2017 10 23 46. J. Osaka Aoyama University. 2017, vol.10, 23-46. * History of Japanese popular music -A study on the nearly one century time after the Meiji Era- Hisao NAGAOKA Osaka Aoyama Gakuen Summary In this paper, the author discusses development processes of popular music (including foreign numbers) in Japan over the period of nearly one century after the end of Meiji Era. He tried to include in his study materials as many songs as possible, which represent respective periods of time. During the Pacific War, the style of popular music in Japan was severely restricted under militarism. Therefore, the political environment entirely changed from the prewar days. As a result, popular music in Japan has also completely changed. People can fully enjoy all kinds of popular music now. He makes clear that, in the history of popular music, there are relationships closely influenced by political environment, economic fluctuation, internationalization, change in people s interest, and progress in the media world of the time. CD 100 40 *Email: hisao@sakura.zaq.jp 562-00462-6-3
24 POP POP (1) (2) POP (1976) (1980) (2001) (2001) (2011) (1994) (1999) (2004) (1999) (2006) (2011) (2012) (2010) 1872 5 12 5 (3) (4) 1881 14 2 20 30 120 5 1886
25 1882 15 50 1904 37 94.4 (5) 1907 40 14 1903 36 (6) 43 44 44 3 3 43 14 (7) (8) (9) J. Osaka Aoyama University. 2017, vol. 10
26 1919 8 1 1 (10) (11) 1 8 10 11 12 13 14 (2000)
27 2 1885 (13) 1886 19 2 5 20 5 9 11 12 13 14 16 (14) 1893 26 20 (2000) 1905 38 (12) 1883 16 (15) J. Osaka Aoyama University. 2017, vol. 10
28 1894 27 (16) 6 14 (17) 28 30 (18) 33 37 2 (19) 1909 42 1927 2 2
29 1914 3 (20) 3 1945 8 15 (21) 9 1920 3 7 7 8 10 12 13 14 15 16 17 18 19 20 (2011) (2012) (2016) J. Osaka Aoyama University. 2017, vol. 10
30 20 1917 (22) 1912 45 (23) 1917 6 1923 12 1927 2 1935 10 5 12 1937 12 13 1941 16 12 18 1 1 1914 1927 1927 1923 1929 (24) 1940
31 (25) 35 37 45 7 1917 100 (26) 40 25 2 9 (27) 37 (28) 38 JR (29) 1915 4 (30) 1903 1935 1948 1992 J. Osaka Aoyama University. 2017, vol. 10
32 1936 1939 (31) 1914 3 (32) 14 (33)
33 (crooner) 3 (34) 3 (35) 40 4 20 8 15 3-2 (Chorübungen) (36) J. Osaka Aoyama University. 2017, vol. 10
34 4 40 POP 20 20 POP 30 30 POP 30 40 40 POP NHK 1949-1964 1961 1966 NO.1
35 20 (37) 28 52 (38) NHK (39) 20 1951 21 40 5 30 1956 31 J. Osaka Aoyama University. 2017, vol. 10
36 5 21 40 21 1946 22 1947 23 1948 24 1949 1 360 25 1950 26 1951 27 1952 28 1953 29 1954 30 1955 31 1956 32 1957 33 1958 34 1959 13
37 35 1960 36 1961 37 1962 38 1963 39 1964 40 1965 (2016) (2010) (40) (41) 40 20 POP POP J. Osaka Aoyama University. 2017, vol. 10
38 (42) (43) 1800 1862 1901 (1905 ) 1909 1911 1914 12 1914 1917 1918 1919 1927 1928 1933 1940 (44) 1930 ~1940 6 10 1899 1910 9 (45)
