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Transcription:

2004.03.26. 1

2

3

4

5

... 6

? 7

Jacob Bronowski INSIGHT 8

9

10

11

by Paul C. Vitz & Arnold B. Glimcher Paul Vitz 12

19 20 Futurism Constructivism ( DaDa Bauhaus ( etc.,etc 13

19 14

15

C.P.Snow 1958 16

C.P.Snow C.P.Snow The Physicists, A Generation that Changed the World, Introduction by William Cooper, Little, Brown and Company 1980 17

QuickTimeý Dz DV/DVCPRO - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-ÇÅB Einstein to Atomic Bomb 18

1960 19

20

50 Art & Technology EAT: Experiment in Art and Technology in New York Zero Group in Germany Grav in France etc, etc.. 21

60 22

Expo 67 Montreal Expo 23

Expo 70 24

Billy Kluever Robert Rauschenberg EAT:Experiment in Art and Technology. 25

EAT Expo 70 26

27

CBSTV, Art for Tomorrow, 1969 QuickTimeý Dz DV/DVCPRO - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-ÇÅB 28

70 29

1967 MIT CAVS 80 Gyorgy Kepes 1906-2001 30

CAVS Center for Advanced Visual Studies), MIT New Landscape, 1970 CAVS Gyorgy Kepes The New Landscape in Art and Science 1956, :. 1966 31

0 80.... 32

1978 1976 1982 33

1979-80 Part II 1984-85 1982 34

Ars Electronica (1979 Symmetrie 1986.6.13-17, Darmstadt, Germany Ars Electronica 1982. 9.24.-10.1. Linz, Austria 35

HEUREKA - Nationale Forschungsausstellung 1991, Zurich, Swiss 36

1985 1983 37

Robots-Sculptures -The Sentimental Machines- 1986.6.-1987.3. Avignon, France Electricity and Electronics in the Art of the 20th Century 1983,12.10.-1984.2.5. Museum of Modern Art in Paris 38

1986-88) Japon Art Vivant 1987.1-3. 39

1989.11. - 1989 40

5 1992. 41

ART + SCIENCE ICC 1997 1996.7.21-9.1. Sensitive Chaos 1997 Paul DeMarinis- - 42

Interaction 1995 2001 IAMAS) 43

70 CG MIT Architecture Machine Group 44

Optical, Kinetic Art Cosmic Art Environmental Art Phenomena Art Mathematical Art Holographic Art Video Art Computer Art Media Art Interactive Art Net Art etc., etc 45

1968 San Francisco 1969 Exploratorium Frank Oppenheimer 70 46

47

Calder Mobile National Museum of Art 48

Francois Morellet 0-22 5-45 - 67 5 1958 optical art Bridget Lirey The Current 49

50

phenomena art QuickTimeý Dz DV - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-ÇÅB 51

QuickTimeý Dz DV - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-ÇÅB Phenomenart 1989 52

QuickTimeý Dz DV/DVCPRO - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-ÇÅB Phenomenart 1989 53

Phenomena Art CG CG William Latham etc. etc D arcy Thompson 54

The Compass of Love. 1981 Ron Feldman Gallery 55

, Cosmic Art Johannes Kepler 1916 1619 Harmonices Mundi Harmonices Munci in Latin version (at University Kepler, Linz) 56

Willy Ruff and John Rogers/Yale University made a record. 57

Star Axis 58

Charles Ross 59

1972 1981 60

QuickTimeý Dz DV - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-ÇÅB Roden Crator NHK 2001.6.9. 61

CAVS 1981,1982,1983,1986,2002 Ars Electronica1982 SkyArt Sky Art 1981 MIT 62

M.C. etc.,etc 63

M.C. Needle Tower 64

Topological Art 65

80 QuickTimeý Dz DV - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-ÇÅB Part II, 1984 66

1977.8.10-8.22 2 Crystal Beginning 67

Video art TV 1982 = 68

80 90 69

CG 3D mobile 70

71

SIGGRAPH 1974 CG Ars Electronica Festival ( TV 1979 CG Net-Art 72

80 Paul DeMarinis 2001 RCA (Royal College of Art) Computer-related Design MIT CAVS 73

74

QuickTimeý Dz DV/DVCPRO - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-ÇÅB Compliants (2002 ) 75

