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Transcription:

35 1 2013 4 Reprinted From THE RESEARCH BULLETIN OF THE FACULTY OF EDUCATION AND WELFARE SCIENCE, OITA UNIVERSITY Vol. 35, No. 1April 2013 OITA, JAPAN

Res. Bull. Fac. Educ.Welf. Sci., Oita Univ. 1 Giovanni Battista Bovicelli 1594 3 1618 1602 5 34 1 2012 Giulio Caccini, c.1545-1618 Le nuove musiche1602 Michael Praetorius, 1571 od. 1572/73 od. 1569-1621 Syntagma Musicum 3 1618 Instructio pro Symphoniacis Giovanni Battista Bovicelli Regole, passaggi di musica, madrigali e motetti passeggiati 1594 24 10 31

2 1 1592 2 1594 88 1 3 4 56 Ai lettori 7 16 10 79 Avertimenti quanto alle parole 1016 Avertimenti intorno alle note 2 17 88 1736 3887 17 16 2 5

3 1 1 1985 2009 1 Passaggio 2402 4 8 16 2 7 1 2 5 E le7 F lu 3 le 3 2 3 e 1

4 8 5 1)IU AEO2) 3) 4)5) 1 2 1 IU 2 AEO Alleluia 1 3 AlAleelelu 2 1 3 4 D le 4 5 E 16 3 2 8 Allelu 2 1 2 2 2 3 10 10 3 10

5 3 2 1 1 2 3 2 15 1 2 2 2 3 4 2 3 16 12 15

6 3 3 2012: 5 2 Accento 232 1 5 4 2 2 9 4 5 2 78 2 13 5 5

7 2 15 15 6 6 1 7 1 7 13 2 D 5 D 8 C 13 E

8 3 Groppetto 7 2 13 7 16 32 8 7 1 G Alleluia ia 2 Fis ia 2 G 8 G 8 8 2 1 2 9 2 11 11

9 9 3 A 4 2 2 9 2 A 9 3 1112 10 11 10 11

10 2 10 3 2 2 B 8 2 2 9 3 4 2 2 2 C 3 B 2 11 2 3 1 2 1 12 12 2 2 2 4 2 2 12 13-1 7 13-2 13-1 236 2 2 7 236

11 13-1 13-2 4 Tremolo 12 1 2 4 14 235 235 235 14 2 2 9 15 2 2 1 4 16 B 8 B 16 A 2 A 2 A ni3

12 15 16 4 16 32 16 17 17 16 1 C-D-EsB-C-DA-B-C 17 17

13 5 Tirata 236 18 18 20 1 4 8 19-119-2 19-1 19-2 8 13 32 32 8 20 8 32 8 20 8 2 32

14 14 20 14 20 16 Es D Es 32 B Es 32 1 1 14 1 1 236 32 34

15 17 22520139 Giovanni Battista Bovicelli, Regole, passaggi di musica, madrigali e motetti passeggiati, Venezia, 1594 Giulio Caccini, Le nuove musiche, Firenze, 1602 Michael Praetorius, Syntagma Musicum, Syntagmatis musici tomus tertius, Wolfenbüttel, 1618 2009 M. 31, 2: 99-114 2012 G. M. 34, 1: 1-16 1985 G.(1602 ) 6 1989 G. (1614 )8

16 Giovanni Battista Bovicelli s Regole, Passaggi di Musica, Madrigali e Motetti Passeggiati A Commentary KURISU, Yumiko and MATSUDA, Satoshi Abstract In this paper, we examined how the five main concepts of singing method in the early baroque period, i.e. passaggio, accento, groppetto, tremolo and tirata, are treated in G. B. Bovicelli s Regole, passaggi di musica, madrigali e motetti passeggiati. We tried to make clear the particular features of this work by comparison with the contemporary theoretical literature on singing by G. Caccini and M. Praetorius. Key words G. B. Bovicelli, G. Caccini, M. Praetorius, Early Baroque Music, Improvisational Ornamentation