JAPRS2015_本文.indd
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- なお わたぬき
- 5 years ago
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1 JAN 2015 No 1
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30 20 Frequency response for A/DConversion Rel.Level 0.6 Pulse response for A/D Conversion db k DSD 384/352.8(DXD) Pulse-6dB DSD DXD= k 96k kHz 96kHz kHz k 50k 75k 100k 125k 150k 175k 200k Hz μs 100μs 150μs 400μs 450μs 5000μs time
31 PCM384K DSD2.8M
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47 (c)2014 SONA Corporation, (c)2014 M. Nakahara 1/47 (c)2014 SONA Corporation, (c)2014 M. Nakahara 2/47 (c)2014 SONA Corporation, (c)2014 M. Nakahara 3/47 (c)2014 SONA Corporation, (c)2014 M. Nakahara 4/47 (c)2014 SONA Corporation, (c)2014 M. Nakahara 5/47 (c)2014 SONA Corporation, (c)2014 M. Nakahara 6/47 (c)2014 SONA Corporation, (c)2014 M. Nakahara 7/47 (c)2014 SONA Corporation, (c)2014 M. Nakahara 8/47 (c)2014 SONA Corporation, (c)2014 M. Nakahara 9/47 (c)2014 SONA Corporation, (c)2014 M. Nakahara 10/47
48 Small parameters resulting from increased coil resistance s mint gh udio (c)2014 SONA Corporation, (c)2014 M. Nakahara 11/47 (c)2014 SONA Corporation, (c)2014 M. Nakahara 12/47 (c)2014 SONA Corporation, (c)2014 M. Nakahara 13/47 (c)2014 SONA Corporation, (c)2014 M. Nakahara 14/47 (c)2014 SONA Corporation, (c)2014 M. Nakahara 15/47 (c)2014 SONA Corporation, (c)2014 M. Nakahara 16/47 (c)2014 SONA Corporation, (c)2014 M. Nakahara 17/47 (c)2014 SONA Corporation, (c)2014 M. Nakahara 18/47 (c)2014 SONA Corporation, (c)2014 M. Nakahara 19/47 (c)2014 SONA Corporation, (c)2014 M. Nakahara 20/47
49 (c)2014 SONA Corporation, (c)2014 M. Nakahara 21/47 (c)2014 SONA Corporation, (c)2014 M. Nakahara 22/47 (c)2014 SONA Corporation, (c)2014 M. Nakahara 23/47 (c)2014 SONA Corporation, (c)2014 M. Nakahara 24/ L + Lss5 L : 3 way Lss5 : 2 way 75 SPL [db] Curve X of B-chain for Small room, 150seats (SMPTE 202M) k 1.25k 1.6k 2k 2.5k 3.15k 4k 5k 6.3k 8k 10k 12.5k 16k 1/3 octave band center frequency [Hz] (c)2014 SONA Corporation, (c)2014 M. Nakahara 25/47 (c)2014 SONA Corporation, (c)2014 M. Nakahara 26/47 (c)2014 SONA Corporation, (c)2014 M. Nakahara 27/47 (c)2014 SONA Corporation, (c)2014 M. Nakahara 28/ Hz 30.3Hz 30.3Hz 40.4Hz 43.0Hz 44.1Hz (c)2014 SONA Corporation, (c)2014 M. Nakahara 29/47 (c)2014 SONA Corporation, (c)2014 M. Nakahara 30/47
![ly, lz) = ( 9, 14.3, 5.1 ), Selected abs.coeff.= Modes 0.4 : 80, [Hz] fsch = @ 57[Hz] X Y plane : z = 1.5 [m] 0.3 ), ( 4.14, 0, 0.3 ), ( 4.94, 0, 0.3 ), ( 5.36, 0, 0.3 ), y [m] ( 5.78, 0, 0.](/docs-images/91/105544216/images/50-0.jpg "3 ), ( rcv = ( 4.5, 8.48, 1.5 ) 0.48 1.48 2.48 3.48 4.48 5.48 6.48 7.48 8.48 9.48 10.48 11.48 12.48 13.48 0.5 5 1.5 4 3 2.5 2 3.5 1 4.5 0 0 1 5.5 2 3 4 5 6 7 9 8 7 6 5 4 3 2 1 0 6.5 8 7.")
