(Research in Experimental Phonetics and Linguistics) 4: 37-49 (2012) * 1 2 2 1 2 1 3 1. 1 500 1 1 1 2 3 1 * 2010 2 1 2 1 7 1 1 2 3 3 2 37
1 3 1 4-3-1-5 4 1 1 4 5 2 1 4-3-1-5 2 6 2 7 SUGI Speech Analyzer 6 5 6 4 2011 5 38
(2003)4-3-1-5 2. 2.1 1958 2.2 /i/ /e/ /a/ /o/ /u/ Ver2.0β2 22,050Hz 2.3 2010 7 15 B613 Roland WAVE/MP3 Recorder EDIROL R-09 44,100Hz 16bit /i/ /e/ /a/ /o/ /u/ 3 2.4 KAY Pentax Multi speech 3700 ver.2.5 SPG 1 3 Cool Edit 2000 100 2 6 1 1 /i/ /i/ /i/ /i/ /i/ /i/ 39
/i/ /u/ /u/ /u/ /u/ /u/ /u/ /o/ /o/ 1 497 /i/ 93 /e/ 45 /a/ 189 /o/ 124 /u/ 46 6 6 5 1 6 2 6 5 2 2 5 5 5 5 5 5 6 /i/ /i/ 40
3. 3.1 3 3-1 2 3-3 4 3 Hz /i/ 355 2212 3009 /e/ 525 1805 2645 /a/ 754 1179 2855 /o/ 453 879 2749 /u/ 387 1409 2257 3-1 3-2: F1-F2 F2-F3 3-3 3-4 F1-F2 F2-F3 3.2 4 4-1 2 2 3 4 5-1~5 2 3 4 5-1 10 41
4 Hz /i/ 445 2098 2739 /e/ 530 1682 2513 /a/ 565 1248 2649 /o/ 505 1010 2682 /u/ 487 1374 2470 4-1 F1-F2 4-2 F2-F3 5-1 Hz /i/ 386 1999 2826 /e/ 419 1772 2424 /a/ 624 1267 2629 /o/ 425 894 2414 /u/ 410 1410 2307 5-1 F1-F2 5-2 F2-F3 42
5-2 2 Hz 2 /i/ 459 2139 2761 /e/ 532 1758 2493 /a/ 544 1250 2649 /o/ 522 1016 2715 /u/ 478 1350 2481 5-3 2 F1-F2 5-4 2 F2-F3 5-3 3 Hz 3 /i/ 461 2051 2698 /e/ 544 1719 2422 /a/ 550 1258 2655 /o/ 518 1046 2729 /u/ 491 1490 2600 5-5 3 F1-F2 5-6 3 F2-F3 43
5-4 4 Hz 4 /i/ 445 2105 2665 /e/ 537 1637 2547 /a/ 543 1266 2607 /o/ 521 1038 2707 /u/ 514 1329 2462 5-7 4 F1-F2 5-8 4 F2-F3 5-5 Hz /i/ 472 2198 2725 /e/ 532 1659 2533 /a/ 533 1189 2718 /o/ 521 1027 2773 /u/ 516 1343 2472 5-9 F1-F2 5-10 F2-F3 44
4. 4.1 F1-F2 5 IPA 3 6-1 F1-F2 6-2 3 F1-F2 6 5 3 5 /i/ F1 5 F1-F2 F1-F2 5 2 F1 3 4 /i/ 500 600Hz /i/ 100Hz F1 F1 F2 /o/ 2 F2 100Hz /o/ 2 6 7 6 Hz F1 F2 /i/ 90-114 /e/ 5-123 /a/ -189 69 /o/ 52 131 /u/ 100-35 45
7 F1-F2 7 F1-F2 5 1 /a/ F1 130Hz 200Hz 2 1 /e/ 2 F1 2 /a/ /a/ 2 F1 F2 5-9 /o/ F1 F2 /o/ 1 2003 2 1 1 2 5-1 10 Sundberg(1974) F2 F1 46
F2 F1 4.2 5 F1 F1 F2 F1 F1 F2 F3 F2-F3 F1-F2 F2-F3 F3 F2-F3 7 8 8 F2-F3 8 F1 F3 5 F2 F1 F3 5 2 5. F1 F3 5 F2 5 47
Chiba and Kajiyama (1941) F1 F2 F1 F4 3500Hz F5 5800Hz F6 6800Hz SPG F1 F1 Chiba, Tsutomu and Masato Kajiyama (1941) The vowel : its nature and structure. Tokyo : Tokyo-Kaiseikan ( (2003) ) (2010) Kent, Ray D. & Charles Read (1992) The acoustic analysis of speech. California: Singular Publishing Group ( (1996) ) (2011) 9: 47-62. Sundberg, Johan (1974) Articulatory interpretation of the 'singing formant'. Journal of the Acoustical Society of America 55: 838-844. ( ) (2005) (2003) 60/8: 429-440. 48
On the Characteristics of Formant Frequency of Vowels in Kyogi Karuta Yurie HAYAKAWA & Takahiro FUKUMORI This study was carried out to determine the characteristics of the formant frequency of vowels used in the recitation of Kyogi Karuta (Competitive karuta). All vowels within the first unit of Ogura Hyakunin Isshu (One hundred poets, one poem each) were considered as the sample and subjected to acoustic phonetic analysis when delivered by a reciter at All Japan Karuta Association. As a result, we confirmed that F1 for the recitation of Kyogi Karuta was grouped at the centre of the formant diagram compared to normal speech. Moreover, we confirmed that F1 was grouped even closer to the centre of the formant diagram after the second unit. This research showed that as compared to normal speech, the formant frequency of vowels in the recitation of Kyogi Karuta is centralized, which was demonstrated by F1 and F3 more clearly than F2. Member of the Japan Experimental Linguistics Society E-mail: ton.ton.tong@gmail.com Faculty of Foreign Languages Daito Bunka University 1-9-1 Takashimadaira, Itabashi, Tokyo 175-8571, Japan E-mail: ICG01649@nifty.com 49