Core Ethics Vol. J O J O J O J O J O J O J O P C L P C L J O J O J O J O



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Transcription:

Core Ethics Vol. J O * J O J O J O J O J O

Core Ethics Vol. J O J O J O J O J O J O J O P C L P C L J O J O J O J O

BGM P C L J O J O

Core Ethics Vol. J O J O J O J O J O J O

J O J O J O J O J O J O J O J O JO J O J O J O J O

Core Ethics Vol. J O J O J O J O J O J O J O P C L J O P C L P C L J O J O J O

J O J O J O J O J O J O P C L J O P C L

Core Ethics Vol. J O / / / /J O P C L Photo Chemical Laboratory J O AD LIBITUM J O J O J O J O J O

J O J O J O / NFC J O.. J O P C L P C L P C L

Core Ethics Vol. NTT NFC J O J O J O JO PCL,

Talkie Animation by J. O. Studio HAGIHARA Yukari Abstract: As animation studios today are mainly located in Tokyo, little attention has been given to the fact that Kyoto was also an important base for animation production during the s. Using cinema magazines of the period, such as Kinema Jumpo, this paper brings the flourishing of animation productions in Kyoto to light. Animation production in Kyoto was related to the establishment of the J. O. Studio in the city in. J.O. Studio was equipped with the latest talkie machines and put great efforts into producing talkie animations. In addition, the studio also lent a hand to other animation creators working in Kyoto with talkie animation techniques. As this was during the period when Japanese animation shifted from silent animation to talkie animation, talkie animations produced in Kyoto attracted much attention. In this way, the growing popularity of talkie animation and the activities of J. O. Studio were the main reasons why the production of animation flourished in Kyoto. Keywords: J. O. Studio, talkie, animation, Dōeisha, Kon Ichikawa