IPSJ SIG Technical Report Vol.2017-MUS-115 No /6/17 1,a) 1 1 WORLD F0 Vocaloid F0 ipad 1. Vocaloid [1] UTAU *1 Vocaloid Vocaloid F0 VocaListene
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1 1,a) 1 1 WORLD F0 Vocaloid F0 ipad 1. Vocaloid [1] UTAU *1 Vocaloid Vocaloid F0 VocaListener [2], [3] Vocaloid *2 VocaListener Vocaloid 1 University of Yamanashi a) g16tk018@yamanashi.ac.jp *1 *2 vocalistener VocaListener F0 SOUND STONE c 2017 Information Processing Society of Japan 1
2 Vocaloid Vocaloid Vocaloid HMM (Hidden Markov Model) [4] CeVIO *3 CeVIO Vocaloid Sinsy [5] HMM Web Deep Neural Network (DNN) [6] [7] Vocaloid * F0 Auto- Tune *4 F0 F0 F0 1 Melodyne *5 F0 F0 Auto-Tune Melodyne F STRAIGHT [8], [9] [10] F0 v.morish [11] *4 *5 c 2017 Information Processing Society of Japan 2
3 3. F0 3.1 Melodyne F0 F0 F0 3.2 STRAIGHT [8], [9] TANDEM-STRAIGHT [12] WORLD [13] [14] 1 F0 1 1 WORLD STRAIGHT TANDEM-STRAIGHT [13] WORLD (D4C edition [15]) F0 DIO [16] WORLD WORLD [17] WORLD Github *6 WORLD 3.3 WORLD WORLD 3 N N WORLD 1 *6 c 2017 Information Processing Society of Japan 3
4 情報処理学会研究報告 図 3 図2 SOUND STONE の実行画面 横軸は時間 縦軸は F0 であ リングバッファと音響パラメタとの関係 下部の円は 音響パ る 炎の玉の位置は 現在再生中の時刻と F0 となる 炎の玉 ラメタとリンクするためのポインタを持つリングバッファで は操作する際に指に追従する動作をする 画面下にある薄い線 ある この図では 8 つのリングバッファとして実装されてい 分は 加工対象となる音声の F0 軌跡を表している る Current position は 現在までに合成された時刻を示し ている Current position に基づいて 合成済みの音声パラ メタを持つポインタへのリンクを自動的に破棄している 4. リ ア ル タ イ ム F0 制 御 イ ン タ フ ェ ー ス SOUND STONE 表 1 Recording conditions. サンプリング周波数 16 khz 量子化ビット数 16 bit マイクロホン ipad が認識した標準入力 チャンネル数 1 本章では 前章で示した要望を満たすインタフェース で音声変換し 変換結果が出力される 図 4 では SOUND SOUND STONE の実装について説明する まず SOUND STONE をタップした際の音声合成の流れを示している STONE の実装環境と機能について述べた後 基本機能で GUI で示している操作画面の横軸は時間 縦軸は F0 で ある タップした位置に対応した音声合成 とその他 4 つ ある 実行デバイスの横幅を音声データのフレーム数で の機能について具体的に説明する 割った値をマージンサイズとしている つまり 座標の 値をマージンサイズで除算した値が WORLD におけるフ 4.1 SOUND STONE の実装環境と機能 レーム番号となる 縦軸は周波数であり Hz ま SOUND STONE を開発した OS は macos Sierra Ver. でを表している タップ位置を上にずらせば そのフレー である 統合開発環境は Xcode Ver であ ムの F0 は高くなり 下にずらせば低くなる また 適度 り 開発言語は Swift 3.1 である SOUND STONE におけ に上下に揺らせば 擬似的にビブラートの歌唱を表現する るリアルタイム出力を実現するために ios で動作するソ ことも可能である フトウェアフレームワークである AVFoundation を用いて 実装した SOUND STONE は 以下の機能を備えている スワイプ操作による音声の直感的なリアルタイム変換 操作画面には 加工対象となっている音声の F0 を薄い 線分として図示している これにより ユーザが音声を操 作するうえでの F0 操作の参考にすることができる 合成機能 録音した音声を分析し加工対象とする機能 スワイプ操作の動きを記憶し 同じ動きを再現する 機能 4.3 プリセットとして用意された発話の読込 図 3 に示している Male と Female ボタンは それ ぞれプリセットとして用意された男性音声と女性音声の発 これらの機能により ユーザの操作を合成音声のレンダ 話/aiueo/を読み込む機能である この機能は 後述する録 リング結果に直結させることや 録音による任意の音声を 音機能による音声とは異なり 高品質な合成音声に対する 変換すること等 前章で示した要望を満たしている 実装 歌唱表現のデザインを可能にすることを意図している した SOUND STONE の実行画面を図 3 に示す 4.4 加工対象音声の録音機能 4.2 タップした位置に対応した実時間音声合成 SOUND STONE では 画面上をスワイプ操作すること c 2017 Information Processing Society of Japan 歌唱デザインを行う際 様々な発話や音色が対象とな る 様々な音に対して直感的かつリアルタイムに加工でき 4
