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19 20 19 Bowman 1974: 42 64 14 1915 Krauss 1966 Yano 1984: 22-23 20 1919 1906 30 17 2010: 113 150 200 Onishi 1938: 54 1930 Japanese Bon Festival 1937 1930 4 1937 Onishi: 56; Uyehara 1937: 31 Hunter 1971: 172 Onishi: 56; Van Zile 1982: 5 1945 8 5 1946 7 13 14 Aroused Opposition1946 1947 7 5 1947 1948 1948 2 4 100 442 MIS 1399 1951 2 5000 3 35 Otani 1951 442 3-3 1950 1957 Van
Zile: 291960 1950 1951 7 8 1951 91958 1978 2 9-11 1959 1960 5 100 1968 1976 7 10 6 9 4 5 2013 6 83 31 28 9 15 83 78 1 2 2 6 2013 2 1 2013 CD 1924 125,361 30,534 24.4 25,878 20.6 19,551 15.6 16,512 13.2 7,563 6.0 5,036 4.0 4,936 3.9 1,124 0.9 314 3 7 1958 7 8
1957: 178 8 1969 2002: 37 3 9 1630 30 : 1 10 3 2014 1905 8 19 Van Zile: 4 20 1900-1907 : 331924 Japanese People; Van Zile: 26 2 Yano: 17 1 944 420 8 35.8 2 37.5 35.4 2 72.9 : 601924 2 : 314 1926 70.6 : 75 6,511 43.7 358 2.4 4,013 26.9 326 2.2 2,456 16.5 * 258 1.7 971 6.5 14,893 100.0 * : 818-9 2001: 22
11 12 818 42 : 22 8 8 1932 3 13 442 14 Yano358-359 1960 1968 133, 359-360, 362359 2010: 115 Yano: 133 135 1970 Oh! SusannaRed River Valley,You Are My Sunshine137 2002 Oh! Susanna Ohira 15 1926 : 134 : 78 :140 30 2004:297 1920
Yano 20 1915 1 1 7 18 1935 18 1937 10 16 Nagata 2002 17 2006: 114-115 1951 Van Zile: 20-211960 2 18 1982 73 13 60 7 2 3 2 4 1 1 4 10 15 Yano 70-72 1982 30 19 2002 200 CD 115 Nagata 10 15 1990 2004 Folk Arts Apprenticeship Award Nagata38 20 1996 2001 2003 3 2006 Living Treasures of Hawaii 21 70 6 5 7 2014 40 50 1999 11 2014 100
Weintraub 1995: 35 2013 2012 JCCH JCCH 2013 2013 2012: 221 2014 1 Katumi Onishi, 1938 Bon and Bon-odori in Hawaii, Social Process in Hawaii, 4, 49-56; Kimie Kawahara and Yuriko Hatanaka, 1943 The Impact of War on an Immigrant Culture, Social Process in Hawaii, 8, 36-45; and Masako Tanaka, 1948 Religion in Our Family, Social Process in Hawaii, 12, 14-18. 2 John DeFrancis, 1973 Bon Festival, Things Japanese in Hawaii. Honolulu: The University Press of Hawaii, 45-61; Judy Van Zile 1982 The Japanese Bon Dance in Hawaii. Honolulu: Press Pacifica; and Christine Reiko Yano, 1984 Japanese Bon Dance Music in Hawaii: Continuity, Change, and Variability, M. A. thesis, University of Hawaii at Manoa. 3 2002a 2002b 20032014 2010 2012 2010 4 5 1946 1 Yano 24 6 7 1969 1970 : 36, 39 1930 2002b: 68 8 1958 1831964 1968 1973 133 1975 9 2012 10 30 18 2014 11 2012 12
13 Yano 357, 359, 360 14 1951 7 7 500 6 27 442 2002b 15 You Are My SunshineOh! SusannaYou Are My Sunshine 2014 16 Ralston Nagata 10 17 1980 35 2001 2006 18 1982 7 4 Yano 74-75 Mary D. Scott1966pp. 14-16 19 Yano 73 80 2000 200 Catherine Toth2000; 2006p. 115 1986 80 Rod Ohira2002 20 1995 2004 442 2014 30 2014; 2014 21 Roy Miyamoto 2006 1 2010 361123-140 1983 1964 19571958 19641964 19681968 1973 1975 1939 No.17 2013 25 No. 21 2001 194775 2005649. 2002a 181-203 2002b 861-179 2003 2849-61 2014 2006 1 1948710 No.18 20021970(4) 9133-47 2010 56110-124 2012 211-226 2004 1988 2 Aroused Opposition Sentiment Has Squelched an Attempt to Revive Bon Dances Here. July 10, 1946 Honolulu Star Bulletin. Bowman, Jesse Y. 1974 Lucky Bon Dance Come Hawaii, Honolulu 9(1): 42-45. DeFrancis, John. 1973 Bon Festival, Things Japanese in Hawaii. Honolulu: The University Press of Hawaii, 45-61. Hunter, Louise H. 1971 Buddhism in Hawaii; Its Impact on a Yankee Community. Honolulu: University of