QuickTimeý Dz DV/DVCPRO - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-ÇÅB minim++ Father s Desk ( 2003 5 76

QuickTimeý Dz DV - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-ÇÅB Toshio Iwai + Ryuichi Sakamoto MPI IPM 1996 77

78

79

1 Hybrid : 2 : 3 Interactive 4 : 5 6 7 80

1 Hybrid : 90 81

... 82

QuickTimeý Dz DV - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-ÇÅB Interaction 01 83

QuickTimeý Dz DV - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-ÇÅB Beyond Pages Interaction 99 84

QuickTimeý Dz DV/DVCPRO - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-ÇÅB Messa di Voce ( Ars Electronica2003 85

IAMAS, 2000 QuickTimeý Dz DV/DVCPRO - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-ÇÅB QuickTimeý Dz DV/DVCPRO - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-Ç ÅB CD-ROM) 2000 86

QuickTimeý Dz DV/DVCPRO - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-ÇÅB Philadelphia 2000 7-10 87

2 : 88

QuickTimeý Dz DV/DVCPRO - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-ÇÅB Jeffrey Shaw Interactive Art 1989 QuickTimeý Dz DV/DVCPRO - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-ÇÅB JeffreyShaw Virtual Museum Art Frankfurt 1991 89

Site-specific Tiffany Holmes Nosce Te Ipsum Siggraph 2000 QuickTimeý Dz DV/DVCPRO - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-ÇÅB QuickTimeý Dz DV - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-ÇÅB Interaction 01, 2001 90

QuickTimeý Dz DV/DVCPRO - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-ÇÅB Wooden Mirror, Siggraph 2000 QuickTimeý Dz DV/DVCPRO - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-Ç Trash Mirror, Ars Electronica Festival 2003 91

Danny Rozin Shiny Balls Mirror 2003 92

3 93

94

70 80 95

QuickTimeý Dz DV/DVCPRO - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-ÇÅB Hallucination QuickTimeý Dz DV/DVCPRO - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-Ç ÅB Interaction 95 96

QuickTimeý Dz DV - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-ÇÅB QuickTimeý Dz Dz DV DV - NTSC - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-Ç ÅB ÅB Liquid View Fleischmann / Strauss/ Bohn Interaction 97, 99 Art+Com T-Vision QuickTimeý Dz DV - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-ÇÅB QuickTimeý Dz DV/DVCPRO - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-ÇÅB Battle of San Romano 97 Stream of Consciousness by Tom White and David Small.

QuickTimeý Dz DV/DVCPRO - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-ÇÅB QuickTimeý Dz DV - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-ÇÅB Boundary Functions by Scott Snibbe Tug of War by FutureLab, AECenter Interaction 01 QuickTimeý Dz DV - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-ÇÅB QuickTimeý Dz DV - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-ÇÅB Sachiko Kodama+Minako Takeno 98 Beyond Manzanar, Tamiko Thiel+Zara Houshmand

QuickTimeý Dz DV - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-ÇÅB R.P.M. Interaction 01 99

QuickTimeý Dz DV - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-Ç ÅB Arc Tangent,Interaction 01, 2001 100

QuickTimeý Dz DV - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-ÇÅB Interaction 01,2001 101

QuickTimeý Dz DV - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-Ç ÅB 102

4 : 103

QuickTimeý Dz DV/DVCPRO - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-ÇÅB Interaction 01 104

Info-table 2000 QuickTimeý Dz H.263 êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-ÇÅB QuickTimeý Dz DV/DVCPRO - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-ÇÅB 2001 105

QuickTimeý Dz DV/DVCPRO - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-ÇÅB Sao Paulo 2002 106

