WASEDA RILAS JOURNAL NO. 2 (2014. 10) The Annunciation and the Hypapante in Byzantine Church Decorations: the Cappella Palatina at Palermo and the Studenica Monastery in Serbia Tomoyuki MASUDA Evangelismos/ Chairetismos Hypapante 2 Cappella Palatina Studenica Katholikon Kraljeva Crkva 49
WASEDA RILAS JOURNAL 4 Cefalù La Martorana Monreale 3 3 2 2 2 50
2 35 40 12 2 4 2 H ETH sic MACH sic A 1 51
WASEDA RILAS JOURNAL 1 2 1 3 8 11 2 1 4 1968 12 Nerezi 1164 52
Veljusa 12 12 2 11 1164 11 1 29 53
WASEDA RILAS JOURNAL 2 Panagia Kykkotissa 1100 Lagoudera Panagia tou Arakos 1192 2 35 12 1166 96 1183 1208 1208 09 13 U 54
14 2 U 10 Göreme 7 Tokalı Kilise 10 10 3 55
WASEDA RILAS JOURNAL 3 40 50 Gül Dere 4 913-20 920 10 11 14 56
presentation to the Temple hypapante eisodia tes Theotokou hagia ton hagion Karan Bela Crkva 14 Rethymno Amari Bathiako Agios Georgios 13 14 2 14 2 12 Asinou Panagia Phorbiotissa 1105 06 3 12 1 2013 A 2 B Cf. R. Cormack, Byzantine Cappadocia: the archaic group of wall-paintings, Journal of the British Archaeological Association, 3-30 1967, pp.19-36 9 11 O. Demus, Byzantine Mosaic Decoration, London 1948; id., The Mosaics of Norman Sicily, New York 1988 (London 1949). E.Kitzinger, The Mosaics of St.Mary's of the Admiral in Palermo, Washington, D.C. 1990 ; id., I mosaici di Monreale, Plalermo 1991 (1960). E. Kitzinger, The Art of Byzantium and the Medieval West: selected studies, ed. by W. E. Kleinbauer, Indiana University 1976; id., Studies in Late Antique, Byzantine and Medieval Western Art, 57
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