CVP-609/605/601 MIDI リファレンス

Size: px
Start display at page:

Download "CVP-609/605/601 MIDI リファレンス"

Transcription

1 CVP-0 / CVP-0 / CVP-0 U.R.G., Digital Musical Instruments Division 20 Yamaha Corporation 2MW-A0 JA

2 CVP-0 CVP-0 CVP-0 (*) Reverb Reverb Reverb (*2) Chorus, Variation, Insertion Chorus, Variation, Insertion 3 Chorus, DSP (*3) DSP2 4 (*4) DSP2 4 REVERB REVERB: BASIC HALL, LIGHT HALL, HALL, HALL2, HALL3, HALL4, HALL, HALL M, HALL L, ATMO HALL, VOCAL HALL, VOCAL HALL2, ACOSTIC ROOM, DRUMS ROOM, PERC ROOM, ROOM, ROOM2, ROOM3, ROOM4, ROOM, ROOM, ROOM, ROOM S, ROOM M, ROOM L, STAGE, STAGE2, STAGE3, STAGE4, PLATE, PLATE2, PLATE3, GM PLATE Reverb Time 0.3s 30.0s 0 Table #4 2 Diffusion Initial Delay 0.ms 200.0ms (*) 0.ms.3ms (*2) 0.ms.3ms (*3) REVERB: BALLAD HALL, PIANO HALL, LARGE HALL, MEDIUM HALL, WARM ROOM, WOODY ROOM, RICH PLATE REVERB: TUNNEL, CANYON, BASEMENT, WHITE ROOM Table # 4 HPF Cutoff Thru, 22Hz.0kHz 0 2 Table #3 LPF Cutoff.0kHz khz, Thru 34 0 Table #3 Dry/Wet D3>W D=W D<W3 Reverb Delay 0.ms 200.0ms (*) 0.ms.3ms (*2) 0.ms.3ms (*3) Density 0 4 (2step, step) 0 2 (*3) ER/Reverb Balance E3>R E=R E<R3 High Damp 0..0 Feedback Level Table # Reverb Time 0.3s 30.0s 0 Table #4 2 Diffusion Initial Delay 0.ms 200.0ms 0 Table # 4 HPF Cutoff Thru, 22Hz.0kHz 0 2 Table #3 LPF Cutoff.0kHz khz, Thru 34 0 Table #3 Dry/Wet D3>W D=W D<W3 High Damp 0..0 Reverb Time 0.3s 30.0s 0 Table #4 2 Diffusion Initial Delay 0.ms 200.0ms (*) 0.ms.3ms (*2) Table # 4 HPF Cutoff Thru, 22Hz.0kHz 0 2 Table #3 LPF Cutoff.0kHz khz, Thru 34 0 Table #3 Width 0.m 30.2m (*) 0.m.2m (*2) Height 0.m 30.2m (*) 0.m 20.2m (*2) Table # Table # Depth 0.m 30.2m 0 4 Table # Wall Vary Dry/Wet D3>W D=W D<W3 Reverb Delay 0.ms 200.0ms (*) 0.ms.3ms (*2) Density ER/Reverb Balance E3>R E=R E<R3 High Damp 0..0 Feedback Level Table # DELAY DELAY: DELAY LCR, DELAY LCR2 Lch Delay 0.ms 3.3ms (*2) 0.ms.0ms (*3) 2 Rch Delay 0.ms 3.3ms (*2) 0.ms.0ms (*3) 3 Cch Delay 0.ms 3.3ms (*2) 0.ms.0ms (*3) 4 Feedback Delay 0.ms 3.3ms (*2) 0.ms.0ms (*3) DELAY: DELAY LR DELAY: ECHO Feedback Level Cch Level 0 0 High Damp 0..0 Dry/Wet D3>W D=W D<W3 EQ Low Frequency 32Hz 2.0kHz 4 40 Table #3 EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 Table #3 EQ High Gain -db 0dB +db 2 Lch Delay 0.ms 3.3ms (*2) 0.ms.0ms (*3) 2 Rch Delay 0.ms 3.3ms (*2) 0.ms.0ms (*3) 3 Feedback Delay 0.ms 3.3ms (*2) 0.ms.0ms (*3) 4 Feedback Delay 2 0.ms 3.3ms (*2) 0.ms.0ms (*3) Feedback Level High Damp 0..0 Dry/Wet D3>W D=W D<W3 EQ Low Frequency 32Hz 2.0kHz 4 40 Table #3 EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 Table #3 EQ High Gain -db 0dB +db 2 Lch Delay 0.ms.0ms (*2) 0.ms 43.0ms (*3) Lch Feedback Level Rch Delay 0.ms.0ms (*2) 0.ms 43.0ms (*3) Rch Feedback Level High Damp 0..0 Lch Delay2 0.ms.0ms (*2) 0.ms 43.0ms (*3) Rch Delay2 0.ms.0ms (*2) 0.ms 43.0ms (*3) Delay2 Level 0 0 Dry/Wet D3>W D=W D<W3 EQ Low Frequency 32Hz 2.0kHz 4 40 Table #3 EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 Table #3 EQ High Gain -db 0dB +db 2 2

3 DELAY: CROSS DELAY, CROSS DELAY2 L R Delay 0.ms.0ms (*2) 0.ms 43.0ms (*3) 2 R L Delay 0.ms.0ms (*2) 0.ms 43.0ms (*3) DELAY: TEMPO DELAY, TEMPO DELAY2, TEMPO ECHO DELAY: TEMPO CROSS, TEMPO CROSS2, TEMPO CROSS3, TEMPO CROSS4 ER/KARAOKE: KARAOKE, KARAOKE2, KARAOKE Feedback Level Input Select L, R, L&R 0 2 High Damp 0..0 Dry/Wet D3>W D=W D<W3 EQ Low Frequency 32Hz 2.0kHz 4 40 Table #3 EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 Table #3 EQ High Gain -db 0dB +db 2 Delay Time 4th/3 4thx 0 Table # 2 Feedback Level Feedback High Dump L/R Diffusion -3ms 0ms 3ms Lag -3ms 0ms 3ms Dry/Wet D3>W D=W D<W3 EQ Low Frequency 32Hz 2.0kHz 4 40 EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 EQ High Gain -db 0dB +db 2 Delay Time L>R 4th/3 4thx 0 Table # 2 Delay Time R>L 4th/3 4thx 0 Table # 3 Feedback Level Input Select L, R, L&R 0 2 Feedback High Dump 0..0 Lag -3ms 0ms 3ms Dry/Wet D3>W D=W D<W3 EQ Low Frequency 32Hz 2.0kHz 4 40 EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 EQ High Gain -db 0dB +db 2 ER/KARAOKE Delay Time 0.ms 400.0ms 0 Table # 2 Feedback Level HPF Cutoff Thru, 22Hz.0kHz 0 2 Table #3 4 LPF Cutoff.0kHz khz, Thru 34 0 Table #3 Dry/Wet D3>W D=W D<W3 Density ER/KARAOKE: ER, ER2 Type S-H, L-H, Rdm, Rvs, Plt, Spr 0 2 Room Size Table # 3 Diffusion Initial Delay 0.ms 200.0ms 0 Table # Feedback Level HPF Cutoff Thru, 22Hz.0kHz 0 2 Table #3 LPF Cutoff.0kHz khz, Thru 34 0 Table #3 Dry/Wet D3>W D=W D<W3 Liveness 0 0 Density High Damp 0..0 ER/KARAOKE: GATE REVERB, GATE REVERB2, REVERS GATE Type TypeA, TypeB 0 2 Room Size Table # 3 Diffusion Initial Delay 0.ms 200.0ms 0 Table # Feedback Level HPF Cutoff Thru, 22Hz.0kHz 0 2 Table #3 LPF Cutoff.0kHz khz, Thru 34 0 Table #3 Dry/Wet D3>W D=W D<W3 Liveness 0 0 Density High Damp 0..0 CHORUS CHORUS: CHORUS, CHORUS2, CHORUS3, CHORUS4, CHORUS, CHORUS, CHORUS, CHORUS, CHORUS FAST, CHORUS LITE, GM CHORUS, GM CHORUS2, GM CHORUS3, GM CHORUS4, FB CHORUS, CELESTE, CELESTE2 ROTARY SP: ROTARY SP LFO Frequency 0.00Hz 3.Hz 0 Table # 2 LFO Depth Feedback Level Delay Offset 0.0ms 0ms 0 Table #2 EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 Table #3 EQ High Gain -db 0dB +db 2 Dry/Wet D3>W D=W D<W3 EQ Mid Frequency (*4) 0Hz.0kHz 4 Table #3 EQ Mid Gain (*4) -db 0dB +db 2 EQ Mid Width (*4) Input Mode mono, stereo 0 CHORUS: SYMPHONIC, SYMPHONIC2 LFO Frequency 0.00Hz 3.Hz 0 Table # 2 LFO Depth Delay Offset 0.0ms 0ms 0 Table #2 4 EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 Table #3 EQ High Gain -db 0dB +db 2 Dry/Wet D3>W D=W D<W3 EQ Mid Frequency (*4) 0Hz.0kHz 4 Table #3 EQ Mid Gain (*4) -db 0dB +db 2 EQ Mid Width (*4)

4 CHORUS: ENS DETUNE, ENS DETUNE2 Detune -0cent 0cent +0cent 2 Lch Init Delay 0.0ms 0ms 0 Table #2 3 Rch Init Delay 0.0ms 0ms 0 Table #2 4 Dry/Wet D3>W D=W D<W3 EQ Low Frequency 32Hz 2.0kHz 4 40 Table #3 EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 Table #3 EQ High Gain -db 0dB +db 2 FLANGER: VIN.FLANGER, VIN.FLANGER2 Speed 0.040Hz.00Hz 0 23 Table #2 2 Manual Depth Feedback 0 0 Type Spread 0 0 Mix 0 0 CHORUS: AMB CHORUS, AMB CELESTE LFO Frequency 0.00Hz 3.Hz 0 Table # 2 LFO Depth Feedback Level Delay Offset 0.0ms 0ms 0 Table #2 LFO AMod Depth 0 0 Dry/Wet D3>W D=W D<W3 Ambience 0 0 Connect Mode Amb Cho, Cho Amb 0 FLANGER: V_FLANGER LFO Freq 0.00Hz 3.Hz 0 Table # 2 LFO Depth LFO Wave Triangle, Sine, Random Delay Offset 0.0ms 3.2ms 0 Table # Feedback Level -0% 0% +0% EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 Table #3 EQ High Gain -db 0dB +db 2 Dry/Wet D3>W D=W D<W3 EQ Mid Frequency 0Hz.0kHz 4 Table #3 EQ Mid Gain -db 0dB +db 2 EQ Mid Width Modulation Phase -deg 0deg +deg 0 Table #20 Feedback High Damp 0..0 Analog Feel 0 0 CHORUS: AMB SYMPHONIC LFO Frequency 0.00Hz 3.Hz 0 Table # 2 LFO Depth Delay Offset 0.0ms 0ms 0 Table #2 4 Dry/Wet D3>W D=W D<W3 Ambience 0 0 Connect Mode Amb Sym, Sym Amb 0 FLANGER: T_FLANGER LFO Freq th 4thx 2 Table # 2 LFO Depth Feedback Level Delay Offset 0.0ms 0ms 0 Table #2 EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 Table #3 EQ High Gain -db 0dB +db 2 Dry/Wet D3>W D=W D<W3 EQ Mid Frequency (*4) 0Hz.0kHz 4 Table #3 EQ Mid Gain (*4) -db 0dB +db 2 EQ Mid Width (*4) LFO Phase Difference -deg 0deg +deg 4 4 FLANGER FLANGER: FLANGER, FLANGER2, FLANGER3, FLANGER4, FLANGER, GM FLANGER LFO Frequency 0.00Hz 3.Hz 0 Table # 2 LFO Depth Feedback Level Delay Offset 0.0ms 0ms 0 Table #2 EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 Table #3 EQ High Gain -db 0dB +db 2 Dry/Wet D3>W D=W D<W3 EQ Mid Frequency (*4) 0Hz.0kHz 4 Table #3 EQ Mid Gain (*4) -db 0dB +db 2 EQ Mid Width (*4) LFO Phase Difference -deg 0deg +deg 4 4 (resolution=3deg.) FLANGER: DYN FLANGER Sensitivity Delay Time Offset Feedback Level Attack Time 0.3ms 22ms 0 Table # Release Time 2.ms 2.4ms 0 Table # Release Curve 0 0 Direction Up, Down 0 Dyna Threshold Level 0 0 Dyna Level Offset 0 0 Dry/Wet D3>W D=W D<W3 EQ Low Frequency 32Hz 2.0kHz 4 40 Table #3 EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 Table #3 EQ High Gain -db 0dB +db 2 4

