論 文 藤 枝 静 男 田 紳 有 楽 塩 田 勉 Fujieda Shizuo, DenshinYuraku The Horizon of Impostors Mystic Vision SHIODA Tsutomu Abstract Fujieda Shizuo wrote a novel dealing with his private life with realistic description since he looked up Shiga Naoya and Takii Kosaku as his teachers and followed their autobiographical, realist method. However, suddenly there entered into Fujiedas postwar novels absurd narrative dimensions which created strange stylistic mixtures between the fact and fiction. All the characters and occurrences now had lost their solid ontological grounds and had become mere signifiantswithout archetypes or identities to return to. Earlier critical literature has given some reasons for Fujiedas stylistic transformation where fiction and fact merged. They argued almost without exception that Fujieda adopted this method to examine his own self from still more profound layers of consciousness. This article attempts to clarify not subjective reasons, rather tries to discover a certain socio-historico factor which caused his stylistic transformation, and found that Renunciation of Divinity of Emperor Showa, declared in, was a decisive moment that made Fujieda introduce an absurd dimension into his till then realistic realm. Denshin Yuraku, as a result, created a strange world where everything is nothing but a copy and there is no original. This originated initially from a Buddhist vision based on mysticism, but strangely enough, the world of the novel written in turned out to be very close to the postmodern situation defined by Baudrillards Simulacrum and Simulation of. Therefore, Denshin Yuraku might well be seen as having anticipated the world to come after the collapse of the Japanese Bubble. 1 はじめに 2 現 実 に 割 り 込 む 幻 想 領 域 83
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Waseda Global Forum No. 4, 2007, 83-94 3 先 行 論 文 - - - - 85
塩 田 勉 : 藤 枝 静 男 田 紳 有 楽 --- イカモノ 汎 神 論 の 地 平 --- - 4 イカモノ 世 界 の 汎 化 86
Waseda Global Forum No. 4, 2007, 83-94 5 万 象 は 複 製, 万 人 は 同 根 87
塩 田 勉 : 藤 枝 静 男 田 紳 有 楽 --- イカモノ 汎 神 論 の 地 平 --- 6 イカモノの 正 体 7 志 賀 直 哉 天 皇 中 野 重 治 88
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Waseda Global Forum No. 4, 2007, 83-94 B B 10 どっちつかず で 不 徹 底 な 地 平 91
塩 田 勉 : 藤 枝 静 男 田 紳 有 楽 --- イカモノ 汎 神 論 の 地 平 --- 11 イカモノ 汎 神 論 とポストモダン origine réalitéréel - 92
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