MOTIF-RACK XS 取扱説明書
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- せい こしの
- 4 years ago
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1 TONE GENERATOR JA
2 2 (3)-15 2/4
3 (3)-15 3/4 3
4 4 (3)-15 4/4
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10 ^ 7 ) # n 8 $ % 6 n ) 10
11 n # $ n % ^ 11
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14 L R n 1. POWER ON!! n n
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18 3 4. n n n n 1. n n 18
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20 mlan IN 1 3 Port MIDI MIDI (*1) MIDI mlan OUT 1 3 Port AUDIO mlan OUT 1-14 (*2) mlan OUT 1-14ch AUDIO mlan OUT L/R mlan OUT L/R (*3) MOTIF-RACK XS AUDIO mlan IN L/R mlan IN (*4) n 20
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28 3. n n 1. TIP n n n 4. n
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32 n TIP TIP 9. n TIP TIP n n 32
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35 n n n 5. 35
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37 7. n 8. TIP n n n 9. n
38 A B C D E A Chorus Send Reverb Send Reverb Type Chorus to Reverb Chorus Type C Reverb Return Reverb Pan Chorus Return Chorus Pan D E Part EQ Ins Effect B Dry Level MEF MEQ n B 38
39 6. B 10. C n 11. n C 13. D 14. DA E 15. n 39
40 n n n TIP 40
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42 6. n TIP n 1. n
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50 n n C0 C1 C6 (C0C6) 50
51 n OSC PITCH LFO FILTER AMP 51
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53 ApKb Organ GtPl GtMG Bass BaMG Strng Brass RdPp Lead PdMe CPrc DrPc Seq Chord Hybrd Cntr Acoustic Piano & Keyboard Organ Guitar / Plucked Guitar for Mega Voice Bass Bass for Mega Voice Strings Brass Reed / Pipe Synth Lead Synth Pad / Musical Effect Chromatic Percussion Drum / Percussion Synth Seq Chord Seq Hybrid Seq Control n Rock Rock Z.Pad Zone Velocity for Pad* R&B R&B Filtr Filter Elect Electronic Exprs Expression Jazz Jazz Pan Pan World World Mod Modulation Genrl General Pbend Pitch Bend Comb Combination Asign Assign 1/2 Zone Zone Velocity* 53
54 n * ) ) Main Sub Category Category ARP No. ARP Name Time Signature Length Original Tempo Accent Random SFX Voice Type ApKb Rock 1 70sRockB 4 / Acoustic Piano ApKb Rock 2 70sRockC 4 / : ApKb Rock 3 70sRockD 4 / ApKb Rock 4 70sRockE 4 / ApKb Rock 5 70sRockF 4 / ApKb Rock 6 70sRockG 4 / ApKb Rock 7 70sRockH 4 / n
55 n n n n n n n n 55
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58 n n 134 n 12 58
59 REV-X HALL O R3 HALL O SPX HALL O O O REV-X ROOM O R3 ROOM O SPX ROOM O O O R3 PLATE O SPX STAGE O O O SPACE SIMULATOR O CROSS DELAY O O TEMPO CROSS DELAY TEMPO DELAY MONO TEMPO DELAY STEREO O O O O O O CONTROL DELAY O DELAY LR O O DELAY LCR O O DELAY LR (Stereo) O O O G CHORUS O O 2 MODULATOR O O SPX CHORUS O O SYMPHONIC O O ENSEMBLE DETUNE O O VCM FLANGER O O CLASSIC FLANGER O O TEMPO FLANGER O O DYNAMIC FLANGER O 59
