本文/ジャネット・スタイガー(山口菜穂子)2

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9 DuBarry, Woman... Just a Gigolo The Easiest Way Red-Headed Woman Blondie of the Follies The Crash Bed of Roses Rockabye New Morals for Old Street of Women Ann Vickers Lilly Turner

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16 Mary Ann Doan, Film and the Masquerade: Theorising the Female Spectator, Screen 23, no. 3 4 (September October 1982): 82 Michele Montrelay, Inquiry into Femininity, m/f 1 (1978): 93. Sumiko Higashi, Virgins, Vamps and Flappers: The American Silent Movie Heroine (St. Albans, VT: Eden Press Women s Publications, 1978), pp Norma Alarcon, The Theoretical Subjects of This Bridge Called My Back and Anglo American Feminism, in Making Face, Making Soul, Haciendo Caras: Creative and Critical Perspectives by Women of Color, ed. Gloria Anzaldua (San Francisco: Aunt Lute, 1990), pp ; Kimberle Williams Crenshaw, Beyond Racism and Misogyny: Black Feminism and2livecrew, inwords thatwound: Critical Race Theory, Assaultive Speech, and The First Amendment, ed. Mari J. Matsuda, Charles R. Lawrence III, Richard Delgado, and Kimberle Williams Crenshaw (Boulder, Colorado: Westview Press, 1993), pp ; Patricia Hill Collins, Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment, 2 nd ed. (New York: Routledge, 2000), p. 18ff.; Leslie McCall, The Complexity of Intersectionality, Signs 30, no. 3 (Spring 2005): Amanda Anderson, Tainted Souls and Painted Faces: The Rhetoric of Fallenness in Victorian Culture (Ithaca, NY: Cornell University Press,1993), p. 15. Timothy Gilfoyle, City of Eros: New York City, Prostitution, and the Commercialization of Sex, (New York: W. W. Norton and Co., 1992), pp

Norma Alarcon, The Theoretical Subjects of This Bridge Called My Back and Anglo American Feminism, in Making Face, Making Soul, Haciendo Caras: Creative and Critical Perspectives by Women of Color,

17 Patrick Bade, Femme Fatale: Images of Evil and Fascinating Women (London: Ash and Grant Ltd.,1979), p. 7. Heart of Darkness: The Agon of the Femme Fatale, in No Man s Land: The Place of the Woman Writer in the Twentieth Century, vol. 2 (New Haven, CT: Yale University Press, 1989), p. 26. Janet Staiger, Bad Women: Regulating Sexuality in Early American Cinema (Minneapolis: University of Minnesota Press, 1995); Janet Staiger, Film Noir as Male Melodrama: The Politics of Film Genre Labeling, in Generic Canons: Genre, History and Memory, ed. Lincoln Geraghy and Mark Jancovich (forthcoming). John G. Cawelti, Adventure, Mystery, and Romance: Formula Stories As Art and Popular Culture (Chicago, IL: University of Chicago Press, 1976),p Staiger, Bad Women, p. 83. Laura Hapke, Girls Who Went Wrong: Prostitutes in American Fiction, (Bowling Green, OH: Bowling Green State University Popular Press,1989), pp ; Gilfoyle, City of Eros, pp Bad Women Bad Women, pp Porter Emerson Browne, A Fool There Was (New York: Grosset and Dunlap, 1909). Bad Women, pp Janet Staiger, Fashioning a Personality: Theda Bara and the Designs of Her Star Image, presented for Women and the Silent Screen Conference (Montreal, Canada, 2 6 June 2004). Wallace Franklin, Purgatory s Ivory Angel, Photoplay 8, no. 4 (September 1915): 72; Rowland Thomas, Vamping in Movies Suffices; This Star Prefers Normality in Real Life, Cleveland Plain Dealer, 20 February 1916[n.p.: NYPL clipping file].

Janet Staiger, Bad Women: Regulating Sexuality in Early American Cinema (Minneapolis: University of Minnesota Press, 1995); Janet Staiger, Film Noir as Male Melodrama: The Politics of Film Genre

18 The Wages of Sin: Censorship and the Fallen Woman Film, (Madison: University of Wisconsin Press, 1991) Lee Jacobs, The Seduction Plot: Comic and Dramatic Variants, Film History13, no.4 (2001): Staiger, The Politics of Film Genre Labeling. Higashi, Virgins, Vamps, p. 79, 169; Jacobs, Wages of Sin, p

Dramatic Variants, Film History13, no.4 (2001): 424 42.

19 The Wages of Sin The Seduction Plot Sara Ross, Good Little Bad Girls : Controversy and the Flapper Comedienne (Film History 13, no. 4 (2001)

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東北大学国際文化研究科論集第13号

東北大学国際文化研究科論集第13号 Russel B. Nye, Society and Culture in America 1830 1860 (New York: Harper and Row, ), p.. Ronald Henry High, Black Male Concert Singers of the Nineteenth Century,in Feel the Spirit, ed. George R. Keck