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3 Abram, M. H(1953)The Mirror and the LampRomantic Theory and the Critical Tradition. New York: Oxford University Press. AlbertiLeon Battista(1435)De Pictura(1971) Anderson, Chester G(1976)Baby Tuckoo: Joyce s Features of Infancyin Thomas FStaley and Bernard Benstock eds. Approaches to Joyce s PortraitTen EssaysPittsburghUniversity of Pittsburgh Press Apollinaire, Guillaume(1912)Les Peintres Cubists.= (1959) Aristotle(1961)De Anima with introduction and commentary, Sir David Ross ed., Oxford. (1968) Barthes, Roland(1971)La Lutte avec L ange:analyse Textuelle de Genèse in Introduction A L analyse Structurale Des Recits. ParisEditions Seuil.(1979), Bell, Daniel(1976)The Cultural Contradictions of CapitalismNew YorkBasic Books Bell, Michael1997Literature, Modernism and Myth: Belief and Responsibility in the Twentieth CenturyLondonCambridge University Press(2000) 1999The Metaphysics of Modernismin Michael Levenson ed. The Cambridge Companion to ModernismLondonCambridge University Press Benjamin, Walter( )Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit. (1995) Bergson, Henri (1922)Dureé et Simulatanéité.(1965) (1889)Essai sur Les Données Immédiates de La Conscience.(2001) (1903)Introduction à la Métaphysique.1954 (1975)La Perception du Changement in La pensée et mouvantparispresses Universitaires de France. (1896)Matière et Mémoire.(2007) Berkeley, George(1713)Three Dialogues between Hylas and Philonous BernardEmile(1978)Souvenirs sur Paul Cézannein PMDoran ed. Conversations avec Cézanne 281
4 ParisMacula Boccioni, Umberto and Carrà, Carlo and Russolo, Ruigi and Balla, Giacomo and Severini, Gino(1973) Manifesto of the Futurist Painters 1910 in Umbro Apollonio ed. Futurist Manifestos. London: Thames & Hudson Ltd, Brivic, Sheldon1991The Veil of SignsJoyce, Lacan and Perception. Chicago: University of Illinois Press. Brown, Richard(1985)James Joyce and SexualityLondon: Cambridge University Press Budgen, Frank(1955)Further Recollections of James JoyceLondon: Shenval Press (1960) James Joyce and the Making of Ulysses with a portrait of James Joyce and four drawings of Ulysses. Bloomington: Indiana University Press. Cheng, Vincent John(1995)Joyce, Race, and Empire. CambridgeCambridge University Press. Cowling, Elizabeth and Mundy Jennifer (1990) On Classic Ground: Picasso, Léger, de Chirico and the New Classicism LondonTate Gallery. Crary, Jonathan(1988)Modernizing Visionin Hal Foster ed. Vision and VisualityDia Art Foundation: Discussions in Contemporary Culture, No.2. Seattle: Bay Press, Crosland, Margaret(1999)The Enigma of Giorgio de ChiricoLondon: Peter Owen Davison, Neil R.(1996)James Joyce, Ulysses, and the Construction of Jewish Identity; Culture, Biography, andthe Jewin Modernist Europe. Cambridge: Cambridge University Press. De Chirico, Gioge(1920a)Arnold Boecklin, Il Convegno, May (1929)Hebdomeros. Paris: Edition du Carrefour.(1972) (1920b)Il Senso Architettonico nella Pittura Anticain Valori Plastici, vol., nos.5-6 (1981) ( unpublished)Meditations of a Paintermanuscript from the Collection of Jean Paulhan in Soby, James H(1955)Giorgio de Chirico New YorkMuseum of Modern Art Appendix B (1945)Memorie della Mia VitaRome: Astrolabio.(1980) (1919)Sull arte Metafisca in Valori Plastici nos. 4-5(1981) ( )What Impressionism should bemanuscript from the Collection of Paul Eluard in Soby, James H. (1955)Giorgio de Chirico. New YorkMuseum of Modern ArtAppendix A Dekoven, Marianne(1999)Modernism and Genderin Michael Levenson edthe Cambridge Companion to ModernismCambridgeCambridge University Press Dell Arco, Maurizio Fagiolo(1982)De Chirico in Paris, in De Chirico, New YorkThe Museum of Modern Art
