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1 Lecture 4 Tapestries Used for the Kyoto Gion Festival and their Preservation 祇園祭の染織懸装品と保存 FUJII Kenzo Adviser Nishijin Textile Industrial Association 財団法人西陣織物館顧問藤井健三 Self-Introduction 自己紹介 FUJII Kenzo 藤井健三 Title: Advisor, Nishijin Textile Industrial Association 現職 : 財団法人西陣織物館 顧問 Specializes in: History of dyeing and weaving techniques, history of patterns and coloring 専門 : 染織技術史 文様色彩史 Writings: Ori-no-Shiki (Textiles in Season) (Published by Kyoto Shimbun Project Development Co., Ltd., 2005) 著作 : 織の四季 ( 京都新聞出版 2005 年 ) ほか
2 Outline アウトライン 1) Ornamental tapestries decorating the floats of the Kyoto Gion Festival 祇園祭の山と鉾に掛かる染織懸装幕 1-1 Type of tapestries 幕の種類 1-2 History of the tapestries 幕の歴史 1-3 Production of the tapestries 幕の製作 1-4 Culture of the tapestries (tapestries of foreign make / tapestries of Japanese make) 幕の文化 ( 渡来染織品 邦製染織品 ) 2) Preservation and storage of the tapestries 染織懸装幕の保存と保管 3) Change of the tapestries to new ones 染織懸装幕の修理と新調 4) Repair of the tapestries 染織懸装幕の修復 5) Restoration of the tapestries 染織懸装幕の復元 6) Conclusion 結び
3 1) Ornamental tapestries decorating the floats of the Kyoto Gion Festival 祇園祭の山と鉾に掛かる染織懸装幕 1-1 Type of the tapestries 幕の種類 Tapestries of Hoko and Hiki-Yama 鉾と曳山の幕 Maekake-maku ( maku meaning a tapestry) 前掛幕 ushirogake-maku 後掛幕 Doukake-maku (Hidari-Doukake-maku / Migi-Doukake-maku : left Doukake tapestry / right Doukake tapestry) 胴掛幕 ( 左胴掛幕 右胴掛幕 ) Mizuhiki-maku (Ranbuchi-shita Mizuhiki-maku, Ten-Mizuhiki-maku) 水引幕 ( 欄縁下水引幕 天水引幕 ) Miokuri-maku 見送幕 Others (Amikakushi-maku, Kamibukuemo, etc) その他 ( 網隠し幕 神服衣裳など ) Tapestries for decorating Hoko and Hiki-Yama 鉾と曳山の懸装幕 Front of Hoko (Tsuki-boko) 鉾の前方 ( 月鉾 ) Rear of Hoko (Kikusui-boko) 鉾の後方 ( 菊水鉾 )
4 Tapestries for decorating Yama 山の懸装幕 Front of Kaki-Yama (Yamabushi-Yama) 舁山の前方 ( 山伏山 ) Rear of Kaki-Yama (Hosho-Yama) 舁山の後方 ( 保昌山 )
5 1-2 History of the tapestries 幕の歴史 Ornamental tapestries whose taste (style of decoration) reflects early times 風流 ( 懸想 ) が初形の染織幕 From Jikakushi-maku to Doukake-maku 地隠し幕から胴掛幕 From Kazari-maku beneath Ranbuchi (decoration rail) to Mizuhiki-maku 欄縁下の飾り幕から水引幕 From Yama-kazari-maku to Miokuri-maku 山飾り幕から見送幕 From Dresses for Tsukurimono to dresses for an enshrined figure 作り物衣裳から御神体衣裳 History of the tapestries 1 幕の変遷 1 Doukake-maku for Hiki-Yama in the early times (Suntory Museum of Art) 曳山の初期胴掛幕 ( サントリー美術館 )
6 Old Doukake-maku for Hiki-Yama (Taishi-Yama) 曳山の旧胴掛幕 ( 太子山 ) History of the tapestries 2 幕の変遷 2 Doukake-maku for Hoko in early times and Amikakushi-maku made of pieces of a scapular worn by Buddhist priests (Suntory Museum of Art) 鉾の初期胴掛幕と袈裟裂の網隠し幕 ( サントリー美術館 )
7 Doukake-maku of Hoko of Today (Kanko-Hoko) 鉾の胴掛幕 ( 現在 ) ( 函谷鉾 ) 1-3 Production of the tapestries 幕の製作 Techniques for making tapestries 染織幕の製作技法 Embroidery (tapestries embroidered directly / tapestries appliquéd with embroidered pieces of cloth, called Kiritsukeshu) 刺繍 ( 直繍い 切付繍 ) Woven fabrics (tapestry weave, gold brocade, brocade, damask, carpet weave) 織物 ( 綴 金襴 錦 緞子 絨毯織 ) Dyed fabrics (calico, Yuzen dyeing, print dyeing) 染物 ( 更紗 友禅染 描絵染 )
