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1 The Modern Fable Poems of Princess Shikishi Ten Japanese Poets Spring & Asura: Poems of Kenji Miyazawa Chicago Review Anthology of Modern Japanese Poets 99
2 Donald Keene esoteric languages Ten Japanese Poets Anthology of Modern Japanese Poets Burton Watson From the Country of Eight Islands: An Anthology Japanese Poetry: An Anthology Japanese Women Poets: An Anthology The New York Times Book Review
3 Herr Sato Joshua Mostow confuse the prosody of poetry with its graphic lineation Alan Tansman Harvard Journal of Asiatic Studies Yasuda s most famous epigone graphic lineation George Young Granite Carmel Wilson Eleanor Wolff Spaces 101
4 Priscilla Granite Granite Publications Poems of Princess Shikishi Ten Japanese Poets Princess Shikishi SPECTRUM January in Kyoto
5 John Solt Granite Chicago Review Chicago Review Press Michael O Brien OCS News traveller s joy 103
6 Chicago Review Press The Modern Fable Yasuko Claremont Gen ei: Selected Poems of Nishiwaki Junzaburo Douglas Messerli
7 Hosea Hirata The Poetry and Poetics of Nishiwaki Junnzaburō: Modernism in Translation Benjamin Derrida Encyclopedia of Poetry and Poetics Comparative Literature Studies Ambarvalia Ambarvalia Ambarvalia Le Monde Ancien imitation translatese 105
8 translatory OED Swift characterized by transferring from one to another translatese Ambarvalia The south wind has brought gentle goddesses, The south wind brought a soft goddess, Ambarvalia bring
9 I will construct for myself / a dangerous rattan chair construct The south wind has brought gentle goddesses, has wet the bronze, wet fountains, wet the swallows wings and golden feathers, wet the brine, wet the sand, wet the fish, wet quietly temples, baths, theaters; this procession of quiet gentle goddeses has wet my tongue. The south wind brought a soft goddess, moistened the bronze, moistened the fountain, moistened the wings of swallows and the golden hair, moistened the tide, moistened the sand, moistened the fish. It quietly moistened the temple, the bath, and the theater. This serene procession of the soft goddess Moistened my tongue. soft 107
10 gentle wet moisten wet wet moisten Forrest Gander James Liu intentional fallacy The Modern Fable ntroduction Katherine Catherine SPECTRUM
11 traveller s joy The Modern Fable introduction flowering rush dry sedge autumn when I would visit ciliegia pozzo my friend on the upper reaches of the arno camotopick the yellow chrysanthemums, wild orchids and dry sedge and adorn our table of talk to celebrate vacant memories. ciliegia pozzo Arno camo the yellow chrysanthemums the table talk talk of the table table of talk quaint 109
12 Czeslaw Milosz The New Yorker Joseph Brodsky English language poet Hiroaki Sato, tr. with an introduction, The Modern Fable: Nishiwaki Junzaburo. Los Angeles, California: Green Integer : The Year That Rocked the World Joshua Mostow, Pictures of the Heart: The Hyakunin Isshu in Word and Imagine. Honolulu, Hawaii: University of Hawaii Press, Alan Tansman, Bridges to Nowhere: Yasuda Yojūrō s Violence and Desire, HJAS, Vol. 6, No. 1 (Jun. 1996), pp Hiroaki Sato, String of Beads: Complete Poems of Princess Shikishi. Honolulu, Hawaii: University of Hawaii Press, OCS News OCS News Yone Noguchi: Accomplishments and Roles, The Journal of American and Canadian Studies, #13 (1995) htm John Solt, Shredding of the Tapestry of Meaning: The Poetry and Poetics of Kitasono Katue ( ). Cambridge, Massachusetts: Harvard University Asia Center, Solt The New York Times Book Review commentator David Orr Words of the World
13 Ocs News James J. Y. Liu, The Art of Chinese Poetry (The University of Chicago Press, 1962), Chapter 4. Burton Watson, Chinese Lyricism: Shih Poetry from the Second to the Twelfth Century (Columbia University Press, 1971), pp The Modern Fable The New York Times Book Review Geoffrey Hill William Logan Living With Ghosts 111
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