5 4 SOUND STONE Record SOUND STONE Record 1 WORLD 4.5 SOUND STONE SOUND STONE Replay Replay 5. SOUND STONE SOUND STONE 5.1 SOUND STONE 1 WORLD 512 SOUND STONE ms 1 32 ms 5.2 SOUND STONE 60 db 35 db 25 db SNR F0 F0 DIO StoneMask SNR 20 db c 2017 Information Processing Society of Japan 5
6 [18] SOUND STONE ipad 35 db WORLD SNR F0 Harvest [19] F0 6. F0 SOUND STONE SOUND STONE SOUND STONE 1 F0 WORLD F0 SOUND STONE F H02726, 16H05899, 16K12511, 16K12464 [1] H. Kenmochi and H. Ohshita, VOCALOID Commercial singing synthesizer based on sample concatenation, in Proc. INTERSPEECH2007, Special session, pp , [2] T. Nakano and M. Goto, VocaListener: A singing-tosinging synthesis system based on iterative parameter estimation, in Proc. SMC, pp , [3] T. Nakano and M. Goto, VocaListener2: A singing synthesis system able to mimic a user s singing in terms of voice timbre changes as well as pitch and dynamics, in Proc. ICASSP2011, pp , [4],,, Vol. 98, No. 6, pp , [5] K. Oura, A. Mase, T. Yamada, S. Muto, Y. Nankaku and K. Tokuda, Recent development of the HMM-based singing voice synthesis system Sinsy, in Proc. Speech Synthesis Workshop, pp , [6] A. van den Oord, S. Dieleman, H. Zen, K. Simonyan, O. Vinyals, A. Graves, N. Kalchbrenner, A. W. Senior, and K. Kavukcuoglu, WaveNet: A generative model for raw audio, CoRR, arxiv preprint arxiv , [7] B. Merlijn and J. Bonada, A neural parametric singing synthesizer, arxiv preprint arxiv , [8] H. Kawahara, I. Masuda-Katsuse and A. de Cheveigne, Restructuring speech representations using a pitch-adaptive timefrequency smoothing and an instantaneusfrequency-based F0 extraction, Speech Communication, Vol. 27, pp , [9], Vocoder STRAIGHT,, Vol. 63, No. 8, pp , [10] H. Banno, H. Hata, M. Morise, T. Takahashi, T. Irino and H. Kawahara, Implementation of realtime STRAIGHT speech manipulation system, Acoust. Sci. Tech., Vol. 28, No. 3, pp , [11] M. Morise, M. Onishi, H. Kawahara, H. Katayose, v.morish 09: A morphing-based singing design interface for vocal melodies, Lecture Notes in Computer Science, LNCS 5709 (in Proc. ICEC2009), pp , [12] H. Kawahara, M. Morise, T. Takahashi, R. Nisimura, T. Irino and H. Banno, A temporally stable power spectral representation for periodic signals and applications to interfarence-free spectrum, f0, and aperiodicity estimation, in Proc. ICASSP2008, pp , [13] M. Morise, F. Yokomori, and K. Ozawa, WORLD: a vocoder-based high-quality speech synthesis system for real-time applications, IEICE