60 VCM PHASER MONO VCM PHASER STEREO O O O O TEMPO PHASER O O DYNAMIC PHASER O VCM COMPRESSOR 376 CLASSIC COMPRESSOR O O O MULTI BAND COMP O O AUTO PAN O TREMOLO O ROTARY SPEAKER O AMP SIMULATOR 1 O AMP SIMULATOR 2 O COMP DISTORTION O COMP DISTORTION DELAY O O VCM AUTO WAH O VCM TOUCH WAH O VCM PEDAL WAH O LO-FI O O NOISY O DIGITAL TURNTABLE O RING MODULATOR DYNAMIC RING MODULATOR O O O 60
61 DYNAMIC FILTER O O AUTO SYNTH O ISOLATOR O O SLICE O O TECH MODULATION O VCM EQ 501 O HARMONIC ENHANCER TALKING MODULATOR DAMPER RESONANCE O O O PITCH CHANGE O EARLY REFLECTION O O 61
62 n n AEG Phase AM Depth AM Inverse R AM Speed AM Wave AMP Type Analog Feel Attack Attack Offset Attack Time Bit Assign Bottom *1 Click Density Click Level Color *2 Common Release Compress Control Type Damper Control Decay Delay Level C Delay Mix Delay Offset Delay Time Delay Time C, L, R Delay Time L>R Delay Time Ofst R Delay Time R>L Delay Transition Rate Density Depth Detune Device Diffusion Direction Divide Freq High Divide Freq Low Divide Min Level Divide Type Drive Drive Horn Drive Rotor Dry Level Dry LPF Cutoff Frequency Dry Mix Level Dry Send to Noise Dry/Wet Balance Dyna Level Offset Dyna Threshold Level Edge Emphasis EQ Frequency EQ Gain EQ High Frequency EQ High Gain EQ Low Frequency EQ Low Gain EQ Mid Frequency EQ Mid Gain EQ Mid Width EQ Width ER/Rev Balance F/R Depth FB Hi Damp Ofst R FB Level Ofst R Feedback Feedback High Damp Feedback Level Feedback Level 1, 2 Feedback Time Feedback Time 1, 2, L, R Filter Type Fine 1, 2 Gate Time Height Hi Resonance High Attack High Gain High Level High Mute High Ratio High Threshold Horn Speed Fast Horn Speed SLow Initial Delay Initial Delay 1, 2 Initial Delay Lch, Rch Input Level Input Mode Input Select L/R Depth L/R Diffusion Lag LFO Depth LFO Phase Difference LFO Phase Reset 62
63 LFO Speed LFO Wave Phase Shift Offset Pitch 1, 2 PM Depth Pre Mod HPF Cutoff Frequency Pre-LPF Cutoff Frequency Liveness Low Attack Low Gain Low Level Low Mute Low Ratio Low Threshold LPF Resonance Manual Meter Mic L-R Angle Mid Attack Mid Gain Mid Level Mid Mute Mid Ratio Mid Threshold Mix Mix Level Mod Depth Mod Depth Ofst R Mod Feedback Mod Gain Mod LPF Cutoff Frequency Mod LPF Resonance Mod Mix Balance Mod Speed Mod Wave Type Mode Modulation Phase Move Speed Noise Level Noise LPF Cutoff Frequency Noise LPF Q Noise Mod Depth Noise Mod Speed Noise Tone Pre-LPF Resonance Presence Ratio Release Release Curve Release Time Resonance Resonance Offset Reverb Delay Reverb Time Room Size Rotor Speed Fast Rotor Speed Slow Rotor/Horn Balance Sampling Freq. Control Sensitivity Slow-Fast Time of Horn Slow-Fast Time of Rotor Space Type Speaker Type Speed Speed Control Spread Stage Threshold Top *3 Type Vowel Wall Vary Width Word Length On/Off Switch OSC Frequency Coarse OSC Frequency Fine Output Output Gain Output Level Output Level 1, 2 Over Drive Pan 1, 2 Pan AEG Min Level Pan AEG Type Pan Depth Pan Direction Pan Type Pedal Control Pedal Response 63
64 E F 5 64
65 1 2 n 65
66 3 n n 66
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70 n
71 7 8 n n n n 71
72 n n 9 n 9 2! )
