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1 85 はじめに Hélio Oiticica, Tropicália, 1967 invasiveness Manifesto Antropófago, 1928 Sztutman 2015, p. 206 (1 ) (2 ) (3 ) 2006, p. 156 エリオオイチシカトロピカリアにおける侵襲性と食人の思想居村匠美学. 第 68 巻 2 号 (251 号 )2017 年 12 月 31 日刊行.

2 86 (4 ) 一. トロピカリアにおける食人の問題 (5 ) D C Metaesquema (6 ) Relevo Espaciail

3 87 Amor 2010, p. 27 (7 ) Bilateral Bólide Parangolé penetrável P N 2 Pureza é um mito P N 3 Imagético Canejo 2004, p. 64 P N 3 (8 ) Bastos 2006, p. 109

4 88 Oiticica , p. 228 二.テレビジョンイメージの侵襲性 P N 3 Oiticica , p. 180 Meta-Antropofagia Oiticica , p. 230 (9 )

5 89 Andrade , p. 7 aparelhos de televisão (10 ) (11 ) (12 ) (13 ) Pedrosa , p. 315 invaded

6 90 三.食べられることの美学

7 , pp (14 ) Sztutman 2015, pp authenticity (15 )

8 92 おわりに O Rei da Vela, 1933 Jackson 2002, p. 83

9 93 註 1 Hélio Oiticica: The Body of Colour, London, Tate Modern, 2007; Hélio Oiticica: To Organize Delirium, Pittsburgh, Carnegie Museum of Art, Chicago, The Art Institute of Chicago, New York, Whitney Museum of American Art, Hélio Oiticica: To Organize Delirium 2016, p LP CAETANO VEROSO 2006, pp Oiticica 1969, p Hélio Oiticica: To Organize Delirium, exh. cat., Pittsburgh, Carnegie Museum of Art, Chicago, The Art Institute of Chicago, New York, Whitney Museum of American Art, 2016, pp , pp Bastos 2006, p

10 Andrade 1991, p Bye Bye Brasil, , pp Renato Sztutman, The Re turn of the Anthropophagites: Reconnecting Oswald de Andrade s Proposal to Amerindian Art-Thought, Pirates of the Caribbean: Dead Man s Chest, , pp 参考文献

11 20th International Congress of Aesthetics 3 oiticica-b11-box-bolide-09-t12452, last accessed June 1, Frankfurt am Main, 2014, pp Susanne Gaesheimer et al. eds., Hélio Oiticica: The Great Labyrinth, exh. cat., Frankfurt am Main, Museum für Moderne Kunst Anthropophagy: The 24th Bienal de São Paulo, London, Afterall, pp. Thought, in Lisette Lagnado and Pablo Lafuente eds.. Cultural Reconnecting Oswald de Andrade s Proposal to Amerindian Art- Sztutman, Renato 2015, The Re turn of the Anthropophagites: Northern Colorado, pp dos Antropófagos, Confluencia, vol. 17, no. 2, Greeley, University of Oswald de Andrade s O Rei da Vela and Manuel de Lima s O Clube Jackson, Kenneth David 2002, The Cannibal Clubs of Brazil and Portugal: Deptford, Third Text, pp Tropicalismo, and Hélio Oiticica, Third Text, vol. 18, issue 1, Canejo, Cynthia 2004, The Resurgence of Anthropophagy: Tropicália, Alexandria, National Art Education Association, pp Contemporary Brazilian Art, Studies in Art Education, vol. 47, no. 2, Bastos, Flavia M. C. 2006, Tupy or Not Tupy? Examining Hybridity in Review Press, pp Literary Review, vol. 19, no. 38, Pennsylvania, Latin American Literary Oiticica, Hélio , Cannibalist Manifesto, Leslie Bary tr., Latin American Revista de Antropofagia, São Paulo, Imprensa Oficial, 2014, p. 3, p. 7., General Scheme of the New Objectivity in Andrade, Oswald de , Manifesto Antropófago, reprinted in Cambridge, The MIT Press, pp Lygia Clark and Hélio Oiticica, , Grey Room, no. 38, Amor, Monica 2010, From Work to Frame, In Between, and Beyond: Oiticica s Tropicália: Anthropophagy in the 20th Century Brazilian Art On Tate, B11 Box Bólide 09, 1, Tate, Spatial Relief red REL036, artworks/oiticica-spatial-relief-red-rel-036-t12763, last accessed June 図版リストYork, Whitney Museum of American Art. Carnegie Museum of Art, Chicago, The Art Institute of Chicago, New Hélio Oiticica: To Organize Delirium, exh. cat., 2016, Pittsburgh, Art, pp Primar y Documents, Stephen Berg tr., New York, Museum of Modern Oiticica in Glória Ferreira and Paulo Herkenhoff ed., Mário Pedrosa Museum für Moderne Kunst Frankfurt am Main, pp Hélio Oiticica: The Great Labyrinth, exh. cat., Frankfurt am Main, Pedrosa, Mário Environmental Art, Postmodern Art, Hélio, Tropicália in Susanne Gaesheimer et al. eds., 95

12 B11 Bólide