OOSHIMA. /ed (slashed). In SIG- GRAPH 2008, [14] NTT., , [15] Schneider Oliver, S, Ali Israr, and MacLean Karon, E. Tactile animation by direct manipulation of grid displays. In Proc. ACM Symposium on User Interface Software and Technology (ACM UIST) ACM, [16] Rez Infinite. Enhance Games (Original game c 2001 SEGA), [17] Nintendo switch,
92 [18] T. H. MASSIE. The phantom haptic interface : A device for probing virtual objects. In Proceedings of the ASME Winter Annual Meeting, Symposium on Haptic Interfaces for Virtual Environment and Teleoperator Systems, Chicago, IL, Nov., 1994, [19]. Hi-fi :., 14, pp , [20] Hsin-Yun Yao. An experiment on length perception with a virtual rolling stone. In Eurohaptics, pp , [21] Haptuator, [22] Kyna McIntosh Zachary Schwemler Adam Fritz John Mars Job Bedford Christian Frisson Ivan Huerta Maggie Kosek Babis Koniaris Kenny Mitchell Ali Israr, Siyan Zhao. Stereohaptics: A haptic interaction toolkit for tangible virtual experiences. In ACM SIGGRAPH 2016 Workshop Course 2016, [23] Ali Israr, Siyan Zhao, Kyna McIntosh, JaeKyun Kang, Zachary Schwemler, Eric Brockmeyer, Mark Baskinger, and Moshe Mahler. Po2: Augmented haptics for interactive gameplay. In Proc. SIGGRAPH 2015 Emerging Technologies, p. 21:1. ACM, [24] KAKEHI N. OGI T YANO, H. and M HIROSE. Haptic interface for immersive projection display. In Proceedings of Human Computer Interaction (HCI 99), Vol. 2, pp , [25],,.., 21.,
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Fukuoka Women s University NO.80 2O12.9.30 CONTENTS 2 2 3 3 4 6 7 8 8 8 9 10 11 11 11 12 NO.80 2012.9.30 3 4 Fukuoka Women s University NO.80 2012.9.30 5 My Life in Japan Widchayapon SASISAKULPON (Ing)
Powered by TCPDF ( Title 明治以前日本水害史年表 Sub Title A chronological table of flood disasters before Meiji era in Japan Author 高木, 勇夫 (Takagi,
Powered by TCPDF (www.tcpdf.org) Title 明治以前日本水害史年表 Sub Title A chronological table of flood disasters before Meiji era in Japan Author 高木, 勇夫 (Takagi, Isao) Publisher 慶應義塾大学日吉紀要刊行委員会 Publication year 004
25 D Effects of viewpoints of head mounted wearable 3D display on human task performance
25 D Effects of viewpoints of head mounted wearable 3D display on human task performance 1140322 2014 2 28 D HMD HMD HMD HMD 3D HMD HMD HMD HMD i Abstract Effects of viewpoints of head mounted wearable
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An Analysis of TV Game Market: From the viewpoints of network externalities and whole of services Masaki Matsumura, Hiroyuki Kurimoto, and Toshio Kobayashi It has been understood that a standard would
Vol. 23 No. 4 Oct. 2006 37 2 Kitchen of the Future 1 Kitchen of the Future 1 1 Kitchen of the Future LCD [7], [8] (Kitchen of the Future ) WWW [7], [3
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36 Kitchen of the Future: Kitchen of the Future Kitchen of the Future A kitchen is a place of food production, education, and communication. As it is more active place than other parts of a house, there
Title < 論文 > 公立学校における在日韓国 朝鮮人教育の位置に関する社会学的考察 : 大阪と京都における 民族学級 の事例から Author(s) 金, 兌恩 Citation 京都社会学年報 : KJS = Kyoto journal of so 14: 21-41 Issue Date 2006-12-25 URL http://hdl.handle.net/2433/192679 Right