Hawaii Press. Japanese Bon Festival Honors Spirits of Dead, July 9, 1937 Honolulu Star Bulletin. Japanese People to Observe Bon Friday, August 14, 1924 Honolulu Star Bulletin. Kawahara, Kimie and Yuriko Hatanaka. 1943 The Impact of War on an Immigrant Culture, Social Process in Hawaii 8, 36-45. Krauss, Bob. June 16, 1966 Things Will Be Booming When Bon Dances Begin, Honolulu Advertiser. Miyamoto, Roy. 2006 Nomination Application for Living Treasure of Hawaii, typewritten, 10 pages. Nagata, Ralston. 2002 Biography of James T. Kunichika, based on the interviews with Kunichika, typewritten, 5 pages. Ohira, Rod. June 28, 2002 Bon Dance Beat Hasnt Left Best Singer, 87, Honolulu Advertiser. Otani, Curtis. August 4, 1951 25,000 See Brilliant Bon Festival Opening, Honolulu Advertiser. Onishi, Katsumi. 1938 Bon and Bon-odori in Hawaii, Social Process in Hawaii 4, 49-56. Scott, Mary D. 1966 Japanese Bon Dancing in Hawaii, Viltis: A Folklore Magazine 24(5), 14-16. Tanaka, Masako. 1948 Religion in Our Family, Social Process in Hawaii 12, 14-18. Toth, Catherine. September 10, 2000 Singer Keeps History Alive, Honolulu Advertiser. Uyehara, Yukiko. August, 1937 Bon Festival, Paradise of the Pacific, 19, +31. Van Zile, Judy. 1982 The Japanese Bon Dance in Hawaii. Honolulu: Press Pacifica. Weintraub, Andrew. 1990 Japanese Traditions and Bon Dance in Hawaii, Folklife Hawaii. Honolulu: State Foundation on Culture and the Arts, 34-35. Yano, Christine Reiko. 1984 Japanese Bon Dance in Hawaii: Continuity, Change, and Variability. M. A. Thesis, University of Hawaii. This paper traces the history of Hawaii s Bon dances and investigates why some of the oldest Bon dances have been passed on from generation to generation, while others have not. It takes up the case of Iwakuni Ondo that originated in the Iwakuni district of Yamaguchi prefecture, and which is one of the three traditional Bon dances still performed in Hawaii. Iwakuni Ondo entails not just a single bon dance song, but includes many songs based on historical stories and events, as well as new songs composed to reflect people s lives both in Japan and Hawaii. The paper examines why the Japanese in Hawaii love Iwakuni Ondo from the perspectives of the characteristics of Iwakuni Ondo songs, concentrated immigration from Yamaguchi prefecture, and the function of the supporting organization, Iwakuni Odori Aikoukai, and its founder and famous singer, James Kunichika. Keywords 3 2013821 2013822 2013816 2014814 20141029 2014113 2014111 20141130 2013820
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48 32 67 39 61 8 1958 7 8 25990 51940 18.1 7055 5093 4556 4496 3437 30 1988 32 6 26.5 17 40 Araujo,O.E.de.(1940)Latinos e No Latinos no Municipio de So Paulo, Revista de Arquivo municipal de So Paulo, No.LXV. 1964 1989 19881989 Mimeo. 6 1940351 7 8 DAMM 1996 11 1910 1960 70 50 92 9 3 10 1996 52 5 3676.5 11 1990 12 90 13 14 JETRO 21 2009 792 8 9 1 1 150~250 15 Epoca O Estado de So Paulo Folha de So Paulo Seu BairroIlustrado 2 3 16 Comida NikkeiKilla Novoandino 2009 Michael Toro Taype 17 1934 103 3 29 8 6 8.3 7 8 3 5 1 3 9 4 7
1872 3 1 1930 2000 1 2010 1 124 Araujo, O.E,de(1940)Enquistamentos tnicos, Revista de Arquivo Municipal de So Paulo, No.LXV. 18 JETRO 2014 5 64.6%59.632.418.2 13.2 45.214.81366.64.6 5 JETRO 74.769.632.932.69 22.2 19 1998a 1 2 34 56 6 20 JETRO 200978%65% 62%46%41%37% 29%27%24%21%14% 21 2001 22 1964 441314 1985 2014 198919881989 Mimeo. JETRO200921 JETRO2014 1964 2001 1995 100 377419 1998a39 85106 1998b1No.2. 4870
