IPSJ SIG Technical Report Vol.2009-CVIM-167 No /6/ Gaze Reactive Display Simultaneously Presenting Defocus Blur and Motion Parallax Ta
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1 Gaze Reactive Display Simultaneously Presenting Defocus Blur and Motion Parallax Takaaki Suzuki, 1 Takayuki Okatani 1 and Koichiro Deguchi 1 When we see a three-dimensional scene, our eyes automatically accomodate (i.e. adjust their focus) depending on the depth to objects that we look at. There is defocus blur in its retinal image that emerges due to the depth-offocus limitation, which is well known to serve as a depth cue. Ishizawa et al. proposed a system that uses an ordinary image display and an eye tracking system to simulate the accommodation of human eyes using, which aimed at realizing a novel method of visually presenting scene depth information. In this study, extending their study, we realize a system that simultaneously presents motion disparity and defocus blur. Binocular and motion disparity, which is known to be stronger depth cue than defocus blur, is also known to be complementary with defocus blur. Thus, their simultaneous presentation to a viewer is expected to bring about a synergetic effect. We report the implementation of the system and the results of a few experiments we conducted. 1. CRT 1) 2) 3),4) 5) 3 1 Graduate School of Information Sciences, Tohoku University 1 c 2009 Information Processing Society of Japan
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3 ディスプレイ 眼球運動 視線検出装置 被験者 注視点座標 3 視線計測装置画像表示用 PC 表示画像画像表示用 PC ) c 2009 Information Processing Society of Japan
4 PC PC CPU Intel Pentium4 3.2GHz 1GB PC CPU Intel Xeon GHz 3GB Hz NAC EMR-AT VOXER ) Hz ) 4 c 2009 Information Processing Society of Japan
5 8 7) SONY PC PC 2 4. GPU (1) = c 2 i exp j ) (xi xa)2 ( exp 2σ 2 ) (yj ya)2 ( t (x 2σ 2 i, y j ) (1) 9 t (x i, y i) (x i, y i) (x a, y a) 1 c 2 10 f c 2 c c 2009 Information Processing Society of Japan
6 情報処理学会研究報告 ぼかした画像 深度値 c 深度値 ( 2 fc ) 反転 (a) デプス 43 (b) デプス 43 (a) デプス 255 (b) デプス 255 (a) デプス 43 (b) デプス 43 (a) デプス 255 (b) デプス 255 全焦点画像 図 10 ボケ画像の合成 手がかりの効果について比較する実験を行った すなわち 注視対象があると思われる奥行 きに応じたボケを再現した画像を提示することによる奥行き知覚への影響を検証した 実験には 図 12 に示す (a) と (b) の 2 枚の画像を用意した また 評価方法は石澤らの 研究にならい 3 人の被験者による主観評価による 実験では 石澤らの研究で合成したボ ケ画像 本研究で合成したボケ画像どちらにおいても 注視点が静止している間は シーン に対する奥行き知覚が補強されたという報告が得られた このことから 本研究で合成した ボケ画像は石澤らの研究で作成されたそれと比較しても大きく違わないことが確認できる 5.2 焦点調節と運動視差を同時に再現するシーン 1 節で述べたように 視差に基づく奥行き手がかりとボケに基づくそれとでは 互いが相 補的に働く可能性が強いという報告がある17) したがって 3 次元ディスプレイを用いてボ 図 11 合成したボケ画像による比較 (a) 石澤らの方法によりオフラインで合成したボケ画像 (b) 本研究で用いた 方法によりオンラインで合成したボケ画像 ケ画像を提示すれば 相乗効果的に奥行き知覚をより現実感のあるものとできる可能性があ る そこで 図 6 で示した提示システムを用いて このことを調査する実験を行った 実 験 方 法 験では 図 13 のように 運動視差だけでは 2 つのオブジェクトの奥行き配置が分かりづら 図 13 は 今回の実験で提示したシーンの一例である 仮想シーン内にある 2 つのオブ いシーンを 10 種類用意した そして 被験者に まず 全てのシーンに対して運動視差を ジェクトは その奥行き配置が類似しているため 静止画ではもちろん運動視差を再現した 再現した場合のみで どちらのオブジェクトが手前にあるかを理由とともに答えてもらう 場合でも そのどちらが被験者に対して手前にあるのか分かりづらい配置をとっている 実 次に 運動視差と同時に焦点調節を再現した場合で 同じ質問をする 実験結果は 各シー 6 c 2009 Information Processing Society of Japan
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