On the Wireless Beam of Short Electric Waves. (VII) (A New Electric Wave Projector.) By S. UDA, Member (Tohoku Imperial University.) Abstract. A new e
On the Wireless Beam of Short Electric Waves. (VII) (A New Electric Wave Projector.) By S. UDA, Member (Tohoku Imperial University.) Abstract. A new electric wave projector is proposed in this paper. The
( ) [1][2] 3 Displair Displair Displair Fig. 1 1 Overview of the proposed method. 2.2 Traxion[3] Traxion Lecuyer Pseudo-Haptic Fe
![( ) [1][2] 3 Displair Displair Displair Fig. 1 1 Overview of the proposed method. 2.2 Traxion[3] Traxion Lecuyer Pseudo-Haptic Fe](/thumbs/81/82901377.jpg "( ) [1][2] 3 Displair Displair Displair Fig. 1 1 Overview of the proposed method. 2.2 Traxion[3] Traxion Lecuyer Pseudo-Haptic Fe")
1,a) 1 1 3D A Tactile Sensation Feedback Method for Virtual Objects Based on Virtual Directional Force and Synchronized Visual Effects Izumi Ikeda 1,a) Akifumi Inoue 1 Tohru Hoshi 1 Abstract: Aerial display
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22 Web Research of a Web search support system based on individual sensitivity 1135117 2011 2 14 Web Web Web Web Web, i Abstract Research of a Web search support system based on individual sensitivity
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MEMOIRS OF SHONAN INSTITUTE OF TECHNOLOGY Vol. 41, No. 1, 2007 * * 2 * 3 * 4 * 5 * 6 * 7 * 8 Service Learning for Engineering Students Satsuki TASAKA*, Mitsutoshi ISHIMURA* 2, Hikaru MIZUTANI* 3, Naoyuki
Copyright 2001 by Junichi Sawase
JAIST Reposi https://dspace.j Title 知識コミュニティを活性化するインフォーマルコミュ ニケーションツールの開発 Author(s) 澤瀬, 順一 Citation Issue Date 2001-03 Type Thesis or Dissertation Text version author URL http://hdl.handle.net/10119/716
Comparison of the strengths of Japanese Collegiate Baseball Leagues in past 30 seasons Takashi Toriumi 1, Hirohito Watada 2, The Tokyo Big 6 Baseball
Powered by TCPDF (www.tcpdf.org) Title 東京六大学野球リーグ及び東都大学野球リーグを含めた各大学野球連盟における過去 30シーズンの平均競技力の比較研究 Sub Title Comparison of the strengths of Japanese collegiate baseball leagues in past 30 seasons Author 鳥海,
[2] 2. [3 5] 3D [6 8] Morishima [9] N n 24 24FPS k k = 1, 2,..., N i i = 1, 2,..., n Algorithm 1 N io user-specified number of inbetween omis
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1,a) 2 2 2 1 2 3 24 Motion Frame Omission for Cartoon-like Effects Abstract: Limited animation is a hand-drawn animation style that holds each drawing for two or three successive frames to make up 24 frames
Powered by TCPDF ( Title Sub Title Author Publisher 都市空間回遊型インタラクティブシネマの制作と上映イベントの実施 Production assistant and holding showing event of ur
Powered by TCPDF (www.tcpdf.org) Title Sub Title Author Publisher 都市空間回遊型インタラクティブシネマの制作と上映イベントの実施 Production assistant and holding showing event of urban space rambling activity style interactive cinema
修士論文の和文要旨 研究科 専攻大学院情報理工学研究科情報 通信工学専攻博士前期課程 氏名春田英和学籍番号 1231074 論文題目 さわれる拡張現実感システムの検討 要 旨 本研究では,AR(Augmented Reality,AR) と様々な入力デバイスを用いた 3DCG モデリングシステムを実装し, さらに物理エンジンと組み合わせることで, さわれる拡張現実感 (AR) システムの有効性を確認した.