5 Descartes, René(1637)Discours de la Méthode.1997) (1637)Euvres de Descartes, publicées par Charles Adam & Paul Tannery, 11vol. et un supplément. A.T,. (1973), (1641)Meditationes de Prima Philosophia(2006) Devlin, Keith1994Mathematics: The Science of Patterns. New YorkScientific American Library Eliot, T.S., (1975) Ulysses, Order and Myth in Frank Kermode ed., Selected Prose of T. S. Eliot. London: Faber, Ellmann, Richard (1982) James JoyceNew and rev. ed. New YorkOxford University Press1 st ed (1977) The Consciousness of Joyce. LondonFaber and Faber. (1972)Ulysses on the Liffey. New YorkOxford University Press.(1985) Evans, Gareth(1985)Collected PapersOxfordClarendon Press FrankJoseph(1963)Spatial Form in Modern Literaturein The Widening GyreCrisis and Mastery in Modern LiteratureNew JerseyRutgers University Press3-62 FriedmanAlan Jand DonleyCarol C(1985)Einstein as Myth and Muse. LondonCambridge University Press.(1989) ΦлορенcкийІА(1919)Обратная персцектива.(1998) Genette, Gérard(1972)Figures, ParisSeiul., (1985) Gifford, Don(1982)Joyce Annotated: Notes for Dubliners and A Portrait of the Artist as a Young Man. 2d rev. edberkeley: University of California Press.,with Robert J. Seidman(1988)Joyce Annotated: Notes for James Joyce s Ulysses. Rev. and expanded ed. BerkeleyUniversity of California Press. Γлeй3eр, Γeрш Исакович(1983)История Матeматикм В Школe. МоскваΠροсвeщeниe 1997 Gilbert, Stuart (1952) James Joyce s Ulysses : A StudyLondonFaber and Faber Gillies, Mary Ann(1959)Henri Bergson and British ModernismMontrealMcGillQueen s University Press Groden, Michael (1977) Ulysses in Progress. Princeton: Princeton University Press. HabermasJurgen(1985)Modernityan Imcomlete Projectin Hal Foster ed. Postmodern Culture 283
6 LondonPluto Press., (1987), Hall, Manly P.(1978)The Secret Teachings of All Ages; An Encyclopedic Outline of Masonic, Hermetic, Qabbalistic, and Rosicrucian Symbolical Philosophy. Los AngelesThe Philosophical Research Society.1981 HamiltonGoerge Heard(1956)Cézanne, Bergson, and the Image of Timein College Art Journal Hart, Clive (1974)Wandering Rocksin Clive Hart and David Hayman eds., James Joyce s Ulysses : Critical Essays. BerkeleyUniversity of California Press (1962)Structure and Motif infinnegans WakeLondonFaber and Faber. Hegel, GWF( )Vorlesungen über die Ästetik Herder, Johann Gottfried(1778)Plastik Herring, Phillip F. (1972) Joyce sulyssesnotesheets in the British Museum. Charlottesville University Press of Virginia. Humphrey, Robert (1954) Stream of Consciousness in the Modern NovelBerkeleyUniversity of California Press James, William(1912)Essays in Radical Empiricism(2004). (1892)Psychology: Briefer Course.(1992) Jay, Martin(1988)Scopic Regimes of Modernityin Hal Foster ed. Vision and VisualitySeattleBay Press, 3-23 Jewell, Keala (2004)De Chirico s Heroes: The Victory of Modernity in Luca Somigli and Mario Moroni eds. Italian Modernism: Italian Culture between Decadentism and Avant-GardeToronto: University of Toronto Press Joyce, James (1986a) A Portrait of the Artist as a Young Man. London: A triad Grafton Bookorig pubnew YorkHuebsch,1916 (1977) Dubliners. LondonA Triad Grafton Booksorig. pub. London: Grant Richards, (1992)Finnegans Wake, ed. Seamus DeaneHarmondsworth, Eng.Penguin,1992; orig. pub London: Faber1939 (1907)Ireland, Island of Saints and Sagesin Ellsworth Mason and Richard Ellmann eds. The Critical Writings(1959) with a new foreword by Guy Davenport. New York: Cornell University Press; orig. pub. New YorkViking Press, 1959, (1975)Selected Letters of James Joyce. ed. Richard Ellmann. LondonFaber and Faber. (1963)Stephen Heroeds. Theodore SpencerJohn JSlocum and Herbert CahoonNew York New Directions P. C. 284
