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2 LHJ (The Ladies Home Journal ), HB (House Beautiful ) Pink Rose 1908 LHJ Indianapolis Museum of Art Snowflake LHJ Iris LHJ Wind-Blown Blown Tulip LHJ Collection of Rosalind W. Perry Poppy 1909 LHJ Private Collection Morning Glory 1911 LHJ , HB Collection of Katherine W. Dwight Sunflower 1911 LHJ Indianapolis Museum of Art White Dogwood 1911 LHJ Collection of Rosalind W. Perry Bedtime LHJ Indianapolis Museum of Art Keepsake LHJ Collection of Rosalind W. Perry Wild Rose LHJ Morning Glory Wreath LHJ Collection of Rosalind W. Perry Pansies & Butterflies LHJ Collection of Katherine W. Dwight Daisy LHJ Collection of Rosalind W. Perry Bunnies 1914 Collection of Rosalind W. Perry Grapes and Vines 1914 Indianapolis Museum of Art French Baskets 1914 LHJ Collection of Katherine W. Dwight Wreath of Roses 1915 LHJ , HB Collection of Rosalind W. Perry Wayside Roses( ) 1915 The Quilters Hall of Fame Daffodils and Butterflies 1915 Magpie Rose 1916 Indianapolis Museum of Art Cherokee Rose 1916 Needlecraft Collection of Katherine W. Dwight Poinsettia Indianapolis Museum of Art Nasturtium Wreath 1919 Collection of Katherine W. Dwight Clematis in Bloom 1919 May Tulips 1920 HB , Needlecraft Private Collection Iris in Baskets 1920 Cluster of Roses 1920 Collection of Mrs. H. Edward Rietze. Dutch Basket 1920 Collection of Mrs. John E. Sebat Primrose Wreath 1925 Indianapolis Museum of Art Pink Dogwood in Baskets 1927 LHJ Collection of Katherine W. Dwight Rainbow 1920 Collection of Katherine W. Dwight Gay Garden 1929 Collection of Rosamond S. Eliassen
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4 122 大 瀨 恵 理 子 bedroom. 7 心を込めたパッチワークという手作りキルトのデ ザインのなかで新しい芸術性あふれる旋律が完成 されました その目的はパターンのなかで色褪せ のない優れた品質のリネンを 同様に良質の白い モスリンの土台布を使用して美しく実用的に作る ことでした この Pink Rose は格子模様のキル ティングがなされており 夏の別荘の寝室を連想 させるのです 以後 下線と訳は筆者 いずれの解説にも このように制作テクニック 材料 デザインパターンなどが盛り込まれていた のである 4 枚のキルトの特徴としては Pink Rose はボーダー キルトの縁部分 に大きな波 型の蔓を配置した古風な構成であり 他の 3 枚は 花や雪をキルティングやアップリケで細かく縫い こんである また従来の様式化された植物のスタ イル 赤や緑中心の色遣いとは異なっていた い ずれも植物を柔らかな色調で写実的に描いた洗練 されたアップリケ キルトである このウェブス ターキルトについては全米からデザインパターン 入手を希望する反響があり これを機にウェブス 写真1 1911 年 1 月号 掲載 左 上 か ら 時 計 回 り に Pink Rose, Snowflake, Wind Blown Tulip, Iris ターはキルトデザイナーとしてのキャリアをス タートさせたのである 次に 1912 年 1 月 特集 The New Flower Patchwork Quilts には 編 集 長ボックのリクエ ストに応じて作った Sunflower を含む Poppy, New Patchwork Quilt のなかで Pink Rose と Morning Glory, White Dogwood の 4 枚が掲載 合わせたこれら 4 枚のキルトを鮮やかなカラー さ れ た 写 真 2 Sunflower, Poppy, Morning ページで掲載したのである 写真 1 各キルト Glory はキルト中央部に花などのアップリケやキル に添えた解説のなかから Pink Rose を紹介する ティングを施した メダリオン スタイルである Sunflower Morning Glory は 中 央 に ヒ マ ワ リ A new and artistic note has been achieved in やクモの巣模様などが細かくキルティングされ these designs for hand-made quilts of applied Poppy は大柄なポピーのアップリケが施されて patchwork. The aim has been to make them ある また Sunflower, Poppy では植物の成長過 practical as well as beautiful by the use of fast- 程 蕾から開花そして満開 が写実的に描かれて color linens of good quality in the patterns, and おり ウェブスターがその成長の様相を注意深く a foundation of equally good white muslin. This 観察するなかから生み出した独創的なパターンで Pink Rose design with the latticed quilting is ある 一方 White Dogwood は数枚のブロック charmingly suggestive for a summer cottage から構成されたスタイルである 中心ブロックに
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7 マリー ウェブスターのキルトにみるクリエイティビティ 写真 4 Bunnies 引用文献 1 写真 7 写真 10 写真 5 French Baskets with Roses 引用文献 1 Wayside Roses 写真 8 May Tulips 引用文献 1 Pink Dogwood in Baskets 写真 11 Rainbow 125 写真 6 Wreath of Roses 写真 9 Cluster of Roses ᵏᵐᴾ ᵥᵿᶗᴾᵥᵿᶐᶂᶃᶌ 写真ϙჇ 12 Gay Garden 今回掲載の写真 1 12 は 引用文献 1 2 の出版社 The Practical Patchwork Company の複写許可を得たものである
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