ALT : Hello. May I help you? Student : Yes, please. I m looking for a white T-shirt. ALT : How about this one? Student : Well, this size is good. But do you have a cheaper one? ALT : All right. How about
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1 1 1 2 DCRA 1. 1.1 1) 1 Tactile Interface with Air Jets for Floating Images Aya Higuchi, 1 Nomin, 1 Sandor Markon 1 and Satoshi Maekawa 2 The new optical device DCRA can display floating images in free
鹿大広報149号
No.149 Feb/1999 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 Learned From Japanese Life and Experiences in Kagoshima When I first came to Japan I was really surprised by almost everything, the weather,
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情報処理学会インタラクション 2015 IPSJ Interaction 2015 15INT014 2015/3/7 1,a) 1,b) 1,c) Design and Implementation of a Piano Learning Support System Considering Motivation Fukuya Yuto 1,a) Takegawa Yoshinari 1,b) Yanagi
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15 GUI A study on the system to transfer a GUI sub-picture to the enlarging viewer for operational support 1040270 2004 2 27 GUI PC PC GUI Graphical User Interface PC GUI GUI PC GUI PC PC GUI i Abstract
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Practice 8 Sentence Connectors 1) I / went / to Japan / for the first time last year. At first, I didn t understand / Japanese / *at all. [ ] [ ] [ ] [ ] * 2) I m / not hungry / because I *already ate
JAIST Reposi Title 既存曲に合わせて口す さまれる即興歌唱を利用した 音楽創作支援手法に関する研究 Author(s) 柳, 卓知 Citation Issue Date Type Thesis or Dissertation Te
JAIST Reposi https://dspace.j Title 既存曲に合わせて口す さまれる即興歌唱を利用した 音楽創作支援手法に関する研究 Author(s) 柳, 卓知 Citation Issue Date 2017-03 Type Thesis or Dissertation Text version author URL http://hdl.handle.net/10119/14119
Powered by TCPDF (www.tcpdf.org) Title Author Publisher Jtitle Abstract Genre URL 中世ヨーロッパにおけるダンス ソング : Carolについて本間, 周子 (Honma, Shuko) 慶應義塾大学体育研究所体育研究所紀要 (Bulletin of the institute of physical education,
, (GPS: Global Positioning Systemg),.,, (LBS: Local Based Services).. GPS,.,. RFID LAN,.,.,.,,,.,..,.,.,,, i
25 Estimation scheme of indoor positioning using difference of times which chirp signals arrive 114348 214 3 6 , (GPS: Global Positioning Systemg),.,, (LBS: Local Based Services).. GPS,.,. RFID LAN,.,.,.,,,.,..,.,.,,,
What s your name? Help me carry the baggage, please. politeness What s your name? Help me carry the baggage, please. iii
What s your name? Help me carry the baggage, please. politeness What s your name? Help me carry the baggage, please. iii p. vi 2 50 2 2016 7 14 London, Russell Square iv iii vi Part 1 1 Part 2 13 Unit
IPSJ SIG Technical Report Vol.2015-HCI-162 No /3/13 VibraPen: 1 1,2 VibraPen VibraPen (GUI) VibraPen: a User Study on High Frequency Vibro-Tacti
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2. 2.1 Lytro [11] The Franken Camera [12] 2.2 Creative Coding Community Creative Coding Community [13]-[19] Sketch Fork 2.3 [20]-[23] 3. ourcam 3.1 ou
![2. 2.1 Lytro [11] The Franken Camera [12] 2.2 Creative Coding Community Creative Coding Community [13]-[19] Sketch Fork 2.3 [20]-[23] 3. ourcam 3.1 ou](/thumbs/39/20082143.jpg "2. 2.1 Lytro [11] The Franken Camera [12] 2.2 Creative Coding Community Creative Coding Community [13]-[19] Sketch Fork 2.3 [20]-[23] 3. ourcam 3.1 ou")
情 報 処 理 学 会 インタラクション 2013 IPSJ Interaction 2013 2013-Interaction (3EXB-06) 2013/3/2 ourcam: 1 2 ourcam ourcam: On-Site Programming Environment for Digital Photography RYO OSHIMA 1 YASUAKI KAKEHI 2 In these
Powered by TCPDF ( Title Sub Title Author Publisher BufferMan : 遠隔での課題発見型協調作業を支援するテキストチャットシステム BufferMan : Text chat system for agenda f
Powered by TCPDF (www.tcpdf.org) Title Sub Title Author Publisher BufferMan : 遠隔での課題発見型協調作業を支援するテキストチャットシステム BufferMan : Text chat system for agenda finding collaborative work in remote 竹内, 冠太 (Takeuchi,
17 Multiple video streams control for the synchronous delivery and playback 1085404 2006 3 10 Web IP 1 1 1 3,,, i Abstract Multiple video streams control for the synchronous delivery and playback Yoshiyuki
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27 VR Effects of the position of viewpoint on self body in VR environment
27 VR Effects of the position of viewpoint on self body in VR environment 1160298 2015 2 25 VR (HMD), HMD (VR). VR,.. HMD,., VR,.,.,,,,., VR,. HMD VR i Abstract Effects of the position of viewpoint on
ASMR Music composition based on ASMR to influence the human body.
