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1 161

2 abuse

3 La mythologie blanche

4 Trinh 1992: 102

5 Female Officer I better drive until you know your way around. Male Officer IusuallydrivewhenI mbreakinginanewpartner. I will drive. I can t leave it you. 165

6 Ascheid 1997: 40

7 167

8

9 Richie 1991:

10

11 Danan

12 Vincendeau 1988, Andrew 1980, Danan 1999, Gomery 1980

13 Arnheim 1997:

14 Weinberg 1985:

15 175

16 suture Creed 1988, Silverman 1983, Rodowick 1988

17 177

18 excess

19 179

20 Gerow 1996:33 vs.

21 Jerome 395:

22 Untranslatable French Pun

23 183

24 Goethe 1819: 65

25 Venuti 2004 What s up, Tiger Lily? 185

26 I want you to go I would with you go Richie 1991: 16 Ibid.!%& $#!@!!

27 187

28

29 Gambier 1994, de Linde and Kay 1999 Gerow

30

31 The Crush Association pour le développement de la lutte des classes et la propagation du matérialisme dialetique La dialectique peut elle casser des briques? Stam and Shohat 1985: S. 1973: What s Up, Tiger Lily? 191

32 Andrew, D. (1980) Sound in France: the Origins of a Native School, Yale French Studies 60: Arnheim, R. (1997) Film Essays and Criticism, Madison: University of Wisconsin Press. Ascheid, A. (1997) Speaking Tongues: Voice Dubbing in the Cinema as Cultural Ventriloquism, The Velvet Light Trap 40 (Fall): Creed, B. (1998) Film and Psychoanalysis, in J. Hill and P. Gibson (eds) The Oxford Guide to Film Studies,Oxford: Oxford University Press, pp Danan, M. (1991) Dubbing as an Expression of Nationalism. Meta 36: (1999) Hollywood s Hegemonic Strategies: Overcoming French Nationalism with the Advent of Sound, in A. Higson and R. Maltby (eds) Film Europe and Film America : Cinema, Commerce and Cultural Exchange , Exeter: University of Exeter Press, pp De Linde, Z. and N. Kay (1999) The Semiotics of Subtitling, Manchester: St. Jerome.

33 Gambier,Y. (1994) Language Transfer and Audiovisual Communication: A Bibliography, Turke: University of Turke. Gerow, A. A. (1996) Writing a Pure Cinema: Articulations of Early Japanese Film, University of Iowa, unpublished dissertation. Goethe, J. W. V. (1819) Translations, trans. Sharon Sloan, reprinted in L. Venuti, (ed.) The Translation Studies Reader, 2 nd edition, New York and London: Routledge, 2004, pp Gomery, D. (1980) Economic Struggle and Hollywood Imperialism: Europe Converts to Sound, Yale French studies 60: Jerome (395) Letter to Pammachius, trans. Kathleen Davis, reprinted in L. Venuti, (ed.) The Translation Studies Reader, 2 nd edition, New York and London: Routledge, 2004, pp Lewis, P. E. (1985) The Measure of Translation Effects, reprinted in L. Venuti, (ed.) The Translation Studies Reader, 2 nd edition, New York and London: Routledge, 2004, pp Richie, D. (1991) Donald Richie on Subtitling Japanese Films, Mangajin 10: 16. Rodowick, D. N. (1988) The Crisis of Political Modernism: Criticism and Ideology on Contemporary Film Theory, Berkely and Los Angels: University of California Press. S. D. (1973) La Dialectique peut elle casser les briques? Image et Son (October): Stam, R. and E. Shohat (1985) The Cinema after Babel: Language, Difference, Power, Screen 26 (3 4): Silverman, K. (1983) The Subject of Semiotics, Oxford: Oxford University Press. Trinh, T. Minh Ha (1992) Framer Framed, London and New York: Routledge. Venuti, L. (2004) Translation, Community, Utopia, in L. Venuti, (ed.) The Translation Studies Reader, 2 nd edition, New York and London: Routledge, 2004, pp Vincendeau, G. (1988) Hollywood Babel: The Coming of Sound and the Multiple Language Version, reprinted in A. Higson and R. Maltby (eds) Film Europe and Film America : Cinema, Commerce and Cultural Exchange , Exeter: University of Exeter Press, pp Weinberg,H. (1985) Coffee, Brandy, and Cigars, New York: Anthology Film Archives. 193

34 Documentary Box yamagata.yamagata.jp/yidff/docbox/docbox.html Japanese Documentary Film: The Meiji Era through Hiroshima Minneapolis: University of Minnesota press, 2003 Kinema Club Poru Ruta/Paul Rotha and the Politics of Translation, Cinema Journal 38.3 (Spring 1999) Lawrence Venuti, ed., The Translation Studies Reader (New York and London: Routledge, 2000)

35 Depth of Field Alan Williams, ed., Film and Nationalism (New Brunswick: Rutgers University Press, 2002) The Translation Studies Reader 2004 For an Abusive Subtitling abuse corruption abusive corrupt 195

Les Demoiselles d Avignon: ,,,, Picasso Creator and Destroyer,,,,, Cubism,,,,,,,, ibid.,,,,,, ibid.,,,,, Picasso,,,,,,,,,,, Artnews,,,,,,,,, Burlington Magazine,,, ,,,,,,, Alice Doesn

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