![5 91011121314 y [m] x [m] 8.5 z [m] 30dB 20dB 10dB 0dB 10dB 20dB 30dB x [m] DUB1_SUB2_LP : (lx, ly, lz) = ( 9, 14.3, 5.1 ), abs.coeff.= 0.4, fsc, ( 3.72, 0, 0.3 ), ( 4.14, 0, 0.3 ), ( 4.94, 0, 0.](/docs-images/91/105544216/images/50-2.jpg "3 ), ( 5.36, 0, 0.")
![3 ), relative SPL [db] 180dg 150dg 120dg +90dg +60dg 30dg 0dg +30dg +60dg +90dg +120dg +15 20 fsch=57hz All contour : 80Hz 10 Selected 0 10 20 30 spectrum 4 1 6 8 14 18 28 39 7 6881 17 27 46 91 15 9](/docs-images/91/105544216/images/50-3.jpg "22 19 24 32 35 53 80 38 44 4757 59 60 6574 7082 8794 98 11 21 29 405267 61 727993 100 96 1 2 3 4 5 6 78 91011 12 13 14 15 16171819 20 21 22 23242526 272829 30 31 32 3334 35 36 37 38 3940 41 42 43 44")
![45 46 4748 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 889 90 91 92 93 100 94 95 96 97 98 99 56 6275 83 : 80 [Hz] @ X Z plane](/docs-images/91/105544216/images/50-4.jpg ": y Selected = 4.5 [m] Modes ( grid : 80 : [Hz] 1m x 1m @ Y Z ) plane : x = 4.5 [m] ( 8.57.56.55.54.53.52.51.50.5 x [m] 4.5 3.5 2.5 1.5 0.5 z [m] z [m] 4.5 3.5 2.5 1.5 0.5 0.48 1.48 2.48 3.48 4.48 5.")
![(3,6,1) (2,7,1) 35 (0,0,2) 8 (0,3,0) 17 (0,4,0) 28 (0,5,0) 47 (0,6,0) 68 (0,7,0) 91 (0,8,0) 9 (2,0,0) 25 (3,0,0) 52 (4,0,0) 89 (5,0,0) 10 100 frequency [Hz] (c)2014 SONA Corporation, (c)2014 M.](/docs-images/91/105544216/images/50-8.jpg "Nakahara 31/47 16 20 25 31.5 40 50 63 80 100 125 160 200 250 315 400 500 630 800 1k 1.25k 1.6k 2k 2.5k 3.15k 4k 5k 6.3k 8k 10k 12.5k 16k 20k (c)2014 SONA Corporation, (c)2014 M.")
50 ly, lz) = ( 9, 14.3, 5.1 ), Selected abs.coeff.= Modes 0.4 : 80, [Hz] fsch 57[Hz] X Y plane : z = 1.5 [m] 0.3 ), ( 4.14, 0, 0.3 ), ( 4.94, 0, 0.3 ), ( 5.36, 0, 0.3 ), y [m] ( 5.78, 0, 0.3 ), ( rcv = ( 4.5, 8.48, 1.5 ) y [m] x [m] 8.5 z [m] 30dB 20dB 10dB 0dB 10dB 20dB 30dB x [m] DUB1_SUB2_LP : (lx, ly, lz) = ( 9, 14.3, 5.1 ), abs.coeff.= 0.4, fsc, ( 3.72, 0, 0.3 ), ( 4.14, 0, 0.3 ), ( 4.94, 0, 0.3 ), ( 5.36, 0, 0.3 ), relative SPL [db] 180dg 150dg 120dg +90dg +60dg 30dg 0dg +30dg +60dg +90dg +120dg fsch=57hz All contour : 80Hz 10 Selected spectrum : 80 X Z plane : y Selected = 4.5 [m] Modes ( grid : 80 : [Hz] 1m x Y Z ) plane : x = 4.5 [m] ( x [m] z [m] z [m] y [m] All X Y Z X Z Y Z X Y Z Y X 1 (0,1,0) 2 (1,0,0) 3 (1,1,0) 5 (1,2,0) (2,1,0) (1,3,0) 15 (2,2,0) (1,4,0) (2,3,0) (3,1,0) 37 (2,4,0) (3,2,0) (1,5,0) (3,3,0) 54 (2,5,0) (1,6,0) (3,4,0) (4,1,0) 73 (4,2,0) (2,6,0) 79 (3,5,0) (4,3,0) (1,7,0) (4,4,0) (3,6,0) (2,7,0) (5,1,0) (4,5,0) (1,8,0) (5,2,0) 4 (0,2,0) 10 (1,0,1) 19 (2,0,1) 3441 (3,0,1) (1,0,2) (2,0,2) 76 (4,0,1) (3,0,2) 7 (0,1,1) 14 (0,2,1) 18 (0,3,1) 27 (0,4,1) (0,1,2) (0,5,1) 53 (0,2,2) 5965 (0,3,2) (0,6,1) (0,4,2) 100 (0,5,2) (0,7,1) (0,6,2) 6 (0,0,1) 12 (1,1,1) 16 (1,2,1) (2,1,1) (1,3,1) 30 (2,2,1) (1,4,1) (2,3,1) (3,1,1) 51 (2,4,1) (3,2,1) 56 (1,1,2) (1,5,1) 61 (1,2,2) (3,3,1) (2,1,2) 74 (2,5,1) (1,3,2) (2,2,2) (1,6,1) (3,4,1) (4,1,1) (1,4,2) (2,3,2) 90 (4,2,1) 93 (2,6,1) (3,1,2) (3,5,1) (4,3,1) (2,4,2) (3,2,2) (1,5,2) (1,7,1) (3,3,2) (4,4,1) (2,5,2) (3,6,1) (2,7,1) 35 (0,0,2) 8 (0,3,0) 17 (0,4,0) 28 (0,5,0) 47 (0,6,0) 68 (0,7,0) 91 (0,8,0) 9 (2,0,0) 25 (3,0,0) 52 (4,0,0) 89 (5,0,0) frequency [Hz] (c)2014 SONA Corporation, (c)2014 M. Nakahara 31/ k 1.25k 1.6k 2k 2.5k 3.15k 4k 5k 6.3k 8k 10k 12.5k 16k 20k (c)2014 SONA Corporation, (c)2014 M. Nakahara 32/47 (c)2014 SONA Corporation, (c)2014 M. Nakahara 33/47 (c)2014 SONA Corporation, (c)2014 M. Nakahara 34/47 (c)2014 SONA Corporation, (c)2014 M. Nakahara 35/47 (c)2014 SONA Corporation, (c)2014 M. Nakahara 36/47 (c)2014 SONA Corporation, (c)2014 M. Nakahara 37/47 (c)2014 SONA Corporation, (c)2014 M. Nakahara 38/47 (c)2014 SONA Corporation, (c)2014 M. Nakahara 39/47 (c)2014 SONA Corporation, (c)2014 M. Nakahara 40/47
51 (c)2014 SONA Corporation, (c)2014 M. Nakahara 41/47 (c)2014 SONA Corporation, (c)2014 M. Nakahara 42/47 (c)2014 SONA Corporation, (c)2014 M. Nakahara 43/47 (c)2014 SONA Corporation, (c)2014 M. Nakahara 44/47 (c)2014 SONA Corporation, (c)2014 M. Nakahara 45/47 SPL [db] Curve X of B-chain for Small room, 150seats (SMPTE 202M) k 1.25k 1.6k 2k 2.5k 3.15k 4k 5k 6.3k 8k 10k 12.5k 16k 20k 1/3 octave band center frequency [Hz] L/C/R average Lss/Rss average Lrs/Rrs average Lts/Rts average Lss4 LFE (c)2014 SONA Corporation, (c)2014 M. Nakahara 46/47 (c)2014 SONA Corporation, (c)2014 M. Nakahara 47/47 3 DCP ATMOSDCPATMOS DAW(Digital Audio Workstation)
52 5.1ch,7.1ch 64ch BMSW Dolby Atmos Specification Issue2 L, C, R Lc, Rc 12m 40Hz-16KHz SPL 105 db@ ISO/2969/SMPTE 202 Standards Lss/Rss/Lrs/Rrs/Lts/Rts 40Hz-16KHz SPL 99 db@/sp SPL 105 db@/ 85 BSPL ISO/2969/SMPTE 202 Standards LFESW 31.5Hz-120Hz SPL + 10 db(@ BMSW 40Hz-120Hz SPL 0 db(@ / / ATMOSCP850 LakeAuto EQ Blu-Link AESODS Blu-Link/AES67 AMP Side Amps ATMOS ATMOS RMURendering Mastering UnitMADI Pro ToolsSystem5JLCooper Front Amps Back Amps CP850 Side Amps