5 FLANGER: AMB FLANGER LFO Frequency 0.00Hz 3.Hz 0 Table # 2 LFO Depth Feedback Level Delay Offset 0.0ms 0ms 0 Table #2 Dry/Wet D3>W D=W D<W3 LFO Phase Difference -deg 0deg +deg 4 4 (resolution=3deg.) Ambience 0 0 Connect Mode Amb Flg, Flg Amb 0 PHASER: VIN.PHASER ST, VIN.PAHSER ST2, VIN.PHASER ST3, VIN.PHASER ST4 Speed 0.0Hz.00Hz 0 22 Table #22 2 Manual Depth Feedback 0 0 Stage 4,,, 0 3 Mode, 2 0 Color (*) 0 0 Spread 0 0 PHASER PHASER: PHASER, EP PHASER, EP PHASER2, EP PHASER3 LFO Frequency 0.00Hz 3.Hz 0 Table # 2 LFO Depth Phase Shift Offset Feedback Level EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 Table #3 EQ High Gain -db 0dB +db 2 Dry/Wet D3>W D=W D<W3 Stage 4 22 (*2) 4 (*3) Diffusion mono, stereo 0 PHASER: PHASER2, PHASER3 LFO Frequency 0.00Hz 3.Hz 0 Table # 2 LFO Depth Phase Shift Offset Feedback Level EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 Table #3 EQ High Gain -db 0dB +db 2 Dry/Wet D3>W D=W D<W3 Stage 3 3 LFO Phase Difference -deg 0deg +deg 4 4 (resolution=3deg.) PHASER: T_PHASER, T_PHASER2 LFO Freq th 4thx 2 Table # 2 LFO Depth Phase Shift Offset Feedback Level EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 Table #3 EQ High Gain -db 0dB +db 2 Dry/Wet D3>W D=W D<W3 Stage 3 3 LFO Phase Difference -deg 0deg +deg 4 4 PHASER: DYN PHASER Sensitivity Dyna Level Offset Feedback Level Attack Time 0.3ms 22ms 0 Table # Release Time 2.ms 2.4ms 0 Table # Release Curve 0 0 Direction Up, Down 0 Dyna Threshold Level 0 0 Dry/Wet D3>W D=W D<W3 Stage 4,, 4 EQ Low Frequency 32Hz 2.0kHz 4 40 Table #3 EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 Table #3 EQ High Gain -db 0dB +db 2 PHASER: VIN.PHASER, VIN.PHASER2 Speed 0.0Hz.00Hz 0 22 Table #22 2 Manual Depth Feedback 0 0 Stage 4,,,,, 0 Mode, 2, Color (*) 0 0

6 DISTORTION/DISTORTION+ DISTORTION: V_DIST WARM, V_DIST CLS H, V_DIST CLS S, V_DIST METAL, V_DIST CRUNC, V_DIST BLUES, V_DIST EDGY, V_DIST SOLID, V_DST CLEAN, V_DST CLEAN2, V_DIST TWIN, V_DST JZ CLN, V_DIST HARD, V_DIST SOFT Overdrive 0% 0% Device Transistor, Vintage Tube, 0 4 Dist, Dist2, Fuzz 3 Speaker Flat, Stack, Combo, Twin, 0 Radio, Megaphone 4 Presence Output Level 0% 0% 0 0 Dry/Wet D3>W D=W D<W3 DISTORTION: V_DIST ROCA, V_DST FUSION DISTORTION+: V_DST H+TDL, V_DST H+TDL2, V_DST S+TDL, V_DST S+TDL2 Overdrive 0% 0% Device Transistor, Vintage Tube, 0 4 Dist, Dist2, Fuzz 3 Speaker Flat, Stack, Combo, Twin, 0 Radio, Megaphone 4 Presence Output Level 0% 0% 0 0 Delay Time 4th/3 4thx 0 Table # Delay Feedback Level L/R Diffusion -3ms 0ms 3ms Lag -3ms 0ms 3ms Dry/Wet D3>W D=W D<W3 Delay Mix 0 0 Feedback High Dump 0..0 DISTORTION: ST AMP SOLID, ST AMP CRUNC, ST AMP BLUES, ST AMP CLEAN, ST AMP HARP, ST DIST HARD, ST DIST SOFT, ST AMP, ST AMP2, ST AMP3, ST AMP4, ST AMP, ST AMP Drive AMP Type Off, Stack, Combo, Tube LPF Cutoff.0kHz khz, Thru 34 0 Table #3 4 Output Level 0 0 Dry/Wet D3>W D=W D<W3 Edge (Clip Curve) 0 (mild sharp) 0 DISTORTION: DIST HARD, DIST HARD2, DIST SOFT, DIST SOFT2, AMP SIM Drive AMP Type Off, Stack, Combo, Tube LPF Cutoff.0kHz khz, Thru 34 0 Table #3 4 Output Level 0 0 Dry/Wet D3>W D=W D<W3 Edge (Clip Curve) 0 (mild sharp) 0 DISTORTION: DIST HEAVY, OVERDRIVE Drive EQ Low Frequency 32Hz 2.0kHz 4 40 Table #3 3 EQ Low Gain -db 0dB +db 2 4 LPF Cutoff.0kHz khz, Thru 34 0 Table #3 Output Level 0 0 EQ Mid Frequency 0Hz.0kHz 4 Table #3 EQ Mid Gain -db 0dB +db 2 EQ Mid Width Dry/Wet D3>W D=W D<W3 Edge (Clip Curve) 0 (mild sharp) 0 DISTORTION: ST DIST, ST OD Drive EQ Low Frequency 32Hz 2.0kHz 4 40 Table #3 3 EQ Low Gain -db 0dB +db 2 4 LPF Cutoff.0kHz khz, Thru 34 0 Table #3 Output Level 0 0 EQ Mid Frequency 0Hz.0kHz 4 Table #3 EQ Mid Gain -db 0dB +db 2 EQ Mid Width Dry/Wet D3>W D=W D<W3 Edge (Clip Curve) 0 0 DISTORTION: AMP SIM2 Drive AMP Type Off, Stack, Combo, Tube, Crunch, Higain, British 0 3 LPF Cutoff.0kHz khz, Thru 34 0 Table #3 4 Output Level 0 0 Dry/Wet D3>W D=W D<W3 DISTORTION+: DST+DELAY, DST+DELAY2, OD+DELAY, OD+DELAY2 Lch Delay Time 0.ms 3.3ms 33 2 Rch Delay Time 0.ms 3.3ms 33 3 Delay Feedback Time 0.ms 3.3ms 33 4 Delay Feedback Level Delay Mix 0 0 Dist Drive 0 0 Dist Output Level 0 0 Dist EQ Low Gain -db 0dB +db 2 Dist EQ Mid Gain -db 0dB +db 2 Dry/Wet D3>W D=W D<W3

7 DISTORTION+: CMP+DST+DLY, CMP+DST+DLY2, CMP+OD+DLY, CMP+OD+DLY2 Delay Time 0.ms 3.3ms 33 2 Delay Feedback Level Delay Mix Dist Drive 0 0 Dist Output Level 0 0 Dist EQ Low Gain -db 0dB +db 2 Dist EQ Mid Gain -db 0dB +db 2 Dry/Wet D3>W D=W D<W3 Comp. Attack ms 40ms 0 Table # Comp. Release ms 0ms 0 Table # Comp. Threshold -4dB -db Comp. Ratio Table # DISTORTION+: CMP+DST+TDL, CMP+OD+TDLY, CMP+OD+TDLY2, CMP+OD+TDLY3, CMP+OD+TDLY4, CMP+OD+TDLY, CMP+OD+TDLY Delay Time 4th/3 4thx 0 Table # 2 Delay Feedback Level Delay Mix Dist Drive 0 0 Dist Output Level 0 0 Dist EQ Low Gain -db 0dB +db 2 Dist EQ Mid Gain -db 0dB +db 2 L/R Diffusion -3ms 0ms 3ms Lag -3ms 0ms 3ms Dry/Wet D3>W D=W D<W3 Comp. Attack ms 40ms 0 Table # Comp. Release ms 0ms 0 Table # Comp. Threshold -4dB -db Comp. Ratio Table # DISTORTION+: V_DST H+DLY, V_DST S+DLY Overdrive 0% 0% Device Transistor, Vintage Tube, 0 4 Dist, Dist2, Fuzz 3 Speaker Flat, Stack, Combo, Twin, 0 Radio, Megaphone 4 Presence Output Level 0% 0% 0 0 Delay Time L 0.ms 3.3ms 33 Delay Time R 0.ms 3.3ms 33 Delay Feedback Time 0.ms 3.3ms 33 Delay Feedback Level Dry/Wet D3>W D=W D<W3 Delay Mix 0 0 Feedback High Dump 0..0 DISTORTION+: DST+TDLY, OD+TDLY Delay Time 4th/3 4thx 0 Table # 2 Delay Feedback Level Delay Mix Dist Drive 0 0 Dist Output Level 0 0 Dist EQ Low Gain -db 0dB +db 2 Dist EQ Mid Gain -db 0dB +db 2 L/R Diffusion -3ms 0ms 3ms Lag -3ms 0ms 3ms Dry/Wet D3>W D=W D<W3 DISTORTION+: COMP+DIST, COMP+DIST2 Drive EQ Low Frequency 32Hz 2.0kHz 4 40 Table #3 3 EQ Low Gain -db 0dB +db 2 4 LPF Cutoff.0kHz khz, Thru 34 0 Table #3 Output Level 0 0 EQ Mid Frequency 0Hz.0kHz 4 Table #3 EQ Mid Gain -db 0dB +db 2 EQ Mid Width Dry/Wet D3>W D=W D<W3 Edge (Clip Curve) 0 (mild sharp) 0 Attack ms 40ms 0 Table # Release ms 0ms 0 Table # Threshold -4dB -db Ratio Table # REAL DIST REAL DIST: MLT DS SOLO, MLT DS BASIC, MLT OD CHO, MLT CR WAH, MLT OLD DLY, VINTAGE ECHO Comp. Sustain Off, Wah Sw Off, Wah Pedal, Auto+ Full, 0 Auto+ Mid, Auto+ Light, Auto- Full, Auto- Mid, Auto- Light 3 Wah Pedal Dist Sw Off, Overdrive, Distortion, 0 Distortion2, Clean, Crunch, Higain, Modern Dist Drive Dist EQ High Boost, Mid Boost, Mid 0 Cut, Mid Cut 2, Mid Cut 3, Low Cut, Low Cut 2, High Cut, High/Low Dist Tone Dist Presence Output 0 0 SP Type Off, Stack, Twin, Tweed, Oldies, Modern, Mean, Soft, Small, Dip, Dip2, Metal, Light 0 LFO Speed 0.Hz.2Hz 0 Table #2 Phaser Sw Off, Standard, Wide, Vibe, 0 4 Tremolo Delay Sw Off, Delay M, Echo M, 0 Echo2 M, Chorus M, Dl Chorus M, Flanger M, Flanger2 M, Flanger3 M, Delay St, Echo St, Echo2 St, Chorus St, Dl Chorus St, Flanger St, Flanger2 St, Flanger3 St Delay Ctrl 0 0 Delay Time 0 0 REAL DIST: ST AMP DS, ST AMP OD, ST AMP VT, ST AMP HV Comp. Sw Off, On 0 2 Comp. Sustain Comp. Level Dist Type Overdrive, Distortion, Distortion2, Clean, Crunch, Higain, Modern Dist Drive Dist EQ High Boost, Mid Boost, Mid 0 Cut, Mid Cut 2, Mid Cut 3, Low Cut, Low Cut 2, High Cut, High/Low Dist Tone Dist Presence Output 0 0 SP Type Off, Stack, Twin, Tweed, 0 Oldies, Modern, Mean, Soft, Small, Dip, Dip2, Metal, Light

8 REAL DIST: AMP CLASSIC, AMP TOP BST, AMP CUSTOM, AMP HEAVY Mode Bright, Top Boost 0 2 Normal Brilliant Bass Treble Cut Output 0 0 SP Type Off, BS 4x, AC 2x, AC 0 x, AC 4x, BC 2x, AM 4x, YC 4x, JC 2x, OC 2x, OC x SP Air Mic Position Center, Edge 0 WAH AUTO WAH AUTO: AUTO WAH, AUTO WAH2 LFO Frequency 0.00Hz 3.Hz 0 Table # 2 LFO Depth Cutoff Frequency 0 0 Offset 4 Resonance EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 Table #3 EQ High Gain -db 0dB +db 2 Dry/Wet D3>W D=W D<W3 Drive (*4) 0 0 REAL DIST: AMP2 BLUES, AMP2 HEAVY, AMP2 HEAVY2, AMP2 CLEAN, AMP2 DRT CLN Sensitivity High, Low 0 2 PreAmp Bass Middle Treble Presence Master Output 0 0 SP Type Off, BS 4x, AC 2x, AC 0 x, AC 4x, BC 2x, AM 4x, YC 4x, JC 2x, OC 2x, OC x SP Air Mic Position Center, Edge 0 PITCH CHANGE PITCH CHANGE: PITCH CHG, PITCH CHG2 Pitch Initial Delay 0.ms 400.0ms 0 Table # 3 Fine Fine Feedback Level Dry/Wet D3>W D=W D<W3 Pan L3 C R3 Output Level 0 0 Pan 2 L3 C R3 Output Level PITCH CHANGE: PITCH CHG3 Pitch Initial Delay 0.ms 400.0ms 0 Table # 3 Fine -0cent 0cent +0cent 4 Fine 2-0cent 0cent +0cent Feedback Level Dry/Wet D3>W D=W D<W3 Pan L3 C R3 Output Level 0 0 Pan 2 L3 C R3 Output Level WAH AUTO: V.AUTO WAH Speed 0.0Hz 20.00Hz 0 24 Table #23 2 Bottom Top Resonance Offset LFO Wave Sin, Trp 0 Type High, Mid, Low, Bass 0 3 Overdrive 0.0dB +40.0dB 0 0 Output -20.0dB 0.0dB +.0dB 24 4 WAH AUTO: AT.WAH+DST, AT.WAH+DST2, AT.WH+DST HD, AT.WH+DST HV, AT.WH+DST LT, AT.WAH+OD, AT.WAH+OD2, AT.WH+OD HD, AT.WH+OD HV, AT.WH+OD LT LFO Frequency 0.00Hz 3.Hz 0 Table # 2 LFO Depth Cutoff Frequency 0 0 Offset 4 Resonance EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 Table #3 EQ High Gain -db 0dB +db 2 Dry/Wet D3>W D=W D<W3 Drive 0 0 Dist EQ Low Gain -db 0dB +db 2 Dist EQ Mid Gain -db 0dB +db 2 LPF Cutoff.0kHz khz, Thru 34 0 Table #3 Output Level 0 0 WAH AUTO: TEMPO AT.WAH LFO Freq th 4thx 2 Table # 2 LFO Depth Cutoff Frequency 0 0 Offset 4 Resonance EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 Table #3 EQ High Gain -db 0dB +db 2 Dry/Wet D3>W D=W D<W3 Drive (*4) 0 0