1999a2No.3. 64102 1999bNo.4242 2005VestaNo.59, 3035 2008 2009aVestaNo.59, 1823 2009b 13486611 201316227495 1391612 Araujo, O.E,de(1940)Enquistamentos tnicos, Revista de Arquivo Municipal de So Paulo, No.LXV. Araujo,O.E.de.(1940)Latinos e No Latinos no Municipio de So Paulo, Revista de Arquivo municipal de So Paulo, No.LXV. Ed. Abril(2014) Veja Comer & Beber, So Paulo. Ed. Abril(2014) Guia Qutro Rodas 2015 Edio Especial 50 Anos. So Paulo Guia Qutro Rodas197819811984198719911996 The author overviews how Japanese dishes are accepted by non-japanese citizens in Sao Paulo. In order to address the theme, the author examined the start and growth of Japanese dishes (restaurants) in Sao Paulo, and used restaurant guides to confirm the position of Japanese dishes (restaurants) relative to other ethnic foods. Based on the survey, the author clarified the image of Japanese dishes, and examined the symbolic relationship between Japanese foods and Brazilian and other ethnic foods. Last of all, the dining out behavior of citizens mainly at Japanese restaurants reflects a certain characteristic acceptance of Japanese dishes. Keywords
2014 6 208 203 2012 1 2008 31 4 2014 6 17 8 6 31.9 17.4 49.3 7.6 7.1 1.265.3 62.7 3 2 1990 6 25 2001 2013a 25 2 2008 3 2013
3 2013 IOM 2004 2010 2014 2 2014 2 3 2 2013 4 2000 5 200 100 300 1 2006 100 2008 2 2008 100 3 6 2 2011 2011 2 2012 4 2013 4 2014 3 1 7 8 2012 6 1 100 2012 4 2012 2013 2 4 2013 6 5 8 1 9 2012 3 10 3 23 11
12 1,000 2013 9 19 10 420 2008 13 2 3 19 2013 10 16 5 43 2013 11 12 22 33 2 33 33 100% 64 36 3 2 37 15 15 12 9 6 21 5 1 61 12 9 3 48 21 6 3 70 30 70 9 12 52 27
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2 8 PTA 2014 1 6 50 2 http://www.moj.go.jp/housei/toukei/toukei_ichiran_touroku.html20141127 2 2000 2011 2013b 3 2 2 2 4 5 2000420104 6 38 URL http://wwwt.suac.ac.jp/~ikegami/report01.html20141127 100 DVD 2009 7 2013120142 8 http://wwwt.suac.ac.jp/~ikegami/fice00.html20141127 9 URL http://wwwt.suac.ac.jp/~ikegami/fice05.html 10 16 ""UD 2013c 2013 11 12 2013 1 2013 20132017
2013a 184185 2013b 14: 97100 2013c 2""UD16 http://www.u-gakugei.ac.jp/~ehon/cn10/016/pg900.html20141127 2014 25 2009 (2008 100 http://wwwt.suac.ac.jp/~ikegami/report01.html20141127 2011 38 46 2013 "ESCOLA do JAPAO em Hamamatsu" 2013 http://iminseisaku.org/top/conference/131214_kanashiro.pdf20141127 More than ten Brazilian students who grew up in Japan are currently enrolled at the Shizuoka University of Art and Culture (SUAC) in Hamamatsu city. In 2013, SUAC conducted a project in which bilingual illustrated books written by a former Brazilian student were distributed to elementary schools in the city. This served as a means for current Brazilian students to visit the homes of Brazilian families and find out their educational needs. Feedback was given to the local community through the Forum on Intercultural Children s Education (FICE). This paper reports the details of the project and the results of the home visit survey. Keywords WEB20141127 http://wwwt.suac.ac.jp/~ikegami/fice00.html ~~ http://wwwt.suac.ac.jp/~ikegami/pdf/fice/130621_fice05_students.pdf http://www.moj.go.jp/housei/toukei/toukei_ichiran_touroku.html
FAZENDA MONTE DESTE Industria Agricola Campineira, Limitada. 88 23 2 3 No 1.