53 Rendering Mastering UnitRMU) 5.1/7.1ch RMU Dolby Atmos Designer Software RMU CP850AutoEQ Pro Tools ATMOS Monitor Application ATMOS ProTools AAX Plug-in 32bit/64bit RMU ATMOSLocal Renderer plug-in (1 side, 1 back, 2 top per side) 11.1 (2 side, 1 back, 1 top per side) 13.1 (2 side, 1 back, 2 top per side) 13.1 (2 side, 2 back, 1 top per side) 15.1 (2 side, 2 back, 2 top per side) 15.1 (3 side, 1 back, 2 top per side) ATMOSRMU MixPro ToolsATMOS RMU++ RMUDCPATMOSMXF DCPPCMRMU5.1 / 7.1ch
54 DCP AtmosDCPSMPTE ATMOSMXFAUX Main Sound Track ch14atmos AVRch LFE. Atmos Blu-ray PlayerAVRHDMI Dolby Digital Plus Dolby TrueHD Upmixing Dolby Surround Near field monitoring Encoder/Decoder Software Dolby Media Producer ver Dolby Dolby Atmos Master FileDolby Digital Plus / Dolby TrueHD Dolby Atmos: Global Momentum GLOBAL REACH 2014 Dolby Atmos Screens Titles Mixing- Have Installed or Announced using Facilities Committed to Dolby Atmos Worldwide use Dolby Atmos Dolby Atmos Dolby Digital 5. vs Dolby Atmos First Year Dolby Atmos Alfonso Cuarón, JJ Abrams, Ang Lee, Mark Andrews, Peter Jackson, Danny Boyle, Joseph Kosinski Dolby Atmos Dolby Atmos 31 Titles Released Dolby Digital Titles Released D o l b y A t m o s D o l b y D i g i t a l Months Since First Title Release 200 * Screens 100 0
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SLIM DESIGN AV SURROUND RECEIVER NR1608 2 AV 105mm AV NR1608 3D Dolby Atmos DTS:X 4K HDR UHD 8 HDMI 2 3 DVD CD Wi-Fi Bluetooth AirPlay USB Marantz Sound Slim Design Control Center 3 DAC AV NR1608 SLIM
RHT-G900
3-291-730-04(1) RHT-G900 2008 Sony Corporation m 4 8 9 1 1, 1 2 3 2 ... 2... 4... 9... 10... 11... 12 HDMI... 14 HDMI... 16... 17... 18... 33... 38... 40... 41... 43... 45... 19... 22... 22... 24... 26...
MDR-DS7500
... 2 4-295-914-02(1) MDR-DS7500 2011 Sony Corporation... 8...8...9... 10...11... 12 HDMI...13 1.CTRL HDMI... 13 2.... 14 HDMI... 20 HDMI...21... 23...25...26 HDMI... 31... 32 DECODE MODE... 32...33 EFFECT...
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TECHNICAL DOCUMENT AES TECHNICAL COUNCIL Document ESTD1001.0.01-05 Multichannel surround sound systems and operations AES TC-MBAT Information Document: Multichannel Su rround Sound Systems and Operations.