9 WAH AUTO: T_AT.WH+DST, T_A.WH+DSTHD, T_A.WH+DSTHV, T_A.WH+DSTLT, T_AT.WH+OD, T_A.WH+OD HD, T_A.WH+OD HV, T_A.WH+OD LT LFO Freq th 4thx 2 Table # 2 LFO Depth Cutoff Frequency 0 0 Offset 4 Resonance EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 Table #3 EQ High Gain -db 0dB +db 2 Dry/Wet D3>W D=W D<W3 Drive 0 0 Dist EQ Low Gain -db 0dB +db 2 Dist EQ Mid Gain -db 0dB +db 2 LPF Cutoff.0kHz khz, Thru 34 0 Table #3 Output Level 0 0 WAH TCH/PDL WAH TCH/PDL: TOUCH WAH Sensitivity Cutoff Frequency 0 0 Offset 3 Resonance EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 Table #3 EQ High Gain -db 0dB +db 2 Dry/Wet D3>W D=W D<W3 Drive (*4) 0 0 WAH TCH/PDL: TOUCH WAH2, TOUCH WAH3, TC.WH+DST HD, TC.WH+DST HV, TC.WH+DST LT, CLAVI TC.WAH, EP TC.WAH Sensitivity Cutoff Frequency 0 0 Offset 3 Resonance EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 Table #3 EQ High Gain -db 0dB +db 2 Dry/Wet D3>W D=W D<W3 Drive (*4) 0 0 Dist EQ Low Gain (*4) -db 0dB +db 2 Dist EQ Mid Gain (*4) -db 0dB +db 2 LPF Cutoff (*4).0kHz khz, Thru 34 0 Table #3 Output Level (*4) 0 0 Release ms 0ms 2 Table # WAH TCH/PDL: V.TOUCH WAH Sensitivity Bottom Top Resonance Offset Direction Up, Down 0 Type High, Mid, Low, Bass 0 3 Overdrive 0.0dB +40.0dB 0 0 Output -20.0dB 0.0dB +.0dB 24 4 Attack Offset WAH TCH/PDL: TC.WH+DST, TC.WH+DST2 Sensitivity Cutoff Frequency 0 0 Offset 3 Resonance EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 Table #3 EQ High Gain -db 0dB +db 2 Dry/Wet D3>W D=W D<W3 Drive 0 0 WAH TCH/PDL: TC.WAH+OD, TC.WAH+OD2, TC.WAH+OD HD, TC.WAH+OD HV, TC.WAH+OD LT Sensitivity Cutoff Frequency 0 0 Offset 3 Resonance EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 Table #3 EQ High Gain -db 0dB +db 2 Dry/Wet D3>W D=W D<W3 Drive 0 0 Dist EQ Low Gain -db 0dB +db 2 Dist EQ Mid Gain -db 0dB +db 2 LPF Cutoff.0kHz khz, Thru 34 0 Table #3 Output Level 0 0 Release ms 0ms 2 Table # WAH TCH/PDL: WH+DST+DLY, WH+DST+DLY2, WH+OD+DLY, WH+OD+DLY2 Delay Time 0.ms 3.3ms 33 2 Delay Feedback Level Delay Mix Dist Drive 0 0 Dist Output Level 0 0 Dist EQ Low Gain -db 0dB +db 2 Dist EQ Mid Gain -db 0dB +db 2 Dry/Wet D3>W D=W D<W3 Wah Sensitivity 0 0 Wah Cutoff Freq Offset 0 0 Wah Resonance Wah Release ms 0ms 2 Table # WAH TCH/PDL: WH+DST+TDLY, WH+OD+TDLY, WH+OD+TDLY2 Delay Time 4th/3 4thx 0 Table # 2 Delay Feedback Level Delay Mix Dist Drive 0 0 Dist Output Level 0 0 Dist EQ Low Gain -db 0dB +db 2 Dist EQ Mid Gain -db 0dB +db 2 L/R Diffusion -3ms 0ms 3ms Lag -3ms 0ms 3ms Dry/Wet D3>W D=W D<W3 Wah Sensitivity 0 0 Wah Cutoff Freq Offset 0 0 Wah Resonance Wah Release ms 0ms 2 Table #

10 WAH TCH/PDL: V.PEDAL WH B, V.PEDAL WH D Pedal Control Bottom Top Resonance Offset Direction Up, Down 0 Type High, Mid, Low, Bass 0 3 OverDrive 0.0dB +40.0dB 0 0 Output -20.0dB 0.0dB +.0dB 24 4 EQ Low Frequency 32Hz 2.0kHz 4 40 Table #3 EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 Table #3 EQ High Gain -db 0dB +db 2 WAH TCH/PDL: PEDAL WAH Pedal Control Depth Cutoff Frequency 0 0 Offset 4 Resonance EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 Table #3 EQ High Gain -db 0dB +db 2 Dry/Wet D3>W D=W D<W3 Drive (*4) 0 0 WAH TCH/PDL: PEDAL WH+DST, P.WH+DIST HD, P.WH+DIST HV, P.WH+DIST LT, PEDAL WH+OD, P.WH+OD HD, P.WH+OD HV, P.WH+OD LT Pedal Control Depth Cutoff Frequency 0 0 Offset 4 Resonance EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 Table #3 EQ High Gain -db 0dB +db 2 Dry/Wet D3>W D=W D<W3 Drive 0 0 Dist EQ Low Gain -db 0dB +db 2 Dist EQ Mid Gain -db 0dB +db 2 LPF Cutoff.0kHz khz, Thru 34 0 Table #3 Output Level 0 0 DYNAMIC: COMP MELODY, COMP BASS, MBAND COMP Type Normal, Low, Mid, High, 0 Low/High, Low/Mid, Mid/ High, Full Bit, Wild, Attacky, Low End, Hard, Basic 2 Threshold Offset Low Gain Offset Mid Gain Offset High Gain Offset DYNAMIC: V.COMPRESSOR Input Level dB Table #24 2 Output Level dB Table #24 3 Ratio 2, 4,,, Attack 0.022ms 0.40ms Table #2 Release.ms 44.22ms Table #2 DYNAMIC: NOISE GATE Attack ms 40ms 0 Table # 2 Release ms 0ms 0 Table # 3 Threshold -2dB -30dB 4 Output Level 0 0 DYNAMIC DYNAMIC: COMP MED, COMP HEAVY, COMPRESSOR Attack ms 40ms 0 Table # 2 Release ms 0ms 0 Table # 3 Threshold -4dB -db 4 Ratio Table # Output Level 0 0 ROTARY SP ROTARY SP: DUAL ROT BRT, DUAL ROT WRM, DUAL ROT SP, DUAL ROT SP2 Rotor Speed Slow 0.00Hz 2.Hz 0 3 Table # 2 Horn Speed Slow 0.00Hz 2.Hz 0 3 Table # 3 Rotor Speed Fast 2.Hz 3.Hz 4 Table # 4 Horn Speed Fast 2.Hz 3.Hz 4 Table # Slow-Fast Time of R 0 0 Slow-Fast Time of H 0 0 Drive Low 0 0 Drive High 0 0 Low/High Balance L3>H L=H L<H3 EQ Low Frequency 32Hz 2.0kHz 4 40 Table #3 EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 Table #3 EQ High Gain -db 0dB +db 2 Mic L-R Angle 0deg deg 0 0 Speed Control Slow, Fast 0

11 ROTARY SP: ROTARY SP, ROTARY SP LFO Frequency 0.00Hz 3.Hz 0 Table # 2 LFO Depth EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 Table #3 EQ High Gain -db 0dB +db 2 Dry/Wet D3>W D=W D<W3 EQ Mid Frequency (*4) 0Hz.0kHz 4 Table #3 EQ Mid Gain (*4) -db 0dB +db 2 EQ Mid Width (*4) ROTARY SP: DST+ROT SP, OD+ROT SP LFO Frequency 0.00Hz 3.Hz 0 Table # 2 LFO Depth EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 Table #3 EQ High Gain -db 0dB +db 2 Dry/Wet D3>W D=W D<W3 Drive 0 0 LPF Cutoff.0kHz khz, Thru 34 0 Table #3 Output Level 0 0 ROTARY SP: ROTARY SP2, ROTARY SP3, ROTARY SP TREMOLO: TREMOLO2, GT TREMOLO SPATIAL: AUTO PAN, AUTO PAN2, EP AUTOPAN LFO Frequency 0.00Hz 3.Hz 0 Table # 2 L/R Depth F/R Depth PAN Direction L R, L R, L R, Lturn, 0 Rturn, L/R EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 Table #3 EQ High Gain -db 0dB +db 2 EQ Mid Frequency (*4) 0Hz.0kHz 4 Table #3 EQ Mid Gain (*4) -db 0dB +db 2 EQ Mid Width (*4) ROTARY SP: ROTARY SP4 TREMOLO: TREMOLO, TREMOLO3, EP TREMOLO, GT TREMOLO2 LFO Frequency 0.00Hz 3.Hz 0 Table # 2 AM Depth PM Depth EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 Table #3 EQ High Gain -db 0dB +db 2 EQ Mid Frequency (*4) 0Hz.0kHz 4 Table #3 EQ Mid Gain (*4) -db 0dB +db 2 EQ Mid Width (*4) LFO Phase Difference -deg 0deg +deg 4 4 (resolution=3deg.) Input Mode mono, stereo 0 ROTARY SP: 2WAY ROT SP Rotor Speed 0.00Hz 3.Hz 0 Table # 2 Drive Low Drive High Low/High L3>H L=H L<H3 EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 Table #3 EQ High Gain -db 0dB +db 2 Crossover Frequency 0Hz.0kHz 4 Table #3 Mic L-R Angle 0deg deg 0 0 (resolution=3deg.) ROTARY SP: DST+2ROT SP, OD+2ROT SP Rotor Speed 0.00Hz 3.Hz 0 Table # 2 Drive Low Drive High Low/High Balance L3>H L=H L<H3 EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 Table #3 EQ High Gain -db 0dB +db 2 Crossover Frequency 0Hz.0kHz 4 Table #3 Mic L-R Angle 0deg deg 0 0 Drive 0 0 LPF Cutoff.0kHz khz, Thru 34 0 Table #3 Output Level 0 0 ROTARY SP: AMP+ROT SP LFO Frequency 0.00Hz 3.Hz 0 Table # 2 LFO Depth AMP Type Off, Stack, Combo, Tube EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 Table #3 EQ High Gain -db 0dB +db 2 Dry/Wet D3>W D=W D<W3 Drive 0 0 LPF Cutoff.0kHz khz, Thru 34 0 Table #3 Output Level 0 0 ROTARY SP: AMP+2ROT SP Rotor Speed 0.00Hz 3.Hz 0 Table # 2 Drive Low Drive High Low/High Balance L3>H L=H L<H3 EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 Table #3 EQ High Gain -db 0dB +db 2 Crossover Frequency 0Hz.0kHz 4 Table #3 Mic L-R Angle 0deg deg 0 0 AMP Type Off, Stack, Combo, Tube 0 3 (AMPSIM only) Drive 0 0 LPF Cutoff.0kHz khz, Thru 34 0 Table #3 Output Level 0 0