No 2. Vinho de arroz 1941 3 1943 7 19 88 1 4 1937 40 5 23 1941 1 1927 200873-74200977-8020124-7 Museu 2007 2012 35 1934 8 35 3 4 3 2 4 1975 2012.11 2 3 TOZAN ShoyuAZUMA KIRINKIRIN ICHIBAN 2014 2010567-568 1942 194288 4 96-97 pinga 109,118 124,127 1960 567 2000 5 AZUMA KIRIN 6
5 7 15$000 7 1941 2012 1930 10 30 1932 7 2 5 1932 1933 3 30 7 1932 6 4 1933 3 1933 3 30 9 12 12 14 1934 5 17 7 1933 3 30 7 1927 Monte Este 1934 5 17 100400 1934 6 19 8 8 8 2 11 15
9 11 1935 8 3 32 37 9 3 1 37 100400 15 1935 7 1936 18 20 1939 3 5% 84 10 1938 5 Sake85 1940 7 17 Sake Sake 1500 26 88 4 30 No 3. 1934 8 1935 3 6 1937 1938 4 No 4. 200 199:541$200 338:547$700 37:112$000 775:200$0001940 12 15 1935 8 1937 7 1939 9
5 No 5. 15$000 6 No 6. 1932 1933 3 30 50 3 100 400 9 12 1933 12 14 100,000 2518,000.000 1934 5 17 7 No 7. 22 100400 1934 6 19 8 No 8. Campinas Industria Chimica Limitada Productos Agricola Tozan LimitadaTozan Industria Agricola Campineira Ltda 80 60 60 1934 11 15 200 Junta
Commercial 1934 12 4 44,365 Industria Agricola Campineria Ltda 9 No 9. 80 60 60 3,708 20% 10 No 10. 3,708 80 60 40 511 No 11. 5 5 5 200 1938 10 18 51,955 Junta comercial 12 No 12.
1934 8 23 1935 3 13 No 13. 4.73m 5.85m 33.25m 10.85m 360.76m 109 3.90m 5.60m 21.8 3.90 4.07 15.8 5.75 9.95 57.2 78.3 3.92 5.70 22.3 3.92 5.85 22.9 9.95 3.90 38.8 1940 200 2,150 30,000 14 No 14. 1.53 15 No 15. Byington & Cia Byington & Cia Byington & Cia 4.10m 19.35m 7.90m 152.8 46 7.20 11.00 79.2
3.50m 277.2 1/4 377 7.20 3.50 25.2 7.20 3.50 25.2 A Corrir Brunsusick Type 13-B16 No 16. 11.300kg cal/h 1 B 5.8 6 C 10 48 1 D 4 24 1 E 7.5HP220/601.750RPM 1. 15 8120 2 12 1 8 1 5 20 1 5 15 1 1 10 5 3 2 1 1 1 5 120 1 200 1 2 5 3 500 1 5 1 14 5 10 17 No 17. 250 400 250 400 1936 1936 165,000 600 10m 6.0m 60 5m 3.5m 17.5 7.6m 5.0m 38.0 17.0m 7.2m 122.4 8,000 18 No 18. 3 20 3 1 3 4 12 1 60 1 200 300 13 20 1 1 1936 1937 19
No 19. 8,000lts 1936 6 9 1937 7 156 1,800 20 No 20. 2,000 1,500 500 1,500 1. 2. 3. 4. 5. 6. 9.0 5.0 45 20.0 8.0 160 21 No 21. 16.4 11 180.4 5.0 3.5 17.5 4.0 4.2 16.8 3.6 11.0 39.6 1 1 1 10 5 5 1 10.000 12 300 120 1 22 No 22. 1937 10 12 1937 12 4 1938 1 5 1937 11 12 5 1938 11
1939 3 1938 6 Byington & Cia 1937 12 23 No 23. Byington & Cia 11.20 7.20 83.44 4.0m 333.76 4 7.20 3.50m25.2 YorkmodeloNo 4. 34W 2.4 4 York Ice Machinary Cooperation York Pensy. U.S.A. 10HP220/50/3 Mercoide Switch Startar Byigto & Compania 15 4.0-7.0 24 No 24. 1938 2 25 No 25. 1939 10 1,500 33.25 10.85m 360.75 3.90 4.07 15.8 3.90 5.60 21.8 5.75 9.95 57.2 11.00 3.60 39.6 3.92 5.70 22.3 4.20 4.00 16.8 78.3 10 9.95 3.90 38.8 8HP 7.00 10.00 70.00 7.00 5.00 35.00
10.00 6.00 60.00 7.60 5.00 38.00 4HP 26 No 26 17.00 7.2 122.40 11.5 8.0 92. 20.0 8.0 160. 16.4 11.0 180.40 9.0 5.0 45.00 16. 9.0 144.00 15 7.0 05.00 8 7.0 56.00 10.5 7.5 78.75 7.20 11.00 77.00 7.20 11.00 77.00 7.20 3.50 25.20 5 7.20 3.50 25.20 5 7.20 3.50 25.20 2.15 8,000 27 No 27. 18 20 4 10 15 10 12 2 8 5 3 6 3 1 5 10 3 7 1 3 10 5 2 460 200 400 150 3 1 50m 1 2 28 No 28. 1 6 1 2 1 1 2 4 8 4 1 5 2 1 1 1 1 6 2 1 1 5 1 1 1 29 No 29. 1
