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1 dépaysement
2 Marcel Duchamp
3 André Breton Paul Eluard objet Générateur-Arbitre
4 dépaysement Eaux et Broussailles Wolfgang Paalen dépaysement dépaysement disorientation dépaysement paysdé- disorientation orientation dépaysement dépaysement
5 disorientation désorientation désorientation désorientation dépaysement disorientation dépaysement Max Ernst disorientation dépaysement disorientation disorientation dépaysement disorientation dépaysement disori-
6 entation disorientation dépaysement dépaysement désorientation dépaysement dépaysement dépaysement dépaysement dépaysement dépaysement dépaysement Salvador Dali dépaysement disorientation dépaysement disorientation
7 dépaysement
8 Georges Hugnet Oscar Dominguez
9 Man Ray Kurt Seligmann
10
11
12 A.E.A.R
13 dépaysement
14 Lewis Kachur, Displaying the marvelous: Marcel Duchamp, Salvador Dalí, and surrealist exhibition installations. Cambridge, Massachusetts: MIT Press,. Jean- Paul Clébert, Mythologie d André Masson, Genève: Cailler,, p.. Marcel Duchamp, Entretiens avec Pierre Cabanne, Paris: Somogy éditions d art,, p..,,, p.. Bettina Wilson, Surrealism in Paris, Vogue, March,, p.. Duchamp, p..p.. Philippe Audoin, Les Surréalistes, Paris: Seuil,, p..
15 air noir dans l air beau et noir Kachur, p.. André Breton and Paul Éluard, Dictionnaire abrégé du surréalisme, Paris: Galerie beaux-arts,..,,, pp. -. Entretiens avec Pierre Cabanne Fresh widowfrench window Rose Selavy fenêtrier Francis M. Naumann, Marcel Duchamp: L art à l ère de la reproduction mécanisée, Paris: Hazan,, pp. -. objet pp. -. p.. Duchamp, p..p.., p.. le merveilleux André Breton, Manifeste du surréalisme,. In Œuvres completes vol., Paris: Gallimard,, p.., p.. Nadja,. Ibid., p.., p.. Duchamp, p..p.. Kachur, pp. -. Duchamp, p.. p..
16 Ibid., p..p.. Paalen-Archiv en/archiv/wolfgang-paalen-.php Breton, Avis au lecteur pour La Femme Têtes de Max Ernst in Point du jour,. In Œuvres completes vol., Paris: Gallimard,, p..,, p.. disorientation Bruce Altshuler, The Avant-Garde in Exhibition: New Art in the th Century, New York: Harry N. Abrams,, p.. dépaysement Breton, Manifeste du Surréalisme, p.. p.. Dawn Ades, Photomontage, London: Thames and Hudson,, p..,,, p.. Kachur, p.. la superème trouvaille surréaliste Kachur, p.. Henri Héraut, Lettere de Paris: Surréalisme, Marseille Libre, February,. Jean Paul Fraysse, Un art d insolite grandeur, Le Figaro Littéraire, January,. Kachur, p.. les deux amies
17 les deux amies Ibid., pp. -. Ibid., p.. pp. -. Kachur, p.. Le cadavre exquis boira le vin nouveau Ibid., p.. Life, February,, p.. Je suis partout January, Les arts: La deperie du surréalisme François FoscaKachur, p.. James D.Herbert, Paris : worlds on exhibition. New York: Cornell University Press,, pp. -. Man Ray, Self-Portrait, Boston: New York Graphic Society,, p.., p.. Altshuler, p.. œil voir Carol Duncan, The Art Museum as Ritual in Donald Preziosi ed., The Art of Art History: A Critical Anthology. New York: Oxford University Press,, pp. -. Man Ray, p.. p.. Altshuler, p.. Mario- Andreas von Lüttichau, Die ausstellung >Entartete Kunst<, München. Eine Rekonstrukution, in exh. cat., Entartete Kunst :
18 Das Schicksal der Avantgarde im Nazi- Deutschland, Stephanie Baron ed., Los Angeles: Los Angeles County Museum of Art and Munchen: Hirmer,, p..,,, pp. -. Kachur, pp. -. Breton, Discours au Congrès des écrivains in Position politique du surréalisme,. In Œuvres completes vol., pp. -., pp. -. Breton, Pour un art révolutionnaire indépendant in La Clé des champs,. In Œuvres completes vol., Paris: Gallimard,, p.. A.E.A.R Kachur, pp. -. p.. photographed by Josef Breitenbach,, photographed by Denise Bellon. cm.. cm photographed by Denise Bellon, Raymond Cogniat, L exposition internationale du surréalisme, XXe siècle no., March,. photographed at Hotel St. Moritz, New York. Life, April,.,, photographed by Josef Breitenbach
19 The Way of Display in Exposition Internationale du Surréalism (Paris, ) and The State of Art Movement ASAKAWA Tomomi : At the present time, the Exposition Internationale du Surréalism (Paris, ) is mainly estimated as an installation, because it raised the exhibition space itself to a work of art. However, such an artistic effect was the result of the artists' aim to make a genuine surrealist exhibition. This paper analyzes how the exhibition was constructed and how it functioned in order to find out their character of movement in the way of display. In this exhibition, surrealists removed the boundary between inner reality and external reality by making a place where people experienced the surrealistic world as the real, and by manipulating their visual perception. German military music was also heard there. It shows clearly that surrealism was concerned with actual society. Such display was based on the concept of surrealism connecting one s internal release with the external revolution. It was a demonstration of surrealism maintaining its own way both in the field of art and in the movement to change actual society. : surrealism, exhibition, art movement, installation, dépaysement, sight Graduate Student, Graduate School of Sociology, Ritsumeikan University
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