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58 Grünwedel, A. (1912) Altbuddhistische Kultstätten in Chinesisch-Turkistan, Berlin,, 1998 Oldenburg, S. F. (1914) Russkaya Turkestanskaya Ekspetsiya , PetersburgF, ,, 1972 Grünwedel, A. (1920) Alt-Kutscha, 2vols., Berlin,, 1997 Le Coq, A. Von. ( ) Die Buddhistische Spätantike in Mittelasien, 7vols., Berlin. Waldschmidt, E. (1930) Wundertätige Mönche in der Ostturkistanischen Hnayna-Kunst, Ostasiatische Zeitschrift, N. F. 6. Waldschmidt, E. (1933) Über den Stil der Wandgemälde, Die Buddhistische Spätantike in Mittelasien, by Le Coq, A., VII, Berlin. 1937,, , Soper, A. (1945-6) Aspects of Light Symbolism in GandhAran Sculptures, Artibus, Asiae, XII-XIII ,, ,, ,. Bussagli, M. (1963) Painting of Central Asia, Geneva. / Mission Paul Pelliot. (1967,1982) Douldour-Aquour et Soubachi. Documents archéologiques, Tomes III(Planche), IV(Texte), Paris Rowland, B. (1974) The Art of Central Asia (Art of the World), New York , MUSEUM351. Maillard, M. (1983) Grottes et Monuments d Asie Centrale, Paris , , ,
59 1985 3, , ,. Yaldiz, M. (1987) Archäologie und Kunstgeschichte Chinesisch-Zentralasiens ( Xinjiang), Leiden. Pinault.G. J. (1987) Épigraphie Koutchénne :Laissez-passer de caravans; II. Graffites et inscriptions. Mission Paul Pelliot, Sites Divers de la Region de Koutche, Paris ,183,, Howard, A, F. (1991) In Support of a New Chronology for the Kizil Mural Paintings, Archives of Asian Art, 44. Schlingloff, D. (1991) Traditions of Indian narrative painting in Central Asia, Akayanv, Essay presented to Dr. Debala Mitra, ed. G. Bhattacharya, Delhi. Schlingloff, D. (1991) Yamakapratihrya und Buddhapi in der altbuddhistischen Kunst, Berliner Indologische Studien, 6-7, Reinbek. Yaldiz, M. (1992) On the Interpretation of a Buddhist Mural from Qizil, Chinese Central Asia, Eastern Apporoaches : Essays on Asian Art and Archaeology, ed. T.S. Maxwell, Delhi, Oxford University Press. 1992,. 1993,, Santoro, A. (1995/96) On the so-called Puppharatta-JtakaKizil, Schatzhöhle B, Silk Road Art and Archaeology, a b 76, No.135, , Yaldiz, M. (1999/2000) One of Xinjiang s mysteries: Cave 123 at Kizil, the Cave with the Ring-bearing Doves, Silk Road Art and Archaeology, 6. 53
60 Pinault, G.-J. (2000) Narrations dramatisée et narration en painture dans la région de Kucha. La Sérinde, terre d échanges : art, religion, commerce du ler au Xe siècle. Karetzky, P. E. (2000) Sarvstivdin Buddhists and Scenes of the Life of the Buddha from Qizil (Xinjiang), Oriental Art, Vol. 46, No NHK No Rhie, M, M. (2002) Early Buddhist Art of China and Central Asia, vol.2, Text and Plates, Brill, Leiden-Boston-Köln. Xuchu, H. (2004) The Artistic Pattern of the Kizil Caves and Its Influence on Other Sites, Turfan Revisited, ed. Durkin-Meisterernst and others, Berlin. Chongfeng, Li. (2004) The Representation of jatakas in Kizil Caves, Turfan Revisited, ed. Durkin-Meisterernst and others, Berlin. Li, Zhao. (2004) Verification of the Original locations of the Murals from Caves in Kizil Kept in the Museum für Indische Kunst, Berlin, Turfan Revisited, ed. Durkin-Meisterernst and others, Berlin Zin. M. (2005) The Identification of Kizil Paintings I, Indo-Asiatische Zeitschrift, 9. Vignato. G. (2006a) Archaeological Survey of Kizil: Its Groups of Caves, Districts, chronology and Buddhist Schools, East and West, vol. 56, No. 4. Vignato. G. (2006b) The Wooden Architecture of the Caves of Kizil, Journal of Inner Asian Art and Archaeology, vol.1. Zin, M. (2006) Mitleid und Wunderkraft, Wiesbaden Howard, A, F. (2007) Miracles and Visions Among the Monastic Communities of Kucha, Xinjiang, Journal of Inner Asian Art and Archaeology, vol. 2. Zin. M. (2007) The Identification of Kizil Paintings II, Indo-Asiatische Zeitschrift, 11. Zin. M. (2008) The Identification of Kizil Paintings III, Indo-Asiatische Zeitschrift, 12. Yaldiz, M. (2008) Maitreya in Literature and in the Art of Xinjiang, MArg, Mumbai. Lihui, M. (2008) The Ceiling Murals of Kizil as a Symbol of the Buddhist Universe, MArg, Mumbai. Haward, A, F. (2010) Rethinking the Cosmological Buddha, From Turgan to Ajanta, ed. E. Franco and M. Zin, vol. I, Lumbini International Research Institute. Schmidt, K,T. (2010) Die Entzifferung der westtocharischen Überschriften zu einem Bilderzyklus des Buddhalebens in der Treppenhöhle (Höhle 110) in Qizil, From Turfan to Ajanta, ed. E. Franco and M. Zin, vol. II, Lumbini International Research Institute. Yaldiz, M. (2010) Evaluation of the chronology of the Murals in Kizil, Kucha Oasis, From Turfan to Ajanta, ed. E. Franco and M. Zin, vol. II, Lumbini International Research Institute
61 2011, 68, 1.,, , Härtel, H. and Yaldiz, M., Along the ancient Silk Routes. Central Asian Art from the West Berlin State Museums, The Metropolitan Museum of Art, New York, , , ,, , , , , , ,, Giès, J. et Cohen, M., ed., Sérinde, Terre de Bouddha, Musée national des Arts asiatique- Guimet, Paris, ,, , Painted Buddhas of Xinjiang, Photographs by Reza, with essays by J. Giès, L. Feugère and A. Coutin, The British Museum Press, London, Arts of Central Asia: Special Exhibition, , , ,,
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