1 2 1 1 1 3 1 2 30 1 36 2 http:// www.kirinholdings.co.jp/company/business/overseas.html 3 INDUSTRIA AGRICOLA TOZAN LTDA. http://www.azumakirin.com.br/ 4 5 3 INDUSTRIA AGRICOLA TOZAN LTDA. AZUMA KIRIN 6 368 2014 10 8 1931 7 29 9 1935 8 3 81 1996 1942 2010 2008 2 2009 3 2012 42 7 1940 10 27 88-91 105 jogo do bicho
This is a translation of the first half of Shuzo-kojo Enkaku-shi ( history of a sake brewery ) currently owned by Fazenda Monte deste do Brasil. This brewery was completed in 1935 in Fazenda Monte deste, a suburb of Campinas, Brazil. The brewery s production of Azuma Kirin sake marked the beginning of commercial sake breweries in Brazil, and was closely linked with the footsteps of pre-war Japanese communities in Brazil. This is an introduction to the background behind the production of Azuma Kirin. Keywords
1 War Relocation Authority WRA 2 10 WRA 3 4 1941 46
Tule Lake Relocation Center 5 1943 8 15 6 87 1942 6 60 36 2000 7 8 9 10 11 12 13 Gila River Relocation Center 1945 1 14 14 130 1944 1945 3 15 Japanese Retirement Home 1943 1943 2000 1000 16 1942
1942 17 1942 1942 1942 1942 1942627 18 1942 19431016 19431127 194475 1944714 194482 1942 19431016 19431211 19 194389 194441 194463 194463 20 1943 1943 1943614 1943104 21 1943 1943628 194389 1943810 1943 194389 1943823 1944115 22 1944115 23 Topaz War Relocation Center 2 1945 1 4 4 3 Tanforan Assembly Center 3 FBI 24 194112 25 26 27 194215
28 29 30 1945 2 1 4 1945 2 92 95 1944 4 2 1945 2 17 2500 670 1944 1944 1944 1944 1944 1944 1944 1944 1944 1944 1944 1944 1944 1944 31 1944 1944 1944 1944
1945 32 1945 33 1945 34 1945 1945 17 35 Manzanar War Relocation Center 12 1942 1942 1945 1945 4 1942 8 1945 2 100 5740 662 38 39 1942 36 37 1943 1944 40
41 1945 42 43 Minidoka War Relocation Center 1945 7 3 138 1942 10 1945 4 158 133 1139 200 1942 1945 44 45 10 46 47 11 12
1945 9 1 1945 9 16 108 1942 6 1943 8 9 1945 9 158 6190 615 30 8 14
1945 10 209 23 70 48 1944 10 2 36 37 38 1919 11 9 1944 10 22
2013 2014 2 relocation center relocate 3 4 2728 5 6 7 1992 8 9 10 WRA 1 11 2011 3 55-69 2010 2012 22510276 2010 2012 JICA 11 12 13 14 Gila River Relocation Center literary club http://jpg1.lapl.org/pics09/00004273.jpg 2014 7 15 15 16 iron wood Delphine Hirasuna, Art of Gaman: Arts and Crafts from the Japanese American Internment Camps, 1942-1946, Ten Speed Press, 2005 17 13,348 18 mesquitecreosote bush 1000 19 20 40 21
Toshiko Mccallum 2012 10 5 22 1976 23 1936 7 24 FBI 1945 10 1 1954 12 7 4 25 Angle Island 26 Camp McCoy 27 Camp Forrest 28 29 JICA 2008 1 11-24 30 Yoshiko Uchida, Desert Exile, University of Washington, 1982, p.105. 31 32 41 wienie, weenie 42 43 44 45 1943 46 47 48 1992 2008111-24 112011355-69 Hirasuna, Delphine, Art of Gaman : Arts and Crafts from the Japanese American Internment Camps, 1942-1946, Ten Speed Press, 2005. Uchida, Yoshiko, Desert Exile, University of Washington, 1982. 1976 1964 33 34 35 36 37 1942 12 5 38 Sierra 39 40