7 (1903)The Bruno Philosophyin Ellsworth Mason and Richard Ellmann eds. The Critical Writings of James Joyce(1959)New York: Cornell University Press, (1959)The Critical Writings. eds. Ellsworth Mason and Richard Ellmann. New York: Cornell University Press (1986b) Ulysses, the corrected textedhans Walter GablerHarmondsworth, Eng: Penguin orig. pub. Paris: Shakespear & Co., 1922 (1912)Verismo ed Idealismo nella Letteratura Inglese(Daniele De FoeWilliam Blake)., (1976), 67,, Joyce, Stanislaus(1958)My Brother s Keeper; James Joyce s Early Years. edrichard EllmannNew York: Viking Press.(1993). Kenner, Hugh(1976)The Cubist Portaraitin Thomas Staley and Bernard Benstock, eds. Approaches to Joyce s Portrait: ten essayspittsburgh: University of Pittsburgh Press (1971)The Pound Era. BerkeleyUniversity of California Press. (2005)The Stoic Comedians Flaubert, Joyce and BeckettLondonDalkey Archive Pressorig pubberkeleyuniversity of California Press1962 (1987) Ulysses. Rev. ed. Baltimore: Johns Hopkins University Press. KernStephen(1983)The Culture of Time and Space: CambridgeMassachusettsHarvard University Press.(1993a) /(1993b) / Kershner, R.B. (1993)A New Historicist Perspective; Genius, Degeneration, and the Panopticon in R.B. Kershner eda Portrait of the Artist as a Young ManNew YorkBedford Books of St. Martin s Press Kronegger, Maria Elisabeth(1968)James Joyce and Associated Image MakersNew Haven, Conn College & University Press. Kuberski, Philip(1994)Chaosmos: Literature, Science, and Theory. Albany: State of New York Press. Lessing, Gotthold. E(1766)Laokoon, oder, über die Grenzen der Malerei und Poesie. 1970,. LevensonMichael(1999)The Cambridge Companion to Modernism. Cambridge: Cambridge University Press Lewis, Pericles(2000)Modernism, Nationalism, and the Novel. Cambridge: Cambridge University Press. Lewis, Wyndham (1927) Time and Western ManLondon: Chatto and Windus Lodgers, Pad1987The Oxford Illustrated History of English Literature
8 Loss, Archie. K(1984)Joyce s Visible Art: The Work of Joyce and the Visual Atrs Ann ArborMichigan: UMI Research Press Lukach, Joan M(1982)De Chirico and Italian Art Theory, in William Rubin ed. De Chirico. New York: The Museum of Modern Art, Marinetti, F. T. (1973)The Founding and Manifesto of Futurism 1909in Umbro Apollonio ed. Futurist ManifestosLondon: Thames & Hudson. Ltd, Martin, Marianne W(1982)On de Chirico s Theaterin De ChiricoNew YorkMuseum of Modern Art, McCormik, Kathleen(1994)Reproducing Molly Bloom: A Revisionist History of the Reception of Penelope in Richard Pearce ed. Molly BoomsA Polylogue on Penelopeand Cultural StudiesMadison: The University of Wisconsin Press17-39 McLuhan, Marshall(1954)Joyce, Mallarmé and the Press.in Sewanee Review62, (1974), Mendilow, Adam Abraham(1952)Time and the Novel. London: Peter Nevill Ltd. (1976), Merleau-Ponty, Maurice(1948)Sens et Non-Sens. Paris: Les Édition Nagel NeubauerJohn(1978)Symbolismus und Symbolische LogikMünchen: Wilhelm Fink Verlag Newton, Isaac,Sir(1687)Philosophiae Naturalis Principia Mathematica.= Nietzsche, FriedrichW(1872)Die Geburt Der Tragödie.(1966) (1956)Ecce HomoMünchen: Von Karl Schlechta.(1969) (1888)Götzen-Dämmerung.(1994) (1954)Menschliches, Allzumenschliches, Stuttgart: Kröners Taschenausgabe. (1994), 1994a 1994b Novalis( )Das Allgemeine BrouillonMaterialien zur Enzyklopädistik.(2007) NovotnyFritz(1975)Cézanne and the end of Scientific Perspectivein Judith Wechsler ed., Cézanne in PerspectiveNew Jersey: Prentice-Hall Panofsky, Erwin( )Die Perspektive als symbolischen FormVorträge der Bibliotheck Warburg4. (1975)La Perspective comme Forme Symbolique, traduction sous la direction de Guy Ballangé. Paris: Les Édition de Minuit. 286
9 Pater, Walter(1873)The Renaissance.(1948) Peters, John G.(2001)Conrad and Impressionism. Cambridge: Cambridge University Press. PicassoPablo(1966)Statements to Marius de Zayas in Edward Fry ed. CubismNew YorkOxford University Press PlatoTimaeus1975, 12 Power, Arthur(1974)Conversations with James Joyce. ed. Clive Hart. London: Millington ProustMarcel(1954)A La Recherche du Temps Perdu( )texte établi et présenté par Pierre Clarac et André FerréBibliothèque de la Pléiade3 vol., Paris: Editions Gallimard ( )(1-10 ) (2006)The Letters of Marcel ProustRev. ed. trans. Mina Curtiss. New York: Turtle Point Press Rice, Thomas Jackson(1997)Joyce, Chaos Complexity. Urbana and Chicago: University of Illinois Press Rickard, John S. (1998)Joyce s Book of Memory: The Mnemotechnic of Ulysses. London:Duke University Press RortyRichard(1979)Philosophy and the Mirror of Nature. New Jersey: Princeton University Press. = (1993) RosenstockLaura(1982)De Chirico s Influence on the Surrealistsin William Rubin edde Chirico New York: The Museum of Modern Art Rubin, William (1968)Dada, Surrealism, and Their Heritage. New YorkMuseum of Modern Art. (1982)De Chirico and Modernismin William Rubin ed. De Chirico. New York: The Museum of Modern Art, Russell, Bertrand(1925) ABC of Relativity.