Powered by TCPDF (www.tcpdf.org) Title Sub Title Author Publisher ASMRに基づく身体に影響を及ぼす音楽作品の制作 Music composition based on ASMR to influence the human body. 宮崎, 葉月 (Miyazaki, Hazuki) 南澤, 孝太 (Minamizawa, Kota)
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I. 200 2 II. ( 2001) 30 1992 Do X for S2 because S1(is not desirable) XS S2 A. S1 S2 B. S S2 S2 X 1 C. S2 X D. E.. (1) X 12 15 S1 10 S2 X+S1 3 X+S2 4 13 S1S2 X+S1+S2 X S1 X+S2. 2. 3.. S X+S2 X A. S1 2
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12 Effect of occlusion and perception of shadow in depth perception caused by moving shadow. 1010361 2001 2 5 (Occlusion), i Abstract Effect of occlusion and perception of shadow in depth perception caused
Thanks for sending me Musashino University International Communication News Letter. I was graduated in 1996, and I came to America in 1998. It has been 10 years since I left Japan. I have a beautiful daughter.
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Vol. 48 No. 4 Apr LAN TCP/IP LAN TCP/IP 1 PC TCP/IP 1 PC User-mode Linux 12 Development of a System to Visualize Computer Network Behavior for L
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25 Removal of the fricative sounds that occur in the electronic stethoscope
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THE INSTITUTE OF ELECTRONICS, INFORMATION AND COMMUNICATION ENGINEERS HCG HUMAN COMMUNICATION GROUP SYMPOSIUM. UbiCode 243 0292 1030 E-mail: {ubicode,koide}@shirai.la, {otsuka,shirai}@ic.kanagawa-it.ac.jp
Powered by TCPDF ( Title 米国における障害者を対象とした野外教育 : 米国の障害者政策と障害者教育の変遷との関連 Sub Title Outdoor education for people with disabilities in United
Powered by TCPDF (www.tcpdf.org) Title 米国における障害者を対象とした野外教育 : 米国の障害者政策と障害者教育の変遷との関連 Sub Title Outdoor education for people with disabilities in United States : administrative policies and legislation for
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The Study of Combination of Pitches in College Baseball Keita Kikuchi 1), Nobuyuki Nakajima 2), Hirohito Watada 3) The purpose of this study was to an
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25 2014 2 i 1 Kinect 17% 0% 100% iii iii v vii 1 1 1.1............................... 1 1.2............................... 2 1.3.............................. 2 2 3 2.1.................................
194 6 日本バーチャルリアリティ学会誌第 17 巻 4 号 2012 年 12 月 VR Virtual Reality VR 3D 3D VR 3D 30 3D 3D VR 3D 19 3D D D D D 3D VR 2
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The purpose of this study is to clarify a process that Awa dance developed into tourist resources and the factors that it spread out in all over Japan. Consideration was made with the memory magazines,
840 Geographical Review of Japan 73A-12 835-854 2000 The Mechanism of Household Reproduction in the Fishing Community on Oro Island Masakazu YAMAUCHI (Graduate Student, Tokyo University) This
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1 2 4 6 6 7 8 10 11 11 12 14 Page Page Page Page Page Page Page Page Page Hi everyone! My name is Martin Dusinberre, and I come from the UK. I first came to Iwaishima six years ago, when I taught English
ＡＳＰ英語科目群ＡＬＥ Active Learning in English No 7. What activity do you think is needed in ALE for students to improve student s English ability? active listening a set of important words before every lecture
13 RoboCup The Interface System for Learning By Observation Applied to RoboCup Agents Ruck Thawonmas
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1. Hi, How are you? / What s up? / How s it going? A / Nice talking to you. 2. Oh really? / That s great! / That s A, B interesting! / Are you serious? / Sounds good. / You too! / That s too bad. 3. Sorry?
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A comparative study of the team strengths calculated by mathematical and statistical methods and points and winning rate of the Tokyo Big6 Baseball Le
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1 1 1, Extraction of Transmitted Light using Parallel High-frequency Illumination Kenichiro Tanaka 1 Yasuhiro Mukaigawa 1 Yasushi Yagi 1 Abstract: We propose a new sharpening method of transmitted scene
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