12 TREMOLO TREMOLO: VIBE VIBRATE Vibrate Speed 0.00Hz 3.Hz 0 Table # 2 Vibrate Depth (AM) Vibrate Depth (PM) EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 Table #3 EQ High Gain -db 0dB +db 2 Dry/Wet D3>W D=W D<W3 EQ Mid Frequency (*4) 0Hz.0kHz 4 Table #3 EQ Mid Gain (*4) -db 0dB +db 2 EQ Mid Width (*4) LFO Phase Difference -deg 0deg +deg 4 4 (resolution=3deg.) Input Mode mono, stereo 0 Vibrate SW Off, On 0 TREMOLO: T_TREMOLO LFO Freq th 4thx 2 Table # 2 AM Depth PM Depth EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 Table #3 EQ High Gain -db 0dB +db 2 EQ Mid Frequency (*4) 0Hz.0kHz 4 Table #3 EQ Mid Gain (*4) -db 0dB +db 2 EQ Mid Width (*4) LFO Phase Difference -deg 0deg +deg 4 4 (resolution=3deg.) Input Mode mono, stereo 0 SPATIAL: T_AUTO PAN2 LFO Freq th 4thx 2 Table # 2 L/R Depth F/R Depth PAN Direction L R, L R, L R, Lturn, 0 Rturn, L/R LFO Wave EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 Table #3 EQ High Gain -db 0dB +db 2 EQ Mid Frequency 0Hz.0kHz 4 Table #3 EQ Mid Gain -db 0dB +db 2 EQ Mid Width Input Mode mono, stereo 0 EQ/ENHANCER EQ/ENHANCER: EQ DISCO, EQ TEL, 3BAND EQ, ST 3BAND EQ MISC: LO-FI DRUM3, LO-FI DRUM4 EQ Low Gain -db 0dB +db 2 2 EQ Mid Frequency 0Hz.0kHz Table #3 3 EQ Mid Gain -db 0dB +db 2 4 EQ Mid Width EQ High Gain -db 0dB +db 2 EQ Low Frequency 0Hz 2.0kHz 40 Table #3 EQ High Frequency 00Hz.0kHz 2 Table #3 Input Mode mono, stereo 0 SPATIAL SPATIAL: AUTO PAN3 LFO Frequency 0.00Hz 3.Hz 0 Table # 2 L/R Depth F/R Depth PAN Direction L R, L R, L R, Lturn, 0 Rturn, L/R LFO Wave EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 Table #3 EQ High Gain -db 0dB +db 2 EQ Mid Frequency 0Hz.0kHz 4 Table #3 EQ Mid Gain -db 0dB +db 2 EQ Mid Width Input Mode mono, stereo 0 SPATIAL: T_AUTO PAN LFO Freq th 4thx 2 Table # 2 L/R Depth F/R Depth PAN Direction L R, L R, L R, Lturn, 0 Rturn, L/R EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 Table #3 EQ High Gain -db 0dB +db 2 EQ Mid Frequency (*4) 0Hz.0kHz 4 Table #3 EQ Mid Gain (*4) -db 0dB +db 2 EQ Mid Width (*4) EQ/ENHANCER: 2BAND EQ EQ Low Frequency 32Hz 2.0kHz 4 40 Table #3 2 EQ Low Gain -db 0dB +db 2 3 EQ High Frequency 00Hz.0kHz 2 Table #3 4 EQ High Gain -db 0dB +db 2 EQ/ENHANCER: HM ENHANCE, HM ENHANCE2 HPF Cutoff 00Hz.0kHz 2 2 Drive Mix Level 0 0 4

13 MISC MISC: VCE CANCEL Low Adjust High Adjust MISC: AMBIENCE Delay Time 0.0ms 0ms 0 Table #2 2 Output Phase normal, inverse EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 Table #3 EQ High Gain -db 0dB +db 2 Dry/Wet D3>W D=W D<W3 MISC: LOOP FX Vowel a, i, u, e, o Move speed Drive Output Level 0 0 MISC: LOOP FX2, LO-FI DRUM, LO-FI DRUM2 Sampling Freq Control 44.kHz 34Hz 0 Table # 2 Word Length 3 Output Gain -db +3dB LPF Cutoff 3Hz khz, Thru 0 Table #3 Filter Type Thru, PowerBass, Radio, 0 Tel, Clean, Low LPF Resonance Bit Assign 0 0 Emphasis Off, On 0 Dry/Wet D3>W D=W D<W3 Input Mode mono, stereo 0 MISC: DYN FILTER Filter Type LPF (db), LPF (db), 0 LPF (24dB), HPF, BPF, BEF 2 Sensitivity Dyna Level Offset Resonance Attack Time 0.3ms 22ms 0 Table # Release Time 2.ms 2.4ms 0 Table # Release Curve 0 0 Direction Up, Down 0 Dyna Threshold Level 0 0 Dry/Wet D3>W D=W D<W3 EQ Low Frequency 32Hz 2.0kHz 4 40 Table #3 EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 Table #3 EQ High Gain -db 0dB +db 2 MISC: DYN RINGMOD Sensitivity HPF Cutoff Frequency Thru, 22Hz.0kHz 0 2 Table #3 3 LPF Cutoff Frequency.0kHz khz, Thru 34 0 Table #3 4 Attack Time 0.3ms 22ms 0 Table # Release Time 2.ms 2.4ms 0 Table # Release Curve 0 0 Direction Up, Down 0 Dyna Threshold Level 0 0 Dyna Level Offset 0 0 Dry/Wet D3>W D=W D<W3 EQ Low Frequency 32Hz 2.0kHz 4 40 Table #3 EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 Table #3 EQ High Gain -db 0dB +db 2 MISC: RING MOD OSC Frequency 0.Hz khz 0 Table # Coarse 2 OSC Frequency Fine LFO Wave Triangle, Sine 0 4 LFO Depth 0 0 LFO Freq 0.00Hz 3.Hz 0 Table # HPF Cutoff Frequency Thru, 22Hz.0kHz 0 2 Table #3 LPF Cutoff Frequency.0kHz khz, Thru 34 0 Table #3 Dry/Wet D3>W D=W D<W3 EQ Low Frequency 32Hz 2.0kHz 4 40 Table #3 EQ Low Gain -db 0dB +db 2 EQ High Frequency 00Hz.0kHz 2 Table #3 EQ High Gain -db 0dB +db 2 MISC: ISOLATOR On/Off SW Off, On 0 2 Low Level Mid Level High Level 0 0 Low Mute Off, On 0 Mid Mute Off, On 0 High Mute Off, On 0

14 MISC: DAMPER_RESO, 2 HPF Cutoff 20Hz.0kHz 0 2 Table #3 2 LPF Cutoff.0kHz 20.0kHz 34 0 Table #3 3 LSF Frequency (*4) 32kHz 2.0kHz 4 40 Table #3 4 LSF Gain (*4) -db +db 2 High Damp Pedal Response Slow/Normal/Fast 0 2 Dry/Wet D3>W D=W D<W3 Soundboard Effect 0 0 Depth Damper Mode Sharp/Soft 0 Damper Curve Damper Adjust Damper Pedal : NO EFFECT : THRU 2 3 4

15 Table # LFO Frequency Table #3 EQ Frequency Table # Delay Time ( [ms]) Table # Delay Time ( [ms]) Data Value Data Value Data Value Data Value Data Value Data Value 0 THRU (20) k k k 3 3.4k 40 3.k 4 3.k k 4 2.2k k k k k k k 4.0k 0 4.k 0 0.3k.0k k k k k k 2 3.0k k k THRU (20.0k) Data Value Data Value Data Value Data Value Data Value Data Value Data Value Data Value Table #2 Modulation Delay Offset Table #4 Reverb Time Table # Room Size Table # Compressor Attack Time Data Value Data Value Data Value Data Value Data Value Data Value Data Value Data Value Data Value Data Value Data Value Data Value Data Value Table # Compressor Release Time Data Value Data Value Table # Compressor Ratio Data Value Data Value

16 Table # Reverb Width; Depth; Height Table # Tempo Table # Dyna Attack Time (ms) Table # Ring Mod OSC Freq Coarse (Hz) Data Value Data Value Data Value Data Value Data Value Data Value Data Value 0 4th/3 32 4thX 4 4thX 4th. 33 4thX20 4thX2 2 32th 34 4thX2 4thX3 3 32th/3 3 4thX22 4thX4 4 32th. 3 4thX23 4thX th 3 4thX24 4thX th/3 3 4thX2 0 4thX th. 3 4thX2 4thX th 40 4thX2 2 4thX th/3 4 4thX2 3 4thX0 th. 42 4thX2 4 4thX 4th 43 4thX30 4thX2 4th/3 44 4thX3 4thX3 4th. 4 4thX32 4thX4 2nd 4 4thX33 2nd/3 4 4thX34 2nd. 4 4thX3 4thX4 4 4thX3 4thX 0 4thX3 4thX 4thX3 20 4thX 2 4thX3 2 4thX 3 4thX thX 4 4thX4 23 4thX 4thX thX 4thX43 2 4thX 4thX44 2 4thX 4thX4 2 4thX 4thX4 2 4thX 0 4thX4 2 4thX 4thX4 30 4thX 2 4thX4 3 4thX 3 4thX0 Data Value Data Value Data Value Data Value Data Value Data Value Data Value Data Value k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k Table # Wah Release Time Table # LFO Depth Table # Dyna Release Time (ms) Table # V-Flanger Delay Offset Data Value Data Value Table # LO-FI Sampling Frequency Control Data Value Data Value Data Value Data Value 0 44.k 32.34k k 33.30k k 34.2k k 3.23k k 3.k k 3.k k 3.k k 3.k k 40.0k k 4.0k k 42.03k k 43.00k k k k k k k k k k k k k k k k k k k k k Data Value Data Value Data Value (%) (%) (%) Data Value (%) Data Value Data Value Data Value Data Value Data Value Data Value Data Value Data Value Table #20 V-Flanger Modulation Phase Data Value

17 Table #2 VCM Flanger Speed Table #22 VCM Phaser Speed Table #23 VCM Wah Speed Table #24 VCM Comp Level Data Value Data Value Data Value Data Value Data Value Data Value Data Value Data Value Data Value Data Value Data Value Data Value 0 - db -.db 2 -.0dB -.0dB -.db -0.3dB 2-0.0dB -.db 4-0.dB 3 -.4dB -.32dB -0.dB 4 -.db 0 -.0dB -0.3dB -.db -.0dB -0.3dB -.3dB 2 -.db -0.2dB -.3dB 3 -.2dB -0.dB -3.dB dB dB -0.dB -.db -.0dB -.4dB -.db -.30dB -3.3dB -.0dB -.23dB -.2dB -.2dB 0 -.db -.0dB -.34dB -.db -.db -4.23dB -.db -2.dB -.db -.34dB -.42dB dB -.db 2 -.3dB -.db dB -.db dB -.3dB dB 0 -.3dB 2-4.dB -.0dB 2-3.dB 2 -.db 2-2.dB 3 -.db dB 4 -.4dB dB -.2dB dB -.04dB 3-4.dB -.3dB 32-4.dB -.3dB 33-4.dB -.43dB 34-4.dB dB dB -.03dB 3-44.dB 2 -.3dB 3-43.dB 3 -.3dB dB dB dB -.24dB dB -.0dB 4-4.2dB -.db dB -.db dB -.4dB dB 0 -.2dB 4-3.dB -.db dB 2 -.2dB 4-3.4dB 3 -.4dB 4-3.dB 4 -.db 4-3.dB -.3dB 0-3.dB -.20dB -3.dB -.02dB 2-3.dB -.db 3-34.dB -.db 4-34.dB 0 -.0dB -33.4dB -.32dB -33.dB 2 -.db -32.dB 3 -.db -32.2dB 4 -.db -3.dB -.4dB 0-3.3dB -.4dB -30.4dB -.3dB dB -.db 3-30.dB -.db 4-2.dB 0 -.db -2.2dB -.db -2.dB 2 -.4dB -2.0dB dB -2.dB 4 -.db -2.3dB -.0dB 0-2.3dB -4.dB -2.dB -4.0dB 2-2.2dB -4.4dB 3-2.2dB -4.3dB 4-2.dB dB -2.dB -4.0dB -2.2dB 2-3.3dB -24.dB 3-3.dB -24.4dB 4-3.3dB dB -3.4dB 0-23.dB -3.33dB -23.dB -3.dB dB -3.04dB dB -2.dB 4-22.dB -2.dB dB -2.0dB -2.dB 2-2.4dB -2.dB -2.3dB -2.3dB 4-2.dB -2.dB -2.03dB 0-20.dB -.db -20.2dB -.db dB -.db 3 -.db -.4dB 4 -.db -.34dB -.40dB -.20dB