This study is an interim report on haiku poems written by Japanese immigrants while staying in WRA camps. It is highly likely that each camp had at least one active haiku coterie group which would have compiled a collection or anthology of haiku poems as a memento of their camp life, only six collections have been found. This report surveys eight collections, including two that were dedicated to the Nisei soldiers killed in action. After a brief description of each collection, some representative haiku poems are presented. Keywords:World War II, WRA Camps, Issei, Haiku
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Sugano regained his health and then returned to Seidai Ryo of the Student Association of Japan, where he resumed the activity. However, as war broke out between Japan and the US, he gradually had to deal with tough situations, both financially and mentally. At the same time, he began to feel skeptical about the conceptual manner of the activity as instructed by a leader who graduated from an imperial university. The notion that imperial universities were superior to private universities, and that dormitory grouping favored the students of imperial universities kept him away from the activity. In June 1942, the Student Association of Japan voluntarily disbanded, followed by Seidai Ryo also being dissolved by the end of 1942. Sugano then began his life as a lodger at that time, with the foothold gained at Waseda University s Mental Science Seminar. Keywords: Student Association of Japan, Waseda University, student movement, departure of students for the battlefront
Journal of the Japanese Overseas Migration Museum Authors Preface On Publishing the Journal of the JOMM Cultural Continuity Seen in Hawaii s Traditional Bon Dance: The Case Study of Iwakuni Ondo The position, image, and form of acceptance of Japanese dishes (restaurants) in São Paulo Second-generation migrants of Brazilian origin and the bilingual illustrated book project: Report on an approach by the Shizuoka University of Art and Culture in Hamamatsu The first Japanese sake producted in Brazil, as recorded in Shuzo-kojo Enkaku-shi ( history of a sake brewery ) owned by Fazenda Monte deste do Brasil A Study on Japanese Immigrant Haiku Collections in WRA Camps in the US Shigehiro Ikegami (Shizuoka University of Art and Culture) Nancy Naomi Ueda (Shizuoka University of Art and Culture) Taeko Akagi (Mejiro University) Teruko Kumei (Shirayuri College) Toshio Yanagida (Keio University) Last Notes by Takeo Sugano (3): The Life and Thoughts of a Second- Generation Japanese-American Who Has Become Japanese in Japan.