1 7 8 Richard Wagner 1813-83 1 2 3 1 2 1 2004 9 25 http://wagner-jp.org/bay/report/2004parsifal.html 2015.1.23 2 266 3 2014 8
2 27 1965 1995 Skelton 1965 1978 100 2002 1981 2009 1989 2012 2013 1813 1842 1843 49 1943 1849 1851 1859 1972 2 1876 26 4 4 3 4 2 2 1869
3 100 1882 5 6 20 7 5 http://www.geocities.jp/wakaru_opera/tristanundisolde.html 2015.1.23 6 http://www.shinkyo.com/concerts/p162-1.html 2015.1.23 7
4 27 1872 2 1876 8 13 4 4 1 3 8 6 2 1882 9 1883 Cosima 1837-1930 10 1883 1906 15 1906 Siegfried 1869-1930 1930 1930 Winifred 1897-1980 1931-44 11 44 8 148,000 333,000 HP Chronology. 9 30, 1978, p.70. 10 11 1981, p.1.
5 Wieland 1917-1966 Wolfgang 1919-2010 1951 1966 2008 1973 Gesamtleitung 2007 2009 Eva 1945- Katharina 1978-12 2015 2013 200 3 5 1 6 3 5 13 14 12 2014 2 22 13 1998 2001 2002 2005 14 2011 1
6 27 15 16 1976 6 17 1 10 18 1876 1883 Richard Wagner 1883 1906 Cosima Wagner 1906 1930 Siegfried Wagner 1931 1944 Winifred Wagner 1951 1966 Wieland Wagner, Wolfgang Wagner 1967 2008 Wolfgang Wagner 2009 2014 Eva Wagner-Pasquier, Katharina Wagner 2015 Katharina Wagner 15 2014 8 16 17 2 18 Vol.6 http://www.wagner.jp/ring/ring8.html 2015.1.23
7 1970 Regietheater 19 1976 Patrice Chereau 70 80 2013 5 Burkhard Kosminski 1 20 Daniel Kehlmann 2009 21 22 2010 19 2012 p.2. 20 200 2013 5 21 AFP http://www.afpbb.com/articles/-/2944936 2015.1.23 21 p.4. 22 p.5
8 27 23 1976 1876 1882 2 24 1930 23 p.5 24 1989 Bühnenanweisung, Regienweisung, Regiebemerkung p.81.
9 1973 1966 25 100 1976 5 25 intendant
10 27 1980 100 1 26 1976 27 Gundrun 28 2007 29 2008 2009 2008 26 1976 2013 10.20 http://scherzo111.blog122.fc2.com/blog-entry-300.html 2015.1.23 27 2015 2 28 2007 7 22 AFP http://www.afpbb.com/ articles/-/2257755?pid=1843275 2015.1.23 29 http://www.sponichi.co.jp/entertainment/classic_concierge/2013/266/index.html 2015.1.23.
11 30 1989 31 19 32 33 1 300 4 30 http://wagner-jp.org/reikai/tokubetsu/pk.html 2015.1.23. 31 1989 p.76. 32 2006 3 6 33 http://yuichi-higuchi.cocolog-nifty.com/blog/2011/03/post-2875.html 2015.1.23.
12 27 2013 2015 4 1 34 35 36 2007 37 38 2013 4 34 2014 8 30 1 35 2014 11 4 2 36 37 2007 8 19. 38 2010 3 7 http://yuichihiguchi.cocolog-nifty.com/blog/2010/03/post-a803.html 2015.1.23.
13 DPA 39 30 40 41 39 200. 40 266. http://www.sponichi.co.jp/entertainment/classic_concierge/2013/266/index.html 2015.1.23. 41 2013 9 9
14 27 16 19 16 42 43 44 45 42 2004 43 p.35. 44 2008 9 1 45 2006 3 6
15 Dahlhaus, C. 1988 Richard Wagners Musikdramen, Zurich: Piper 1995 Hamann, B. 2002 Winifred Wabner, oder. Hitler Bayreuth, münchen; Zürich: Piper. 2010 Skelton, G. 1965 Wagner at Bayreuth, 100 1976 1981 15, pp.1-19. 1978 4, pp.63-74. 2012 26, pp.1-16. 2013 76, pp.151-173. 2014 2009 : 1989 Vol.55, pp.73-89. 1965 HP 1 2011/2/6 2 2011/3/9 3 2011/3/23 http://www.tokyo-harusai.com/news/news_741. html 2015.1.23 vol.1 2013/12/13 http://www.tokyo-harusai.com/news/news_1917.html 2015.1.23
16 27 The Bayreuth Festival : Festival management on Tradition and Innovation Yuko OKI ABSTRACT The Bayreuth festival is one of the most famous music festivals in the world, held annually in Bayreuth, Germany. During the festival, only operas composed by Richard Wagner are performed, therefore the festival attracts Wagnerians from all over the world. Though the festival used to have the tradition of performances in original style, because of the influence under the Nazi Party during World War, it had been forced to change the performances to sanitise their images. The staging has tended to become more and more innovative, although the music itself maintains the original style. In this paper, by examining the management of the Bayreuth festival, the meaning of the festival as an intangible cultural asset and the role of creating new markets are analyzed.