18 Table #2 VCM Comp Attack Time Data Value Data Value Data Value ms.03ms 2 4.ms 0.023ms.24ms 4.ms ms.4ms 4 4.0ms ms.0ms 4.3ms ms 0.2ms 4.ms 0.02ms.ms 4.3ms 0.03ms 2.3ms 4.ms 0.03ms 3.ms 4.ms 0.03ms 4.44ms ms 0.04ms.0ms 0.0ms.33ms 0.0ms.ms 0.0ms.2ms 0.0ms.0ms 0.0ms 0.33ms 0.ms.ms 0.ms.ms 0.ms.ms 0.ms.3ms 0.3ms.ms ms.3ms ms.2ms ms.0ms ms.ms ms 0.0ms ms.3ms ms 2.ms ms 3.ms ms 4.2ms ms.ms ms.0ms ms.2ms ms.3ms ms.ms ms 0.ms 3 0.ms.2ms 3 0.ms 2.ms 3 0.ms 3.ms 3 0.ms 4.3ms 3 0.ms.ms ms.23ms 4 0.2ms.ms 42.04ms.ms 43.3ms 20.3ms 44.ms 0 20.ms 4.233ms 2.0ms 4.30ms ms 4.32ms 3 2.0ms 4.444ms 4 22.ms 4.20ms 22.ms 0.ms 22.ms.ms 23.3ms 2.ms 23.ms 3.44ms 24.ms 4.3ms 0 24.ms 2.02ms 24.ms 2.ms 2 2.3ms 2.20ms 3 2.ms 2.304ms ms 2.404ms 2.ms 0 2.0ms 2.0ms 2.ms 2.3ms 2 2.ms 2.ms 3 2.2ms 2.4ms 4 2.4ms 0 2.ms 3.0ms 2.3ms 3.4ms 2 2.ms 3.2ms ms 3.4ms ms 3.44ms 3.ms 0 3.3ms 3.4ms 3.0ms 32.ms ms 32.0ms 3 4.0ms 33.0ms 4 4.2ms 0 33.ms 4.3ms 34.0ms 4.0ms 2 34.ms 4.ms 3 3.0ms 4.0ms 4 3.ms 4.2ms 3.ms 0.0ms 3.2ms.2ms 3.ms 2.44ms 3.ms 3.ms 3.20ms 4.ms 3.3ms.4ms 3.2ms.0ms 2 3.2ms.30ms 40.3ms.4ms ms.ms 4.4ms 0.ms 42.04ms.0ms 42.ms 2.22ms 43.ms 3.40ms 43.ms 4.ms 44.33ms.ms 44.2ms Table #2 VCM Comp Release Time Data Value Data Value Data Value 0.ms 3.ms ms.0ms.34ms 0.4ms 2.4ms.4ms 4.0ms 3.00ms.ms.ms 4.ms ms 23.ms.22ms.0ms 2.34ms.3ms 2.0ms 33.0ms.4ms ms 3.0ms.4ms 4.ms ms.ms.ms.22ms 0.0ms.0ms 3.4ms.0ms.40ms.ms.30ms.0ms ms.ms.ms.30ms.ms.4ms.ms.20ms 4.ms.0ms.22ms 20.22ms.30ms 2.ms.40ms 22.34ms.4ms 23.4ms.0ms 24.ms ms 2.22ms 20.ms 2.0ms ms ms 3 2.0ms ms 4 2.0ms 2 22.ms 2.22ms ms 222.ms ms 22.4ms ms 22.34ms ms 232.ms ms ms ms 23.0ms 3 2.ms ms 3 2.ms ms 3 30.ms ms 3 3.ms 23.ms ms 2.0ms ms 2.ms ms 24.0ms ms 2.0ms ms ms 4 3.ms 2.ms 4 3.ms 2 2.4ms ms ms 4 4.0ms 4 2.3ms ms 2.22ms ms 2.ms 4.ms 2.00ms 2 4.4ms 302.4ms ms 30.0ms 4 4.ms 0 3.ms.22ms 3.0ms 2.0ms 2 3.4ms 4.20ms ms.4ms 4 32.ms.30ms 33.22ms 0.ms 33.3ms 0.0ms 33.4ms 2 2.ms 343.4ms 3 3.0ms 34.ms 4.0ms ms.22ms 3.0ms.ms ms 0.4ms 3 3.ms 2.4ms 4 3.0ms 4.3ms 33.ms 0.22ms 3.30ms.ms 32.4ms ms 3.20ms 3.4ms 3.0ms 4 3.0ms ms.ms 400.ms.0ms ms.4ms ms 2.00ms 4 4.ms 4.ms 4.22ms 0.22ms 423.0ms.3ms 42.0ms 2 0.4ms ms 3 2.4ms 43.ms 4 4.ms 442.ms.22ms 44.0ms.0ms ms.0ms 4.40ms.ms ms.0ms 4.22ms 0.ms 42.ms.30ms 4.ms 2 3.4ms 42.ms 3.20ms 4.ms 4.0ms 42.22ms.22ms 4.30ms Table #2 EgMultiFx LFO Freq Data Value Data Value 0 0.Hz 4.00Hz 0.3Hz.0Hz 2 0.Hz.03Hz 3 0.Hz.Hz 4 0.Hz.Hz 0.Hz.22Hz 0.4Hz 0.22Hz 0.Hz.304Hz 0.Hz 2.34Hz 0.Hz 3.40Hz 0.2Hz 4.4Hz 0.Hz.Hz 0.2Hz.Hz 0.Hz.Hz 0.Hz.2Hz 0.Hz.4Hz 0.Hz 0.0Hz 0.4Hz.2Hz 0.2Hz 2.Hz 0.Hz 3 2.0Hz Hz 4 2.3Hz 2 0.2Hz 2.Hz Hz 2.2Hz Hz 2.334Hz Hz 2.4Hz Hz 2.02Hz 2 0.2Hz 0 2.0Hz 2 0.2Hz 2.2Hz 2 0.2Hz 2 2.Hz Hz Hz Hz 4 2.Hz Hz 3.Hz Hz 3.23Hz Hz 3.3Hz Hz 3.4Hz Hz 3.Hz 3 0.3Hz Hz 3 0.3Hz 3.Hz Hz Hz 3 0.4Hz 3 4.4Hz Hz Hz Hz 4.Hz Hz 4.Hz Hz 4.3Hz Hz.00Hz 4 0.Hz.3Hz 4 0.2Hz 0.33Hz 4 0.4Hz.2Hz 4 0.Hz.04Hz 4 0.Hz.2Hz 0 0.Hz.224Hz 0.3Hz.33Hz 2 0.Hz.4Hz 3 0.3Hz.Hz Hz.Hz 0.2Hz.402Hz 0.Hz 0.3Hz 0.Hz.Hz 0.Hz 2.32Hz 0.4Hz 3.Hz 0 0.3Hz 4.Hz 0.04Hz.23Hz 2 0.4Hz.Hz 3 0.Hz.2Hz

19 Chromatic Vocoder Type Chordal Type Detune Type Order Type LCD Name Mode Type Thru Type MSB LSB MSB LSB MSB LSB MSB LSB MSB LSB CountryQuartet CountryQuar Chordal/Vocorder ClosedMenQuartet ClsdMenQuar Chordal/Vocorder MixAcapQuartet MixAcapQuar Chordal/Vocorder 0 4 Women Choir WomenChoir Chordal/Vocorder 0 24 Jazz Sisters JazzSisters Chordal/Vocorder 0 0 Standard Duet Std Duet Chordal/Vocorder 0 0 Men Choir MenChoir Chordal/Vocorder 0 23 Closed Choir ClosedChoir Chordal/Vocorder Girl in Duet Girl Duet Chordal/Vocorder 0 Speedy Mouse SpdyMouse Chromatic 2 HighMaleQuartet HighMaleQua Chordal/Vocorder 0 Jazz Quartet JazzQuartet Chordal/Vocorder 0 0 Mixed Choir MixedChoir Chordal/Vocorder 0 2 Country Girls CntryGirls Chordal/Vocorder 0 2 Sisters Trio SistersTrio Chordal/Vocorder 0 4 Country Men CountryMen Chordal/Vocorder 3 0 A Capella Boy ACapellBoy Chordal/Vocorder 0 2 A Capella Mix ACapellaMix Chordal/Vocorder 0 22 Gospel Diva GospelDiva Chordal/Vocorder Lisa and Tina Lisa&Tina Chordal/Vocorder AcapMenQuartet AcapMenQuar Chordal/Vocorder JazzMenChoir JazzMenCho Chordal/Vocorder JazzClosedCho J_CloseCho Chordal/Vocorder JazzWomenCho J_WomenCho Chordal/Vocorder LadiesQuartet LadiesQuart Chordal/Vocorder Sing B+G Sing B+G Chordal/Vocorder Barbershop Barbershop Chordal/Vocorder JazzMixedCho J_MixedCho Chordal/Vocorder Dream Girls Dream Girls Chordal/Vocorder Sing the Bass SingBass Chromatic 2 3 Falsetto Duet FalsetDuet Chordal/Vocorder Falsetto Trio FalsettTrio Chordal/Vocorder Falsetto Dia FalsettoDia Chordal/Vocorder Fal A Capella FalACapella Chordal/Vocorder Falsetto Jazz FalsetJazz Chordal/Vocorder Unison Low 2UnisonLow Chordal/Vocorder Unison Low 3UnisonLow Chordal/Vocorder Diatonic Jazz DiatncJazz Chordal/Vocorder Diatonic Girl DiatncGirl Chordal/Vocorder A Capella Dia ACapellaDia Chordal/Vocorder ChordalXG ChordalXG Chordal/Vocorder Karaoke Auto KaraokAuto Chordal/Vocorder Karaoke Mode KaraokMode Chordal/Vocorder Karaoke Girl KaraokGirl Chordal/Vocorder Pitch Correct PitchCorrect Chordal/Vocorder Unison High 2UnisonHigh Chordal/Vocorder Unison High 3UnisonHigh Chordal/Vocorder Vocoder Auto Upper VocodAutoU Chordal/Vocorder Vocoder Auto VocodAutoL Chordal/Vocorder 0 0 DetuneXG DetuneXG Detune 0 VocoderXG VocoderXG Chordal/Vocorder Vocoder Mode Upper VocodModeU Chordal/Vocorder Vocoder Mode VocodModeL Chordal/Vocorder Vocoder Girl Upper VocodGirlU Chordal/Vocorder Vocoder Girl VocodGirlL Chordal/Vocorder 2 0 Vocoder Pitch Upper VocodPichU Chordal/Vocorder 22 0 Vocoder Pitch VocodPichL Chordal/Vocorder 23 0 ChromaticXG ChromatXG Chromatic 2 0 Voice&Inst Voice&Inst Chordal/Vocorder Pop Vocal Pop Vocal Chordal/Vocorder 0 Thru Thru - 4 0

CVP-709, CVP-705, CVP-701 MIDIリファレンス

CVP-709, CVP-705, CVP-701 MIDIリファレンス CVP-0 CVP-0 CVP-01 Manual Development Group 20 Yamaha Corporation 201 4 MW-B0 JA CVP-0/CVP-0 Type Name MSB LSB Parameter List (pages 20) Real Large Hall 1 32 REAL REVERB Real Medium Hall 1 33 REAL REVERB

More information

U.R.G., Digital Musical Instruments Division, Yamaha Corporation

U.R.G., Digital Musical Instruments Division, Yamaha Corporation CLP- 0 JA Reverb Block Effect Name MSB LSB Hall1 1 0 Hall2 1 1 Room 2 1 Stage 3 1 Plate XG Effect Name MSB LSB BASIC HALL 1 21 LIGHT HALL 1 22 BALLAD HALL 1 1 PIANO HALL 1 20 HALL1 1 0 HALL2 1 HALL3 1

More information

CLP-685 MIDIリファレンス

CLP-685 MIDIリファレンス CP- CP- CP- CP-3 JA Reverb Block Chorus Block XG Effect Name MSB SB DSP Block MSB SB 0 0 1 2 1 2 2 1 3 2 2 XG Effect Name MSB SB MODERN HA 1 2 CONCERT HA 1 CATHEDRA 1 BASIC HA 1 21 IGHT HA 1 22 BAAD HA

More information

ElevenRack-MIDIControls

ElevenRack-MIDIControls 第 11 章 : MIDI を使って Eleven Rack を制御する Eleven Rack のパラメータの多くは MIDI を使って制御できます これにより 外部の MIDI 機器 ( フット コントローラーなど ) と Pro Tools の MIDI 機能の両方使って リアルタイムで Eleven Rack のトーンを変化させることができます このセクションでは Eleven Rack で使える

More information

KORG Module 取扱説明書

KORG Module 取扱説明書 取扱説明書 J 2 * Apple ipad iphone ipod touch itunes Apple Inc. * 2 ... 6... 7... 8... 10... 11... 13... 17... 17... 18... 19 MIDI... 21 ipad MIDI... 21 MIDI... 22 3 ... 24... 27... 28... 31... 36... 38...

More information

JamVOX Effect guide

JamVOX  Effect guide 3 ii 1. VOX AC15... 3 2. VOX AC15TB... 3 3. VOX AC30... 4 4. VOX AC30TB... 4 5. UK BLUES... 4 6. UK 68P... 4 7. UK '80S... 5 8. UK '90S... 5 9. UK MODERN... 5 10. BLACK 2X12... 5 11. TWEED 1X12... 6 12.

More information

JamVOX Effect guide

JamVOX  Effect guide 2 ii 1. VOX AC15... 3 2. VOX AC15TB... 3 3. VOX AC30... 4 4. VOX AC30TB... 4 5. UK BLUES... 4 6. UK 68P... 4 7. UK '80S... 5 8. UK '90S... 5 9. UK MODERN... 5 10. BLACK 2X12... 5 11. TWEED 1X12... 6 12.

