2 Green crackle lidded curling piece H 21 x W 11 cm 45 Faceted footed bowl - green crackle H 8.5 x W 11 cm
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1 The world of Tim Andrews Gallery St. Ives Tokyo Japan
2 2 Green crackle lidded curling piece H 21 x W 11 cm 45 Faceted footed bowl - green crackle H 8.5 x W 11 cm
3 37 Round lidded box - red crackle H 6 x W 10 cm
4 8 Large crackle glazed bottle H 29 x W 30 cm
5 29 Tall lidded curling piece - red crackle H 19 x W 11.5 cm 46-1 Burnished resist bottle form H 13 x W 10 cm 46-2 Burnished resist bottle form H 18 x W 11 cm
6 1 White crackle glazed bottle form H 17 x W 10 cm 5 'Tectonic' lidded curling piece H 14 x W 15 cm
7 18 Deep bowl - tectonic and crackle glaze H 11 x W 9 cm 14 Burnished lidded box - lines and spots H 11 x W 10.5 cm 15 Small burnished form - linear decoration H 8 x W 10 cm
8 50 Black/white striped lidded curling piece H 14 x W 18 cm 11 Medium banded burnished eliptical form H 12 x W 17 cm
9 7 Striped 'humbug' H 10 x W 19 cm 22 Medium burnished lidded curling piece H 18 x W 21 cm
10 4 Large black/white striped lidded curling piece H 20 x W 20 cm 44 Tall lidded curling piece - green crackle H 25 x W 12.5 cm
11 39 Tall lidded curling piece - red crackle with lines H 23 x W 10 cm 13 Small tectonic burnished form H 8 x W 10 cm
12 35 Narrow lidded curling piece - red glaze H 20 x W 9 cm 27 Burnished striped humbug H 9.5 x W 16 cm
13 10 Large banded burnished eliptical form H 21 x W 26 cm
14 40 Tall lidded curling piece - red crackle H 22.5 x W 11.5 cm 16 Small ovoid burnished striped form H 9.5 x W 9.5 cm
15 34 Tall lidded curling piece - green crackle H 24 x W 11 cm 41-1 Lidded curling pieces - red crackle H 14 x W 9.5 cm 41-2 Lidded curling pieces - red crackle H 12 x W 8 cm
16 6 Red glazed lidded 'curling' piece H 15 x W 18 cm 38 Round lidded box - red crackle H 6 x W 10 cm 36-1 Square lidded box - red crackle H 7 x W 7.5 cm 36-2 Square lidded box - red crackle H 6 x W 6 cm
17 31 Small burnished striped round form H 8 x W 10 cm 24 Lidded curling piece - white crackle H 14.5 x W 15.5 cm
18 42 Lidded curling piece - green with dark crackle H 16 x W 9 cm 28 Small crackle glazed bottle H 11.5 x W 9 cm
19 23 Lidded curling piece - green crackle H 14 x W 14 cm 20 Round lidded box - green crackle H 8.5 x W 11.5 cm 33 Tall lidded curling piece - resist circles H 21 x W 10 cm
20 48 Large resist lidded curling piece - lines and crackle H 18 x W 21 cm
21 9 Ovoid burnished form with linear decoration H 12 x W 11 cm 47 Round burnished lidded curling piece - spots H 18 x W 20 cm 32 Small burnished striped eliptical form H 8.5 x W 11.5 cm
22 12 Small cross-linear burnished eliptical form H 7.5 x W 10 cm 21 Tall lidded curling piece - green crackle H 19.5 x W 11 cm
23 26 Small bowl - crackle glaze H 5.5 x W 10 cm 19 Small tectonic burnished form H 6.5 x W 9 cm
24 30 Medium striped humbug H 11 x W 20 cm 43-1 Lidded curling pieces - red crackle H 14 x W 8.5 cm 43-2 Lidded curling pieces - red crackle H 18 x W 10 cm
25 25 Deep bowl - burnished and crackle glaze H 10 x W 10 cm 3 Striped deep vessel form H 11 x W 11 cm 17 Deep bowl - tectonic and crackle glaze H 9 x W 9 cm
26
27 Tim Andrews is one of the foremost makers in his field in Britain today. He trained at Dartington and with the eminent potter David Leach O.B.E. in the 1970s - afterwards setting up his own studio in David Leach always considered Tim to be one of his best ever students and invited him to return to work with him at Lowerdown Pottery in Devon as a partner between 1986 and He is an elected fellow of the Craft Potters Association and Honorary President of the Westcountry Potters Association. His most recent book Raku was published by A and C Black; he also writes reviews for Ceramics; Art and Perception magazine. He is best known for his black and white