Plastic Package (Note 12) Note 1: ( ) Top View Order Number T or TF See NS Package Number TA11B for Staggered Lead Non-Isolated Package or TF11B for S
Overture 68W ( ) 0.1 (THD N) 20Hz 20kHz 4 68W 8 38W SPiKe (Self Peak Instantaneous Temperature ( Ke)) SOA (Safe Operating Area) SPiKe 2.0 V ( ) 92dB (min) SN 0.03 THD N IMD (SMTPE) 0.004 V CC 28V 4 68W
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DSP-A1
NATURAL SOUND AV AMPLIFIER NATURAL SOUND AV AMPLIFIER DSP A1 CINEMA DSP 7ch DOLBY DIGITAL POWER INPUT SELECTOR VOLUME 16 20 12 28 8 STANDBY/ON DIGITAL DSP DIGITAL SOURCE AC-3 TV/DBS VCR 1 VCR 2 DVD/VCR
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KRF-V4060D
KRF-V4060D KENWOOD CORPORATION B60-5203-00 00 ID ( J ) 0109 II II II II 2 JA 3 JA 4 JA 5 JA 6 JA 7 JA 8 JA 9 JA VOLUME CONTROL STANDBY ON STANDBY SPEAKERS ON OFF POWER DIMMER LISTEN MODE DSP DTS DOLBY
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4-170-058-03(1) RHT-G15 2010 Sony Corporation m 4 8 9 1 1, 1 2 3 2 ... 2... 4... 9... 10... 11... 13... 15... 16... 17... 17... 31... 36... 38... 39... 42... 18... 21... 21... 23... 25... 25... 27... 27...
DV-RA1000HD_Jpn(b)
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HT-K215R
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第２回1ビットフォーラム・ 国際シンポジウム「オーディオと文化」
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HT-CT260
4-431-775-04(1) Bluetooth HT-CT260 m 3 5 6 7 1 1, 1 2 3 2 ,, 100V, 3 4, AV SA-CT260 ,,,,, 5 6 2.4 GHz 1. 2. 3. 2.4 GHz DS-SS 40 m 2.4 GHz FH-SS 10 m 15 30 *1 MPEG-2 AAC LC DTS* 2 *1 Dolby Pro LogicAAC
M2TB rev. 3.5.2 Multichannel Monitoring Tutorial Booklet 2 nd Edition With eference to and the surround monitoring functions of the Yamaha DM2000, DM1000, and 0296 digital consoles May 2005 rev. 3.5.2
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12 Series PM-12 INTEGRATED AMPLIFIER SA-12 SUPER AUDIO CD/CD PLAYER a heritage of innovation
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1 2 High Level Stages Mid Level Stages Low Level Stages MC#8 MC4-7 MC#4-7 MC#1-3 MC1-3 HFHL HFML HFLL LFHL MC8 LFML Skewing + + + + Input + + Output 3 7.2.2 1987 Optical Radiation Corp 88 1990 6 15 70
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PR-SC5509
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Press Release Marantz 1953 B model 7 model CD CD B D&M Tel Tel
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LM3886
Overture 68W ( ) 0.1 (THD N) 20Hz 20kHz 4 68W 8 38W SPiKe TM (Self Peak Instantaneous Temperature ( Ke)) SOA (Safe Operating Area) SPiKe 2.0 V ( ) 92dB (min) SN 0.03 THD N IMD (SMTPE) 0.004 V CC 28V 4
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HT-CT150
4-174-097-03(1) HT-CT150 2010 Sony Corporation m 3 5 6 1 1, 1 2 3 2 ,,, 100V 3 4, AV 5,,,,, * 1 II MPEG-2 AAC LC DTS* 2 * 1 Dolby Pro LogicAAC D * 2 5,451,942; 5,956,674; 5,974,380; 5,978,762; 6,487,535
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Q-D3.PDF
Q- VCA 2 /2AUX 2 Q- ( Q American Audio CD ) 30dB EQ / S/N 15dB( 2dB) LED PFL 100% American DJ Q-D3 DJ Q-D3 1. 2. 3. 4. 5. 6. 7. 8. 1. OFF OFF 2. 3. 4. REC OUT REC OUT 5. 6. PHONO1/2 LINE LEVELSWITCH PHONO
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OPA134/2134/4134('98.03)
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