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14 Core Ethics Vol. An Analysis and Consideration of Horimono: In Relation to Ts zoku Suikoden G ketsu Hyakuhachinin no Hitori by Utagawa Kuniyoshi OHNUKI Naho Abstract: The development of Japanese tattooing and the creation of horimono and its concept are said to be profoundly related to the popularity of the famous Chinese novel Suikoden (Tales of the Water Margin). It was around when Utagawa Kuniyoshi s work, Ts zoku Suikoden G ketsu Hyakuhachinin no Hitori (The 108 Heroes of the Popular Suikoden), was published. This pioneering series of nishiki-e (polychrome woodblock prints) depicted characters with whole body tattoos of motifs from Suikoden. These nishiki-e became popular partly because of the Suikoden boom in the literary world at the time. It is said that Ts zoku Suikoden G ketsu Hyakuhachinin no Hitori established the genre of musha-e (warrior prints). This was not only because of the popularity of Suikoden, but also because this visualization of the Japanese hero image had strongly influenced the public. I believe Kuniyoshi s prints in Ts zoku Suikoden G ketsu Hyakuhachinin no Hitori represented the outlaw hero images that Edo people demanded at the time, in addition to the original hero images of the story itself. In this paper, I analyze the meaning of horimono, Kuniyoshi s intentions in using horimono in his designs and the effects he desired in adding the horimono. Keywords: tattoo, Utagawa Kuniyoshi, Ts zoku Suikoden G ketsu Hyakuhachinin no Hitori, Tales of the Water Margin, outlaw hero

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