A Study on the Creation and the Transformation of Executions in TV Documentaries 'A Narrative Documentary' and 'A Non-Narrative Documentary' SUZUKI Tsuneyasu Abstract A story consists of the description of incidents or situations - whether they are real or fictional - in a chronological order or based on a causal relationship. A documentary may be considered a story in a sense that it gives a meaning to incidents by describing them in a chronological order, adding causal relationship, interpreting and explicating them. Anti-story, however, now confronts stories in documentaries. This essay examines how a documentary has been created as a 'narrative documentary' and how it transformed into a 'non-narrative documentary'. This essay focuses on the period between the mid-1950s, TV's early period, and the late-1960s, during which such transformation manifested. Similar to other TV programs, dramatization of TV documentaries has become an obvious problem among directors. Development and introduction of new recording equipment also contribute to the transformation (of documentaries) and the manifestation of dramatization. This essay refers to this issue also. Key Word: TV installed in public places; Idiotization of 100 million citizens; documentary; synchronized recording; narration; montage; Naoya Yoshida; Jun-ichi Ushiyama; Haruhiko Hagimoto; Yoshihiko Muraki; "The Naked Japan"; "Non-Fiction Theater"; "Who are you...?" 11
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