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1 Grosz

2 --

3 Dolar

4 Cone Abbate -

5 Dolar

7 Dolar : Able : Komisaruku et al. trance

8 In Gottes Namen

9 - cm - -

10 -

11 CS

12 @CS TMP TV

13 Memoir de Paris Blue Moon Blue Memoir de Paris

14 Blue Moon Blue Butler : - Memoir de Paris Blue Moon Blue Blue Moon Blue Tanesini :

15 Butler,, Dreger, Faust-Sterling, a

16 positionality powernegotiation Garber :

17 Stryker FTM (Female-to-Male) Hale narrative Scott,

18 Voicing Gender - COE URL Haraway

19 André About RSG a Solie Peraino b Cuisik Brett et al. Robinson Giles Hooper ( ) - - The New Grove Dictionary of Music and Musicians Eagleton, Dolar Noske, Brown & Volgsten b Strauss : - Warren :

20 Jefferson trance Becker

21 com/blog/ / /post_ d.html n.cocolog-nifty.com/blog / / /index.html strawberry time strawberry.blog.fc.com/blog-entry-.html KANGEKI REPORT:S look.jp/r.php?id=kangeki&no= ) Jacob Hale Hale org/japan/index.html ROS ROS

22 - - - L Searching for the Meta-Narrative of Das Lied von der Erde: Narrativity and Melancholic Dialectic. - a - b -

23 a b Authenticating the Female Gidayå: Gender, Modernization, and Nationalism in Japanese Performing Arts. - CGS ROS - Abbate, Carolyn.. Unsung Voices: Opera and Musical Narrative in the Nineteenth Century. Princeton: Princeton University Press. Abel, Sam.. Opera in the Flesh: Sexuality in Operatic Performance. Boulder, CO: Westview Press. André, Naomi.. Voicing Gender: Castrati, Travesti, and the Second Woman in Early-Nineteenth-Century Italian Opera. Bloomington and Indianapolis: Indiana University Press. Becker, Judith.. Deep Listeners: Music, Emotion, and Trancing. Bloomington and Indianapolis: Indiana University Press. Brett, Philip, Elizabeth Wood, and Gary C. Thomas, eds.. Queering the Pitch: The New Gay and Lesbian Musicology. New York & London: Routledge. Brown, Steven and Ulrik Volgsten, eds.. Music and Manipulation. New York & Oxford: Berghahn Books. Butler, Judith.. Gender Trouble: Feminism and The Subversion of Identity. New York & London: Routledge.

24 .. Bodies That Matter: On the Discursive Limits of Sex. New York & London: Routledge... Undoing Gender. New York & London: Routledge. Cone, Edward T.. The Composer s Voice. Berkeley and Los Angeles: University of California Press. Cuisik, Suzanne G.. On Musical Performance of Gender and Sex. In Audible Trances: Gender, Identity, and Music, edited by Elaine Barkin and Lydia Hamessley, -. Zürich and Los Angeles: Carciofoli Verlagshaus. Dolar, Mladen.. A Voice and Nothing More. Cambridge, MA: The MIT Press. Dreger, Alice D., ed.. Intersex in the Age of Ethics. Hagerstown, MD: University Publishing Group. Eagleton, Terry.. Literary Theory: An Introduction. Minneapolis and London: University of Minnesota Press. Fausto-Sterling, Anne.. Sexing the Body: Gender Politics and the Construction of Sexuality. New York: Basic Books. Garber, Marjorie.. Vested Interests: Cross-Dressing and Cultural Anxiety. New York: Routledge. (Originally published in.) Grosz, Elizabeth.. Volatile Bodies: Toward a Corporeal Feminism. Bloomington, IN: Indiana University Press. Hale, Jacob.. Are Lesbians Women? Hypatia (Spring) : -... Trancing a Ghostly Memory in My Throat: Reflections on Ftm Feminist Voice and Agency. In Men Doing Feminism, ed. Tom Digby, -. New York & London: Routledge. Haraway, Donnna J.. Simians, Cyborgs, and Women: The Reinvention of Nature. New York: Routledge. Hooper, Giles.. The Discourse of Musicology. Aldershot, UK: Ashgate. Jefferson, Alan.. Der Rosenkavalier (Cambridge Opera Handbooks). Cambridge: Cambridge University Press. Komisaruk, Barry R., Carlos Beyer-Flores and Beverly Whipple.. The Science of Orgasm. Baltimore: John Hopkins University Press. Noske, Frits.. The Signifier and the Signified: Studies in the Opera of Mozart and Verdi. The Hague: Nijhoff. Mozart Peraino, Judith A.. Listening to the Sirens: Musical Technologies of Queer Identity from Homer to Hedwig. Berkeley and Los Angeles: University of California Press. Robinson, Paul.. The Opera Queen: A Voice from the Closet. In Opera, Sex, and Other Vital Matters, -. Chicago: University of Chicago Press. Scott, Joan W.. Experience. In Feminists Theorize the Political, eds. Judith Butler and Joan W. Scott, -. New York: Routledge. Solie, Ruth A., ed.. Musicology and Difference: Gender and Sexuality in Music Scholarship. Berkeley and Los Angeles: University of California Press. Strauss, Richard.. Reminiscences of the First Performance of My Operas: From Guntram to Intermezzo. In Recollections and Reflections, ed. Willi Schuh (trans. L. J. Lawrence), -. Westport, CT: Greenwood Press. (Originally published in.) Stryker, Susan.. (De)Subjugated Knowledges: An Introduction to Transgender Studies. In The Transgender Studies Reader, eds. Susan Stryker and Stephen Whittle, -. New York & London: Routledge.

25 Tanesini, Alessandra.. Whose Language? In Women, Knowledge, and Reality: Explorations in Feminist Philosophy, ed. Ann Garry and Marilyn Pearsall, nd ed., -. New York & London: Routledge. (Originally published in: Kathleen Lennon and Margaret Whitford. eds.. Knowing the Difference: Feminist Perspectives in Epistemology. London: Routledge.) Warren, Raymond.. The Composer and Opera Performance. In Composition-Performance-Reception: Studies in the Creative Process in Music, ed. Wyndham Thomas, -. Aldershot, UK: Ashgate.

30 1. ジュディスバトラーのジェンダー論 Beauvoir 2011[1949] 1990; 1993 Butler 1990: 11-8; 30-8 Butler 1990: 23; 46

30 1. ジュディスバトラーのジェンダー論 Beauvoir 2011[1949] 1990; 1993 Butler 1990: 11-8; 30-8 Butler 1990: 23; 46 29 はじめに : 能力とパフォーマティヴィティ 1990; 1993 (1) 90 agency agent 30 1. ジュディスバトラーのジェンダー論 Beauvoir 2011[1949] 1990; 1993 Butler 1990: 11-8; 30-8 Butler 1990: 23; 46 31 Butler 1990: 10-1; 28-9 32 Butler 1990: 18;