(1991) (1946)History of Western Philosophy; and its Connection with Political and Social Circumstances from the Earliest Times to the Present Day. London: George Allen and Unwin Ltd. (1970) 1 ; 1 Sandkühler, Hans Jörg(1998)F.W.J. Schelling.(2006) Schelling, F.W.J. ( )Philosophie der Kunst / Schmied, Wieland(1982)De Chirico and the Realism of the Twenties in William Rubin ed. De Chirico. New York: The Museum of Modern Art
10 Scholes, Robert(1992)In Search of James Joyce. Urbana and Chicago: University of Illinois Press. Schopenhauer, Arthur(1819)Die Welt als Wille und Vorstellung. (2004) 2004a 2004b Seed, David(1992)James Joyce s A Portrait of the Artist as a young ManNew York: Harvester Wheatsheaf Simmel, Georg(1922)Zur Philosophie der Kunst:Philosophische und Kunstphilosophische Aufsätze.= (1955) Singer, Dorothea Waley (1950) Giordano Bruno: His life and ThoughtNew YorkHenry Schuman Soby, James H(1955)Giorgio de ChiricoNew York: Museum of Modern Art. Steiner, Wendy(1982) The Colors of Rhetoric. Chicago: The University of Chicago Sypher, Wyllie(1960)Rococo to Cubism in Art and Literature. New York: Random House. (1988)1820, Theall, Donald F(1997)James Joyce s Techno-Poetics. Toronto: University of Toronto Press (1996) Joyce s Techno-Poetics of Artifice: Machines, Media, Memory, and Modes of Communication in Ulysses and Finnegans Wakein RBKershner edjoyce and Popular Culture Gainesville, FL: University Press of Florida. Thornton, Weldon(1994)The Antimodenism of Joyce s Portrait of the Artist as a Young ManNew York: Syracuse University Press Tindall, William York(1969) A Reader s Guide to Finnegans Wake. New York: Syracuse University Press. (1959) A Reader s Guide to James Joyce. New York: Noonday Press (1950)James Joyce: His Way of Interpreting the Modern WorldNew York: Charles Scribner s Sons. Tymoczko, Maria(1994)The Irish Ulysses. Berkeley: University of California Press. Vargish, Thomas and Mook, Delo E(1999) Inside Modernism: Relativity Theory, Cubism, Narrative New Haven: Yale University Press. VenturiLionello(1989)CézanneSon Art, Son Oeuvre. San Francisco: Alan Wofsy Fine Arts; origpub. Paris(1936) Von Goethe, Johann Wolfgang(1810)Zur Farbenlehre.(2001) Wicke, Jennifer(1994)Who s She When She s at Home? : Molly Bloom and the Work of Consumption in Richard Pearce edmolly Booms: A Polylogue onpenelopeand Cultural StudiesMadison: The University of Wisconsin Press, Wilson, Edmund(1931)Axel s Castle: A Study in the Imaginative Literature of
11 (2000) Woolf, Virginia(1951)Modern Fictionin The Common ReaderLondon: The Hogarth Press, (1956Mr. Bennett and Mrs. Brown in The Captain s Death Bed and Other Essays. New York: Harcourt. WorringerWilhelm1953Abstraction and EmpathyA Contribution to the Psychology of Styletrans. Michael Bullock from the German Abstraktion und Einfühlung(1908)New York: International Universities Press Yates, Frances A. (1979)Giordano Bruno and the Hermetic Tradition. Chicago: University of Chicago Press; orig. pub. London: Routledge and Kegan Paul, (1966)The Art of Memory. Chicago: University of Chicago Press.(1993) ZajoncArthur(1993)Catching the LightThe Entwined History of Light and MindLondonBantam (1997) Ziarek, Ewa(1994) The Female Body, Technology, and Memory inpenelopein Richard Pearce ed. Molly Blooms: A Polylogue onpenelopeand Cultural Studies. Madison: The University of Wisconsin Press
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