Trans. Inf. Syst., Vol. E99-D, pp , [14] H. Dudley, Remaking Speech, J. Acoust. Soc. Am., Vol. 11, No. 2, pp , [15] M. Morise, D4C, a band-aperiodicity estimator for highquality speech synthesis, Speech Communication, Vol. 84, pp , [16] M. Morise, H. Kawahara and H. Katayose, Fast and reliable F0 estimation method based on the period extraction of vocal fold vibration of singing voice and speech, AES 35th International Conference, CD-ROM, pp , [17], WORLD, ( ), Vol MUS- 112, No. 20, pp. 1 6, [18] M. Morise and H. Kawahara, TUSK: A framework for overviewing the performance of F0 estimators, in Proc. INTERSPEECH2016, pp , [19] M. Morise, Harvest: A high-performance fundamental frequency estimator from speech signals, in Proc. IN- TERSPEECH2017, c 2017 Information Processing Society of Japan 6
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2017 年 9 月 21 日日本心理学会第 81 回大会 @ 久留米シティプラザ WORLD チュートリアル 山梨大学大学院総合研究部 准教授森勢将雅 mmorise@yamanashi.ac.jp @m_morise (Twitter) 本日の概要 音声分析合成システム WORLD の紹介 基礎的な説明と利用例について WORLD の導入と簡単な使い方 ( デモ ) Windows 環境での導入例
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F,a),b),c) 2,d) (F) F F Graphical User Interface (GUI) F. [] CD MIDI [2] [3, 4] [5] 2 a) ikemiya@kuis.kyoto-u.ac.jp b) itoyama@kuis.kyoto-u.ac.jp c) yoshii@kuis.kyoto-u.ac.jp d) okuno@aoni.waseda.jp TANDEM-STRAIGHT
YANGsaf [] 3. πn, (n Z) Z [16 18] 3.1 Flanagan [19] A.1 TANDEM-STRAIGHT [1] 1/ [0] A. TANDEM-STRAIGHT [] 3. [3,6] F0 [14] F0 [10] [10] 3.3 [] Vol.017-
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Directability 1957 1. 1950 Meyer [1] 1970 Higgins [2] 1980 Deutsch [3] 1980 [4] Lerdahl Jackendoff Generative Theory of Tonal Music (GTTM)[5] Narmour Impication - Realization Model (IRM) [6] 1950 1957
H(ω) = ( G H (ω)g(ω) ) 1 G H (ω) (6) 2 H 11 (ω) H 1N (ω) H(ω)= (2) H M1 (ω) H MN (ω) [ X(ω)= X 1 (ω) X 2 (ω) X N (ω) ] T (3)
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1911 F0 5) SingBySpeaking F0 F0 F0 4 F0 2. F0 4) 5) rate extent 6) rate 5.6 [Hz] extent 87 [cent] F0 5.2 [%] F0 SingBySpeaking 7) F0 Fig. 1 1 F0 F0 co
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,a),b),,,,,,,, (DNN),,,, (CNN),,.,,,,,,,,,,,,,,,,,, [], [6], [7], [], [3]., [8], [0], [7],,,, Tohoku University a) omokawa@vision.is.tohoku.ac.jp b) okatani@vision.is.tohoku.ac.jp, [3],, (DNN), DNN, [3],
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1,a) 2 2 1. 1 College of Information Science, School of Informatics, University of Tsukuba 2 Faculty of Engineering, Information and Systems, University of Tsukuba a) oharada@iplab.cs.tsukuba.ac.jp 2.
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