More information

CS1x 取扱説明書

CS1x 取扱説明書 C O N T E N T S 1 2 4 6 8 1 11 12 14 17 18 19 22 25 3 32 34 38 54 58 62 64 65 71 75 76 78 1 (3) 2 (3) DATA 3 5 VOLUME 2 MW/FC 1 SCENE AMP EG FILTER PHONES L/MONO OUTPUT ATTACK R DC IN POWER FOOT VOLUME

More information

TF Editor V3.5 ユーザーガイド

TF Editor V3.5 ユーザーガイド DIGITAL MIXING CONSOLE JA - 2 - TF Editor - 3 - TF Editor NOTE - 4 - TF Editor 1. 2. 3. 1. 2. 3. 4. - 5 - TF Editor NOTE NOTE - 6 - TF Editor NOTE - 7 - TF Editor 1 2 3 4 5 6 7 8 9 0 1 2-8 - TF Editor

More information

TF Editor V4.0 ユーザーガイド

TF Editor V4.0 ユーザーガイド DIGITAL MIXING CONSOLE JA - 2 - - 3 - NOTE - 4 - 1. 2. 3. 1. 2. 3. 4. - 5 - NOTE NOTE - 6 - NOTE - 7 - 1 2 3 4 5 6 7 8 9 0 1 2-8 - 1 NOTE 1-2 - 3 4 1 2 NOTE - 9 - - 10 - 1 2 3 4 5 6 1 2-11 - 1 2 3 4 5-12

More information

GT-3_r_j

GT-3_r_j 2 3 4 5 6 7 8 9 INPUT OUTPUT R OUTPUT L(MONO) INPUT INPUT PHONES OUTPUT R OUTPUT L(MONO) OUTPUT R OUTPUT L(MONO) MTR 10 SEND INPUT OUTPUT INPUT PHONES RETURN SUB EXP PEDAL /SUB CTL 1,2 AC IN 14V 800mA

More information

1010

1010 ADVANCED GUITAR EFFECT PROCESSOR ZOOM PLAYER INPUT OUTPUT AMP SIM ON COMP WAH DISTORTION EQ VOL CHO/FLG 1 RHYTHM 9 2 Classic OD 10 SENS DIST COLOR 1-16 PRESENCE 1:CHO 3:DBL 2:FLG 3 Valve OD 4 Vintage DRIVE

More information

ToneLab LE 取扱説明書

ToneLab LE 取扱説明書 J 2 ii iii iv v HINT HINT 1. NOTE 2. 3. 4. 5. NOTE 6 Quick Start 6. HINT HINT 7. NOTE 8. HINT 9. NOTE HINT 10. 11. 7 Quick Start 12. 13. HINT HINT 14. HINT 8 9 VOX VALVE REACTOR PREAMP FEEDBACK CIRCUIT

More information

BR-532_j

BR-532_j If you should require an English Owner s Manual (at a modest fee), please contact an authorized Roland distributor. 2 3 4 5 6 7 8 9 10 V-Track 2 V-Track 1 V-Track 3 V-Track 4 V-Track 5 V-Track 6 V-Track

More information

mpctouch_userguide_v1.0-1

mpctouch_userguide_v1.0-1 [ WEB ] 7 7 7 7 8 9 10 11 5 4 6 1 4 4 2 12 13 14 15 16 17 4 3 23 21 22 2018 19 17 x2 2 1 3 4 6 7 8 5 9 10 11 Parameter

More information

MPC_Essentials_v1.0-ja-2

MPC_Essentials_v1.0-ja-2 [ WEB ] 2 3 1 16 13 14 10 11 15 12 4 8 9 7 5 6 17 18 18 19 20 Dry/Wet 0 (dry) 100 (wet) Q13 Pre-Delay 1 100 Q9 Early Reflection Q5 Density

More information

ARP ODYSSEi 取扱説明書

ARP ODYSSEi 取扱説明書 J2 2 3 NOISE GENERATOR VOLTAGE CONTROLLED OSCILLATORS AUDIO MIXER VOLTAGE CONTROLLED FILTER HIGH PASS FILTER VOLTAGE CONTROLLED AMPLIFIER RING MOD SAMPLE AND HOLD MIXER SAMPLE AND HOLD LOW FREQUENCY OSCILLATOR

More information

MOTIF-RACK XS 取扱説明書

MOTIF-RACK XS 取扱説明書 TONE GENERATOR JA 2 (3)-15 2/4 (3)-15 3/4 3 4 (3)-15 4/4 (3)-15 5/4 5 n 6 7 n 8 9 1 4 5 6 2 3 ^ 7 ) # 1 2 3 4 5 n 8 9! @ $ % 6 n 7 8 9 ) 10 ! @ n # $ n % ^ 11 1 2 3 4 5 6 7 8 1 1 1 n 2 3 4 5 6 7 8 12 1.

More information

SP-303_j

SP-303_j If you should require an English Owner s Manual (at a modest fee), please contact an authorized Roland distributor. 2 3 4 5 6 2 3 4 6 8 9 2 5 0 3 4 7 5 6 7 8 9 20 2 22 23 25 24 26 7 8 36 32 33 34 35 27

More information

Mode Message Program Change Channnel After Touch Polyphonic After Touch Pitch Bend Change Bn Cn Dn An En 78 All Sound Off 00 Data Reset All Cont

Mode Message Program Change Channnel After Touch Polyphonic After Touch Pitch Bend Change Bn Cn Dn An En 78 All Sound Off 00 Data Reset All Cont YMW820 アプリケーションノート Subject YMW820(NSX-1) MIDI 仕様書 ヤマハ株式会社半導体事業部 Date 2013 年 10 月 31 日 Rev. 1.0 Channel Message Events Status byte (H) 1st Data byte 2nd Data byte Default Voice Note (n:channel No.) HEX

More information

2 dbx ProVocal ProVocal 3 EQ dbx / MIDI 24bit S/PDIF 44.1/48kHz Mic/Line 20dB 48V XLR XLR ProVocal 1U ProVocal Provocal 45 3 Section 1 1.1 ProVocal S/PDIF ProVocal S/PDIF RCA MIDI MIDI ProVocal XLR( )

More information

VS-1680_a_j

VS-1680_a_j 3 4 VS-1680 Disk Drive1 (Zip Drive, etc) Disk Drive2 (Zip Drive, etc) Disk Drive7 (CD-R Drive, etc) 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 Val Level Val Level Val Level Val Level Val Level

More information

XENYX QX2222USB/QX1622USB

XENYX QX2222USB/QX1622USB XENYX QX2222USB/QX1622USB Premium 22/16-Input 2/2-Bus Mixer with XENYX Mic Preamps & Compressors, KLARK TEKNIK Multi-FX Processor, Wireless Option and USB/Audio Interface 2 XENYX QX2222USB/QX1622USB 3

More information

VF-1_j

VF-1_j 2 3 4 5 6 7 8 9 10 11 (1) (3) (4) (5) (6) (9) (2) (7) (8) 12 (17) (10) (11) (12) (13) (14) (15) (16) 13 14 OUTPUT R OUTPUT L INPUT RETURN SEND INPUT R INPUT L 1. 2. 3. 15 Roland RETURN SEND 16 1. 2. 3.

More information

Fantom-S_List_j

Fantom-S_List_j / 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 4-Band Isolator Low Boost 4-Band Isolator Low Boost Spectrum Spectrum Low Boost Low Boost 20 Super Filter Super Filter SAW1 SAW2 Step Filter Step Filter

More information

ToneLab ST 取扱説明書

ToneLab ST 取扱説明書 ii iii iv 1 a. b. 2 NOTE: c. d. e. NOTE: f. HINT: a. b. c. 3 a. b. c. a. b. d. 4 a. a. b. c. 5 d. e. a. b. 6 5. 6. 1. NOTE: 2. 3. 7. 8. 9. 10. 4. NOTE: 7 VOX OUTPUT/PHONES AUX IN INPUT DC12V USB 1. 2.

More information

PS-02

PS-02 2 3 1 4 2 A F#m D 5 6 A B C D E A+B+C F G A+B+C+D+E A B C D A+B+C(L) A+B+C(R) E A+B+C+D(L) A+B+C+D(R) 3 4 PAN LEVEL 7 8 9 10 11 12 13 14 15 16 PATTERN CHORD RECORD MIXDOWN 17 PATTERN CHORD RECORD MIXDOWN

More information

CS2X 取扱説明書 第2版

CS2X 取扱説明書 第2版 99,800 C O N T E N T S 3 (3)-4 Ò Ó (3)-4 7 PHONES VOLUME 2 MW FC 1 SCENE HPF L/MONO OUTPUT STANDBY R DC IN FOOT VOLUME ON ATTACK DECAY RELEASE ASSIGN 1 DATA LPF RESONANCE ASSIGN 2 FOOT CONTROLLER PRESET

More information

EMX5014C 取扱説明書

EMX5014C 取扱説明書 POWERED MIXER JA (5)-7 2 (5)-7 3 4 5 1 2 3 NOTE 6 1 1 1 NOTE 7 4 7 8 7 2,10 2 3 25 2 9,11 8,10 6 2 3 4 5 8 6 NOTE 7 NOTE 8 9 10 NOTE 11 9 4 1 2 3,5 1 1 REVERB HALL 1 5 REVERB STAGE 1 9 KARAOKE ECHO C FLANGER

More information

YDP-S34 MIDI リファレンス

YDP-S34 MIDI リファレンス YDP-S34 JA 2 3 MSB (0-127) LSB (0-127) Program Change # (1-128) 108 0 1 108 1 1 108 1 2 108 0 5 108 0 6 108 0 7 108 0 12 108 1 20 108 0 17 108 0 49 4 MIDI CHANNEL MESSAGE (1) MIDI Events Status byte 1st

More information

SD-90_j

SD-90_j 2 3 4 5 6 7 8 困ったときは 9 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 1 ルーティングを選ぶ 2 エフェクトの種類を選ぶ( アルゴリズム ) 3 エフェクトをエディットする 4 エフェクトをバイパスする 5 アイコン表示でエディットする リスト表示でエディットする 6 システムに関する設定をする 7 8 音色を選ぶ

More information

stomp box.PDF

stomp box.PDF 2 3 Line 6 Stomp Box Stomp Box 3 Line 6 True Bypass & Delay Remain Bypass Stomp Box Modelers ( ) Delay Modeler DSP Battery or AC Power Operation Stomp Box Modelers 2 Line 6 AC 20 30 left/mono 4 4 / left/mono

More information

FEEL Prod Grap PH_Artwork_P0A0J QSG JP A4_ _Rev.1.indd

FEEL Prod Grap PH_Artwork_P0A0J QSG JP A4_ _Rev.1.indd XENYX X2442USB/X2222USB/X1622USB Premium 24/22/16-Input 4/2 and 2/2-Bus Mixer with XENYX Mic Preamps & Compressors, British EQs, 24-Bit Multi-FX Processor and USB/Audio Interface 2 XENYX X2442USB/X2222USB/X1622USB

More information

QX1202USB/QX1002USB

QX1202USB/QX1002USB CLIP SIG XENYX QX1202USB/QX1002USB Premium 12/10-Input 2-Bus Mixer with XENYX Mic Preamps & Compressors, British EQs, KLARK TEKNIK Multi-FX Processor and USB/Audio Interface 2 XENYX QX1202USB/QX1002USB

More information

oxygen49-61_userguide

oxygen49-61_userguide [ WEB ] 8 9 10 1 2 3 4 6 7 11 5 1 2 3 4 Key Parameter Value Control Assign (example) MIDI CC number 10 (Pan) Data 2 (example) Release 0 (minimum) Data 3 (example) Press 127 (maximum) Key Parameter

More information

P-125, P-121 MIDIリファレンス

P-125, P-121 MIDIリファレンス DIGITAL PIANO P - 125 P - 121 JA NOTE # P-125 C0 C1 C2 C3 C4 C5 C6 C7 P-121 C1 C2 C3 C4 C5 C6 C4 C#4 D#4 F#4 G#4 C4 D4 F4 G4 A4 C0 C1 C2 C3 C4 C5 C6 C7 P-125 C5 C1 C2 C3 C4 C5 C6 P-121 2 ## P-125 C0 C1

More information

カワイステージピアノ MP7 取扱説明書

カワイステージピアノ MP7 取扱説明書 Zone Mode Line In Fader MAIN Fader SUB1 Fader SUB2 Fader SUB3 Fader Input Level MAIN Reverb Depth SUB1 Reverb Depth SUB2 Reverb Depth SUB3 Reverb Depth Master Fader Key Key MIDI USB *

More information

EMX5016CF 取扱説明書

EMX5016CF 取扱説明書 POWERED MIXER JA ?ofl tx z?wyhw UKb { (5)-7 2 (5)-7 3 4 5 1 2 3 NOTE 6 1 NOTE 7 2 3 4 5 8 6 NOTE 7 NOTE 8 9 10 NOTE 11 9 1 1 HALL 1 5 SMALL STAGE 1 9 CHORUS C TREMOLO 2 ROOM 1 6 VOCAL ECHO 0 EARLY REF.