8 1-4 Culture of the tapestries 幕の文化 Tapestries from overseas and tapestries of Japanese make 渡来染織品と邦製染織品 Pieces of woven/dyed fabrics from Europe (Gobelins, brocade, calico printing) 欧州舶載染織裂 ( ゴブラン織 錦 更紗染 ) Pieces of woven/dyed fabrics from China (Tapestries, table covers, official robes and dantsu rugs made in Ming and Qing dynasties) 中国舶載染織裂 ( 明 清代の壁飾布 卓布 官服 緞通 ) Pieces of woven/dyed fabrics from the Middle and Near East and India (carpet, calico printing) 中近東と印度の舶載染織裂 ( 絨毯 更紗染 ) Pieces of woven/dyed fabrics from Korea (dantsu rugs, brocade) 朝鮮の舶載染織裂 ( 緞通 錦 ) Woven/dyed fabrics of Japanese make (embroidery, brocade, calico printing) 邦製染織品 ( 刺繍 錦織 更紗染 ) Tapestries made of fabrics from overseas1 渡来染織裂の幕 1 Gobelin tapestry made in Europe (Niwatori-Boko) 欧州製 ゴブラン織 ( 鶏鉾 )
9 Tapestry renovated from official robes made in China (Kuronushi-Yama) 中国製 官服直し ( 黒主山 ) Tapestries made of fabrics from overseas 2 渡来染織裂の幕 2 Polonaise carpet made in the Middle East (Minami-Kannon Yama) 中東製 ボロネーズ絨毯 ( 南観音山 )
10 Embroidery made in India (Taishi-Yama) 印度製 刺繍 ( 太子山 ) Tapestries made in Japan 邦製染織品の幕 Tapestry weave from the Edo period (Kakkyo-Yama) 江戸期 綴織 ( 郭巨山 )
11 Embroidery in Edo period (Hosho-Yama) 江戸期 刺繍 ( 保昌山 ) Modern tapestry weave of picture by Kayo Yamaguchi (Ashikari-Yama) 現代 山口華楊画綴織 ( 芦刈山 )
12 Modern Yuzen-dyeing by Tokio Hata (Tourou-Yama) 現代 羽田登喜男友禅染 ( 蟷螂山 ) 2)Preservation and storage of the tapestries 染織懸装幕の保存と保管 Current state of storage of the tapestries and the techniques for storage 幕の保管現状とその技術 Kura (Japanese storehouse) for Hoko or Yama in each town (Functions of traditional Kura) 各町の鉾蔵と山蔵 ( 伝統の蔵の機能 ) Gentle control of environment (moisture retention / heat retention) 緩慢な環境調整 ( 保湿 保温 ) Communal repository (current method of environmental adjustment) 共同収蔵庫 ( 現代の環境整備 ) Adjustment for constant environment (moisture retention / heat retention) 一定な環境調整 ( 保湿 保温 )
13 Kura for Hoko and Repository for Yama 鉾蔵と山収蔵庫 Appearance of Kura for Hoko (Kita-Kannon-Yama) 鉾蔵の外観 ( 北観音山 ) Inside of Kura for Hoko (Kita-Kannon-Yama) 鉾蔵の内部 ( 北観音山 ) 3)Change of the tapestries to new ones 染織懸装幕の修理と新調 Concept of changing the tapestries for new ones (in the past and today) 幕の修理と新調に対する考え ( 過去と現在 ) Durability of the tapestries (issues on wear and storage of the tapestries 幕の耐久性 ( 消耗と保管の問題 ) Making a new tapestry and restoration (issues on taste and heritage) 幕の新調と復元 ( 風流と伝承の問題 ) Cost of the tapestry production (financial help and share of the production cost) 幕の製作経費 ( 製作費用の補助と分担 )
14 Wear and damage to the tapestry 幕の消耗と破損 Damage to the tapestry (Kuronushi-Yama) 幕の破損 ( 黒主山 ) Examination of coloring 色彩の調査 4)Repair of the tapestries 染織懸装幕の修復 Conservation and repair of the tapestries 幕の保全と修理 Techniques of embroidery as one of the measures for repair 修理技術としての刺繍技術 Temporary repair and professional repair 応急修理と専門的修理 Cost of repairing the tapestries (compared with the cost of making a new one) 幕の修理経費 ( 新調との比較 )
15 Repair of the tapestry 幕の修理 Studio for restoration 修復現場 5)Restoration of the tapestries 染織懸装幕の復元 Restoration of the tapestries and techniques 幕の復元と技術 Restoration and renewal by restoration (reproduction) 復元と復元新調 ( 再現 ) Specification of the tapestries renewed by restoration 復元新調の仕様 Examination for the production for renewal by restoration 復元新調製作のための調査 Analysis and selection of materials 素材分析と素材選択 Analysis and adjustment of colors 色彩の分析と調色 Analysis of fabrics and reproducibility 織物分解と再現性
16 Studio of producing the tapestries for renewal by restoration 幕の復元新調製作現場 Production of a new tapestry Tapestry weave (Tatsumura Textile Co. Ltd. ) 新調製作 綴織 ( 株式会社龍村美術織物 ) Production of a new tapestry Brocade (Tatsumura Textile Co. Ltd.) 新調製作 錦織 ( 株式会社龍村美術織物 ) 6)Conclusion 結び Issues for the future with regard to the tapestries of the the Festival 祭の染織懸想品が投げ掛ける将来の問題点
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