QuickTimeý Dz DV/DVCPRO - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-ÇÅB QuickTimeý Dz DV/DVCPRO - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-ÇÅB QuickTimeý Dz DV/DVCPRO - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-ÇÅB QuickTimeý Dz DV/DVCPRO - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-ÇÅB Forum) Infotable 107

1989 KSP QuickTimeý Dz DV - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-ÇÅB QuickTimeý Dz DV/DVCPRO - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-ÇÅB 108

5 Siggraph On-line Galley 109

110

Siggraph2003 Ars Electronica2003 QuickTimeý Dz DV/DVCPRO - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-ÇÅB Access (Softopia Japan Center, 2002) 111

Rafael Lozano- Hemmer,Ars Electronica 2002 1 33, 2003 112

QuickTimeý Dz DV/DVCPRO - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-ÇÅB 2000-2002 113

(Siggraph 2002) http://textarc.org/alice.html 114

QuickTimeý Dz DV/DVCPRO - NTSC êlí ÉvÉçÉOÉâÉÄ Ç Ç±ÇÃÉsÉNÉ`ÉÉǾå ÇÈÇžÇ½Ç ÇÕïKóvÇ-ÇÅB 115

Whitney Museum of Art Online gallary Artport http://artport.whitney.org/ Scott Snibbe http://artport.whitney.org/commissions/codedoc/ Snibbe/Tripolar.html 116

6 Ars Electronica2001 Take Over 117

118

Kenneth Knowlton 119

Ken Knowlton 1 2 120

121

7 122

1979 David Bohm Wholeness) 123

NASA, JPL Frank Marina ISAST:International Society for the Arts, Sciences and Technology 1968 Journal LEONARDO 124

Leonardo / / Art/Science/Spirituality Reconnections within Emerging Planetary Cultures 7 125

再び ジェイコブ ブロノフスキーの場合 Jacob Bronowski 126

127

128

1984 10 1985 Leonardo From the special issue of Leonardo, (1985, vol.18,no.4) - Jacob Bronowski A Retrospective -, 129

Ascent of Man Figures from World Population and Human Values by Jonas Salk / Jonathan Salk1982 130

Jonas Salk & Jonathan Salk,World Population and Human Values, Harper and Row, NY 1981 131

1 1 A C S B 132

I,II,III II epoch A epochb 133

A B 134

Pro-Health Birth Control A B Anti-Disease Death Control 135

Quality Of Children Quantity Of Children A B A: B: 136

Collaboration Interdependence Consensus Competition Independence Power A B A:: B. 137

Balance A B Extremes A: B: 138

Both/And Win-Win Either/Or Win-Lose A B A B 139

Conflicts between different tension, values, and uncertainty is strong now. But it could suggest a part of further developmental and evolutionary process, 140

The pattern of the divergence should be shifting to one of convergence and of integration. 141

142

Developing Developed Countries Developed Countries 143

Material Value Human Value 144

Modern Way of Life Traditional Way of Life 145

Natural and Social Sciences Humanities 146

Science Art 147

Western Thought Eastern Thought 148

Change of the Relationship of Man to Earth Man to Sun Man to Man 149

1: 2: 3: 4: 5: 150

151

91 96 Science-Art http://www.iamas.ac.jp/~sakane/scienceart_dialogue.pdf http://www.iamas.ac.jp/~sakane/scienceart_dialogue.html GRAPHICATION,91,NO.58) http://www.iamas.ac.jp/~sakane/history_on_scienceart.pdf http://www.iamas.ac.jp/~sakane/history_on_scienceart.html 1976 152

153

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60 1974 155

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( ) ( ) 158

A B A B Individual) Power) Competition) Independence) Extreme) Part) (Either/Or) (Individual and Group) Consensus) Collaboration) Interdependence) Balance) Whole) / (Both/And) 159

Change of the Relationship of Man to Earth Man to Sun Man to Man 160

Ecology Society Individual Physiology MolecularBiology 161

Jonath Salk 162

163

164

165