More information

ProR3_J

ProR3_J DIGITAL REVERBERATOR L R CLIP -3-6 -9-12 -18-24 -36 INPUT PROGRAM STEREO L R MONO PRESET USER MIDI DIGITAL REVERBERATOR PRE EFFECT EQ DATA/CURSOR INC DEC PARAMETER MAIN FINE EQ EQ ON GATE GATE ON 7 8 9

More information

code49-61_userguide

code49-61_userguide [ WEB ] MIDI PATCH PERFORM RHYTHM GM PIANO ORGAN GUITAR/BASS BRASS/ORCH SYNTH/PAD RHYTHM SPECIAL FX 2 3 5 15 16 17 18 19 20 14 6 21 4 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 24 7 8 12 12 12 12 24 11 12 12 12 12

More information

RK-100S Parameter Guide

RK-100S Parameter Guide RK-100S 2... 4... 4... 4...4...6 PROGRAM... 8...8 VOICE...8 SCALE...9...9 LONG RIBBON...9 SHORT RIBBON... 10... 10 OSCILLATOR1... 10 OSCILLATOR2... 14 VOICE... 16 PITCH... 17 MIXER... 17 FILTER... 18 AMP

More information

HOW TO MUSIC PRODUCTION SYNTHESIZER

HOW TO MUSIC PRODUCTION SYNTHESIZER HOW TO MUSIC PRODUCTION SYNTHESIZER Chapter 1 4 4 6 6 Chapter 2 8 9 11 11 12 12 19 19 24 28 32 33 35 8 Chapter 4 42 42 50 52 55 57 59 Chapter 5 60 61 64 Chapter 3 36 38 40 MOTIF ES / SECOND STEP GUIDE

More information

RIVAGE PMシリーズ データリスト

RIVAGE PMシリーズ データリスト JA 2 LEGACY COMP THRESHOLD 60.0 to 0.0 (db) RATIO 1:1 to :1 ATTACK 0 to 120 (msec) RELEASE 3.34m to 42.7 (sec) OUT GAIN 20.0 to +40.0 (db) KNEE Hard, Soft-1, Soft-2, Soft-3, Soft-4, Soft-5 COMP260 THRESHOLD

More information

Nova Modulator Manual

Nova Modulator Manual NM-1 NOVA Modulator TC Electronic, Sindalsvej 34, DK-8240 Risskov info@tcelectronic.com Japanese Version Manual revision 1.0 SW V 1.0 3 Nova Modulator - Creativity Enhanced Nova Modulator TC Tri-Chorus

More information

1 2 TonePrint TonePrint Editor Ready

1 2 TonePrint TonePrint Editor Ready TC Electronic TonePrint Editor 1 2 TonePrint....................... 2 TonePrint Editor....................... 2.................................. 2 3 Ready................................... 3 Set.....................................

More information

P-200.O/M.J.Ascii

P-200.O/M.J.Ascii VOLUME CS CONTRAST STORE PERF. A MAX PS PS SPLIT TRANSPOSE MIDI EDIT PERF. B VOICE MIN DATA ENTRY -/NO +/YES BALANCE DETUNE PAGE C ()- ()- DATA 4 6 7 4 6 8 7 9 VOLUME MAX CS CONTRAST POWER PS PS SPLIT

More information

2 (4)-7

2 (4)-7 2 (4)-7 (4)-7 3 4 p r f > 5 6 7 8 9 10 11 r q!1 o!0!2!3!4!5 w e t y u i!6!7 q w e r t y 12 u i o!0!1!7!2!3!4!5 p r f >!6!7 13 !8!8!9!9 @0 @0 14 @1 @2 @3 @4 @5 @6 @7 @8 @9 @1 @2 @3 @5 @6 @7 @8 @9 @4 15

More information

AX-D701[DOM]

AX-D701[DOM] AX-D701 4 7 LVT1438-001A 1 2 47 8 8 9 12 12 14 14 16 18 20 22 22 23 23 24 26 2728 2930 29 29 29 30 30 3133 31 31 344 343 36 37 37 37 38 38 40 40 41 41 42 42 43 44 44 4 4 462 4647 48 49 49 0 0 0 0 1 1 1

More information

iM1 for iPad 取扱説明書

iM1 for iPad 取扱説明書 2 3 COMBI (Combination) TIMBRE 1 Program TIMBRE 2 TIMBRE 3 TIMBRE 4 TIMBRE 5 TIMBRE 6 TIMBRE 7 TIMBRE 8 Program Program Program Program Program Program Program Master FX MFX 1 MFX 2 4 MULTI Track 1 Program

More information

FEEL Prod Grap PH_Artwork_P0AJW QSG JP A4_ _Rev.5.indd

FEEL Prod Grap PH_Artwork_P0AJW QSG JP A4_ _Rev.5.indd EUROPOWER PMP560M 500-Watt 6-Channel Powered Mixer with KLARK TEKNIK Multi-FX Processor, Compressors, FBQ Feedback Detection System and Wireless Option 2 EUROPOWER PMP560M 3 ¼" TS 1. 2. 3. 4. 5. 6. 7.

More information

GUITAR EFFECTS PROCESSOR 1

GUITAR EFFECTS PROCESSOR 1 GUITAR EFFECTS PROCESSOR 1 Distortion Digital Distortion Amp Simulator Chorus Symphonic Flange Vintage Flange Phaser Mono Vintage Phaser Stereo Vintage Phaser Tremolo Auto Pan Rotary Ring Mod. Mod. Filter

More information

promega2.PDF

promega2.PDF Promega2 2 Contents Section 1...5 PEDAL...6 POWER and STANDBY...6 MASTER CONTROL...7 Section 2...8 EXAMPLE1...9 EXAMPLE2...9 EXAMPLE3...11 EXAMPLE4...12 EXAMPLE5...13 EXAMPLE6...14 EXAMPLE7...16 Section

More information

Microsoft Internet Explorer 内の Word 文書

Microsoft Internet Explorer 内の Word 文書 promega3 2 Contents Section 1...5 PEDAL...6 POWER and STANDBY...6 MASTER CONTROL...7 Section 2...7 EXAMPLE1...8 EXAMPLE2...8 EXAMPLE3...9 EXAMPLE4...10 EXAMPLE5...11 EXAMPLE6...11 EXAMPLE7...12 Section

More information

DSP-A1

DSP-A1 NATURAL SOUND AV AMPLIFIER NATURAL SOUND AV AMPLIFIER DSP A1 CINEMA DSP 7ch DOLBY DIGITAL POWER INPUT SELECTOR VOLUME 16 20 12 28 8 STANDBY/ON DIGITAL DSP DIGITAL SOURCE AC-3 TV/DBS VCR 1 VCR 2 DVD/VCR

More information

2 IN COMP/EFX DRIVE EQ ZNR AMP MODULATION DELAY REVERB 3 OUT BANK 3 PATCH 0 BANK d BANK PATCH 1 PATCH C BANK 0 PATCH b BANK PATCH 0 1 PATCH A PATCH 0

2 IN COMP/EFX DRIVE EQ ZNR AMP MODULATION DELAY REVERB 3 OUT BANK 3 PATCH 0 BANK d BANK PATCH 1 PATCH C BANK 0 PATCH b BANK PATCH 0 1 PATCH A PATCH 0 2 IN COMP/EFX DRIVE EQ ZNR AMP MODULATION DELAY REVERB 3 OUT BANK 3 PATCH 0 BANK d BANK PATCH 1 PATCH C BANK 0 PATCH b BANK PATCH 0 1 PATCH A PATCH 0 1 PATCH PATCH 0 1 PATCH 9 PATCH 1 PATCH 9 PATCH 9 PATCH9

More information

DATA-MANSHRT_LX1_LX1PRO_LX112_JPN_Rev_D.pdf

DATA-MANSHRT_LX1_LX1PRO_LX112_JPN_Rev_D.pdf V-AMPIRE//V-AMP V-AMPIRE V-AMP V-AMPIRE//V-AMP 1. V-AMPIRE / / V-AMP V-AMPIRE//V-AMP.1 POWER (V-AMPIRE V-AMPIRE BEHRINGER V-AMP POWER V-AMP V-AMP PRO GAIN VOLUME V-AMP V-AMP EQ MID BASS TREBLE 1.1 V-AMPIRE

More information

DK650 取扱説明書

DK650 取扱説明書 J 1 2 3 4 1 A0 [21] C1 [24] C2 [36] C3 [48] C4 [60] C5 [72] C6 [84] C7 [96] C8 [108] 2 3 4 6 7 8 9 10 12 14 16 18 19 20 5 11 13 15 17 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 5 15. 16. 17. 18. 19.

More information

FEEL Prod Grap PH_Artwork_P0961 QSG Prin BEH JP A4_ _Rev.5.indd

FEEL Prod Grap PH_Artwork_P0961 QSG Prin BEH JP A4_ _Rev.5.indd V-AMP 3 Next-Generation Modeling Guitar Amplifier with 480 Virtual Combos and USB Audio Interface 2 3 ¼" TS 1. 2. 3. 4.. 6. 7. 8. 9. 10... 13. 14. 1. 16. 17. 18. 19. 20. 21. MUSIC Group MIDAS KLARK TEKNIK

More information

1 2 3 4 TonePrint ABC 6 TonePrint 8 TonePrint Editor 11 15 Modulation - 16 Delay - 19 Reverb - 21 TonePrint Editor 24 FAQ 24 24 TonePrint Editor 2.0 a

1 2 3 4 TonePrint ABC 6 TonePrint 8 TonePrint Editor 11 15 Modulation - 16 Delay - 19 Reverb - 21 TonePrint Editor 24 FAQ 24 24 TonePrint Editor 2.0 a TonePrint Editor 2.0 1 2 3 4 TonePrint ABC 6 TonePrint 8 TonePrint Editor 11 15 Modulation - 16 Delay - 19 Reverb - 21 TonePrint Editor 24 FAQ 24 24 TonePrint Editor 2.0 a TonePrint Editor TC PDF TC PDF

More information

VIRTUALIZER 3D FX2000

VIRTUALIZER 3D FX2000 (behringer.com にてマニュアルをチェック ) VIRTUALIZER 3D FX2000 High-Performance 3D Multi-Engine Effects Processor 2 VIRTUALIZER 3D FX2000 3 安全にお使いいただくために ¼" TS 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 法的放棄 12. 13. 14.

More information

AX-V8000[DOM]

AX-V8000[DOM] 5 3 7 8 SPEAKERS SPEAKERS 2 INPUT MODE INPUT ATT SURROUND ON/OFF HTX ON / OFF DSP MODE LINE DIRECT SOUND SELECTOR REC SELECTOR ADJUST MENU SETUP MENU AUDIO/VIDEO CONTROL AMPLIFIER DOWN LEFT UP RIGHT SET

More information

TRAKTOR_JPN

TRAKTOR_JPN TRAKTOR 使用ガイド 2 Traktor LE 2 Mapping BUTT: TURN: HI EQ ENCODER: RING: KILL /RESET FILTER GAIN [CUE LEVEL] TURN: SCROLL LIST /SCROLL TREE TOGGLE BROWSER /EXPAND TREE LOAD A PAGE UP SHIFT PAGE DOWN LOAD

More information

REV. A MUSTANG GT40 MUSTANG GT100 MUSTANG GT200

REV. A MUSTANG GT40 MUSTANG GT100 MUSTANG GT200 REV. A MUSTANG GT40 MUSTANG GT100 MUSTANG GT200 1 AUX INPUT GAIN VOLUME TREBLE MIDDLE BASS MASTER A. B. C. D. E. F. G. H. I. J. K. L. 2 M. GAIN VOLUME TREBLE MIDDLE BASS MASTER N. O. P. Q. R. S. 3 ENCODER

More information

TONE GENERATOR TONE GENERATOR PLAY EDIT MUTE/ SOLO ALL PART PART 1 A/D INPUT UTIL EFFECT MODE EQ XG TG300B PERFORM ENTER EXIT SELECT SELECT VALUE VALU

TONE GENERATOR TONE GENERATOR PLAY EDIT MUTE/ SOLO ALL PART PART 1 A/D INPUT UTIL EFFECT MODE EQ XG TG300B PERFORM ENTER EXIT SELECT SELECT VALUE VALU TONE GENERATOR TONE GENERATOR PLAY EDIT MUTE/ SOLO ALL PART PART 1 A/D INPUT UTIL EFFECT MODE EQ XG TG300B PERFORM ENTER EXIT SELECT SELECT VALUE VALUE 2 VOLUME PART BANK/PGM VOL EXP PAN REV CHO VAR KEY

More information

VoiceLive 2 Manual

VoiceLive 2 Manual FCC Part 15 Class B 1 2 .................................... 7........................................ 9........................................ 12..................................... 14...............................................