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87 Piano (Acoustic Piano) APno (Acoustic Piano) Layer Modrn (Modern) Vintg (Vintage) Arp (Arpeggio) Keys (Keyboard) EP (Electric Piano) FM (FM Piano) Clavi Synth Arp Organ Tn Whl (Tone Wheel) Combo Pipe Synth Arp Guitar A. Gtr (Acoustic Guitar) E.Cln (Electric Clean) E. Dst (Electric Distortion) Synth Arp Bass ABass (Acoustic Bass) EBass (Electric Bass) SynBs (Synth Bass) Arp (Arpeggio) String (Strings) Solo Ensem (Ensemble) Pizz (Pizzicato) Synth Arp Brass Solo BrsEn (Brass Ensemble) Orche (Orchestra) Synth Arp SaxWW (Sax / Woodwind) Sax (Saxophone) Flute WWind (Woodwind) RPipe (Reed / Pipe) Arp SynLd (Synth Lead ) Analg (Analog) Digtl (Digital) H Hop (Hip Hop) Dance Arp Pads (Synth Pad/Choir) Analg (Analog) Warm Brite (Bright) Choir Arp SyCmp (Synth Comp) Analg (Analog) Digtl (Digital) Fade Hook Arp CPerc Chromatic Percussion) Malet (Mallet Percussion) Bell SynBl (Synth Bell) PDrum (Pitched Drum) Arp Dr / Pc (Drum / Percussion) Drums Perc (Percussion) Synth Arp (Arpeggio) S.EFX (Sound Effect) Move (Moving) Ambie (Ambient) Natur (Nature) SciFi (Sci-Fi) Arp M. EFX (Musical Effect) Move Ambie Sweep Hit Arp Ethnc (Ethnic) Bowed Pluk (Plucked) Struk (Struck) Blown Arp # b 87
88 88
89 89
90 # # # L&R asl&r m1&2 m3&4 m5&6 m7&8 m9&10 m11&12 m13&14 asl asr m1 : m14 drum 76 # n 90
91 1 2 3 n
92 4 + 0 Low Lo-Mid Mid Hi-Mid High n
93 5 n 6 n n n 93
94 1 2 n n 94
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96 3 n
97 7 n n n
98 1 n n n 98
99 n 2 n n n 99
100 n 100
101
102 4 5 n
103
104 All data is initialized upon poweron. Continue? Are you sure? Bulk data protected. Completed. Device number is off. Device number mismatch. Executing... Illegal bulk data. MIDI buffer full. MIDI checksum error. MIDI data error. Mixing Voice full. Now executing Factory set... Now receiving MIDI bulk data... Now transmitting MIDI bulk data... Please keep power on. The received MIDI bulk data s type is not compatible with the current mode/voice type. The setting is available upon next power-on after storing Utility. 104
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116 , 78, 80, , , , , 85, , 76, 93, , 17, , , , 91, 94, , , , , , , 73, 93, , , 50, , , , 36, , , 45, 101, , 94, , , 96, 102, , , 66, , 50, ,
117 ... 21, 96, 102, , 50, , , 29, 30, , , , , 94, , , 50, , 52,
118 index.html 118
119
120 U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation 2008 Yamaha Corporation WM MWDH4.2-03C0 Printed in Japan
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2 (4)-7 (4)-7 3 4 p r f > 5 6 7 8 9 10 11 r q!1 o!0!2!3!4!5 w e t y u i!6!7 q w e r t y 12 u i o!0!1!7!2!3!4!5 p r f >!6!7 13 !8!8!9!9 @0 @0 14 @1 @2 @3 @4 @5 @6 @7 @8 @9 @1 @2 @3 @5 @6 @7 @8 @9 @4 15
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I II III IV V VI VII 1 2 3 4 5 6 7 8 9 10 11 12 13 L1 L2 FN O2 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 FM Mix 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57
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