39 6 (1899-1974) (1900-1971) (1904-1944) (1904-1984) (1904-1957) (1905-1956) (1908-2002) (1909-1973) (1909-1986) (1910-2004) A 45 RCA 1938 13 28 29 30 1948 23 (46) 30 30 J. Osaka Aoyama University. 2017, vol. 10
40 (47) 1957 1960 1956 (48) 1962 1966 S 1952 27 1969 44 S JVC SP
41 7 S RCA S (1977) S 7 J. Osaka Aoyama University. 2017, vol. 10
42 POP CD
43 MONOZUKURI (1) 6 16 18 19 20 (2) (2008)p.7 (3) Luther Whiting Mason(1818-1896) (4) (1994)p.114-116. (2001) p.102. (5) (2011)p.52-54. (6) (1994)p.133. (2000) 1910 120 (7) (1957)p.252-255. (1994) p.20 (8) (1994)p.210. (9) (1994)p.234-235. (2016)p.160-162) (10) (2016)p.48. p.50. (11) p.64 (12) (2011)p.30-36. (13) Charles Edouard Gabriel Leroux(1851-1926) (14) (2014)p.14-18. (15) (2011)p.85-88. (16) p.63-66. (17) p.77-78. (18) (2001)p.152-156. (19) (1990)p.548-549 (1996) p.308-309 (20) 1930 5 (21) (2011)p.206-207. (22) 2017.2.19 (23) J. Osaka Aoyama University. 2017, vol. 10
44 1938 (24) (2002)p.98-101. (25) (2003)p.138-140. (26) (2003)p.206-209. (27) (2000) (28) (2007) (2017) (29) 1903 36 (30) (31) 1872-1944 (32) (2016)p.38-43. (33) p.70-75. (34) (2005) (2007) (35) (1997)p.243-248. (36) (1832-1902) (37) (2012)p.86 19 (38) (2004)p.261-264. (39) 1927 8 (40) (41) 2017 NHK 3 1 26 14 2 40 10 50 5 4 (2012) (42) (2002)p.160-163. (43) Bimbo Danao(1915-1967) (44) (2011)p.41-44 p.61-66 (45) (2017)p.100-101. SP 1942 1943 (46) (2006)p.3. (47) 1950 1960 (1899-1973) (2010)p.222-278.
45 (1958) (48) (2011)p.132-136 1)... ARTES, 2016. 2).., 2013. 3).., 1991. 4)... 5).., 2013. 6).., 2007. 7).., 2008. 8).., 2009. 9).., 2000. 10).., 1994. 11). 1945., 2003. 12). 20., 2006. 13)., 2017. 14).., 2011. 15)... 2008. 16).., 1999. 17).., 2003. 18)., 1980. 19).. NTT, 2007. 20).., 2004. 21).. MEDIA FACTORY, INC. 1993. 22).., 2017. 23).., 2016. 24).., 2002. 25).., 1997. 26),.., 2016. 27).., 2015. 28).., 2006. 29).., 2000. 30).., 2005. 31).., 2012. 32).., 2007. 33).., 2011. 34).., 2017. 35.., 2015. 36).., 1985. 37).., 1986. 38).., 2005. 39),.., 2016. 40).., 2007 41).., 2012. 42).., 2012. 43). part2,, 2013. 44).., 1957. 45).., 2009. 46).., 2001. 47).., 2008. 48).., 1980. 49).., 2017. 50).., 1997. 51).., 2006. 52)..,1979. 53).., 2014. 54),.., 2014. J. Osaka Aoyama University. 2017, vol. 10
46 55).., 1976. 56).. NHK, 2004. 57).., 1999. 58).., 2000. 59).., 2000. 60).., 2003. 61).., 2012. 62).., 2005. 63).., 1996. 64).., 2012. 65).., 2001. 66).., 1987. 67)... 68).., 2017. 69).., 1977. 70).., 2014. 71).., 2017. 72).., 2007. 73).., 2008. 74).., 1988. 75).., 2013. 76).., 2004. 77).., 2011. 78).., 1990. 79).., 1999. 80).., 2003. 81).. NHK, 2015. 82).., 2010. 1). 100., 2017.10.30. 2).. 1958. 3). 100., 2015. 4) RCA S