More information

FEEL Prod Grap PH_Artwork_P0CAH QSG JP A6_ _Rev.4.indd

FEEL Prod Grap PH_Artwork_P0CAH QSG JP A6_ _Rev.4.indd M100 Stereo Multi-Effects Processor with Legendary TC Reverbs and Effects 2 M100 3 ¼" TS 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. MUSIC Group MIDAS KLARK TEKNIK LAB GRUPPEN

More information

入門編

入門編 MUSIC SYNTHESIZER 2 * Aural Exciter "Factory Set & Demonstration" 3 4 G P b g 5 6 7 8 9 MODE VOLUME CS SONG VOICE MUSIC SYNTHESIZER EDIT UTILITY JOB DISK SEQUENCER RECORDRUN STOP/TOP STORE VOICE EDIT TRACK

More information

DV-RA1000HD_Jpn(b)

DV-RA1000HD_Jpn(b) » D00927901A DV-RA1000HD High Definition Audio Master Recorder á á á è ì í ì ì í í ó è í è í í 2 TASCAM DV-RA1000HD ì ó ó ó ó á í ó ì ì í í ì ó í TASCAM DV-RA1000HD 3 4 TASCAM DV-RA1000HD TASCAM DV-RA1000HD

More information

2 3

2 3 2 3 4 INPUT BANK 9 BANK 9 BANK 9 BANK 9 PATCH 1 PATCH 1 BANK PATCH 0 BANK 0 PATCH 1 1 BANK BANK 2 10 BANK PATCH PATCH 1 PATCH PATCH 0 BANK 2 0 0 PATCH 1 BANK PATCH 1 2 BANK 3 1 BANK PATCH 2 PATCH 0 1 PATCH

More information

(Version 3)

(Version 3) (Version 3) 1 2 DIGITAL MIXER model D-901 1 7 PEAK 1 2 8 +12dB 2 +6dB UTILITY 3 4 9 10 0dB -6dB 3 4 PRESET LOCK 5 11 6 12 SEL SIG 0N 0N SIG SEL SEL -12dB -20dB -40dB 5 6 7 POWER OFF 1 ENTRY SECTI

More information

;;;;;;; ;;;;;;; ;;;;;;; ;;;;;;; ;;;;;;; ;;;;;;; ;;;;;;; ;;;;;;; ;;;;;;; ;;;;;;; ;;;;;;; ;;;;;;; ;;;;;;; ;;;;;;; ;;;;;;; ;;;;;;; CLAVINOVA HARPSI- PIANO 1 PIANO 2 TONE E. PIANO CHORD VIBES STRINGS

More information

FCC FCC 15 2 (1) (2) : B FCC 15 / / Elektron Elektron Elektron

FCC FCC 15 2 (1) (2) : B FCC 15 / / Elektron Elektron Elektron FCC FCC 15 2 (1) (2) : B FCC 15 / / Elektron Elektron Elektron 1. 2. LCD 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 35 ELEKTRON PSU-3B 40 EU CE 1....7 1.1...7 2....8 2.1...8 2.2...9 3. ANALOG HEAT...10 3.1...10

More information

BRC-X1000

BRC-X1000 C-455-100-02(1) BRC-X1000/H800 2016 Sony Corporation 2 3 4 5 6 4 D E 5 6 7 A B C F G 7 8 9 0 qa qs SYSTEM SELECT IN IR SELECT VISCA RS - 422 OUT OSD OFF CAMERA SETUP 1 qd 2 3 4 5 6 7 8 LAN 12V qf HDMI

More information

Nova Delay Manual - Web

Nova Delay Manual - Web ND-1 Nova Delay TC Electronic, Sindalsvej 34, DK-8240 Risskov info@tcelectronic.com Japanese Version Manual revision 1.0 SW V 1.0 Prod. No: E60507011-J 3 4 mono Guitar Effects Technology hold subdiv for

More information

EMX66M_J

EMX66M_J EEEngine 3 4 5 DIGITAL VOCAL ECHO + + + +3-5 - ON OFF PHANTOM VOCAL ECHO VOCAL REVERB 5 5 5 k k 4k 8k GEQ POWER AMP VOCAL REVERB HALL RTN TR IN MASTER LIMITER MON +5 +5 +5 +5 +5 +5 HALL ROOM PLATE + +

More information

Microsoft Word - FM Converter User Manual_J_ _3.docx

Microsoft Word - FM Converter User Manual_J_ _3.docx FM Converter ユーザーガイド 次 変換 法 Drag and Drop 対応するファイルの種類 変換されるコンテンツの種類 変換されないコンテンツの種類 Voice の変換 Voice と Performance の変換 変換プロセスのルール Library の読み込み Web MIDI コンバーターの制限 Web MIDI の使い 付録 変換されるパラメーター 変換されないパラメーター

More information

01/DSP-R995 (01-33)

01/DSP-R995 (01-33) REMOTE CONTROL NATURAL SOUND AV AMPLIFIER DSP-R995 NATURAL SOUND AV AMPLIFIER DSP-R995 CINEMA DSP DOLBY DIGITAL POWER INPUT SELECTOR VOLUME 16 2 12 28 8 STANDBY/ON EXT. DECODER 6 2 A/B/C/D/E 1 2 3 4 5

More information

NordLead2X

NordLead2X I II III IV V VI VII 1 2 3 4 5 6 7 8 9 10 11 12 13 L1 L2 FN O2 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 FM Mix 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57

More information

110808_RP_Punch_manual_jp_edit

110808_RP_Punch_manual_jp_edit PUNCH Rob Papen Jon Ayres Jon Ayres Rob Papen Jon Ayres Jacek Kusmierczyk Hans Van Even www.musicworks.fr Rob Papen Rob Papen Jon Ayres Armand ten Dam Jon Evers Tim Schwarz Rob Papen Punch Punch Punch

More information

GF/JMym final (Page 1)

GF/JMym final (Page 1) G-Force GUITAR EFFECTS PROCESSOR 2 - OUTPUT G-FORCE RECALL STORE EFFECTS I/O SETUP MODIFIERS UTILITY TEMPO TUNER GATE COMPRESSOR FILTERS PARAMETRIC EQUALIZER RESONANCE WAH WAH FORMANT FILTERS PHASER tmn/ym-v200

More information

カードファイラーマニュアル

カードファイラーマニュアル 999 Yamaha Corporatio. All rights reserved. GAIN GAIN LINE MIC/LINE 2 A/D INPUT LINE MIC/LINE 2 A/D INPUT VOLUME DOWN DOWN OCTAVE VOLUME OCTAVE PHONES UP PHONES UP L/MONO R OUTPUT FILTER EG SCENE L/MONO

More information

FCC FCC 15 2 (1) (2) : B FCC 15 / / BICES-003 Cet appareil nume rique de la classe B est conforme a la norme NMB-003 EU 2014/35/EU EMC 2014/30/EU RoHS

FCC FCC 15 2 (1) (2) : B FCC 15 / / BICES-003 Cet appareil nume rique de la classe B est conforme a la norme NMB-003 EU 2014/35/EU EMC 2014/30/EU RoHS Analog Heat MKII FCC FCC 15 2 (1) (2) : B FCC 15 / / BICES-003 Cet appareil nume rique de la classe B est conforme a la norme NMB-003 EU 2014/35/EU EMC 2014/30/EU RoHS 2 2011/65/EU Elektron Elektron Elektron

More information

microSTATION Operation guide

microSTATION Operation guide J 2 - ii iii iv 1 1 2 4 7 8 9 10 11 1 5 6 3 2 10 15 9 11 12 13 14 3 7 6 5 4 3 2 1 4 5 PROGRAM OSC 1 MS1 (Multisample) Drum Kit MS2 (Multisample) MS3 (Multisample) Insert / Master / Total Effect IFX 1 MFX

More information

(3)-10 1/4 2

(3)-10 1/4 2 (3)-10 1/4 2 (3)-10 2/4 3 (3)-10 3/4 4 (3)-10 4/4 5 6 7 8 9 10 11 12 13 14 15 q w e r t y 01X mlan MUSIC PRODUCTION STUDIO Copyright(c) Yamaha i o!0!2!4!1!3!5 u q w 16 e r t!3!4!5 y!2 u!2 o!0!1!2!3!4 t!5

More information

COVER/98/PRI

COVER/98/PRI 2 3 EF 4 5 6 7 8 9 10 PHONES 11 CUSTOM PAGE! " # $ % & ' ( ) * +, -. / 0 1 2 3 4 5 6 7 8 9 : EF ; < = 12 >? @ A B C D E F G H I J K L M N O P Q R S T U V W X Y Z [ \ ] ^ _ ` a b c d e f 13 MASTER VOLUME

More information

TF5 TF3 TF1 TF-RACK V3.1 リファレンスマニュアル

TF5 TF3 TF1 TF-RACK V3.1 リファレンスマニュアル DIGITAL MIXING CONSOLE JA - 2 - TF series - 3 - TF series - 4 - TF series 1 2 3 1 2 3 4 5 6 7 8 9-5 - TF series 1 2 3 4 5 6 7 1 2 3 4 5 6 1 2 3 4 5 6 7 1 2 3 4 5 6-6 - TF series 1 2 3 4 5 6 1 2 3 4 5 1

More information

U400 U300 U300R MP3/WMA/WAV CD My-Kenwood My-Kenwood JVC KENWOOD Corporation B5A (JN)

U400 U300 U300R MP3/WMA/WAV CD My-Kenwood My-Kenwood JVC KENWOOD Corporation B5A (JN) U400 U300 U300R MP3/WMA/WAV CD My-Kenwood My-Kenwood https://jp.my-kenwood.com 2014 JVC KENWOOD Corporation B5A-0141-00 (JN) [ 2 3 [ 4 5 15 8 8 6 XX S T MODE ON 7 SRC SRC ATT SRC 8 1 1 FUNCTION 2 CLOCK

More information

SA-BX500 (RQT9222-S).indd

SA-BX500 (RQT9222-S).indd SA-BX500 RQT9222-1MS NEO : 6 MUSIC MUSIC http://www.sense.panasonic.co.jp _ + 2CH MIX TUNED MONO ST M BI-WIRE A B SLEEP PCM m khz MHz DTS 96/24DTS-ES AAC DIGITAL EX EX _ + FRONT A FRONT B CENTER SURROUND

More information

XL42 width.3 1.1 +/- 2 line/pad phase 2 4 lo-cut freq bell eq bell 1 2k freq 4 8k freq 1k 2k freq 2 4 1 2k 4 8k 1k 2k level pan line/pad phase lo-cut freq bell freq eq freq freq bell level pan PAD +48

More information

EMX /EMX

EMX /EMX J J P.14 X P.15 X K P.18 3 1+ 1 Neutrik NL4FC 2 2+ CHANNEL A STEREO/PARALLEL 1+ A+ 1 A 2+ B+ 2 B CHANNEL B 1+ B+ 1 B BRIDGE 1+ + 1 2+ 2 Y ^ 0 ` P.32 PA SPEAKERS OUT MAXIMUM OUTPUT [500W/4Ω] NOMINAL OUTPUT

More information

Greetings from the Home of Tone PAGE 1 / LOW MID HIGH MID GAIN SEND HI-PASS FILTER BASS GAIN FREQ GAIN FREQ TREBLE REVERB+CHORUS ROOM REVERB LIMIT PROTECT CLIP OUT HALL REVERB CH 1 PHANTOM INPUT INPUT

More information

ELS-01/01C/01X typeU 取扱説明書

ELS-01/01C/01X typeU 取扱説明書 ELS-0/0C/0X typeu v.8 JA ()B-9 /4 ()B-9 /4 3 4 ()B-9 3/4 ()B-9 4/4 5 6 7 "Mobile Wnn" OMRON SOFTWARE Co., Ltd. 999 All Rights Reserved. 8 CONTENTS 3 4 5 6 7 8 9 0 3 4 REVERB UPPER KEYBOARD VOICE BRILLIANCE

More information

ST-224

ST-224 POWER DC IN MIDI IN DATA CARD L/MONO R PHONES TIME STRETCH SCRATCH DELAY REVER FLANGER STEP CRY CHORUS PHASER EDIT 2 VOLUME/ASS EXCITER TREMOLO AUTO PAN LO-FI COMPRESSOR EXTREME EQ RESONANCE PITCH SHIFTER

More information

FreeSpace.book

FreeSpace.book IZA 190-HZ IZA 250-LZ ZA 190-HZ ZA 250-LZ FreeSpace Integrated Zone Amplifier/Zone Amplifier * 1. 2. 3. 4. 5. 6. 7. 8. 9. 2 2 10. 11. 12. 13. 14. 15. 16. 17. 40 C This product conforms to all EU Directive

More information

Microsoft Word - triplexxx.doc

Microsoft Word - triplexxx.doc 12AX7 3 12AX7 6L6GC 4 EL34 4 SEND RETURN Tight Medium Loose Ultra Crunch (4, 6, 16 ) 2 各部の説明 1. POWER ON 2. STANDBY LED OFF ON 3. POWER STATUS LAMP 4. MASTER VOLUME CHANNEL 5. HAIR 15dB CLEAN 6. BODY /

More information

KARMA Version2.0 アップデート・ガイド

KARMA Version2.0 アップデート・ガイド J 1 1 2 Version 2.0 KARMA GE KARMA TX Filter Notes K.RTC (KARMA REALTIME CONTROLS) Auto K.RTC Name Copy/Swap KARMA SCENE 3 Sequencer Tone Adjust MIDI Start/Stop Out in P/C (Start/Stop Out in Prog/Combi)

More information

PANARAY System Digital Controller STANDBY INPUT METER TPM L -db 40 24 18 12 6 0 O R Stereo Bank 802 PRESET UTILITY LIMITER DELAY PANARAY SYSTEM DIGITAL CONTROLLER CH1/MONO INPUTS CH2 OUTPUTS CH1 CH2

More information

MG206C/MG166CX/MG166C 取扱説明書

MG206C/MG166CX/MG166C 取扱説明書 JA 2 (5)-8 1/2 (5)-8 2/2 3 4 1 2 q w w q 3 5 基礎編 クイックガイド 基礎編 スピーカーから音を出す お手持ちのスピーカーを MGに接続して 音を出してみましょう 接続する機器によって手順や操作が異なり ますが ここでは 2台のスピーカーを使ってステレオ出力してみます 2 マイク 楽器 スピーカー 2 パワーアンプ 1, 4 ヘッドフォン GAINコントロール

More information

LS9-16/32 取扱説明書

LS9-16/32 取扱説明書 JA CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

More information

()B-9 /4

()B-9 /4 ELS-0/0C/0X v.7 JA ()B-9 /4 ()B-9 /4 3 4 ()B-9 3/4 ()B-9 4/4 5 6 7 "Mobile Wnn" OMRON SOFTWARE Co., Ltd. 999 All Rights Reserved. 8 CONTENTS 3 4 5 6 7 8 9 0 3 4 REVERB UPPER KEYBOARD VOICE BRILLIANCE VOLUME

More information