本文/ジャネット・スタイガー(山口菜穂子)2

Size: px

Start display at page:

Download "本文/ジャネット・スタイガー(山口菜穂子)2"

しょうりかたづ
7 years ago
Views:

2 72 243

3 a g e n c y

4 245

6 247

8 249

9 DuBarry, Woman... Just a Gigolo The Easiest Way Red-Headed Woman Blondie of the Follies The Crash Bed of Roses Rockabye New Morals for Old Street of Women Ann Vickers Lilly Turner

10 working girl 251

12 253

14 255

15 options

16 Mary Ann Doan, Film and the Masquerade: Theorising the Female Spectator, Screen 23, no. 3 4 (September October 1982): 82 Michele Montrelay, Inquiry into Femininity, m/f 1 (1978): 93. Sumiko Higashi, Virgins, Vamps and Flappers: The American Silent Movie Heroine (St. Albans, VT: Eden Press Women s Publications, 1978), pp Norma Alarcon, The Theoretical Subjects of This Bridge Called My Back and Anglo American Feminism, in Making Face, Making Soul, Haciendo Caras: Creative and Critical Perspectives by Women of Color, ed. Gloria Anzaldua (San Francisco: Aunt Lute, 1990), pp ; Kimberle Williams Crenshaw, Beyond Racism and Misogyny: Black Feminism and2livecrew, inwords thatwound: Critical Race Theory, Assaultive Speech, and The First Amendment, ed. Mari J. Matsuda, Charles R. Lawrence III, Richard Delgado, and Kimberle Williams Crenshaw (Boulder, Colorado: Westview Press, 1993), pp ; Patricia Hill Collins, Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment, 2 nd ed. (New York: Routledge, 2000), p. 18ff.; Leslie McCall, The Complexity of Intersectionality, Signs 30, no. 3 (Spring 2005): Amanda Anderson, Tainted Souls and Painted Faces: The Rhetoric of Fallenness in Victorian Culture (Ithaca, NY: Cornell University Press,1993), p. 15. Timothy Gilfoyle, City of Eros: New York City, Prostitution, and the Commercialization of Sex, (New York: W. W. Norton and Co., 1992), pp

Norma Alarcon, The Theoretical Subjects of This Bridge Called My Back and Anglo American Feminism, in Making Face, Making Soul, Haciendo Caras: Creative and Critical Perspectives by Women of Color,

17 Patrick Bade, Femme Fatale: Images of Evil and Fascinating Women (London: Ash and Grant Ltd.,1979), p. 7. Heart of Darkness: The Agon of the Femme Fatale, in No Man s Land: The Place of the Woman Writer in the Twentieth Century, vol. 2 (New Haven, CT: Yale University Press, 1989), p. 26. Janet Staiger, Bad Women: Regulating Sexuality in Early American Cinema (Minneapolis: University of Minnesota Press, 1995); Janet Staiger, Film Noir as Male Melodrama: The Politics of Film Genre Labeling, in Generic Canons: Genre, History and Memory, ed. Lincoln Geraghy and Mark Jancovich (forthcoming). John G. Cawelti, Adventure, Mystery, and Romance: Formula Stories As Art and Popular Culture (Chicago, IL: University of Chicago Press, 1976),p Staiger, Bad Women, p. 83. Laura Hapke, Girls Who Went Wrong: Prostitutes in American Fiction, (Bowling Green, OH: Bowling Green State University Popular Press,1989), pp ; Gilfoyle, City of Eros, pp Bad Women Bad Women, pp Porter Emerson Browne, A Fool There Was (New York: Grosset and Dunlap, 1909). Bad Women, pp Janet Staiger, Fashioning a Personality: Theda Bara and the Designs of Her Star Image, presented for Women and the Silent Screen Conference (Montreal, Canada, 2 6 June 2004). Wallace Franklin, Purgatory s Ivory Angel, Photoplay 8, no. 4 (September 1915): 72; Rowland Thomas, Vamping in Movies Suffices; This Star Prefers Normality in Real Life, Cleveland Plain Dealer, 20 February 1916[n.p.: NYPL clipping file].

Janet Staiger, Bad Women: Regulating Sexuality in Early American Cinema (Minneapolis: University of Minnesota Press, 1995); Janet Staiger, Film Noir as Male Melodrama: The Politics of Film Genre

18 The Wages of Sin: Censorship and the Fallen Woman Film, (Madison: University of Wisconsin Press, 1991) Lee Jacobs, The Seduction Plot: Comic and Dramatic Variants, Film History13, no.4 (2001): Staiger, The Politics of Film Genre Labeling. Higashi, Virgins, Vamps, p. 79, 169; Jacobs, Wages of Sin, p

Dramatic Variants, Film History13, no.4 (2001): 424 42.

19 The Wages of Sin The Seduction Plot Sara Ross, Good Little Bad Girls : Controversy and the Flapper Comedienne (Film History 13, no. 4 (2001)

20 261

22 263

19_山本.indd

19_山本.indd Bleak House Our Mutual Friend 1 はじめに 6 1949 Yalom 3-4 81 184-186 345 Yalom xvi 110-111 1642 104 1753 Stone 32 1792 201 Williams 1 1869 J.S. 146 346 1836 Yalom 187 Bleak House Our Mutual Friend 2 本論 Bleak