burnished forms, his red and green glazed vessels and for the delicate porcelain bowls combined with dark stoneware towers. There have been frequent exhibitions of his work in Japan, Australia, the United States, throughout Europe and the United Kingdom over the last thirty five years. Works have been acquired by many museums including Kanazawa Museum, The Ashmolean Oxford, Liverpool Museum, The Fitzwilliam Cambridge, Arizona State Museum, The Zhou Museum in China and Stoke on Trent Museum. Private collectors include Donna Karren, The Royal Bank of Scotland, St Johns College Oxford, Imerys, Eric Clapton and Lord Irvine of Lairg. Twice each year, in the South West of England, Tim Andrews exhibits work by leading contemporary potters and sculptors within his studio, gallery and outside in his beautifully landscaped English garden. After more than thirty five years of making pots Tim Andrews is considered to be one of Britain's leading potters. Andy Christian - Writer, Curator and Advisor to the Arts
28 51 Red glazed lidded 'curling' piece H 16 x W 18.5 cm 49 Small angled resist form with lines H 10.5 x W 8.5 cm
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沖縄キリスト教学院大学 沖縄キリスト教短期大学 Okinawa Christian University / Okin Title 田中一村考 - 琉球弧 で開花した日本画 - Author(s) 金城, 美奈子 Citation 沖縄キリスト教学院大学論集 = Okinawa Christian University Review(8): 25-33 Issue Date 2011-12-22 URL
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WASEDA RILAS JOURNAL NO. 1 (2013. 10) Crisis and Regeneration of the Cultural Landscape: The Rural Landscape of East Asia Tadashi EBISAWA This paper summarizes the keynote speeches delivered at the 4th
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Sarutahiko: the God of the Boundary ZHANG Lishan Sarutahiko is well known god from Japanese mythology. An indication of his popularity with the populace can be seen in the more than ten other names the
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No. 3, 169-180 (2002) The Family in Modern Japan: its Past, Present and Future An Essay at Restoring Love as the Basis of Family Ties YAMANE Naoko Nihon University, Graduate School of Social and Cultural
R R S K K S K S K S K S K S Study of Samuhara Belief : Transformation from Protection against Injuries to Protection against Bullets WATANABE Kazuhiro Samuhara, which is a group of letters like unfamiliar
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The purpose of this study is to clarify a process that Awa dance developed into tourist resources and the factors that it spread out in all over Japan. Consideration was made with the memory magazines,
AN ECOLOGICAL STUDY OF A SEASIDE VILLAGE IN THE NORTHERN PART OF THE NOTO PENINSULA (I) Village Life under the Feudal System of the Tokugawa Kokichi SAITO* At many places on the coast of the Noto Peninsula,
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At worki have been made to work that I did not want to do. However, I cannot say No. I have to work hard for my family. One of the causes of global warming is believed to be the carbon dioxide emitted
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101 On the Complement Structure of Bare Infinitive Verbs Kazuko INOUE The purpose of this paper is to argue that the infinitival and participial complements of perception verbs and causative verb have,
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55 1 18 Bull. Nara Univ. Educ., Vol. 55, No.1 (Cult. & Soc.), 2006 165 2002 * 18 Collaboration Between a School Athletic Club and a Community Sports Club A Case Study of SOLESTRELLA NARA 2002 Rie TAKAMURA
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SATO Kentaro Milk and its by-products are naturally nutritious food, and people in ancient Japan enjoyed tasting them as foods, drinks, or medicines. On the other hand, milk and its by-products were closely